| Freddy King - Goes Surfin' Syd Nathan, impresario of Cincinatti's King Records, was the epitome of the old-school indie record label owner. Always hustling, Nathan regularly beat the odds to release hit after hit in multiple genres. He'd try anything if he thought it might work, or more precisely, if he thought it would make money. After Chess Records turned down guitarist/vocalist Freddy King several times for sounding too much like B.B, King, Nathan thought that sound might actually be sellable and took a chance, signing Freddy to his Federal subsidiary label. They hit paydirt with an instrumental titled "Hide Away," which reached #5 on the R&B Chart and #29 on the Pop Singles Chart. Encouraged by the single's success, Nathan released a full album of King's instrumentals, Let's Hide Away and Dance Away with Freddy King. (See what Nathan did there with the title, slipping in a reference to Freddy's big hit single? Always be closing, my friends, always be closing.) The album sold well and helped make Freddy a bankable touring act. While others would have been satisfied to move on to the next project, Syd sensed untapped potential in the LP. Meanwhile, several artists on the West Coast were making noise in the brand new surf music scene (and by "making noise," I mean selling records). Syd didn't have any surf music artists under contract, but he DID have Freddy King. Surely, Syd surmised, if the kid's went nuts for Dick Dale's guitar instrumental workouts, they could do the same for Freddy's. All he needed was a little marketing magic...GET A NEW COVER WITH SOME SURF KIDS! THROW SOME CROWD NOISE OVER TRACKS SO IT SOUNDS 'LIVE'! CALL IT...ERR...FREDDY KING GOES SURFIN'! PRESS IT AND HAVE IT ON THE SHELVES BY NEXT WEEK!!!!!!! While it may not have happened EXACTLY like that, King Records did release Freddy King Goes Surfin', an album containing the very same songs (in precisely the same running order) as Let's Hide Away... with crowd noise dubbed over the music. Did the ruse work? Though it didn't sell as well as the original, Freddy King Goes Surfin' did find an audience. Like Bo Diddley Is a Gunslinger, the album's title is such a preposterous premise that it surely snagged many buyers on that fact alone. And no amount of ersatz cheering and cocktail glass tinkling could cover up the six-string genius of King and his almighty Texas tone. Need proof? Fellow Lone Star blues maven Billy F. Gibbons picked Freddy King Goes Surfin' as one of his Top Ten Favorite Blues Albums of All Time. As for Sundazed, we know not to mess with a good thing. Sourced from the original King mono masters and pressed on 180-gram vinyl at Record Technology, Inc. (RTI), we are proud to present Freddy King Goes Surfin' in its original running order with its original cover art. Somewhere, Syd is chuckling to himself, remembering the time he stole a hit right out from under the Chess brothers... |
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Sundazed Music 2013 | LP | 23.00 € |
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| Jesse Fuller - Jazz, Folk Songs, Spirituals & Blues Originally released 1958 |
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Doxy Music 2013 | LP | 20.00 € |
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| King Salami And The Cumberland Three - Cookin' Up A Party |
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Dirty Water Records 2013 | LP | 18.00 € |
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| Mary Wells - Bye Bye Baby - I Don't want to take a Chance originally released 1963 |
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Rumble Records 2013 | LP | 18.00 € |
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| VA: - House Rent Party Vol. 2 |
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Rent House Records 2013 | LP | 15.00 € |
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| VA: - Later Alligator 2LP Louisiana Rock'n'Roll Fantastic Voyage continues its mission to unearth and collate America’s huge regional rock ‘n’ roll heritages by heading down to Louisiana for Later Alligator, a rare gumbo blend of Big Easy R&B, Cajun country, rampant blues-boogie and Bayou swing, served up over four sides brimming with lesser-heard originals and mouth-watering obscurities. Compiled by Lucky Parker in conjunction with Wild Wax Show DJ ‘Jailhouse’ John Alexander, Later Alligator deftly demonstrates the fabulous range of styles running rampant in the Pelican State in the 1950s-60s, kicking off with Louisiana’s most infamous son, Jerry Lee Lewis. The unmistakably rolling ‘Lewis Boogie’ was originally the flip of post-scandal statement, ‘The Return Of Jerry Lee Lewis’. Fellow rockers include ‘Suzie-Q’ titan Dale Hawkins, Bobby Charles [with the title track], Rod Bernard, Roy Brown, Frankie Ford, Fats Domino, Chris Kenner, Tibby Edwards, Johnny Ray Harris, Champion Jack Dupree, Mickey Gilley, Clarence ‘Bon Ton’ Garlow and many more. Several tracks are drawn from the local independent labels including Goldband, Jin, Ace, Ram and Vin, introducing a fervently attractive streak for