Blues / Rhythm & Blues
Result of your query: 2222 products
| George Thorogood & The Destroyers - Bad To The Bone albumi vuodelta 1982 |
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Capitol Records 2007 | CD | 18.00 € |
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| George Thorogood & The Destroyers - Extended Versions hyvä ja halpa kokoelma |
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BMG Special Products 2000 | CD | 9.00 € |
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| George Thorogood & The Destroyers - Ride ' Til I Die |
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Eagle Records 2003 | CD | 9.00 € |
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| George Thorogood And The Destroyers - 2120 South Michigan Ave. 2LP 2120 South Michigan Avenue, home of Chicago’s Chess Records, may be the most important address in the bloodline of the blues and rock ‘n’ roll. That address – immortalized in the Rolling Stones’ like-named instrumental, recorded at an epochal session at Chess in June 1964 and included on the band’s album 12 X 5 – serves as the title to George Thorogood’s electrifying Capitol/EMI salute to the Chess label and its immortal artists. Thorogood has been essaying the Chess repertoire since his 1977 debut album, which included songs by Elmore James and Bo Diddley that originated on the label. He has cut 18 Chess covers over the years; three appeared on his last studio release, 2009’s The Dirty Dozen. On 2120 South Michigan Avenue, he offers a full-length homage to the label that bred his style with interpretations of 10 Chess classics. The album also includes original tributes to the Windy City and Chess’ crucial songwriter-producer-bassist Willie Dixon, penned by Thorogood, producer Tom Hambridge, and Richard Fleming, plus a cranked-up version of the Stones’ titular instrumental. Produced by Tom Hambridge, three time Grammy nominee, 2010 Grammy winner the album also include featured guests Buddy Guy and Charlie Musselwhite, also both 2010 Grammy winners! ….this is the album George Thorogood was born to make! This 2 LP vinyl set also includes a bonus track “Sweet Little Rock And Roller” |
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Capitol Records 2011 | LP | 28.00 € |
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| George Thorogood And The Destroyers - 30th Anniversary Tour: Live 103 min 15 biisiä + promovideo |
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Eagle Vision 2004 | DVD | 13.00 € |
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| George Thorogood And The Destroyers - More |
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Rounder | LP | 10.00 € |
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| George Thorogood And The Destroyers - Taking Care Of The Business 2CD |
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Recall 2007 | CD | 9.90 € |
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| George Thorogood And The Destroyers - The Dirty Dozen |
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Capitol Records 2009 | CD | 12.00 € |
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| Georgia Beach - Lord Let Me Be More Humble In This World 24 biisiä vuosilta 1930-1960 |
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Gospel Friend | CD | 17.00 € |
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| Georgia Peach - Lord Let Me Be More Humble In This World 24 biisiä |
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Gospel Friend 2005 | CD | 17.00 € |
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| Gerait Watkins - Mosquito Vol. 2 4 track 10" EP |
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Goldtop Records 2013 | 10" LP | 12.00 € |
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| Gina Sicilia - Allow Me To Confess |
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Swingnation Records 2007 | CD | 18.00 € |
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| Gino Washington - Out Of This World 15 biisiä vuosilta 1962-64 sekä 1967-68 |
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Norton Records 1999 | CD | 17.00 € |
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| Gizzelle - Devil Or Angel |
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Wild Records | CD | 15.00 € |
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| Gizzelle - Rhythm & Soul |
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Wild Records 2011 | CD | 15.00 € |
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| Gladys Knight - Beats Of My Heart |
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Charly Records 2004 | CD | 9.00 € |
