Blues / Rhythm & Blues (2-CD)
Result of your query: 46 products
| VA: - Swampbilly Shindig 2CD Swampabilly Shindig leaps deep into the bayous and plantations of the Deep South. Here, although racial segregation remained law, black and white music mixed with country and rockabilly taking beautiful shape as the hillbilly cats learnt from their blues playing and gospel singing neighbours. Gathered here are 50 tunes with Southern roots from artists as legendary (and as different) as The Staple Singers, Elmore James and Jerry Lee Lewis. |
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Union Square Music 2013 | 2-CD | 10.00 € |
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| Alvin Cash - Windy City Workout - The Essential Dance Craze Hits 2CD Chicago soul music is one of the many regional variations that proved nationally popular during the 1960s and this unique collection celebrates one of the city’s many stars Alvin Cash. An often overlooked sub-genre is the almost never-ending stream of dance craze records which caught the national imagination, and Alvin Cash was among the leading exponents. Windy City Workout is the first ever legitimate CD release devoted entirely to Cash’s recordings. Disc 1 opens with his sole album release Twine Time, named after his biggest hit, and continues into Disc 2 with all of his single releases in chronological order. This deluxe memorabilia-laden package features notes from the eminent Chicago blues and soul expert Robert Pruter, and the track listing denotes all the chart placings he secured on America’s pop and R&B charts. Cash’s recordings for Mar-V-Lus, Toddlin’ Town, Seventy-Seven and Sound Stage Seven are all included. Also featured are three tracks which only ever appeared on the now ultra-rare Toddlin’ Town LP, Wilson Pickett’s ‘Funky Broadway’ and two Arthur Conley hits, ‘Funky Street’ and ‘People Sure Act Funny’. Dances with instructions include The Twine, The Boo Ga Loo, The Bump, The Barracuda, The Boston Monkey, The Penguin, The Freeze, The Charge, The Popcorn and, second only to The Twine, The Ali Shuffle, a dance which Alvin dedicated to Mohammed Ali. Alvin Cash passed away in 1999 but his music still resonates on today’s soul scene, as a quick visit to YouTube will attest. This carefully compiled 2CD set is the first comprehensive retrospective of his work and is testimony to the power of dance music; get up and get down is all you can really do to this collection. |
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Charly Records 2012 | 2-CD | 18.00 € |
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| Huey Piano Smith - It Do Me Good 2CD The Banashak & Sansu Sessions 1966-1978. When it comes to good time rollicking rock’n’roll or rhythm’n’blues, there are few exponents to match Huey ‘Piano’ Smith. One of the greatest of New Orleans’ many pianists, Smith began his career with blues men like Guitar Slim and Earl King and enjoyed a string of classic hits in the late 1950s. During that time he wrote and recorded three of rock and roll’s most enduring classics, ‘Rockin’ Pneumonia And The Boogie Woogie Flu’, ‘High Blood Pressure’ and ‘Sea Cruise’, the latter featuring the vocals of Frankie Ford. His career continued well into the 1970s. This deluxe package is an upgraded version of a Charly CD released in the late 1980s, Pitta Pattin’. This collection - featuring the recordings he made for the Instant label in the late 1960s - has now been expanded to include several tracks not featured on the original including the ultra rare ‘Two Way Pock-A-Way’, ‘Epitaph To A Black Man’ and ‘The Whatcha Call ‘Em’ plus several newly discovered, previously unissued recordings. His powerful piano can be heard to good effect on the previously unissued, ‘I’m Boss Pt 2’ with its almost Northern Soul sound. Many of Smith’s early Instant 45s were big local hits in New Orleans and Louisiana without ever denting any national charts and have long been sought after by collectors, with some, like ‘Two Way Pock-A-Way’, proving almost impossible to find today. Also featured are versions of ‘Rockin’ Pneumonia’, ‘High Blood Pressure’ and ‘Don’t You Just Know It’ recorded for an Atlantic LP that was never released. By way of a bonus, Huey’s last known recordings made for Allen Toussaint’s Sansu company in 1978 make their CD debut here, more than thirty years after their first release on Charly vinyl. These are the last recordings of Huey Smith who retired from music to concentrate on his religious beliefs in the early 80s. He now lives in retirement in Baton Rouge but still happily acknowledges his huge contribution to New Orleans R&B and to rock’n’roll in general. |
