Rock And Roll / Rockabilly - 1960-luku
Result of your query: 1331 products
| VA: - Teen-Age Dreams Vol. 15 30 biisiä |
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Teenie Weenie Records | CD | 17.00 € |
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| VA: - Teen-Age Dreams Vol. 17 31 biisiä |
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Teenie Weenie Records | CD | 17.00 € |
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| VA: - Teen-Age Dreams Vol. 19 31 fantastic High School Rarites from the late fifties and sixties |
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Teenie Weenie 2004 | CD | 17.00 € |
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| VA: - Teen-Age Dreams Vol. 20 31 biisiä |
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Teenie Weenie Records | CD | 17.00 € |
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| VA: - Teen-Age Riot ! |
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Norton Records | LP | 13.00 € |
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| VA: - Teenage - Teenagers & Youth In Music 1951-1960 1-CD DigiPac (4-plated) with 68-page booklet, 34 tracks. Playing time approx. 83 mns. - Compiled by writer, journalist & film-maker Jon Savage. An aural (and visual) close study on the teenager phenomenon of the 50s. The teenager's role & position in 50s pop culture presented like never before. Endless classics (Chuck Berry's 'Sweet Little Sixteen', Dion & The Belmonts' 'Teenager In Love') mixed with more obscure masterpieces like Al Casey's raw 'Teenage Blues' and Portuguese Joe's wild and uncontrollable 'Teenage Riot'. Combined together they paint the full picture. - If anyone is suited to compile a CD themed about teenagers and their role in 50s rock 'n' roll and pop culture, it's UK music-historian, writer, journalist and film-maker Jon Savage. In 2007 Savage published a book about the teenage phenomenon ('Teenage: The Creation Of Youth 1875-1945') and Jon is currently working on a cinema release documentary based on this book. But first up is 'Teenage' on Bear Family Records. - 'Teenage' is a full length CD anthology that shines its spotlight on the teenagers of the 1950s, when the word 'Teenage' became the marketing hook of the new youth music: rock 'n' roll, ballads, doo wop, rockabilly, instrumentals and updated blues. - 'Teenage' covers the years 1951 to 1960. The thick booklet is lavishly illustrated with photos of rare 'teenage related' artifacts and memorabilia. Savage's in depth liner notes provide a fascinating read about the 'teenage' cultural phenomenon of the 50s as well as a detailed and personal track by track presentation of the songs. - It follows the Trikont release, 'Teenage: The Creation Of Youth 1911-1946'. |
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Bear Family 2011 | CD | 17.00 € |
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| VA: - Teenage Bop 30 biisiä Sun ja Philips International merkeiltä vuosilta 1957-1963 |
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Star Club Records 2002 | CD | 9.90 € |
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| VA: - Teenage Crush Vol. 1 28 tracks |
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Ace Records | CD | 17.00 € |
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| VA: - Teenage Crush Vol. 3 28 tracks |
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Ace Records 2000 | CD | 18.00 € |
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| VA: - Teenage Crush Vol. 4 28 biisiä mm Dickey Lee, Andy Rose, Huelyn Duvall.. |
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Ace Records 2004 | CD | 17.00 € |
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| VA: - Teenage Crush Vol. 5 28 tracks |
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Ace Records 2007 | CD | 17.00 € |
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| VA: - Teenage Dreams - Teenage Angst - Just About.. 2CD 60 tracks |
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Smith & Co 2012 | CD | 13.00 € |
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| VA: - Teenage Rock 'n' Roll Party |
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Ace Records 1994 | CD | 17.00 € |
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| VA: - Teenage Souvenirs 30 biisiä |
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Teen Hint 2005 | CD | 18.00 € |
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| VA: - Teenage Thunder 32 tracks |
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Rock-It Discs 1996 | CD | 15.00 € |
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| VA: - Teenage Thunder Again |
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Rock-It Discs 1999 | CD | 15.00 € |
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| VA: - Teenage Time Vol. 1 30 biisiä |
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Classics Records | CD | 17.00 € |
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| VA: - Teenage Time Vol. 10 newest volume with 30 tracks |
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Classics Records 2012 | CD | 17.00 € |