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| Gladys Knight And The Pips - Every Beat Of Our Hearts |
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Relic Records | LP | 13.00 € |
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| Goldmine - issue 286 july 1991, vol 17, no 14, issue 286. cover LAVERN BAKER condition ex |
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Goldmine 1991 | Lehdet | 5.00 € Käytetty |
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| GOOFIN' RECORDSIN LAHJAKORTTI - HELPPO JA VAIVATON LAHJA ! lahjakortin saat haluamallesi summalle. minimi 10;- maksimi summaa ei ole. Lisätietoja ? Soita 09-7733113 tai meilaa info@goofinrecords.fi Lahjakortti on voimassa vuoden ostopäivästä eteenpäin. |
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lahjakortti 2008 | CD | 30.00 € |
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| Goree Carter - Rock Awhile 17 tracks |
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Blues Boy | LP | 17.00 € |
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| Griffin Brothers featuring Margie Day - Blues With A Beat First time on CD for many of these recordings by one of the most exciting of the early barnstorming R&B Orchestras of the early 1950’s. The Griffins enjoyed 6 Top 10 R&B Chart hits in the US, four of which are featured on this package. The Griffin’s were blessed with two exceptional vocalists in Margie Day and Tommy Brown but their career floundered when the vocalists left the outfit. Long sought after on CD this release comes with extensive liner notes by expert Dave Penny and is fully illustrated with rare photos and period adverts |
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Acrobat Music 2003 | CD | 10.00 € |
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| Guitar Slim - Things That I Used To Do 24 tracks |
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Ace Records 1991 | CD | 17.00 € |
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| Gumbo - All The Time |
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Last Buzz Records 2002 | CD | 15.00 € |
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| Gumbo - Everyday Sensation great R&B / New Orleans style group from Sweden |
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Last Buzz Records 2004 | CD | 15.00 € |
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| Gyan Dookie & Telecaster Combo - Twenty Years After their old 7" EP + their tracks from "Living Finnish Blues" sampler. And 7 new recordings. |
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Blue North 2007 | CD | 20.00 € |
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| Hadda Brooks - Femme Fatale Crown LP:n uusintajulkaisu nyt CD:nä |
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Ace Records 2006 | CD | 12.00 € |
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| Hadda Brooks - Romance In The Dark R&B Hall of Fame inductee kicked off the Modern label in 1945 and went on to cut a slew of boogie piano & vocal R&B sides for the label. The artist who put Modern Records on the musical map was perhaps surprisingly not BB King or Elmore James or John Lee Hooker but a beautiful, classically trained pianist named Hadda Brooks. Brooks created a young, hip style - a boogie pianist not averse to boogie-ing the classics (check out her recording Schubert's Serenade In Boogie) she was also a fine singer of blues and standards. Hadda charted with numbers like That's My Desire (No 4 on the Race charts), Out Of The Blue (No 9 and from her first movie in 1947) and Honey, Honey, Honey (all on this CD). Hadda's main boogie inspiration was the Kansas City ivory whupper Pete Johnson and she gives a few nods in his direction on Bully Wully Boogie. After a spell in the movies - with Humphrey Bogart, Kirk Douglas and Lana Turner - Hadda returned to Modern for a session in 1951 on which she was backed by the Count Basic Orchestra. When A Woman Cries, Tough On My Heart, I Feel So Good and Don't Call It Love are among the recordings here from that final Modern session. Hadda went on to cut sides for Okeh, host a 1953 Los Angeles TV show, work the night club circuit and in 1993 be inducted into the Rhythm & Blues Foundation Hall Of Fame at the Hollywood Palace. (Ace Records). |
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Ace Records 1993 | CD | 17.00 € |
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| Hadda Brooks - Romance In The Dark 18 tracks |
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Jukebox Lil | LP | 17.00 € |
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| Hadda Brooks - Swingin' The Boogie 18 tracks |
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Ace Records 2003 | CD | 13.00 € |