record collectors. As with all Fantastic Voyage expeditionary releases, the set’s allure is further hot-wired by oddities and curios, here including a 13-year-old Dolly Parton wailing ‘Puppy Love’ or the Cajun accordion swamp gas of Cleveland Crochet’s ‘Sugar Bee’. Strangest of all is Jay Chevalier, crooning about the Cuban missile crisis over guitar and bongos before a major explosion at the end. There’s a tangible spirit and energy coursing through these tracks rarely found in today’s music which was even unique to the state of Louisiana back then; it’s own brand of spiced-up, cross-fertilising rock ‘n’ roll and country twang, all bathed in steamy swamp fever. To have so many towering examples gathered together on one set is cause for celebration and no-holds-barred whoopee. |
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Fantastic Voyage 2013 | LP | 25.00 € |
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| Albert King - The Big Blues Standing well over six feet and weighing in at around 250 pounds, it's no surprise that Albert King earned the nickname "The Velvet Bulldozer." Standing on stage with his Gibson Flying V, named Lucy, King cut an imposing visual figure. Still, he made an even bigger impression through his recordings, reaching fans all over the world with his punchy, aggressive guitar playing and his commanding voice. Born on a cotton plantation in Indianola, Mississippi, in 1923, King was introduced music in church, where his father played guitar. After picking up the guitar himself, King played across the south and midwest, winning a strong live following while in pursuit of a successful recording career. After a few abortive attempts, King finally scored a major hit single with "Don't Throw Your Love on Me So Strong," reaching #14 on the Billboard R&B chart in 1961. Recorded for Cincinnati's King label, the song captured the distinctive call-and-response style between King's voice and guitar, a direct extension of his gospel roots. It was included on his debut album The Big Blues, a dynamic mix of twelve vocal and instrumental tracks, ten of which were self-composed. Backed by a razor sharp band, which included Ike Turner on piano, King showed an authoritative command of ballads, rumbas and mid-tempo shuffles. It was a sound honed in countless club gigs, a "vivid sound" as the LP jacket rightly proclaimed. To restore this sound to its royal splendor, Sundazed sourced this reissue from the original King mono master tapes. Pressed on 180-gram vinyl at Record Technology, Inc. (RTI) in Camarillo, CA, this resurrected LP boasts breathtaking sound and an exact reproduction of the original first edition cover artwork. Nothing less would have been worthy of one of the most important albums in the blues pantheon. All hail King Albert! |
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Sundazed Music 2012 | LP | 23.00 € |
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| Big Bill Broonzy - An Everning With recorded in club montmartre, copenhagen 1956 |
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Doxy Music 2012 | LP | 18.00 € |
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| Big Bill Broonzy, Sonny Terry, Brownie McGhee - Blues With Big Bill Broonzy, Sonny Terry, Brownie McGhee |
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Doxy Music 2012 | LP | 18.00 € |
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| Big Jay McNeely - Country Boy All tracks were recorded live, direct-to-disc at Blue Heaven Studios, Salina, Kansas 2011. |
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Apo Records 2012 | LP | 15.00 € |
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| Blind Willie McTell - Volume 1 Blind Willie McTell's Volume 1 from our highly-anticipated Document Records reissue series on black, 180-gram vinyl. |
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Third Man Records 2012 | LP | 18.00 € |
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| Bo Diddley - Bo Diddley |
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Rumble Records 2012 | LP | 18.00 € |
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| Bo Diddley - Go Bo Diddley |
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Rumble Records 2012 | LP | 17.00 € |
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| Bo Diddley - Is An Outlaw |
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Checker 2012 | LP | 18.00 € |
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| Bo Diddley - Is Loose |
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Checker 2012 | LP | 18.00 € |
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| Bobby Bland - Two Steps From The Blues originally released 1961 |
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Doxy Music 2012 | LP | 20.00 € |
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| Clyde McPhatter & The Drifters - Clyde McPhatter & The Drifters |
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Rumble Records 2012 | LP | 18.00 € |
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| Erja Lyytinen & Davide Floreno - It's A Blessing 2005 released album now available also on LP |
