| Anna-Lena Löfgren - Guldkorn 20 biisiä vuosilta 1961-1977 |
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Warner Music 2000 | CD | 15.00 € |
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| Bibi Johns - Wie Sich Muchlen Dreh'n Im Wind 30 biisiä Bibin saksankielisiä levytyksiä. |
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Bear Family 1999 | CD | 17.00 € |
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| Bobby Aro - Kapakka In The Kaupunki Legendaarinen amerikansuomalainen Bobby Aro tuli tunnetuksi hulvattomista fingelskaksi laulamistaan lauluistaan. Niiden humoristisissa teksteissä hän sekoitti estotta suomea ja englantia. Minnesotan suomalaisseuduilla eläneen Aron parhaista lauluista koottiin aikanaan älppäri, josta on tullut arvokas keräilyharvinaisuus. Nyt nämä King of the Great Northwoodsin mestariteokset on vihdoin siirretty CD:lle, jonka laadukkaan masteroinnin ansiosta Aro kuullostaa paremmalta kuin koskaan ennen |
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Fennica Records 2008 | CD | 13.00 € |
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| Carole King - Collection |
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Music Mania | CD | 7.00 € |
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| Carole King - Her Greatest Hits (Songs Of Long Ago) 14 tracks from the 1970s |
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Ode Records 1996 | CD | 10.00 € |
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| Carole King - Natural Woman - The Very Best Of Carole King 22 tracks |
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Sony Music 2000 | CD | 10.00 € |
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| Chas McDevitt And Shirley Douglas - Freight Train Takes Ya Back ! Kaksi 70s LP:tä yhdellä CD:llä |
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President 2004 | CD | 17.00 € |
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| Cliff Richard - 1970s 16 Cliffin 1970-luvun biisiä |
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Emi 1999 | CD | 9.00 € |
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| Cliff Richard - Green Light vuoden 1978 albumi uudelleen masteroituna ja kolmella bonus biisillä |
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Emi 2002 | CD | 10.00 € |
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| Cliff Richard - I'm Nearly Famous vuonna 1976 julkaistu albumi. nyt CD:llä myös kuusi bonusraitaa |
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Emi 2001 | CD | 10.00 € |
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| Cliff Richard - Japan Tour ´74 |
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Emi Records 2009 | CD | 10.00 € |
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| Cliff Richard - Live at the Talk Of The Town 20 tracks from 1970 |
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Emi 2007 | CD | 10.00 € |
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| Cliff Richard - Live in Japan '72 recorded at kosei nenkin hall in tokyo, on 22nd and 23rd september 1972. |
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Emi Records 2008 | CD | 10.00 € |
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| Cliff Richard - Love Songs 20 biisiä |
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Emi 1987 | CD | 10.00 € |
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| Cliff Richard - Private Collection 19 biisiä |
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Emi 1988 | CD | 10.00 € |
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| Cliff Richard - Sings The Standards 22 biisiä Blue Moon, Heartbeat, Unchained Melody jne |
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Emi 2003 | CD | 10.00 € |
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| Cliff Richard - The Whole Story - His Greatest Hits 2CD 2CD - 46 biisiä - isoimmat hitit vuosikymmenten varrelta. Hyvä tupla CD |
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Emi 2000 | CD | 20.00 € |
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| Connie Francis - Christmas In My Heart 12 tracks |
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Hallmark 2010 | CD | 7.00 € |
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| Del Shannon - The Essential Collection 1961-1991 2CD includes all his hits alongside hard-to-find rarities, album tracks and b-sides that chronologically span his thirty year recording legacy. |
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Demon Music Group 2012 | CD | 10.00 € |