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| VA: - Teenage Time Vol. 2 30 biisiä |
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Classics Records | CD | 17.00 € |
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| VA: - Teenage Time Vol. 3 30 biisiä |
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Classics Records | CD | 17.00 € |
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| VA: - Teenage Time Vol. 4 28 biisiä |
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Classics Records | CD | 17.00 € |
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| VA: - Teenage Time Vol. 5 28 tracks |
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Classics Records | CD | 17.00 € |
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| VA: - Teenage Time Vol. 6 |
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Classics Records | CD | 17.00 € |
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| VA: - Teenage Time Vol. 7 28 biisiä |
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Classics Records | CD | 17.00 € |
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| VA: - Teenage Time Vol. 8 27 tracks |
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Classics Records | CD | 17.00 € |
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| VA: - Teeny Bop 29 tracks |
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TeeBee Records 2008 | CD | 17.00 € |
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| VA: - Texas Bop Vol. 2 |
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Sheik Records 2011 | 10" LP | 13.00 € |
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| VA: - That British Sound Vol. 1 23 tracks rare british R&R |
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Blakey Records 2002 | CD | 17.00 € |
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| VA: - That British Sound Vol. 10 |
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Blakey Records 2010 | CD | 17.00 € |
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| VA: - That British Sound Vol. 11 |
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Blakey Records 2011 | CD | 17.00 € |
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| VA: - That British Sound Vol. 12 |
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Blakey Records 2012 | CD | 17.00 € |
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| VA: - That British Sound Vol. 2 |
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Blakey Records | CD | 17.00 € |
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| VA: - That British Sound Vol. 3 30 tracks rare british Rock & Roll |
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Blakey Records 2005 | CD | 17.00 € |
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| VA: - That British Sound Vol. 4 30 tracks brit Rock & Roll |
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Blakey Records 2005 | CD | 17.00 € |
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| VA: - That British Sound Vol. 5 |
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Blakey Records 2006 | CD | 17.00 € |
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| VA: - That British Sound Vol. 6 27 tracks rare british rockers |
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Blakey Records 2007 | CD | 17.00 € |
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| VA: - That British Sound Vol. 7 |
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Blakey Records 2007 | CD | 17.00 € |
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| VA: - That'll Flat Git It Vol. 4 16 tracks from Festival Records |
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Bear Family 1994 | CD | 17.00 € |
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| VA: - That's Swift - instrumentals from the Norman Petty vaults 24 rockin instrumental rarities. All titles are Norman Petty Recordings from Clovis New Mecico, 1961-1967 |
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Ace Records 2007 | CD | 17.00 € |
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| VA: - The Best Of Golden Crest 2CD Ace Records’ link with Golden Crest dates back to 1993. That was when I travelled to picturesque Cold Spring Harbor, Long Island, to discuss a licensing deal specifically for the Wailers’ enduring hit instrumental, ‘Tall Cool One’, which duly appeared on “The Golden Age of American Rock’n’Roll, Vol 6” (CDCHD 650). Label-founder Clark Galehouse had died 10 years earlier, so his daughter Shelley came along with her trusted adviser – none other than the great but notorious Hy Weiss of Old Town Records. I couldn’t believe my “luck” in coming up against one of the sharpest and most conniving minds in the business. Eventually I ended up with two contracts: one for Ace; the other in marriage to Shelley. Through the years Ace has released the “The Fabulous Wailers” (CDCHD 675, a classic and still a solid seller); “On The Road With Rock’n’Roll” by Mando and the Chili Peppers and “Golden Crest Instrumentals” (now deleted); plus quite a few individual tracks. Other reissue