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Charly Records 2012 | 2-CD | 18.00 € |
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| Johnny Ace - Ace's Wild 2CD Johnny Ace, one of R&B’s brightest but most short-lived supernovas, is celebrated on Ace’s Wild!, two discs roping together all his solo singles along with sublime piano sessions for the likes of B.B. King and Bobby “Blue” Bland. Compiled and annotated in intricate detail by Dave Penny, the set is high on the lower elements of the battered soul, running the gamut from yearning to regret, highlights including his inimitable grasp of the ’heart-ballad’ on hits including “My Song”, “The Clock” and “Please Forgive Me”, but also jumping R&B outings such as “Never Let Me Go”. Ace carried all the credentials of a short-lived R&B legend, from lucky studio break leading to huge hit debut, success accompanied by ruthless music business skulduggery, escalating alcohol relieving pressure and dramatically tragic death, in this case dressing room jinx with a pistol resulting in fatal Russian roulette-style death on Christmas Day, 1954. Born in 1929 to a musical family in South Memphis, John Marshall Junior taught himself to play piano at home after returning from service in World War Two. By the end of the decade, he was playing sessions for B.B. King, Earl Forest and Bobby “Blue” Bland, some chance fooling on the piano at a session resulting in his first single for David Mattis’ Duke label. “My Song” subsequently spent nine weeks on top of the R&B charts in late 1952. Mattis was then systematically ousted, seeing both his Duke label and star artist hijacked by heavyweight music mogul Don Robey. A string of hits ensued, including “Cross My Heart”, “The Clock”, “Saving My Love For You”, “Please Forgive Me” and “Never Let Me Go”, Ace continuing to play blues sessions, while Robey whisked him to L.A. to plant him over the more sophisticated backdrops of the Johnny Otis and Johnny Board orchestras. By 1954, the pressure was getting to him as recording sessions were fitted around gruelling touring (often supported by Big Mama Thornton, their rare duet on “Yes, Baby” also included on this compilation). Increasingly cushioned by alcohol and prone to depression, Ace accidentally shot himself in the head while fooling with a gun in the dressing room at a Christmas day show in Houston. Robey swiftly cashed in with what became one of Ace’s biggest hits; the heavenly “Pledging My Love”, assuring posthumous immortality, further bolstered by tribute singles from the likes of Johnny Fuller, Frankie Ervin, Varetta Dillard, the Rovers and Five Wings; featured here as bonus tracks, providing a poignant finale. Johnny Ace was a monumental talent dealt the worst hand imaginable much too soon. By rounding up every recording credited to the artist in his own right, plus his neglected session work, Ace’s Wild! provides an overdue, comprehensive survey of – and worthy tribute to – his short but spectacular career. |
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Fantastic Voyage 2012 | 2-CD | 15.00 € |
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| Johnny Otis - That's Your Last Boogie! - The Best of Johnny Otis 3CD The Best Of Johnny Otis 1945-1960‘Godfather of Rhythm & Blues’ Johnny Otis, one of the founding fathers of rock ’n’ roll, is next up in Dave Penny’s Architects Of Rock ’N’ Roll series, represented on a stellar collection straddling his multi-faceted career between 1945-1960.By sheer tragic coincidence, Dave had Otis lined up as a prime subject when planning the series over a year ago but January 17, 2012 saw the pioneering singer, songwriter, bandleader, talent spotter, impresario and disc jockey pass away at home in California, aged 90. These carefully-selected and sequenced 83 tracks spread over three CDs now stand as an ultimate tribute to this pivotal figure.The son of Greek immigrants (real name Ioannis Alexandros Veliotes), Otis grew up in the predominantly black area of Berkeley, telling an interviewer in 1994, ‘Genetically, I’m pure Greek. Psychologically, environmentally, culturally, by choice, I’m a member of the black community.’ As such, he played a major part in creating a new sound for the growing audience of young urban blacks, starting out drumming in swing orchestras at 18. He formed a 16-piece big band in 1945, scoring his first hit with a glorious take on ‘Harlem Nocturne’. CD1’s sublime smorgasbord of big band jazz and slinky blues, entitled Barrelhouse Stomp after the Watts club he opened in 1948, features further Otis orchestra titles alongside outings with Wynonie Harris, Joe Turner, Lester Young, (future Coasters) the Robins and Little Esther Phillips.In 1949, Otis started recording for the Newark, New Jersey-based Savoy label, scoring 15 Billboard R&B chart hits between 1950-52, including number ones with Little Esther & Mel Walker which dominate CD2’s Rockin’ Blues, joined by names including the Royals and Marilyn Scott. In 1952, Otis discovered Etta James and produced Big Mama Thornton’s original version of Leiber and Stoller’s ‘Hound Dog’, while enjoying a growing career as a songwriter, already presenting the rock ’n’ roll form and attitude soon to sweep the world. While starting his lifelong vocation as a disc jockey in LA, he became a talent scout for King Records, while scoring the late fifties hits (including 1958 US top tenner ‘Willie And The Hand Jive’) featured on CD3’s Going Crazy (1952-1960). Other names included on this most rocking of selections include Etta James, Little Richard, Pete ‘Guitar’ Lewis, Johnny Ace, Sugar Pie, Faye Wilson and Mr Goggle Eyes August.Johnny’s passion, benevolence, warmth and uncanny musical clairvoyance shines through every track on this magnificent set, capturing many of his achievements at this most crucial time in musical history. That aside, it also happens to be one hell of a party album for the summer. |
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Fantastic Voyage 2012 | 2-CD | 18.00 € |
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| Muddy Waters - You Shook Me 2CD The Chess Masters Vol. 3 1958-1963. Six years after the last set of Muddy Waters’ Chess recordings by Hip-O Select, the boutique label will release You Shook Me: The Chess Masters Volume 3 1958-1963 next week. While Waters’ profile was well on the rise before the period covered on this two-disc set – having put singles like “I’m Your Hoochie Coochie Man,” “I Just Want to Make Love to You” and “Mannish Boy” in the upper reaches of the R&B charts – You Shook Me is notable for being anchored not only around single releases but two of Waters’ first LPs. 1960′s Muddy Waters Sings “Big Bill” was a tribute to Big Bill Broonzy, the Chicago bluesman who gave Waters one of his first major professional breaks opening for him at local clubs. The other, recorded that same year, was Muddy Waters at Newport 1960, a killer of a live album that featured revelatory versions of “Hoochie Coochie Man” and “Got My Mojo Workin.’” This 49-track set also includes one unreleased instrumental, “Sweet Black Angel,” and a handful of songs that appeared only on a multi-LP box set of Waters’ Chess output released in Japan. Mary Katherin Aldin pens liner notes for the booklet, which is filled with rare photos of Waters in action. |
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Universal Music 2012 | 2-CD | 40.00 € |
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| VA: - Jamaica Selects Jump Blues Strictly For You 3CD Fantastic Voyage takes another dip into the bubbling cauldron of R&B which sewed the seeds for ska on Jamaica’s sound systems in the 1940s and 50s, lashing together 85 sizzling biscuits from that formative, feet-finding era.It’s well established that the US R&B which started bombarding the island through radio after World War II was picked up by sound systems such as Clement ‘Coxsone’ Dodd and Prince Buster, germinating into ska after mating with the Caribbean’s own calypso and other local musical strains. The records being produced in America’s Southern states and cities like New Orleans were loosely termed ‘shuffle blues’; contagious, jumping and bulging with animated incitements to party, dance or get down and dirty, many boasting some of the most caterwaulingly volcanic saxophone solos known to man.The tracks presented on Jamaica Selects Jump Blues Strictly For You straddle the shuffle blues panorama over three CDs (many making their debut in this format). The first disc’s The Roots Of Shuffle Blues (1944-1951) takes off like a rocket with names including post-war godfather Louis Jordan, Joe Liggins and his Honeydrippers, Roy Milton, Sherman Williams, Dave