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| Hadda Brooks - Where I Came In I cottoned on to Hadda Brooks fairly early or so I thought. In 1950 I purchased I Hadn't Anyone But You, on London Records, her first UK release. Sometime later I witnessed her performing that selfsame Ray Noble song in the Bogart film In A Lonely Place. Then, one night at the Wembley Pool, during a Harlem Globetrotters basketball game, somebody wheeled a piano out into the middle of the auditorium. A loudspeaker blurted that, during the interval, we'd be entertained by Miss Hadda Brooks! And for fifteen glorious minutes Hadda sang and played superbly, in intimate style, while the audience generally indulged in grabbing crisps and ice-creams or merely heading for the nearest loo, totally ignoring Hadda doing it Steinway and leaving me mentally screaming. In truth, Hadda had achieved much before I'd ever heard of her. It was back in 1945 when jukebox operator Jules Bihari first took a personal shine to both her looks and her talent and formed Modern as a record label on which to display Hadda's abundant talent as a boogie pianist. Dubbed Queen Of The Boogie, Hadda began knocking out eight-to-a-bar instrumental singles with alacrity, accruing the kind of sales that allowed Bihari to eventually sign such artists as B.B. King, Etta James, Johnny Moore's Three Blazers, Elmore James and others. The possessor of a sultry, seductive vocal delivery, the woman born Hadda Hopwood moved on from boogie heaven at the close of 1946, when, with a modicum of prompting from bandleader Charlie Barnet, she emerged as a singer of songs for the early hour, a classy, supper-club diva. Her vocal debut for Modern, You Won't Let Me Go, proved a steady seller but it was the follow-up, a version of That's My Desire, an old song that was being popularised by Frankie Laine, that broke Hadda big-time. In mid-1947 it clambered to #3 in the Billboard Race/R&B chart, after which the girl from LA's Boyle Heights became a hot property. King of Swing Benny Goodman heard her and recommended her to film director Lee Jason who cast her in a movie called Out Of The Blue. Next came a spot in In A Lonely Place, followed by The Bad And The Beautiful, a Lana Turner and Kirk Douglas star vehicle. Then, in 1957, she moved on to become the first black America woman to head her own weekly television programme, The Hadda Brooks Show, which ran for 26 weeks. In Britain the name Hadda Brooks meant little, except to just a few knowing music fans. The Modern recordings, with which she had established her reputation as a performer, had no outlet in this country. Even the later releases on London dried up after just four singles found their way into the UK catalogue. For years, Hadda Brooks. British admirers had a thin time of things. Until, that is, Ace began a series of CD issues that has resulted in the release of "Swingin' The Boogie" (CDCHM 889), which documented Hadda's era as boogie royalty, "Romance In The Dark" (CDSHD 453) a gorgeous collection of hits, bits and boogies, and now, THAT'S WHERE I CAME IN (CDCHD 1046), a truly remarkable compilation of smoky standards, most of which have never seen the light of day before. A wonderfully relaxed offering, it features Hadda mainly in a trio setting, with her keyboard and vocal work often punctuated by guitar licks courtesy of ever-inventive Spirits Of Rhythm founder member Teddy Bunn. The songs on the album are sheer quality all the way, ranging from such long-life heart-tuggers as Irving Berlin's Always, Fred Ahlert's I'll Get By, Kern-Hammerstein's Why Was I Born? Along with Vernon Duke and Ira Gershwin's I Can't Get Started, through to This Will Make You Laugh, a song that formed one of Nat Cole's earliest and loveliest recordings: I Must Have That Man, Adelaide Hall's torchy show-stopper from Blackbirds of 1928, plus the sly Anna Lucasta, a British song inspired by Philip Yordan's twice-filmed play about a waterfront prostitute. Add copious insert notes by the long-time Hadda Brooks addict Tony Rounce and phrases like "reclamation of the year" immediately spring to mind. To my mind anyway. Then, I was always bewitched by the sound of Hadda Brooks. That's where I came in. By Fred Dellar, Mojo (Ace Records) |
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Ace Records 2005 | CD | 18.00 € |
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| Hamp Goes Wild - Roomin' House Boogie great jump blues / boogie woogie group from Switzerland |
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Blue Lake Records 2008 | CD | 9.90 € |
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| Hank Ballard - Let 'Em Roll 20 biisiä |
