Ulkomainen viihde
Result of your query: 1065 products
| VA: - Piccadily Story 2CD 52 biisiä |
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Sequel Records 1993 | 2-CD | 20.00 € |
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| VA: - Ponterosa samaisen kotimaisen leffan soundtrack |
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Edel Records 2000 | CD | 9.00 € |
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| VA: - Pulp Fiction |
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MCA Records 1994 | CD | 10.00 € |
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| VA: - Radio Gold Vol. 1 30 tracks |
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Ace Records 1992 | CD | 18.00 € |
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| VA: - Reefer Madness - A Collection Of Vintage Drug Songs 1927-45 18 tracks. nice digipack sleeve |
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Buzzola 2004 | CD | 15.00 € |
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| VA: - Rhythm & Booze Blasters Nattsudds-Röjare. 22 Drinking and smoking songs |
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Sunjay | CD | 15.00 € |
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| VA: - Riding The Curl - The Surf Music Explosion 1958-61 It's been said that surfing is the only sport with its own particular genre of music. It sprang up in the years between 1958 and 1961 along the southern Californian coastline; a new lifestyle around which a whole culture evolved. Surf music was inspired by the likes of The Ventures and Link Wray and then pioneered by the reverb-drenched guitars of Dick Dale and a legion of loud, primitive local bands such as the Bel-Airs, whose ‘Mr. Moto’ was one of the genre's early anthems. The second half of this set is devoted to Bud Shank's remarkable music for Bruce Brown's exhilarating debut surfing movie, Slippery When Wet. Brown chose a modern jazz scoring because he felt it would be new and different and his judgement was good. The Quartet improvised the music while actually watching the film, giving the musicians freedom to express more clearly the actual thrill of the surfer than any pre-written score. |
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Cherry Red Records 2012 | CD | 15.00 € |
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| VA: - Rock In Germany 25 tracks R&R from Germany 1957-1963 |
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Bear Family 2006 | CD | 17.00 € |
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| VA: - Rock You Sinners Somewhere between the explosion of Elvis and the young Andrew Loog Oldham's disappointment at the UK tour by Bill Haley and The Comets came a uniquely British reaction which had been to be honest evilly brewing for a while in the most unlikely Jazz circles. So a disparate crew of ex-jazzers, crazies, showbiz stalwarts and Soho skiffle kids thought that they too could Rock'n'Roll! And why not? Soon enough and hot on the heels a technicolour 3D Expresso Bongo world of 2 i's, Six-Five Specials and Oh Boys would spring from the brow of Jack Good abd his cohorts...meanwhile, go back with us to the Year(s) Zero of an artform which would take over the world. British Rock'n'Roll (and see if you too can spot that Lady Madonna in the Bad Penny Blues courtesy of a young Joe Meek!) |
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Rev Ola 2007 | CD | 17.00 € |
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| VA: - Rock Your Baby t’s an odd truism in music that the songs that last the longest aren’t the Grammy winners, or the Mull of Kintyres or the multi million-selling soundtracks, but the songs that are sung in the playground and passed down from generation to generation. Maybe things have changed since I was a loveable scamp, but certainly in the 70s I was gleefully singing songs about the various bells of London or mass death via the plague. Just as oddly, if I were somehow elevated a minimum of two inches higher than my classmates I would proudly declare them dirty rascals, despite the fact this hadn’t been an effective insult for over a century. Perhaps today a government department sponsored by an alcopop manufacturer gives credits according to which corporate-owned nastiness kids choose to jig about to, but I for one hanker after a more innocent time. Which is exactly where this album comes in. I love my kids, really I do. Even when I think I don’t, deep down I know I do. I love my kids and I love my car and I love my music, so this album was put together for those infuriating long journeys and those infuriating short journeys, when Clive and Natasha are creating in the backseat. We all fancy a singalong but I’m not in the mood for the tweenies, but I am in the mood for a long list of names that almost rhyme with food, or songs about idiot amphibians or dance tunes about monkeys. This will keep us all entertained for a couple of hours, till the little poppets have worn themselves out and I can rest easy, safe in the knowledge that I’m a great dad, and that my kids are entirely fictional. Which is a relief, as he doesn’t really look much like me and I’m not entirely sure if that’s how you spell her name. So here we go, a new musical curriculum for the young and the simple of mind. By Mark Lamarr (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| VA: - Rockin' Boppin' Girls Vol. 2 27 tracks female rockers |