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Bluelight Records 2012 | LP | 15.00 € |
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| Esquerita - Sinner Man - The Lost Session Ten unissued selections from a long lost June 1966 NYC session showcase Esquerita pounding it out on piano and organ, flashing back and forth between the two during each song, accompanied only by a fantastic drummer! Dig the over the top nine minute gospel wailin ' title track (based on Nina Simone 's version but delivered at super Voola velocity) that 's worth the price of admission alone! STAGGERING! |
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Norton Records 2012 | LP | |
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| Etta James - At Last LP + CD 180 gram LP + free CD of the album. Etta James' debut album, originally released in 1961 on Chess subsidiary label, Argo. The album's title track "At Last" and "All I Could Do Was Cry" (co-written by future Motown mogul Berry Gordy) both went to No. 2 on the R&B charts, while the album itself has gone down in history as one of the great classic albums of early R&B. The 4 bonus tracks are taken from two 1960 singles featuring doo-wop idol Harvey Fuqua of the Moonglows (best known for their 1955 hit "Sincerely"). |
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Doxy Music 2012 | LP | 20.00 € |
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| Etta James - The Second Time Around LP + CD 180 gram vinyl feat a free bonus CD. Originally released 1961 |
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Doxy Music 2012 | LP | 20.00 € |
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| Fats Domino - This Is Fats Domino Originally released in 1956 on the Imperial label and collecting both old and new chart-smashers, most of which were co-written with Dave Bartolomew, This is Fats Domino explains the legendary role Antoine Domino had, and still has, in New Orleans' popular culture. "Blueberry Hill", "Rockin' And Reeling", "The Fat Man's Hop"... this is the soundtrack to a trip to Bourbon Street. "Fats won't ever grow like a weed or be as tall as a building", they used to say in New Orleans, "but he's as strong as the Mississippi and he'll be around just as long". |
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Rumble Records 2012 | LP | 18.00 € |
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| Frank Frost With The Night Hawks - Hey Boss Man |
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Bear Family 2012 | LP | 18.00 € |
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| Ike & Tina Turner - The Soul Of Ike & Tina Turner Well-known for her trademark legs, throaty voice, and boundless stage energy, Tina Turner was one of the sexiest and most popular international performers of the 20th century. Ike Turner, a well established seminal figure in the early years of rock & roll as both a performer and talent scout, met her one night in St. Louis while he was performing with his “Kings Of Rhythm”: she just grabbed the microphone and sang a B.B. King song, impressing Ike so immediately and overwhelmingly that he asked her to perform regularly with them. The rest is history: Ike’s slick managing skills and songwriting, along with Tina’s intensely energetic lead voice, three back-up 'Ikettes’ and a technically airtight eight-piece band produced a combination of country blues, rock and roll, ghetto rhythm and gospel passion that created a legend lasting 50 years. “It’s Gonna Work Out Fine, “ “I Pity the Fool, “ “I Idolize You, and “Tra La La La La.” are just some of the R&B gems included in their 1960 astonishing debut album. |
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Rumble Records 2012 | LP | 19.00 € |
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| Ike Turner - Real Gone Rocket, Session Man Extraordinaire selected singles 1951-1959 |
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Jerome Records 2012 | LP | 20.00 € |
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| John Lee Hooker - Plays & Sings The Blues |
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Doxy Music 2012 | LP | 18.00 € |
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| King Curtis - New Scene Of King Curtis |
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Doxy Music 2012 | LP | 18.00 € |
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| Lavern Baker - Lavern |
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Rumble Records 2012 | LP | 17.00 € |
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| Lavern Baker - Lavern Baker One of the greatest masterpieces of R&B + R&R !! 140 gram LP. Dolores Lavern Baker, responsible for a couple of dozen hits both on the R&B and Pop Charts of the late 50's, proved capable of melding blues, jazz and R&B styles in a way that made possible the emergence of a new idiom: rock and roll. She was also the first black artist to file a legal grievance against a white artist when she sued competing label Mercury recording artist Georgia Gibbs for covering one of her hits. Although she lost that battle, it set an important precedent! She was also one of the first R&B acts to bring rock and roll to the Ed Sullivan Show, opening the genre to a much wider audience. Lavern Baker is still considered one of the most remarkable female vocalists of her era, creating a sultry yet hard image that inspires female R&B singers to this day. |
