Result of your query: 2233 products
| B.B. King - Live in Kansas City yhdeksän biisiä |
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Blues Factory 2000 | CD | 10.00 € |
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| B.B. King - Living Legend Nauhoitettu USA:ssa livenä 1968. 5 biisiä |
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Eforfilms | DVD | 13.00 € |
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| B.B. King - Makin' Love Is Good For You He's known as the King Of The Blues, and is really the last of the great bluesmen the ones with the connection to the roots of the music. A man with a career spanning over 60 years. He is BBKing, a giant and a legend, now in his mid-80s, but still active, being revered and admired by all. King has never just been able to relax and live on his considerable reputation. Even in the 21st Century he's been making good music, as the album here proves. The follow-up to the big selling Riding With The King (a collaborative effort with Eric Clapton, this was released the sameyear, 2000), Makin' Love Is Good For You is a mix of covers and new material, nicely balanced by a sound that not only carries the great man's trademark, but also proves he was very comfortable in a modern studio environment. Using his touring band, who by then had been with him for a decade, King revisits some old friends (such as 'Peace Of Mind' and 'You're On Top', records new songs such as 'Action Speaks Louder Than Words' and 'She's My Baby'. He also provides his own approach to songs written by Tony Joe White (the title track), Willie Dixon ('Don't Go No Farther') and Barbra George ('I Know'). |
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Superbird Records 2011 | CD | 17.00 € |
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| B.B. King - Modern Recordings 1950-1951 2CD 2CD = 33 biisiä |
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Ace Records 2002 | CD | 23.00 € |
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| B.B. King - Most Famous Hits - Live 10 biisiä 50 minuuttia |
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Medusa | DVD | 9.00 € |
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| B.B. King - My Kind Of Blues - The Crown Series Vol. 1 18 biisiä |
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Ace Records 2003 | CD | 12.00 € |
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| B.B. King - My Sweet Little Angel |
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Ace Records 1992 | CD | 18.00 € |
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| B.B. King - Rock Me Baby 16 biisiä |
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Castle Pie 1999 | CD | 9.00 € |
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| B.B. King - RPM Hits 1951-1957 |
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Ace Records 1999 | CD | 17.00 € |
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| B.B. King - Singin' The Blues Crown LP + 8 bonusbiisiä |
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Ace Records 2005 | CD | 13.00 € |
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| B.B. King - Sings Spirituals 1959 |
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Diablo Records 1998 | CD | 13.00 € |
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| B.B. King - So Excited / The Thrill Is Gone |
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Collectables | Single/EP | 6.00 € |
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| B.B. King - Sweet 16 48 minutes Live in Kinshasa Africa ! |
Gravity | DVD | 9.00 € |
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| B.B. King - Sweet Little Angel Live at the Palais des Congres, Cannes, France 28.1.1983 with special quests Dave and Chris Brubeck and Neil Smith |
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TKO Magnum 2001 | CD | 15.00 € |
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| B.B. King - The Best Of The Early Years 25 tracks |
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Ace Records 2007 | CD | 18.00 € |
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| B.B. King - The Blues Uusin osa BB Kingin Crown LP-sarjassa. 18 biisiä lisää Crwon materiaalia |
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Ace Records 2005 | CD | 13.00 € |
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| B.B. King - The Jungle |
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Ace Records 2008 | CD | 12.00 € |
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| B.B. King - The Rarest King gatefold sleeve |
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Blues Boy | LP | 17.00 € |