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Titanic Records 1994 | CD | 15.00 € |
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| VA: - Saint Etienne Present Songs for The Dog & Duck Ace have never previously put out any CDs featuring UK glam rock next to rockabilly and sweet soul: I’m sure not many people thought we ever would. But this is the soundtrack to an evening in a Soho boozer - an eclectic selection of great music across the pop oeuvre on an imaginary jukebox stationed in a (real) pub called the Dog And Duck. Bob Stanley and his Saint Etienne team-mates, Dog And Duck habitués, have picked their dream musical moments to accompany a night of serious drinking and pop philosophising. The mood is set with a catchy early 60s pop instrumental by KPM regular John Scott, whose ‘Hi Flutin’ Boogie’ sounds like it came from a TV series that I know really well, but can’t for the life of me think which. It was produced by someone called George Martin apparently. This is followed by one of those great, quirky, UK pop numbers, though admittedly written by US citizen Randy Newman. It’s performed by London music biz veteran Duffy Power and comes complete with flugelhorns; quite a departure for an erstwhile rocker. Now I knew that the Heavenly crowd had a soft spot for girl groups and the inclusion of the Darlettes’ ‘Lost’ is an expected treat, cunningly followed by Bettye’s ‘Make Me Yours’; clever, these guys could be DJs if the day job slows down. Next up is home territory for me, Herbert Hunter’s Nashville-created, Northern England-acclaimed dance number, ‘I Was Born To Love You’. Who said northerners ain’t got soul? Then it’s back to the girls, though Claudine Clark’s husky tones don’t have the sweet allure of her backing vocalists. She was singing about a burial ground, so perhaps she had a fright. Texas rockers Elroy Dietzel & the Rhythm Bandits hit us with some good ole rock’n’roll swiftly followed up by Hal Harris’ hiccoughing rockabilly portrait of his ‘Jitterbop Baby’. That sounds like perfect pub music for a Saturday night tear-up to me. Rocker Little Richard gives us a later-career, soul-party stomper from his Vee-Jay era, neatly illustrated by a rare demo that was flown in all the way from our basement warehouse for scanning: thanks Simon. The song wasn’t officially released until 1970; these popsters sure know their onions. I could have guessed they would have gone for some Zombies. ‘She Does Everything For Me’ is a great choice. Colin Blunstone’s unique vocals get me every time. It’s so clean. A Northern Soul ender is more of a shock, but the well-crafted song and superb production on Dan Folger’s ‘The Way Of The Crowd’ deserves to be appreciated across the genres. Then there was Bill Oddie. Stranger things have happened, but not many. Who would have thought the ex-Goodie and bird-peeper would be appearing on Ace, especially as a serious artist? And he’s actually good at both the writing and performing end of this very different discipline; the song could have come straight out of the Brill. A shock of that magnitude needs to be followed by some solid ground and our Mary (Ms Love) and her evergreen soul staple ‘Lay This Burden Down’ is just that. Fellow Kent stable-mate Little Ann then provides the enigmatic ‘Sweep It Out In The Shed’, courtesy of Dave Hamilton’s Detroit master tapes and she is followed in turn by the prettily-voiced Barbara Lewis on ‘How Can I Tell You’. I must have missed out on that one first and second time around; it’s wonderful, but I’m not sure I should be getting soul lessons from indie rockers. Barbara’s track does have a pop sensibility link, with Brian Hyland and Del Shannon having written it; the next musical leap to ex-Box Top Alex Chilton’s tender ‘The EMI Song’ is seamless. I still haven’t figured out what it’s about but I’m very glad to have been turned on to it. What’s not to like about Sniff’n’The Tears’ ‘Driver’s Seat’? Nothing: but now it’s on a hip compilation you’re allowed to hum it in public. From out of the left field comes an RAK B-side ‘Flight 2’ by Angelo & Eighteen which takes me back to the fascinating rhythms of John Kongos’ hit ‘Tokoloshe Man’. Glam-inspired Mustard used the approved super solid beat of the day by presumably using a couple of drummers and getting anyone passing the studio to come on in and clap and stomp; it’s infectious enough to kickstart a revival. Or perhaps it already was a revival, Gino with Johnny Greek’s ‘Hand Clappin’ Time’ was recorded a decade before, but sounds right in the same bag. Jump back another six years and Huey Smith was already ‘Having A Good Time’. That’s three rave-ups in a row, so it’s time for a smoocher and it comes from the unlikely Ohio Players. Those cats were associated with spaced-out funk, but their paean to a lay-dee named Varee is in the classic soul lover ballad, complete with rap intro and some sweet shoop-shooping setting the mood behind a killer lead. That sort of quality didn’t happen overnight and we are shown the roots of slow dance in Robert & Johnny’s intense drama ‘We Belong Together’. There’s more lingering melody from the redoubtable Les Paul & Mary Ford with the now socially taboo ‘Smoke Rings’ which leads us neatly to the moody 70s smash ‘Pinball’ by Brian Protheroe. It’s OK, you can admit you like it too, it’s just passed its silver jubilee. Eclectic, esoteric, inspired? I’m not sure which, but like Bob Dylan’s Theme Time Radio Hour, a lot of people are about to discover some very fine new music. By Ady Croasdell (ACE RECORDS) |