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Rumble Records 2012 | LP | 17.00 € |
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| Marv Johnson - Marvelous Marv Johnson Detroit gifted singer, songwriter and pianist Marv Johnson was a seminal figure in the early history of Motown Records. Responsible for more than a handful of hits between 1959 and 1960, he enjoyed no less than nine records in the top 100 as well as two songs on the top ten chart, after being chosen by the record producer Berry Gordy as the first artist to be released on his fledging record label TAMLA, in which Marv kept recording and working on sales and promotion until the late 70s. Often overlooked compared to the other great R&B stars of those years, Johnson's rich legacy includes dozens of brilliant soulful songs, like the immortal chart-smasher "You Got What It Takes" and the classic "Come To Me". |
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Rumble Records 2012 | LP | 18.00 € |
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| Muddy Waters - Hard Again Muddy Waters needs no introduction. The Chicago-based blues singer has been in the business since the 1940s, influencing the 60s blues rock movement spearheaded by the Rolling Stones. Recorded eight years after his last album After The Rain, Hard Again is Muddy Water's massive comeback album of 1977, opening up with the one song that cemented Muddy's place in Rock & Roll heaven: "Mannish Boy". Produced by Johnny Winter (whose ecstatic 'Yeah!'s can be heard on "Mannish Boy"), Hard Again features Muddy's trademark blues sound: rugged, raw and full of energy. The rest of the album has similar qualities: blues harps, slide guitars and wailing vocals, it's all there. Music On Vinyl's 180 gram HQ reissue LP is a no brainer for any record collection! |
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Music On Vinyl 2012 | LP | 20.00 € |
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| Muddy Waters - I'm Ready |
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Music On Vinyl Records 2012 | LP | 18.00 € |
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| Nick Waterhouse - Time's All Gone |
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V2 2012 | LP | 20.00 € |
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| Ray Collins' Hot-Club - High Life |
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Brisk Records 2012 | LP | 17.00 € |
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| Red Devils - King King The Red Devils 20th anniversary of their debut album "King King". Now released on vinyl for the first time ever. Exlusive limted edition. Solid red vinyl. 180 gram vinyl |
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Universal Music 2012 | LP | 28.00 € |
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| Robert Cray Band - Nothin' But Love With 5 Grammy Awards, 15 nominations, over 12 million of records sold worldwide, and thousands of sold out performances, rock blues icon Robert Cray is considered “one of the greatest guitarists of his generation.” Rolling Stone Magazine in their April 2011 issue credits Cray with reinventing the blues with his “distinct razor sharp guitar playing” that “introduced a new generation of mainstream rock fans to the language and form of the blues” with the release of his Strong Persuader album in 1986. Since then, Cray has gone on to record fifteen Billboard charting studio albums and has written or performed with everyone from Eric Clapton to Stevie Ray Vaughan, from Bonnie Raitt to John Lee Hooker. Recently inducted into the Blues Hall of Fame at the age of 57, he is the youngest living legend to receive the prestigious honor. And while he can look back over an astonishing three-decade career punctuated by his trademark sound and distinct playing style, Robert Cray is too busy moving forward on an amazing journey that has him releasing his sixteenth studio album and embarking on yet another world tour. Nothin But Love will be both his first collaboration with the Provogue Records label and super-producer Kevin Shirley (Aerosmith, The Black Crowes, Joe Bonamassa). This ten-song stand includes material from all four Robert Cray Band members; Cray (vocals / guitar), Jim Pugh (keyboards), Richard Cousins (bass) and Tony Braunagel (drums) that blends blues, rock, soul and jazz with a lyric-sheet that examines the triumphs, fallouts and follies of love. “Kevin did an amazing job producing this album and I’m really happy with the outcome,” says Cray, “he captured the real essence of the Robert Cray Band, that live energy we deliver on the road that is usually so difficult to nail down in the studio. I think it’s one of the