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| Dion - 70s: From Acoustic To The Wall Of Sound Primal Scream's Bobby Gillespie has proclaimed Dion's "Born To Be With You" to be one of the greatest records ever made, Spiritualized's "Ladies And Gentlemen We Are Floating In Space" album was made in its shadow and James Walsh from Starsailor recently took over a whole page of the NME to explain why Dion DiMucci's 70s recordings show him as the "greatest singer that ever lived" It is this music and more that is captured in "Dion: 70s". By the late 60s Dion was an artist enjoying an artistic rebirth. He had scored big rock'n'roll hits a decade earlier, with and without the Belmonts, on such classics as Runaround Sue and The Wanderer. A move to Columbia, despite some early hits had not gone quite the way that the label had expected, when Dion proved himself to be no Bobby Darin clone crooner-.-being a far grittier character with a few personal problems. Nonetheless he discovered blues, and became a regular on the Greenwich Village folk scene. He made a sensational set of masters, probably being the first artist to electrify a Dylan song. Some of these cuts made it out on 45, but most languished in the vaults. At around the time he was ridding himself of his addictions Laurie Records released Abraham, Martin and John which became a Top 5 single. Dion signed to Warner Brothers in the first half of the 70s. He opened his account with a stone classic, Your Own Back Yard, a look back on his descent into and ascent out of addiction. It's a wonderous collaboration between Dion, his accoustic guitar and the Dixie Flyers that is probably the greatest drug song ever, and one of the best of any kind. Dion recorded four albums that mix a troubador-like spirit with some fantastic songs, all setting off Dion's awe-inspiring voice. The music ranges from the simply acoustic numbers such as Sanctuary, through carefully arranged ballads like It All Fits Together through to the good time revivalism of Doctor Rock and Roll. Then came what should have been the dream collaboration: Dion and Phil Spector. "The Born To Be With You" sessions were an unhappy experience for Dion, that never resulted in a finished album (the final product had its time made up by the inclusion of two earlier singles. Spector was an old friend of Dion's but totally out of control. That said, where it reached up high it truly soared, as on the title track and the wonderful Only You Know. One final album "Streetheart" was a more homely affair where a mature Dion reflects upon growing up. This is very special music, by a true rock'n'roll great, on one CD for the very first time. By Dean Rudland (Ace Records). |
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Ace Records 2004 | CD | 18.00 € |
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| Dion - Born To Be With You / Streetheart The much sought-after Phil Spector-produced Dion album coupled with his final Warner Bros album. LPs from 1975 and 1976 on 1 CD. 20 tracks. |
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Ace Records 2001 | CD | 17.00 € |
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| Dion - Return Of The Wanderer / Fire In The Night Between 1978 and theYo Frankie album, Dion Di Mucci abandoned secular music completely and cut nothing but gospel material for 10 years. His swansong in '78 was the album Return Of The Wanderer - this features his band the Streethearts and they play mainly Dion songs but with covers from Tom Waits, Bob Dylan and John Sebastian. However, just before he bailed out for God, one last album was cut in 1979 using much the same band and Cashman & West, the same production team. Up until now this has remained in the can, so it is with great pleasure that Ace Records announce the debut 21 years later of Fire In The Night - the long lost Dion album. The CD combines the two albums and these are the only ways in whichFire In The Night is available anywhere in its entirety. The record had obviously come very close to release in '79 since the cover was already designed and it is this original artwork that we feature here. Great value. |
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Ace Records 1990 | CD | 18.00 € |
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| Dion - Sanctuary / Suite For Late Summer This completes our set of Dion's Warner Bros studio albums, compiled 2 on 1 with three very hard-to-get bonus tracks. This finds Dion at his most wistful and mellow. A personal perspective from songwriter BILL TUOHY on the second in our reissue series of Dion's original Warner Bros albums. (Bill co-wrote many of the songs on 1972's Suite For Late Summer and went on to collaborate with Dion on over two hundred songs). On 18 November 1968 I was living in a contemporary South Miami apartment writing poetry and songs that I was convinced the world needed to hear. Propelled by all those creative, magical songs pouring from my radio throughout the 1960s, I craved to become a part of that musical movement. Dion's Abraham, Martin And John was the #1 record in an American musical scene normally dominated by everything British. My political idealism had been shattered forever as Bobby Kennedy lay dying after his victory in the California primary, months earlier. As Dion's plaintive voice soared sorrowfully above the harps and violins, I saw Bobby's clear silhouette rise and join Abraham, Martin and John at the top of that hill. Dion was appearing at The Flick, a coffee house in Miami. I set off to find him. After seeing an extraordinary performance, I