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Ace Records 2009 | CD | 17.00 € |
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| VA: - Santa's Xmas Album Jingle Bells / Merry Christmas Everyone / Frosty The Snowman / Rudolf The Red Nose Reindeer etc |
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Emi 2001 | CD | 10.00 € |
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| VA: - Schlager Im Spiegel Der Zeit 1954 |
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Bear Family 2010 | CD | 17.00 € |
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| VA: - Schlager Im Spiegel Der Zeit 1955 |
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Bear Family 2010 | CD | 17.00 € |
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| VA: - Schlager Im Spiegel Der Zeit 1957 |
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Bear Family 2010 | CD | 17.00 € |
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| VA: - Schlager Im Spiegel Der Zeit 1959 |
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Bear Family 2010 | CD | 17.00 € |
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| VA: - Schlagers 18 tracks: |
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BR Music 2005 | DVD | 9.00 € |
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| VA: - Sing You Sinners - 1940 Lux Radio Theater Broadcast Spokane #8. The Complete Lux Radio Theater broadcast of January 15, 1940 over CBS. Starring Bing Crosby, Ralph Bellamy, Elizabeth Patterson. still sealed copy |
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Spokane Records | LP | 12.00 € |
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| VA: - Smash Boom Bang ! Songs And Production Of Feldman Goldstein As a songwriting collective their surnames were never likely to trip off the tongue as smoothly as a Mann & Weil, a Goffin & King or even a Boyce & Hart. In fact, to the uninitiated, Feldman-Goldstein-Gottehrer sounded more like a high-powered law firm than three New York-based writer-producers who hit a winning streak with their highly stylised productions and artful songs in the mid-60s. Together for a mere four years, Bob Feldman, Jerry Goldstein and Richard Gottehrer were mavericks, a trio of Jewish musketeers who never took themselves quite as seriously as some of their peers and seemed to have a lot of fun testing the limits as they made their way in the music business. And where others saw their careers stutter and stall in the wake of Beatlemania’s new frontiers, F-G-G rode the crest of the new wave as though they were part of it – which, to some extent, they were. What really distinguished F-G-G was the hard-edged kinetic energy of their productions, whose bruising headlong thrust was propelled by the drummer (usually New York session pro Herb Lavelle) surrounded by a massed welter of percussion effects. Their work in the studio was also characterised by a keen sense of spatial awareness with lots of air and ambiance playing their part. Yet, for all this, the trio were just as easily capable of switching to the opposite extreme, penning tender soul ballads of blissful sophistication such as ‘The Drifter’ (recorded by Ray Pollard in 1965) and ‘Giving Up On Love’ (a hit for Jerry Butler in 1964). Best of all, they had few pretensions. Where Mann & Weil saw themselves as potential heirs to the great Broadway writers, harbouring, as did many of their peers, ambitions of breaking into legitimate musical theatre, F-G-G owed more to Chuck Berry, Bo Diddley and Jerry Lee Lewis than to George Gershwin or Frank Loesser. The trio hit their stride in the mid-60s with a varied portfolio that included the #1s ‘Hang On Sloopy’ by the McCoys and ‘My Boyfriend’s Back’ by the Angels - and several chartmakers by the Strangeloves, the selfsame threesome masquerading as a rock band. Initially, they specialised in girl groups – some real, some fabricated – and applied their distinctive touch to every one before moving into the rock field. “Smash, Boom, Bang!” is exciting stuff from end to end, much of it new to CD and all held together by the distinctive F-G-G production imprimatur. This collection comes to you with the full co-operation and involvement of Feldman, Goldstein and Gottehrer themselves and comes with a sumptuous 28-page booklet packed with rare memorabilia. By Rob Finnis (Ace Records) |
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Ace Records 2012 | CD | 17.00 € |
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| VA: - Smoke That Cigarette 1-CD digipack with 52-page booklet, 32 tracks, playingtime :87:34) 30 vintage cigarette-related recordings from 1940s & '50s Unprecedented combination of hillbilly and pop music, including ultra-rare tracks Includes original cigarette ads from Golden Age of radio Fully illustrated notes on society's changing views towards cigarette smoking -- As long as people have smoked cigarettes, they have written and sung songs about them. And few things have changed as dramatically as our attitudes towards smoking and smokers. Those changing attitudes are reflected in the unique collection of Smoking Songs we present here. It's a pretty amazing cross section at that, drawn mostly from the 1940s and '50s with an emphasis on hillbilly and pop music. No matter how you slice it, this is the first time that Frank Sinatra, Rev. J. M. Gates and Little Jimmy