Bartholomew, Lowell Fulson, Jimmy Liggins, Amos Millburn, Roy Brown and T-Bone Walker. CD2’s The Golden Years Of Shuffle Blues (1951-1954) is emblazoned with the likes of Oscar McLollie, Chuck Higgins, Rosco Gordon, Fats Domino, Ruth Brown, Jack Dupree, Chuck Willis, Guitar Slim, the Charms, Marvin & Johnny, Tommy Ridgley, Earl Curry, Floyd Dixon, the Rocking Brothers and, of course, Louis Jordan. By CD3’s The Big Three Take Over (1955-1960) the rhythm firing on the upbeat over walking bass is blueprinting the ska spring with names such as Nappy Brown, Plas Johnson, the Penguins, Mello-Harps, Big Joe Turner, Shirley & Lee, Vince Monroe, Smiley Lewis, Lloyd Price, Ivory Joe Hunter, Professor Longhair, Clyde McPhatter, Johnny Otis, Earl Hooker, Ernie Freeman and Hal Paige & The Wailers.These discs should come with a warning: lethal rocking and leaping skank blueprints running amok, beautifully presented with knowledgeable, fact-packed annotation. |
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Fantastic Voyage 2012 | 2-CD | 18.00 € |
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| VA: - The Girl Can't Help It 3CD Deluxe Expanded Edition. Over 100 tracks by the musical stars of "The Girl Can't Help It". Including songs from the many other rock'n'roll movies of the era. And much more. The Greatest Rock ’n’ Roll Film Of The 1950s – The Girl Can’t Help It brought rock ’n’ roll to groin-swivelling life in living colour, defining a new cultural revolution to focus a generation, providing a mutual relationship launch-pad for the likes of Lennon and McCartney, while setting a genre precedent which was never topped. Part of a deluge of musical exploitation films released for the Christmas 1956 market, in the wake of the success of Rock Around The Clock earlier that year, The Girl Can’t Help It was distinct from most of its hastily-conceived rivals by being shot in glorious colour, and having both a witty script and thoughtfully integrated musical performances. Initially created by Looney Tunes/action movie veteran Frank Tashlin as a vehicle for new-blonde-on-the-block Jayne Mansfield, the film sparked worldwide teenage rampage when it first appeared in 1956, giving many their first taste of the uncaged phenomenon of rock ’n’ roll as the music’s hottest names strutted and wailed through what would become their signature songs, including Little Richard, Eddie Cochran, Gene Vincent and Fats Domino. To celebrate the movie, music and all-star cast, Fantastic Voyage swing doctor Dave Penny has forged a colossal three-CD set based around the original soundtrack, kicking off with Little Richard’s three songs from the film (‘Ready Teddy’, ‘She’s Got It’ and dam-busting rock chick anthem title track), then another dozen affirmations of the pompadoured Georgia Peach’s unbridled gospel-charged piano-humping mayhem. Disc One also features screaming sax honker Nino Tempo on both the film’s ‘Tempo’s Tempo’ and eight more tracks from its mothership album, Rock ’N’ Roll Beach Party (including the immortal ‘Turkey Gobbler’) plus Texan rocker Johnny Olenn’s ‘I Ain’t Gonna Cry No More’ and ‘My Idea Of Love’ from the film, and more from his Just Rollin’ With Johnny Olenn album. Disc Two spotlights Gene Vincent, his ‘Be-Bop-A-Lula’ from the film, plus another seven tracks, including 1958’s ‘Git It’ (as later covered by Dave Edmunds) and four which appeared in the lesser-known Hot Rod Gang flick. Also here are Julie London (cheesecake chanteuse missus of the film’s soundtrack supplier Bobby Troup), rocker Eddie Fontaine, the Three Chuckles, Teddy Randazzo (with the now rather sinister-sounding ‘Be My Kitten Little Chicken’) and the great Abbey Lincoln injecting gospel passion with ‘Spread The Word’ (shortly before becoming one of the world’s leading firebrand jazz singers as wife of drummer Max Roach). Larger-than-life Fats Domino looms over Disc Three with his ‘Blue Monday’ from the film joined by other celluloid sorties, including ‘Ain’t It A Shame’ and two others from Shake Rattle And Rock, plus others including showings in The Big Beat and Jamboree. He’s joined by the Treniers, built around twin brothers Cliff and Claude, whose ‘Rockin’ Is Our Bizness’ appeared in The Girl Can’t Help It, joined here by their showings in Don’t Knock The Rock, Teen Age Rebel, Jukebox Rhythm and Calypso Heat Wave. The Platters demonstrate why the rock ’n’ roll movie genre was so essential to their career, ‘You’ll Never Know’ from