strongest records that we’ve done.” And he’s right. In terms of production, long-time fans will be thrilled with a recording featuring what Shirley calls “the dirt under the fingernails.” Recorded live over a two-week burst at the Revolver Studios in LA, Nothin But Love features the soaring breakup blues of “Won’t Be Coming Home”, the jazz chops of “I’ll Always Remember You”, the soul-drenched ode to repossession that is “Great Big Old House” to the frantic ’50s-flavoured rocker “Side Dish.” Cray still remembers the first love that led him here. “My dad was in the army, so we moved around quite a bit,” he explains. “I had a lot of time and the guitar became my friend. Also, when I first picked up a guitar, The Beatles were just out, and that’s why I got one. That’s why a lot of kids got guitars. The whole atmosphere of that time was, ‘Hey, I learnt this’. ‘Well, let me show you this…’ So that’s what sparked my interest, and it never really went away.” Cray cites Jimi Hendrix, Buddy Guy and B. B. King as formative guitar influences, alongside singers like Bobby ‘Blue’ Bland, but just as pivotal for the aspiring bluesman was witnessing Albert Collins play a set at his high-school dance. It was that Collins performance that led to the formation of the Robert Cray Band in 1974, a four piece touring band featuring Cray on lead vocals and guitar and longtime friend Richard Cousins on bass, whose thrillingly modern take on the blues was the talk of the circuit, even if the singer was a bit of an introvert on stage. “I just couldn’t speak to the audience,” says Robert with a smile, “so Richard would do all the introductions. These days I think I’m better at it.” In 1976 after two years of touring and in the first of many pinch-yourself moments the band was invited to be the house band for Albert Collins; a stellar musical apprenticeship and schoolboy fantasy that lasted over 18 months. Opening their account with 1980’s Who’s Been Talkin’, the Robert Cray Band fired off three albums in quick succession, and although 1985’s False Accusations hijacked the charts and won an industry blues award, it was the following year’s Strong Persuader that achieved lift-off, hitting a US#13 chart position that was unprecedented for a blues record in the synthesizer age. “I guess Strong Persuader just captured a good spirit and energy,” Cray reflects. “People are still calling out for some of those songs at shows. It gave us a good springboard. I guess it was the songs, but it was also the era, because radio and MTV gave us a foothold, and we had videos out too.” Cray had arrived in the big league. As singles like “Smoking Gun” scaled the singles charts across the planet and word spread of his incendiary live shows, his name began to be mentioned in the same breath as the blues heavyweights, and he was regularly to be found working alongside them. He spent the years that followed guesting on Eric Clapton’s Journeyman album, jamming live with Keith Richards, appearing in Tina Turner’s TV special Break Every Rule, posthumously inducting Howlin’ Wolf into the Rock ‘n’ Roll Hall of Fame, and supplying solos for the late John Lee Hooker. “We became good friends,” says Cray of this latter hero. “We were with the same agency, so we did a lot of shows together. I went to Japan with John Lee and watched as the Japanese fans mobbed him. It was fantastic. He was a real one-off.” The oft-quoted line reads ‘bluesmen improve with age’, and Cray’s evolving output through the next two decades gives weight to the theory. “In the ’90s, we had the I Was Warned album (1992), and then Sweet Potato Pie (1997), which was a Memphis kind of thing that got into the soul bag,” he recalls. “I really liked those two records: there was some good songwriting.” In 2000 he took home a Grammy for the album Take Your Shoes Off and went on to release two additional Grammy nominated albums Twenty (2005) featuring the poignant anti-Iraq war song of the same name, and This Time (2009) featuring the soul drenched favorite “I Can’t Fail.” The following year, the Robert Cray Band release the live album Cookin’ In Mobile (2010) and once again toured worldwide to sellout crowds. “We have been very lucky,” says Cray, “with music becoming mostly digital in recent years and artists not selling the same number of physical records, we’re afforded the luxury of having a great loyal and amazing fan base around the world, allowing a band like ours to continue to work.” It’s quite a humble and unassuming statement, given his illustrious career – but that’s always been Cray’s style. He doesn’t take anything for granted, doesn’t rest on his laurels. So on this sixteenth studio release, Robert Cray is once again laying down his cards, testing his talent, fusing that dazzling voice to some of the most powerful material in his three-decade back catalogue and offering his fans Nothin But Love. Nothin’ But Love is not the kind of album you have a casual fling with. It’s the kind of album you fall for. |
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Mascot Music Production 2012 | LP | 20.00 € |