labels have licensed Golden Crest masters, from rock’n’roll, rocking instrumentals, doo wop and teen to classical. Now, at last, we have this first-ever “The Best Of Golden Crest” collection, which draws on singles aimed primarily at the Top 100 charts in the peak rock’n’roll years from the parent label and its subsidiaries Shelley, DeWitt and Yorkshire. Out of the 48 tracks here, no less than 35 are new to Ace CD with almost half new to CD anywhere. By virtue of its location in Huntington Station, NY, Golden Crest was well placed to trawl talent from Long Island (including Queens and Brooklyn), also New York and New Jersey. But the label made its mark when ‘Tall Cool One’ by the Wailers, from the Northwest area, hit the Top 50 charts on Billboard and Cash Box in 1959 and then again in 1964. As a result of the Wailers’ success, Galehouse tapped into other Northwest acts Clayton Watson (Lord Dent), the Mad Plaids, the Chessmen and Lola Sugia. A further wellspring of satisfying recordings in an R&B vein (but with no hits) emanated from record lady Lillian Claiborne of Washington, D.C. So, what new-to-CD tracks are there to savour? From the Claiborne stable, try the three New Orleans R&B-influenced Calvin Ruffins and the spot-on Little Willie John soundalike Johnny Stewart with ‘Come On And Love Me’; the attitudinal ‘Bug Out’ by the Seven Teens and more teen pop from the Three Graces and the Montells; ‘Why Did You Tell Me?’ by anguished R&B’er Cartrell Dickson; the superior soul of ‘Girl’ by the Bluestyle with Carl Vanterpool; singles by jazz masters Coleman Hawkins and Carmen Leggio; the splendid bonus track, ‘New York City Blues’, by Larry Dale & his Houserockers (with Bob Gaddy and Jimmy Spruill), written by UK author/Juke Blues writer Dave Williams; and, of course, the three “new” Wailers cuts from their very first 1958 session. To round off this double CD, there is a highly attractive booklet detailing the label’s history and featuring its innovative picture 45s and picture sleeves. For all the diversity of music genres released, Golden Crest Records was still part of the marvellous cartel of independent labels that contributed so much to the rock’n’roll era. And it shows in these 48 tall cool ones. By John Broven (Ace Records website) |
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Ace Records 2010 | CD | 23.00 € |
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| VA: - The Best Of The Johnny Cash TV Show The Very Best Of Johnny's 1969-1971 variety tv-shows. |
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Sony Bmg 2007 | CD | 13.00 € |
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| VA: - The Big Beat - The Dave Bartholomew Songbook Great songs really do take on a life of their own and very often, unbeknownst to their creators, they’re discovered and interpreted by a wide range of different artists. One of the unexpected pleasures that Ace’s Songwriters series affords is underlining just how many styles and directions key compositions of yesteryear have taken. This collection of songs by New Orleans’ very own Dave Bartholomew is no exception as it weaves its way through 25 tracks of varied origins and labels. Two of Dave’s own recordings provide essential listening, led off by his original of the double-entendre-filled ‘My Ding-A-Ling’, which he later re-cut several times with different lyrics and which provided the template for Chuck Berry’s revival two decades later. Then you’ll find the much-revered parable ‘The Monkey’, which Elvis Costello memorably reworked some years back. Dave’s rich-toned narrative reigns supreme and is a cornerstone of his Imperial Records output. The set opens with ‘The Fat Man’ by Fats Domino and, although the technical limitations of that 1949 session are still obvious, the vibrancy of the performance is undeniable. Fats once told me that after Imperial-owner, Lew Chudd, received the master, he called and asked him to re-cut it, but a couple of days later he rang again to say he’d changed his mind and it was OK! Was that an understatement or what?! Other milestone Bartholomew productions featured here include Roy Brown’s hard-hitting version of ‘Let The Four Winds Blow’ (which Dave had first cut himself) and the gloriously prophetic ‘I’m Gonna Be A Wheel Someday’ as styled by Bobby Mitchell and co-authored by hillbilly singer Roy Hayes. As much as the multi-talented Bartholomew was writing, recording and producing in the Crescent City throughout the 1950s and beyond, his influence was being felt all over the musical world. This was clearly evident on the Johnny Burnette Trio’s rockabilly workout of Fats Domino’s 1955 charter ‘All By Myself’. Similarly, listen how effortlessly Jerry Lee Lewis slides into ‘Hello Josephine’ and how ‘I’m In Love Again’ fits Tom Rush like a well-worn rhythmic glove. Bartholomew was not aware at the time how influential and popular his music was in Jamaica. Neville Grant’s take on Chris Kenner’s ‘Sick And Tired’ provides ultimate proof that Dave’s big beat was perfectly adaptable to the reggae style. Another standout delight is the previously