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King 2000 | CD | 12.00 € |
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| Hank Ballard & The Midnighters - Dancin' & Twistin' 24 tracks from 1955-1969 |
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Ace Records 2000 | CD | 18.00 € |
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| Hank Ballard & The Midniters / The Royals - Sexy Ways 26 tracks |
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Proper 2006 | CD | 10.00 € |
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| Hank Ballard & The Midnighters - The EP Collection Plus 24 biisiä |
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See For Miles 2000 | CD | 18.00 € |
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| Hank Ballard &The Midnighters - Nothing But Good 1952-1962 5CD Hank Ballard and The Midnighters were the first professional vocal group young James Brown ever witnessed in person. He vowed one day soon he'd be onstage doing the very same thing. Our retrospective contains everything the Rock 'n' Roll Hall of Famer and his vocal group cut for the Federal and King labels from 1954 to 1962! Five jam-packed discs include unissued gems, alternate takes, unreissued rarities, and a demo version of 'The Twist' as well as the classic hit! It's also featuring all the original hit versions, and comes with comprehensive liner notes from Bill Dahl! - Long before The Temptations, Four Tops, and Spinners made Detroit ground zero for soulful male vocal groups, the city spawned Hank Ballard & The Midnighters, the Motor City's first nationally successful R&B group. Though Hank could belt the blues with livewire intensity (and does here), Ballard's group was primarily concerned with rocking the house. They were one of the first vocal groups to record with their own band, initially led by blistering Houston guitarist Cal Green, whose solos are frequently mind-boggling. - Never has the recorded legacy of the late Rock 'n' Roll Hall of Famer been treated with such loving care and respect, and never have he and his group sounded better! |
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Bear Family 2009 | CD-Box | 115.00 € |
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| Hank Ballard And The Midnighters - 14 Hits 14 Federal and King Records Hits |
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Bellaphon | LP | 17.00 € |
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| Hank Ballard And the Midnighters - Come On And Get It 2CD The Singles Collection 1954-1959. Hank Ballard was one of the most influential R&B artists of the 1950s and the man who wrote and first recorded 'The Twist'. He was also a major inspiration for James Brown during this period. Includes both sides of all of Hank Ballard and The Midnighters singles recorded between 1954 and 1959 which amounts to a whopping 58 tracks including 9 US chart hits such as: 'Work With Me Annie' and 'Sexy Ways'. This is the first time that all of the groups singles have ever been presented in one package. In addition are fully detailed liner notes explaining Hank Ballard and his groups rise from R&B stars to pop stars. |
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Jasmine Records 2010 | CD | 13.00 € |
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| Hank Ballard And The Midnighters - The Very Best Of 25 tracks all original King Recordings |
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Collectables 2001 | CD | 18.00 € |
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| Hank Nero - Hengitä Vaan suomenkielistä bluesia |
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Turenki Records 2011 | CD | 9.90 € |
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| Harmonica Sam - Rocker # 1 |
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Enviken Records 2008 | CD | 15.00 € |
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| Heartworn - Heartworn |
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Bluelight Records 2006 | CD | 15.00 € |
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| Helen Humes - Be-Baba-Leba 16 tracks |
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Whiskey Women, and | LP | 15.00 € |
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| Helen Humes - New Million Dollar Secret |
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Route 66 | LP | 14.00 € |
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| Helen Humes - The Definitive Black & Blue Sessions - Sneakin' Around 15 biisiä Live Paris 1974 |
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Black & Blue 2002 | CD | 18.00 € |
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| Helen Humes - Today I Sing The Blues |