wandered back behind the row of stores. There, nearly hidden in the alley shadows, and sitting on top of a huge trash can was Dion, softly playing his guitar. Bob Lang introduced us, and that was the beginning. We talked, laughed, and I gave him copies of my songs, hoping he would find time to at least look at them. Dion called me days later with his guitar in his arms. "I love your lyrics, man!" In the following three decades we would work on over two hundred songs. They would include blues, rock, folk, spiritual, country, television themes...Unlike most other collaborations, we never had an argument. Fred Neil, Joni Mitchell, John Sebastian, Jimmy Buffet and John Lee Hooker appeared often at The Flick. It was a serious time for serious songs about everything important. Sometimes Dion came over to my place after his shows. He admired my lyrics and I was absolutely enthralled by the way his fingers could make guitar strings speak with emotion. In those days Fred Neil made us think, Gabe Kaplan made us laugh and the whole folk-rock scene instilled us with a desperate desire to create music. Soft Parade Of Years is our only perfect song. We were picturing a man sitting on a curb watching as the people and events of his life pass before like a silent procession. It remains the only song we've written that we have never wanted to change - not a note - not a syllable. Tennessee Madonna is a verbal portrait of an ideal girl: touched by everything around her, natural in every way. It was the only time we created a song that was both erotic and spiritual. To this day, Dion's sensitive treatment of these songs always gives me a rush. We wrote Seagull on a Florida beach at twilight...or perhaps the birds created it for us. Near the close of the song, when Dion cries, "Fly seagull", and those strings whirl up into an impossible note, I am transformed to that day at the beach where the salt water was running through my younger toes. We have always felt that children have the ability to look under everything we try to be and truly see us as ourselves. Jennifer Knew, is our attempt to describe that notion. Those violins, trailing away at the end of the song, are a musical image of that perceptive and wise child...dancing off...fading in the distance. I wish everyone alive could have the opportunity to feel something in their heart, rationalise it in their mind, describe it in words, then finally hear it set to music. There has been no other sensation as exhilarating in all my human experience (Ace Records): |
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Ace Records 2001 | CD | 18.00 € |
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| Dion - Sit Down Old Friend / You're Not Alone Given the constrictions that bind most artists to their public persona, Dion's reinvention of himself in the early years of the 70s in both his music and his message, is a remarkable achievement. Over the course of four albums, Sit Down Old Friend, You're Not Alone, Sanctuary and Suite For Late Summer, released between 1970 and 1972, the singer and songwriter completely redefined the expressive potential of his own music. Sit Down Old Friend and You're Not Alone receive their first-ever compact disc reissue here. As with the virtuosity of his early doo wop persona, Dion's new musical identity was the result of an extensive period of experimentation and assimilation. In 1965, during his last year with Columbia, he recorded a wealth of material that mirrored his new-found enthusiasm for the blues. Always an artist of wide-ranging tastes - from the Italian lullabies of his Bronx neighbourhood to the country laments of Hank Williams - Dion's discovery of Willie Dixon, Muddy Waters and the other towering legends of the idiom, was nothing less than a revelation. He would go on to record an entire album of classic blues material that year, an album that Columbia, frustrated in its attempts to polish and package the young singer, refused to release. Undeterred, Dion continued to listen and learn, haunting the Greenwich Village clubs where bluesmen mingled freely with folk-rock's troubadours and any number of the era's more assiduous innovators. The result of this crash course in Sixties eclecticism was a developing style that melded his rich tenor tones with spare arrangements accentuating the intent and intonation of each note. It was a style personified in the 1968 hit Abraham, Martin And John, a song that not only clinched Dion's comeback status after a four year absence from the charts but, more importantly, signalled a clean break with the past and was a clear indicator of what was to follow. Over the course of the next twelve months, he would go on to cut versions of Purple Haze and Both Sides Now, as well as release Dion, a new album whose title seemed to sum up the singer's reassertion of his own creative identity. In June of 1970, he would sign with Warner Bros. Records, a company whose reputation for artistic leeway proved an irresistible draw to a performer whose appreciation for liberation had, by