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| B.B. King - Vintage Years 4CD Box B.B. King is an international icon, the founding father of the blues and rock guitar styles. His landmark recordings of the 1950s and 1960s for RPM, Kent and Crown were very influential at the time, and still are. We proudly present 106 tracks from that extraordinary body of work by John Broven Ace Records is extremely honoured to be able to present THE VINTAGE YEARS, a momentous 4-CD box set of B.B. King's landmark recordings for the Modern Records group on the RPM, Crown and Kent labels in the 1950s and 1960s. B.B. is a true international icon, unquestionably the founding father of the blues and rock guitar styles. Here, his budding genius is revealed for all to see. Looking back as the leader of this project, I became drawn more and more to B.B.'s music even though I had been listening to him forever. Most notably I was struck by the purity of his vocals (which have tended to be overshadowed by his peerless guitar work), by his knowledge and adaptation of seemingly the entire history of black recorded music, by his growing musical sophistication, and by those superb Maxwell Davis arrangements that have truly matured with age. At the end of it all, my admiration for this body of B.B.'s work is higher than ever. The individual CDs here can be summarised as follows: CD1: The Great B.B. contains many of the big hits readily associated with B.B. that he still plays to this day. CD2: Memphis Blues'n'Boogie is a look at the rare recordings of the early 1950s engineered by Sam Phillips in Memphis, followed by those directed by Bill Harvey in Houston. Session-by-session, you can see B.B. finding his own style. CD3: Take A Swing With Me covers the mid-late 1950s when B.B. was touring constantly, and Maxwell Davis became the music director. By this time, the blues market had started to dip, leading B.B. to record in a variety of styles from R&B, rock'n'roll, pop and doo wop to jazz and gospel. CD4: King Of The Blues is where B.B. establishes his blues mastery as his association with Modern Records draws to an end. The songs selected form a musical collage of the most creative stage of B.B.'s career, with the accent on listening pleasure. For the record, the 106 tracks include four previously unissued cuts and 25 stereo recordings with almost one-third of the content new to Ace CD. There are no less than 27 chart recordings, including four #1 R&B hits, 17 Top 10 R&B hits, and four Top 100 hits. In its making, the The Vintage Years was not a rush job. For example, Managing Director Roger Armstrong spent many months analysing the Ace archive of over 2,000 B.B. King tapes to select the best (and correct) masters. Eventually Duncan Cowell at Sound Mastering Ltd did the crucial post-production work. The sound is sparkling. Never before has the original studio 'room' ambience of classic numbers such as 3 O'Clock Blues and Please Love Me been heard with such clarity and zest. An impressive 74-page book, lavishly printed in full colour, accompanies the box and includes: Essays by Colin Escott and myself, based on new interviews with B.B. King, Joe Bihari (of Modern Records) and Sam Phillips (of Sun Records). A detailed track analysis by Colin Escott. A user-friendly B.B. King discography by Peter Gibbon and myself. A note on the exhaustive tape research process by Roger Armstrong. Details of B.B.'s tours in the late 1950s, including an area map and contemporary photos of the venues that he graced. Many previously unseen photos and illustrations. In effect, the book records a fascinating but vanishing era when B.B. was strictly a star among his own people, mainly playing the arduous chitlin' circuit. At the time the white American and overseas markets were nothing but mirages over distant horizons for him (and his contemporaries). Now, as Sam Phillips observes, B.B.'s audience is worldwide. Credit for the book editing process goes to Ace's Carol Fawcett, who worked closely with staffer Chris Popham. The impressive box cover idea comes from Philip Lloyd-Smee. Encouragingly, there has been a terrific level of co-operation from B.B. King and his manager Floyd Lieberman-.-those legendary record men Joe Bihari and Sam Phillips-.-award-winning author Colin Escott-.-and many fellow collectors and researchers including Dick Shurman, Dave Sax, Victor Pearlin, Miriam Linna and Chris Bentley. And we must not forget Ray Topping and Ted Carroll, whose pioneering B.B. King releases on Ace paved the way for this box set. As for myself, it has been a privilege to be embroiled in a work that fills an essential gap in the recorded history of the King Of The Blues. The Vintage Years reminds us just how great B.B. was - and still is. As co-writer Colin Escott notes, This is music of passion and brilliant economy. In terms of ongoing influence, these could very well be the most important post-War blues recordings. Prepare for the shock of the old. What The Critics Say.... (so far!) It's no wonder that B.B. himself took time out to give his blessing to this genuinely exhilarating package, which firmly raises the benchmark for the presentation of artist retrospectives in any genre. (Record Collector) It's time to stand up and lead the applause for a...job done splendidly well. (Keith Briggs, Blues & Rhythm) It's not only an object lesson in what a box set should be, but also a fitting tribute to an undisputed king of the blues (Peter Kane, Q) An epic journey, mapped in vivid detail (Tony Russell, Mojo) (from ACE RECORDS website) |
Ace Records 2002 | CD-Box | 48.00 € |
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| B.B. King - Wails - The Crown Series Vol. 2 18 biisiä vuosilta 1957-1963 |
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Ace Records 2003 | CD | 12.00 € |
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| B.B. King - Woke Up This Morning 25 tracks. Digisleeve |
Proper 2004 | CD | 10.00 € |
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| B.B. King & Friends - Live in Los Angeles |