unissued cover by Annie Laurie of ‘3 x 7 = 21’, which Dave originally wrote and produced for Jewel King. The song became a benchmark in the Bartholomew catalogue and was successfully reworked as ‘21’ in 1954 by the Spiders, the group that cut the first version of ‘Witchcraft’, which Elvis Presley turned into a 1963 chart success, also included here. I must mention two other standouts: ‘Every Night About This Time’ by the World Famous Upsetters, which offers undeniable proof of Little Richard’s ability as a first-class blues wailer, and Dave Edmunds’ 1971 hit remake of “I Hear You Knocking’, which perfectly contemporised the song without diluting the memory of Smiley Lewis’ unbeatable original. By Alan Warner (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| VA: - The Complete Goldwax Singles Vol. 1 2CD Memphis is one of the great music cities. So many great artists and so many great labels have emerged from there down the years that the history of rock’n’roll and soul and R&B would be very different without them. Sun, Stax and Hi are the labels that define Memphis, but not far behind is our very own Goldwax, who in James Carr, Spencer Wiggins and the Ovations had their own trio of great artists. Since Ace bought Goldwax nearly a decade ago the major artists have all been treated well, with at least a CD of their recordings each, and in the case of James Carr, four CDs rounding up every single bit of his recording career. There has also been two label overviews that have helped to throw light on some of the lesser acts, as well as the stars and the sought after rarities. However labels are complex affairs and their stories are sometimes difficult to cover fully in the short-form. With this in mind we have taken on the herculean task of compiling ‘The Complete Goldwax Singles’ which allows us to present to you the A and B sides of every single 45 on the label or produced by the label or its principles. This takes us into areas that you wouldn’t meet ordinarily and allows us to provide you with some excrutiatingly rare records. Goldwax was started in late 1963 by Doc Russell and Quinton Claunch, although our compilation lets us take a step back and include three earlier Quinton produced 45s on his own Bingo and Beale Street labels that form the true genesis of the label. These are just the first of many titles that are seeing their first ever legal reissue across these volumes including one side of our cover star Philip and The Faithfuls one single on the label – and the one that has proved itself to be the rarest of them all. Amongst the obscurities and the rarities we are sure that you will find yourself an especial favourite that you have never heard before, be it a storming instrumental such as the Playboy Five’s ‘Spoonful’, the Arthur Alexander take-off of Oboe’s first single ‘Mother-In-Law Trouble’ or even one of the pop or country records that sporadically appeared on the label. However it is not just about what you have heard before. The chronolgical nature of this compilation allows you not just to watch the careers of, say, James Carr or Spencer Wiggins unfold, but more acurately Memphis music, as R&B slowly moves into soul which then develops a distinctly southern nature as time passes. It is perhaps easier to see this progress with a mid-size label like Goldwax than with a behemoth like Stax where weight of numbers obscured the changes. It has to be remembered of course that Volume 1, however great, is just the first stirrings, the roots, as it were. The golden age is still to come, but this is still a pretty great start. By Dean Rudland (Ace Records) |
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Ace Records 2009 | CD | 23.00 € |
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| VA: - The Dogs Bollocks EP |
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Aidy Records 1996 | Single/EP | 5.00 € |
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| VA: - The Elvis Sound 30 Elvis-sound-a-likes |
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Classics Records 2011 | CD | 15.00 € |
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| VA: - The Gary Paxton Story - Hollywood Maverick 32 tracks from 1958-1962 |
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Ace Records 2006 | CD | 17.00 € |
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| VA: - The Holly Sound |
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Classics Records 2010 | CD | 17.00 € |
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| VA: - The Leiber & Stoller Story Vol 1 - Hard Times 28 tracks |
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Ace Records 2004 | CD | 17.00 € |
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| VA: - The Leiber & Stoller Story Vol. 2 - On The Horizon 1956-1962 24 tracks |
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Ace Records 2006 | CD | 17.00 € |
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| VA: - The Norfolk, VA. Rock'n'Roll Sound 24 biisiä vuosilta 1954-63 |
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Ace Records 1994 | CD | 17.00 € |