The Girl Can’t Help It joined by items they contributed to Rock Around The Clock, Rock All Night, Carnival Rock and Girls Town. The set is completed by trumpet-titan Ray Anthony and a hidden track of Jayne Mansfield herself with her own ‘Just Plain Jayne’, completing a collection which explodes with all the energy, attitude and underlying musical flair which now sound like the perfect case for an axis-shifting revolution. The only missing ingredient is Elvis, offered the main male lead but scuppered by the Colonel’s financial demands. He didn’t do too bad but neither did the movie and stellar cast assembled on this brilliantly-executed manifesto for the movement it inspired. |
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Fantastic Voyage 2012 | 2-CD | 18.00 € |
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| Allen Toussaint - Everything I Do Gonh Be Funky 2CD The Hit songs & productions 1957-1978 |
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Charly Records 2011 | 2-CD | 17.00 € |
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| Sam Cooke - Night Beat / One Night Stand -Live At The Harlem Square 2CD two classic albums |
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RCA Records 2011 | 2-CD | 20.00 € |
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| VA: - The Fame Studios Story 3CD The acronym is F-A-M-E, but it may as well be S-O-U-L. It was a full half-century ago that the recording studio, record label and publishing operation originally known as Florence Alabama Music Enterprises established itself and its trademark sound with the hit recording of ‘You Better Move On’ by Arthur Alexander. In the fifty years since, FAME Studios and its idiosyncratic founder Rick Hall have been at the forefront of the Muscle Shoals Sound. FAME begat the process whereby a little known Alabama backwater would evolve into the very crucible of southern soul, a holy place to where musicians, singers and fans still make a very specific pilgrimage in the hope of experiencing a little bit of the magic behind so many hit records: ‘I’m Your Puppet’, ‘Land Of 1,000 Dances’, ‘Tell Mama’ and countless others. Rick Hall is now a grand old man of the music business, but back in the 60s he was more akin to an enfant terrible, with an unbending will that helped him make it against almost insurmountable odds, matched by an attention to detail that bordered on obsession. There have only ever been a handful of truly self-sufficient producer/engineers in the history of popular music, and Hall is pre-eminent amongst them. Atlantic, Chess and so many other legendary labels flocked to FAME to avail themselves of the sound, the players, the material, and most importantly the vibe that Rick Hall had created. The FAME Studios Story 1961-1973 is an exhaustive three CD set derived from two years’ worth of excavations by the intrepid Ace team at the hallowed FAME vault. The result is a full programme of FAME-related releases slated for issue on Ace, Kent, and BGP over the next couple of years, but the lynchpin is this definitive anthology that focuses upon the halcyon days of the studio and the label. It’s an open-minded, celebratory overview that, across 75 tracks, spotlights both artists and records that are either acknowledged greats, or lesser known – yet no less worthy – entries in the lexicon of soul. The line-up is a virtual Who’s Who of 60s soul, and includes Otis Redding, Aretha Franklin, Wilson Pickett, Etta James, Arthur Conley, Irma Thomas, Joe Tex, Joe Simon, Lou Rawls, Spencer Wiggins and Otis Clay. Deep soul fans will recognise names such as The Blues Busters, Billy Young, Maurice & Mac, Willie Hightower, Bettye Swann, James Govan and many, many others. Special attention is paid to those acts closely associated with the Fame label - Candi Staton, Jimmy Hughes and Clarence Carter - as well as its inestimable stable of writers, producers and players, including Dan Penn, Spooner Oldham, George Jackson and the Fame Gang. And the programme also includes several of the notable pop hits recorded at the studio by the Osmonds, Tommy Roe and Bobbie Gentry, as well as more obscure recordings by the Del Rays, Mark V and Terry & The Chain Reaction. With unprecedented access granted to its tape and photo archive, well over a third of the contents of The FAME Studio Story 1961-1973 are new to CD, and of those, over a dozen tracks are fully unissued – including previously unheard rarities by Otis Redding and Arthur Alexander. The heavily-illustrated package with an 84 page book comes laden with two informative essays and extensive track notes, all of which are based upon fresh interviews with many of the principals involved. If you know anything about soul music, you know FAME, which is why The FAME Studio Story 1961-1973 is an essential purchase. By Alec Palao (Ace Records) |