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| Ronettes - Presenting the Fabulous Ronettes featuring Veronica |
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Sundazed Music 2012 | LP | 20.00 € |
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| Rosie Flores - Working Girl's Guitar Limited edition LP - includes code for free MP3 download of the album |
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Bloodshot Records 2012 | LP | 18.00 € |
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| Roy Thompson & The Mellow Kings - Back On Tracks |
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Sleazy Records 2012 | LP | 17.00 € |
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| Sam Cooke - My Kind of Blues originally released 1961. fine 180g vinyl |
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RCA Victor 2012 | LP | 20.00 € |
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| Sam Cooke - Twistin' The Night Away originally released 1962 on RCA Records 'Twistin' the Night Away' was one of Cooke's more successful LP's, only his second ever to chart, and from here on, all of his albums would sell in serious numbers. 'Twistin' the Night Away' remains one of Cooke's most accessible records, despite the fact that it was a "twist" album. Around them, the singer is at his most soulful, exciting, and passionate, on the bluesy "Somebody Have Mercy"; the romantic lament "Somebody's Gonna Miss Me"; the achingly beautiful, yearning "A Whole Lot of Woman"; and the soaring "Soothe Me" (with Lou Rawls). One of the great dance albums of its period, but a brilliant soul album as well, which is why it holds up 50 years later. This is the remastered version of a record that's been out of print for a (too) long time! |
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Music On Vinyl Records 2012 | LP | 20.00 € |
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| Screamin' Jay Hawkins - A Collection Of Forgotten Gems from 1953-1959 Rare, unissued or just plain weird ! |
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Rumble Records 2012 | LP | 18.00 € |
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| T. Valentine with Daddy Long Loegs - The Vampire The Hello Lucille Are You A Lesbian king is back from parts unknown with a frantic new album that defies all description! Featuring Norton newest sensations Daddy Long Legs on rumblin' R&B instrumentation, the legendary Chicago soul screamer delivers the insanest, rawest collection of evil ass twisted genre-manglin' blues EVER! Crossover, MY FOOT! Dig The Vampire, Shake Your Funky A-S-S, The Death Of Betty Sue, Gravediggers, Cell Phone and mo'! Be sure to pick up a souvenir cell phone and autographed limited edition posters at the Norton merch shop! THE VAMPIRE is also available on CD for camping trips and automotive use. |
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Norton Records 2012 | LP | |
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| VA: - Jerk Boom Bam Vol. 5 |
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Jerk Boom Bam 2012 | LP | 17.00 € |
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| VA: - Jerk Boom Bam Vol. 6 |
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Jerk Boom Bam 2012 | LP | 18.00 € |
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| Barrence Whitfield And The Savages - Savage Kings After 25 years, Barrence Whitfield and the Savages have got together again and recorded a new kicking and shouting rock & roll album.Featuring core members of the original line-up Barrence Whitfield, Peter Greenberg and Phil Lenker.Recorded in Cincinnati as a homage to King Records for its lasting inspiration to the band. |
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Munster Records 2011 | LP | 20.00 € |
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| Chuck Willis - The King Of The Stroll |
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Rumble Records 2011 | LP | 18.00 € |
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| Dave "Baby" Cortez - with Lonnie Youngblood and His Bloodhounds Killer new instrumental workouts from "Baby", the man who topped the charts in 1959 with The Happy Organ -- his first new recordings in decades! Dave is joined by sax legend Lonnie Youngblood who recorded with Jimi Hendrix just prior to the Experience! |
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Norton Records 2011 | LP | |
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| Dave Alvin - Eleven Eleven 2LP |
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Yep Roc Records 2011 | LP | 25.00 € |
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| Del Moroccos - Blue Black Hair VINYL VERSION - 180 GRAM LP WILL BE OUT IN FEBRUARY 2011 !! Produced by Jimmy Sutton, The Del Moroccos' debut CD, Blue Black Hair blends R'n'R, R'n'B, 50's garage, and Latin Rocanrol! . Fronted by 3 sexy singers the Del Moroccos also feature Jimmy Sutton on electric guitar and Beau Sample, Cave Catt Sammy, on bass. |
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Goofin Records 2011 | LP | 15.00 € |