then, extended far beyond his music. On the credits of Sit Down Old Friend, Dion's Warner Bros. Records debut album, an enigmatic thanks for "spiritual guidance" is given to one "Jack Butterfield". The story behind that acknowledgement is as significant to Dion's transformation as any musical influence reflected on the album's eleven solo acoustic guitar and vocal tracks. The artist's addiction to heroin, which began in the back alleys and pool halls of his Bronx neighbourhood, had become a life-long struggle to reclaim his self-esteem and spiritual integrity. During his heyday at Columbia he would often park cars in the company lot so that the attendant, who doubled as his connection, could chase down a dime bag for the label's highest paid artist. Heroin was just one face of the hydra-headed monster that had gripped the singer's life. Marijuana, alcohol, uppers and downers of every variety - Dion's was an all-too familiar tale of dizzying highs and dismal lows played out beneath the bright lights of fame. It was his wife Susan's father, Jack Butterfield, who would eventually guide Dion to the principles that would free him from his addictions, principles embodied in the programme of Alcoholics Anonymous. When the dawn of his long, dark sojourn finally broke, it brought with it an exhilarating sense of release which matched his explosive new creative energies and became palpable in the songs and performances of these extraordinary albums. With a boldness born of absolute confidence in his persuasive performing prowess, Dion stripped his music to its bare bones, working with producer Phil Gernhard to create a blues-drenched and folk-imbued collection of tracks arranged and performed solely by the artist, accompanying himself on both classical and steel string guitar. What was immediately evident from the unadorned atmospherics of Sit Down Old Friend was not only Dion's return to the basics of his singing and songwriting craft, but a determination to allow his audience access to both the joys and the sorrows that had shaped his journey. From the adaptation of a central AA aphorism in Let Go, Let God, to the affecting paean to his young daughter in Just A Little Girl, to the sense of homecoming embodied in the title track, Sit Down Old Friend is a moving testament to one man's belief in the healing power of total transparency. It was from this absolute ground zero of self-imposed simplicity that Dion would begin to reassemble his musical identity. Still working closely with Gernhard and recruiting a pair of promising young songwriters - Tony Fasce and Bill Tuohy - as collaborators, Dion returned to the studio in 1971 to cut You're Not Alone. With ten tracks that widened the perspective of its predecessor, the album simultaneously shifted the emphasis from blues to folk flavourings for an altogether more contemplative result. From the resonant steel drum interlude of Close To It All, Dion's rendering of the Melanie manifesto, to the understated interplay of Paul Griffin's keyboard and Hugh McCracken's guitar, effortlessly interwoven through much of the album, You're Not Alone is an exercise in restraint in the service of serenity. It's a mood that prevails even when the tempo sharpens and the lyrics darken as on such Dion originals as The Stuff I Got and Attraction Works Better Than Promotion - another musical manifestation of a familiar AA truth. Versions of the Lennon/McCartney staples Let It Be and Blackbird, stand as among the best of any Beatles covers, while Windows and Peaceful Place are the aural equivalent of the delicately rendered tints and hues of a watercolour portrait. From the evidence of Sit Down Old Friend and You're Not Alone, it was clear that Dion had embarked on an utterly new musical direction. From his street corner days in the Bronx, through his dizzying rise to teen stardom and his subsequent struggle against the demons of addiction, Dion had learned a valuable lesson. It's the journey that counts and finding your own way is what makes it all worthwhile. By Davin Seay (Ace Records) |
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Ace Records 2001 | CD | 18.00 € |
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| Dusty Springfield - Live At The Royal Albert Hall recorded at the royal albert hall in 1979 |
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Eagle Records 2005 | CD | 7.00 € |
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| Elvis Presley - Always On My Mind / Separate Ways The King CD-Single 16/18 |
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Sony BMG 2007 | CD | 7.00 € |
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| Elvis Presley - Burning Love And Hits From His Movies |
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Sony BMG 2007 | CD | 10.00 € |
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| Elvis Presley - Christmas Duets mukana Hanna Pakarinen |
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Sony Bmg 2008 | CD | 20.00 € |
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| Elvis Presley - Classic Elvis 16 tracks |