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Ace Records 2011 | 2-CD | 40.00 € |
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| Wynonie Harris - Jump Mr Blues - The Definitive Collection 2CD |
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Fantastic Voyage 2011 | 2-CD | 15.00 € |
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| Chuck Willis - The Complete 1951-1957 3CD 3CDs = 78 tracks |
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JSP Records 2010 | 2-CD | 25.00 € |
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| Ike Turner - That Kat Sure Could Play! - The Singles 1951-1957 4CD Every one of these 118 tracks features Ike Turner on guitar, piano &/or vocals. Includes the original Rock and Roll song Rocket 88 by Jackie Brenston as well as tracks by BB King, Howling Wolf, Elmore James, and Johnny Ace to name a few. |
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Secret Records Limited 2010 | 2-CD | 20.00 € |
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| Lightnin' Hopkins - Texas Blues Giant 3CD |
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Fantastic Voyage 2010 | 2-CD | 17.00 € |
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| Dionne Warwick - Original Album Series 5CD |
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Rhino Records 2009 | 2-CD | 22.00 € |
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| Little Esther - Early Hits 1949-1954 2CD |
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JSP Records 2009 | 2-CD | 20.00 € |
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| Los Lobos - Original Album Series - 5CD 5 albums in one package: - And A Time To Dance - How Will The Wolf Survive ? - By The Light Of The Moon - The Neighborhood - Kiko |
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Rhino Records 2009 | 2-CD | 23.00 € |
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| Louis Jordan - The Later Years 1953-1957 2CD |
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JSP Records 2009 | 2-CD | 22.00 € |
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| VA: - 1958 British Hit Parade -Greatest Hits Vol. 7 Part 2 4CD with 48 page booklet |
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Fantastic Voyage 2009 | 2-CD | 19.00 € |
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| VA: - 1958 British Hit Parade Vol. 7 Part 1 4CD 4CDs = 101 tracks |
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Fantastic Voyage 2009 | 2-CD | 19.00 € |
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| VA: - 75 Pumpin' Piano Greats 3CD |
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Fantastic Voyage 2009 | 2-CD | 17.00 € |
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| VA: - Virginia Rocks 2CD 60 tracks with 72 page booklet |
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JSP Records 2009 | 2-CD | 23.00 € |
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| VA: - 1957 British Hit Parade Vol. 6 Part 1 4CD 4CDs = 98 tracks |
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Acrobat Music 2008 | 2-CD | 19.00 € |
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| Big Bill Broonzy - Amsterdam Live Concerts 1953 2CD Recorded 26 & 28 February 1953 in Amsterdam. 26 tracks total |
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Munich Records 2006 | 2-CD | 33.00 € |
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| Dr. Feelgood - Down By The Jetty - collectors edition 2CD 2CD = 41 tracks |
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Emi 2006 | 2-CD | 30.00 € |
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| Art Blakey - Hard Bop 2CD 2CD = 26 tracks |
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Proper 2005 | 2-CD | 13.00 € |
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| Jesse Belvin - Guess Who: The RCA Victor Recordings 2CD 36 tracks from 1958-1966 |
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Ace Records 2004 | 2-CD | 24.00 € |
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| Ray Charles - Mess Around 2CD 2CD = 47 biisiä |