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Eurotrend | CD | 10.00 € |
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| B.B. King / Thelma Houston - My Lucille / Keep It Light pic sleeve. record ex, sleeve vg+ |
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MCA Records 1985 | Single/EP | 5.00 € Käytetty |
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| B.Bumble & The Stingers / Joe Weaver & The Don Juans - Nut Rocker / Baby I Love You So EX- |
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Oldies | Single/EP | 5.00 € Käytetty |
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| Banana Blender Surprise - Paint The Town Brown 2CD 2CD = 42 tracks. a sugar-crazed combination of Chuck Berry, the Meters, and Fabulous Thunderbirds. Band is from Houston, TX |
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Freedom Records 2006 | CD | 20.00 € |
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| Barbara Blue & The Phantom Blues Band - By Popular Demand |
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Shout Records 2007 | CD | 17.00 € |
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| Barbara Lynn - Here Is Barbara Lynn originally released 1968. |
Warner Music Japan 2012 | CD | 17.00 € |
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| Barbara Lynn - The Jamie Singles Collection 1962-1965 2CD 2CD = 32 tracks |
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Jamie Records 2008 | CD | 30.00 € |
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| Barrance Whitfield And The Savages - Savage Kings |
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Munster Records 2011 | CD | 20.00 € |
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| Barrence Whitfield And The Savages - Let's Lose It |
Stonyplain 1990 | CD | 20.00 € |
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| Barrence Whitfield And The Savages - Plus 10 More For The Pot n the spring of 1985, my old friend Dave Woodhead, who had turned me on to many musical treasures, including Jim Ford’s “Harlan County”, lent to me an album he’d picked up on a trip to the States. When Dave recommended something I took notice. The LP was the debut release of an R&B band then unknown outside of the Boston area. It was one of those moments in which I had to disagree with Bo Diddley: more often than not you can judge a book by the cover. Likewise an album. This one displayed an amateurish illustration of a cauldron in a jungle which itself carried with it a no-nonsense implication. The name of the band also advertised a record that was going to be uncompromising. Barrence Whitfield and the Savages sounds, on its own, like a declaration of rock’n’roll authenticity. Uncompromising would have been a description of Barrence and the Savages that the Del Fuegos would rather not have had confirmed only a few days after Dave had lent me the LP. I was standing next to them, on the side of the stage in a huge quayside club in Boston. The Del Fuegos were the headliners that night. And the man opening for them was, at that moment, being borne around the room on the hands of a frenzied crowd, a little black ball of energy in a turban and dark glasses – honking, wailing, testifying and twisting – as his band, the Savages, some distance away on stage, ripped through the swagger of ‘Walking With Barrence’. The Del Fuegos looked like they wanted to go home. What positioned Barrence and the band way beyond any other rock’n’roll of the era was a unique marriage of Barrence’s personality and R&B shouter elan to the bounce and insolence of Peter Greenberg’s essentially rockabilly guitar style. With the addition of much ill-mannered saxophone, we have here a band which embodied the heart and soul of rock’n’roll. I hadn’t got to the end of Side 1 of Dave’s loaned copy before I called the number in the States on the back. It was that of Barrence’s manager, Andy Doherty. “They’re playing this Friday and Saturday,” he said. That did it. I just hopped on a plane and went to Boston for the weekend. Andy, a nice man and professional fan, put me up. Barrence and I became instant pals and soul brothers. The source of his R&B credentials was clear on a walk with him around Boston. Barrence could not pass a collectors’ record shop and actually worked part-time in one. He knew his stuff and, unusually for a young black guy at the time, he was a real enthusiast for old R&B, soul, blues and country. Around the city, Barrence’s popularity was astonishing. Everyone seemed to recognise and adore the little bugger. If he’d run for mayor, I’m convinced he’d have walked it. I came home to evangelise on Radio 1 about the live experience of the band whose debut LP tracks on my programme were already sending listeners daft. And I did what I could to help set up the first British dates for Barrence and the band. Now, at last released on CD, is that astonishing album. If you were with us in 1985, you’ll welcome a replacement for your elderly Savages vinyl. If you are about to meet Barrence for the first time, be prepared to be shaken to your soul by the LP which made me hop immediately on a plane to the States and compelled one listener, another R&B screamer called Robert Plant, to track me down and phone me at home to reserve his ticket for Barrence’s first British gig. Be prepared, in fact, to be Savaged. By Andy Kershaw (ACE RECORDS) |