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Acrobat Music 2008 | CD | 10.00 € |
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| Henry Townsend And Friends - Henry's Worry Blues 24 biisiä. Mukana JD Short ja Joe Stone |
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Catfish Records 2000 | CD | 10.00 € |
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| Herb Hardesty & His Band - The Domino Effect - King And Federal Recordings 1958-61 If you grew up listening to R&B and rock’n’roll during the 1950s, you could not have avoided hearing Herb Hardesty. If you own just one of countless Imperial Fats Domino 45s or 78s, you will own at least two examples of Herb’s craft, as he blew tenor saxophone solos on just about every track Fats cut on Imperial from his first session in 1949 to his last in 1962. Herb’s unique sax signature also appeared on a vast amount of other New Orleans productions throughout the 1950s and early 60s. He also toured with Fats’ road band for four decades, appearing all over the world. It’s hardly surprising that Herb’s own recording career as a bandleader amounts to no more than the 20 tracks that make up ‘The Domino Effect’, a well-deserved salute to this giant of New Orleans music that, happily, he is still around to enjoy. While he was on the road with Fats, Herb got noticed and signed as a solo act by the manager of Mercury Records group the Diamonds. Using his in at Mercury, Nat Goodman negotiated a deal for Herb and the other members of the Domino band to cut an album of mostly rockin’ instrumentals for the label’s Wing subsidiary at Cosimo Matassa’s New Orleans studio. For reasons that nobody can remember now, the album was never released – an oversight that Ace is more than happy to rectify 54 years later. Although the tracks are obviously sax-centric, there’s plenty of room for the other members of Herb’s outfit to be heard – it sounds like a Fats Domino album without vocals, which is exactly what it is. The balance of the tracks here were either sold to or cut for King Records’ Syd Nathan and released on the Federal label over a period of a couple of years. Pretty much all of the same musicians participated in the sessions; although the sound is more 60s, there’s plenty for fans of later-period New Orleans R&B to enjoy. The overall listening experience is well summed up by the closing track, ‘Just A Little Bit Of Everything’, which is what Herb Hardesty and his band serve up throughout. The great music is supplemented by a book full of gorgeous pictures from Herb’s own collection and testimonials from many of the great musicians he has worked with in his 60-plus years in music, from Dr John to Allen Toussaint to Herb’s most regular and loyal employer Dave Bartholomew. Herb is delighted with and fully supportive of our CD. We’re sure those who continually ask us for more music from the Crescent City will be too. By Tony Rounce (Ace Records) |
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Ace Records 2012 | CD | 20.00 € |
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| Hipbone Slim & The Knee Tremblers - The Kneeanderthal Sounds Of It’s the Earth quaking Crunching Terrifying Kneeanderthal sound of those British Rocking Beat Garage Dinosaurs Hipbone Slim and the Knee Tremblers after already 3 Full Lengths on Voodoo Rhythm here’s the newest Strike . Sir Bald Diddley aka Sir Bald aka Hipbone Slim (Guitar/Vocals). the one and only Bruce 'Bash' Brand on drums. Bruce has walloped skins for many lauded beat, rhythm n punk combos (Milkshakes, Headcoats, Holly Golightly, Masonics, etc.) and even played with Link Wray, The Pretty Things and The Downliner Sect! and new in the Team: Gez Gerrard plays bass guitar, in-between the last album ‘the sheik said shake (voodoo rhythm VR1251) and ‘the kneeanderthal sound of ..’ there a lot happened.. Sir Bald formed a SKA Orchestra a Beat Combo and the fabulous ‘The Kneejerk Reactions’ and on this new album you can smell the Dustry Road they went trou .. it has everything in it.. Raw Beats Garage Sound Rockabilly Surf Primitive Rock’n’Roll R&B Blues and all melted well and Perfect together in that Unique Hipbone Slim Sound everybody cann copy but nowbuty reaches it … anyway those 15 tracks where Analogue Elecrtically Recordet by ex Toe Rag engineer, Ed Deegan at his own Gizzard Studios in Swinging London |
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Voodoo Rhythm Records | LP | 17.00 € |
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| Hipbone Slim And The Knee-Tremblers - Snake Pit UK R&B, digipack sleeve. used copy |
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Voodoo Rhythm Records | CD | 10.00 € Käytetty |