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Proper 2004 | 2-CD | 15.00 € |
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| VA: - Fine Gals, Fast Women And Wailin' Daddies 2CD The Jump Blues recording artists of the 1940s mainly wrote - or at least adapted from older sources - their own material, but at the dawn of the 1950s a new entity emerged; that of the professional R&B songwriter. Many of the first wave of this new phenomenon were African-Americans with a background in performing or A&R work in black music, but over in Los Angeles a couple of white, middle-class, teenage boys had hooked up to write their own, remarkably authentic slant on the R&B music they loved. By the mid 1950s, they had become award-winning writers, producers, publishers and shrewd record company executives, but before that, between 1950 and 1953, they were merely a couple of kids learning the ropes. This double CD traces that early career of Jerry Leiber and Mike Stoller. |
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El Toro Records 2004 | 2-CD | 15.00 € |
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| Fats Domino - Rockin' On Rampant 2CD 2 CD:tä = 46 biisiä |
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Proper 2003 | 2-CD | 15.00 € |
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| Jussi Raittinen - Muistan Vielä Vuonna '76 2 CD 2CD Jussi Raittisen USA:n / Emin levytykset vuosilta 1975-1977. Mukana myös Rollin' Rock nauhoitukset. |
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Emi 2003 | 2-CD | 12.00 € |
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| Memphis Minnie - Me And My Chaufeur 2CD 2CD = 50 biisiä |
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Proper 2003 | 2-CD | 15.00 € |
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| Amos Milburn - Chicken Shack Boogie Man 2CD 2CD = 52 tracks |
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Proper 2002 | 2-CD | 15.00 € |
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| Elvis Presley - Rockin' Tonight 2CD DISC 1: 29 biisiä vuosilta 1954-1956 DISC 2: 28 original recordings of country, R&B and gospel classics which Elvis covered |
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Charly Records 2002 | 2-CD | 15.00 € |
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| Screamin' Jay Hawkins - Live At The Olympia, Paris 1998 2CD 2CD = 21 tracks |
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Last Call 1999 | 2-CD | 19.00 € |
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| VA: - Rock 'N' Roll 1948 36 biisiä vuodelta 1948 |
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Fremeaux & Associes 1999 | 2-CD | 28.00 € |
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| Fats Domino - Hits Alive 2 CD 24 biisiä |
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Charly 1997 | 2-CD | 15.00 € |
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| Screamin Jay Hawkins - At Last 2CD 13 biisiä + bonuslevyllä 17 min haastattelu |
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Last Call 1997 | 2-CD | 22.00 € |
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| Robert Johnson - Complete Recordings 2CD 2 CD = 41 tracks |
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Sony Music 1996 | 2-CD | 12.00 € |
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| Mickey and Sylvia - Love Is Strange 2CD 2CD = 60 tracks |
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Bear Family 1990 | 2-CD | 35.00 € |
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| Screamin' Jay Hawkins - Spellbound 1955-74 2CD 2CD = 48 tracks |
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Bear Family 1990 | 2-CD | 32.00 € |
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| VA: - American Graffiti 2CD soundtrack of the cult movie |
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MCA | 2-CD | 22.00 € |
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| VA: - Juke Joint Blues Vol. 2 2CD = 54 tracks |
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JSP Records | 2-CD | 13.00 € |
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| VA: - Rock The House Birth Of Rock'n'Roll Vol 4 2 CD - 50 biisiä |
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Charly | 2-CD | 15.00 € |
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| VA: - Roots Of Rock N' Roll Vol. 6 |
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Fremeaux & Associes | 2-CD | 20.00 € |