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Ace Records 2010 | CD | 17.00 € |
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| Barrence Whitfield And The Savages - Savage Kings After 25 years, Barrence Whitfield and the Savages have got together again and recorded a new kicking and shouting rock & roll album.Featuring core members of the original line-up Barrence Whitfield, Peter Greenberg and Phil Lenker.Recorded in Cincinnati as a homage to King Records for its lasting inspiration to the band. |
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Munster Records 2011 | LP | 20.00 € |
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| Beale Street Sheiks - Chicken You Can Roost Behind The Moon |
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Monk Records | LP | 18.00 € |
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| Belvadares - Moondance Party uusi rockabilly / jive yhtye |
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Fury Records 2004 | CD | 9.90 € |
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| Ben E. King - Beginning Of It All album from 1972 |
Castle 2002 | CD | 15.00 € |
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| Ben E. King - The Very Best Of 16 tracks |
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Warner Music 1998 | CD | 10.00 € |
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| Benny & The Fly By Niters - Be Good Or Be Gone great R&B group from Melbourne, Australia |
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Aloha Records 2003 | CD | 9.90 € |
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| Benny & The Fly By Niters - Hey Now ! Great new CD from this Aussie band. Recorded in Austin, Texas at Fort Horton Studios. |
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Aloha Records 2007 | CD | 9.90 € |
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| Benny & The Fly-By Niters - Jet Propelled Daddy Great Jump, R&B group from Australia. Their first CD. |
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Aloha Records 2001 | CD | 10.90 € |
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| Bessie Smith - Nobody Kows You When You're Down And Out Known at her peak, and forevermore as 'The Empress Of The Blues', Bessie Smith was possibly the first and greatest of the blues divas and certainly the first to have hit records. A protege of the great Ma Rainey, by the early 1920s, Bessie Smith was already a superstar, backed on record by the likes of Louis Armstrong, Joe Smith, James P. Johnson, and Charlie Green. Her elaborate live shows Harlem Frolics and Mississippi Days were smash hits though out the decade; The Blues were in and trendy, and Bessie was at the top of her game. |
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Rev-Ola 2007 | CD | 17.00 € |
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| Bessie Smith - Them's Graveyard Words |
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Monk Records | LP | 15.00 € |
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| Bettie And The Handsome Trio - Taste Of Blue hyvä kotimainen R&B levy |
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Handsome Sounds 2013 | CD | 15.00 € |
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| Bettye LaVette - Do Your Duty Prior to her recent rediscovery by a new generation of admirers, Detroit-bred soul diva Bettye LaVette spent nearly four decades building a thrilling body of music that her new fans now have the pleasure of discovering. For many longtime LaVette devotees, her recordings for the Silver Fox label, and its parent company SSS International, rank with the artist’s finest work. Do Your Duty collects the 11 classic solo sides that LaVette cut for Silver Fox and SSS in 1969 and 1970, including her beloved R&B hits “He Made a Woman Out of Me” and “Do Your Duty.” |
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Sundazed Music 2006 | LP | 20.00 € |
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| Big Al Downing - Back To My Roots Some great R’n’R and R&B styled tracks recorded with Al’s own band. Great digipack sleeve |
Rollercoaster Records 1997 | CD | 20.00 € |
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| Big Al Sears - Sear-iously 25 tracks |
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Bear Family 1992 | CD | 17.00 € |
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| Big Bad Voodoo Daddy - Live live show on CD + DVD. |
Big Bad Records 2004 | CD | 22.00 € |
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| Big Bad Voodoo Daddy - Rattle Them Bones |
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Savoy Jazz 2012 | CD | 20.00 € |
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| Big Bad Voodoo Daddy - Save My Soul |
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Imusic 2003 | CD | 18.00 € |
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| Big Bill Broonzy - Amsterdam Live Concerts 1953 2CD Recorded 26 & 28 February 1953 in Amsterdam. 26 tracks total |
Munich Records 2006 | 2-CD | 33.00 € |
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| Big Bill Broonzy - An Everning With recorded in club montmartre, copenhagen 1956 |
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Doxy Music 2012 | LP | 18.00 € |

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