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Sony BMG 2008 | CD | 8.00 € |
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| Elvis Presley - Elvis At The Movies 2CD 40 biisiä Elviksen leffamusaa. Hyvä paketti |
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Sony Bmg 2007 | CD | 13.00 € |
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| Elvis Presley - From Elvis Presley Boulevard, Memphis, Tennessee 1976 album recorded at Graceland |
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BMG 1996 | CD | 10.00 € |
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| Elvis Presley - From Hawaii To Las Vegas ) 20 tracks (60:08) digipac. From Hawaii To Las Vegas Provides A Unique 'Fly-On-The-Wall' Experience Of Elvis Rehearsing The Day Before His Opening Engagement At The Las Vegas Hilton On January 26, 1973. Captured On A Personal Tape Recorder, The Sonic Quality Is Below Normal Standards, But Historical Significance More Than Compensates For Its Audio Limitations. |
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Follow That Dream 2012 | CD | 29.00 € |
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| Elvis Presley - Having Fun with Elvis On Stage Vol. 2 A talking album only - puhelevy. 1970-1974 |
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Boxbar Records 2000 | CD | 22.00 € |
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| Elvis Presley - Having Fun with Elvis On Stage Vol. V a talking album only |
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Boxbar Records | CD | 23.00 € |
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| Elvis Presley - Hit Collection |
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Sony BMG 2007 | CD | 10.00 € |
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| Elvis Presley - I Got Lucky originally released 1971 |
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Sony Bmg 2008 | CD | 10.00 € |
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| Elvis Presley - I'll Remember You Recorded LIve At The Las Vegas Hilton, 1973 |
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Follow That Dream 2008 | CD | 27.00 € |
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| Elvis Presley - Love Letters From Elvis |
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BMG 1996 | CD | 10.00 € |
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| Elvis Presley - Love, Elvis 24 biisiä |
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Sony BMG 2005 | CD | 22.00 € |
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| Elvis Presley - Love, Elvis |
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Sony Bmg 2004 | CD | 9.00 € |
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| Elvis Presley - NBC TV Special / Aloha From Hawaii Via Satellite 2CD |
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BMG 2006 | CD | 17.00 € |
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| Elvis Presley - Rockin' Across Texas 2CD The two CD's included are fantastic and are of a better standard than some of the regular soundboards!! So basically with the book you get a genuine $90-100 value with the two CDs!! Plus we get a great quality version of 'America' from '76 for the first time from BMG. |
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Follow That Dream 2009 | CD | 29.00 € |
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| Elvis Presley - Sings For Kids |
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BMG Music 1989 | CD | 10.00 € |
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| Elvis Presley - Sings Hits From His Movies Vol. 1 |
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Sony Bmg 2008 | CD | 10.00 € |
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| Elvis Presley - The Essential 2CD |
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Sony Music 2010 | CD | 17.00 € |
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| Elvis Presley - The Interviews 12 haastattelua vuosilta 1955-1972 |
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Prism Leisure 1996 | CD | 7.00 € |
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| Elvis Presley - Unchained Melody 22 tracks. a soundboard recording from an Elvis concert in Charlotte, North Carolina on February 20, 1977. |
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Follow That Dream 2007 | CD | 25.00 € |
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| Elvis Presley - You Don't Have To Say You Love Me / Patch It Up The King CD-Single 15/18 |
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Sony Bmg 2007 | CD | 6.00 € |
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| Englebert Humperdinck - Englebert Humperdinck Collection Vol. 1 |
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Dressed To Kill 2001 | CD | 10.00 € |
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| Englebert Humperdinck - Englebert Humperdinck Collection Vol. 2 12 biisiä |
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Dressed To Kill 2001 | CD | 10.00 € |