Dickens have appeared on the same compilation. And you can throw in Patsy Cline and Homer & Jethro for good measure. And what could bring them together as easily as cigarettes' -- Sit back and listen as smoking and cigarettes changed from telling the world how sexy and sophisticated you are to' well, let's just say to something less than socially desirable. Back a half a century ago that cigarette turned you into a cool, hard-boiled chick magnet. The woman' Smoking made her an alluring creature of mystery, as smoke swirled all around her. The cigarettes' They started out as sleek and romantic phallic symbols, and ended up being toxic and deadly ' colloquially referred to as 'cancer sticks.' -- All this happened almost overnight, and there is no shortage of music to document it. In addition to 30 wonderful tracks, we include some vintage cigarette ads from the Golden Age of radio. Remember, nine out of 10 doctors agree that smoking is good for you. Whether you want to be John Wayne, Marlon Brando or Frank Sinatra, the quickest path to ultra-cool is that pack of smokes in your hand. And here are the songs to prove it. Many of these tracks are quite rare, including Peggy Lee's original version of her classic tune, Don't Smoke In Bed, or the extraordinary 1939 recording of Rev. J. M. Gates' sermon about the evils of a SmokingWoman In The Street. This memorable collection also includes humorous and informative notes on society's changing views towards cigarette smoking by music historian Hank Davis, accompanied by an assortment of smoky vintage images. |
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Bear Family 2010 | CD | 18.00 € |
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| VA: - So begann der Rock'n'Roll 3CD Eine Zeitreise zu den Ursprungen des Rock n Roll. |
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Cruiser Records 2004 | CD-Box | 12.00 € |
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| VA: - So Much Love - A Darlene Love Anthology 1958-1998 24 gems from the remarable recording career of queen bee session singer turned Broadway star Darlene Love, featurin solo sides, tracks fronting the Blossoms in their various guises, movie soundtrack songs and tree great previously unissued performances |
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Ace Records 2008 | CD | 17.00 € |
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| VA: - Soda Pop Babies 28 biisiä naisartisteja |
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Classics Records | CD | 15.00 € |
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| VA: - Soda Pop Babies Vol. 2 |
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Classics Records 2012 | CD | 17.00 € |
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| VA: - Something Good From The Goffin & King Songbook A new volume in Ace’s Songwriters series is always a cause for celebration, and all the more so when the writers concerned are Gerry Goffin and Carole King. As arguably the greatest of the so-called Brill Building teams, their catalogue is unmatched in its quality and hit-rate. No songwriters of the era articulated the emotions of adolescence and the pains of teen-dom with quite the same mix of innocence and sophistication of Goffin and King; they were, after all, still teenagers themselves when they were crafting much of this material, so were experiencing the same emotions as their audience. Even so, you might think that, this being Ace’s third collection of their compositions, the well of hits might have run dry. But then “Something Good” opens with the Drifters’ joyous ‘At The Club’ (the superior and rarely heard single version) and you know that once again Mick Patrick and Tony Rounce have served up another peerless compilation of classics, near misses and lost obscurities. You’ll find hits aplenty on “Something Good”, including essential recordings from the Chiffons (‘One Fine Day’), the Byrds (‘Goin’ Back’) and the Cookies (‘Don’t Say Nothin’ Bad (About My Baby)’). But, as is their way, the compilers have again taken the path less travelled, usually plumping for a more obscure interpretation (or, more often, an earlier recording) of a catalogue favourite. Thus we get Bunny Sigler’s version of ‘Will You Love Me Tomorrow’ over the Shirelles’, ‘The Loco-Motion’ interpreted by Dee Dee Sharp rather than Little Eva, and a version of ‘It Might As Well Rain Until September’ from Bobby Vee instead of Carole’s own take. Whether this is by design isn’t clear (or particularly relevant), but boy, it ain’t half refreshing. Revelations also come thick and fast. Bobby Goldsboro’s warm, optimistic ballad ‘The Time For Us’ is new to me, and is the only known recording of this number. At the other end of the spectrum is the Eccentric’s’ (that’s not a typo!) ‘What You Got’, a snotty, clangourous freakbeat gem apparently modelled very closely on Carole’s original demo. She could turn her hand to anything, it seems. And it’s always a joy – though one tinged with melancholy – to hear Lesley Gore’s ‘The Old Crowd’, a vibrant yet achingly wistful rumination on lost youth, and for me as good as anything Gerry & Carole wrote. The sleeve notes tell the story behind each recording, and the booklet is brimful with the kind of photos and details you come to expect from Ace. The CD’s strapline indicates that this third instalment of the Goffin & King songbook might just be the best one yet. Who am I to argue? By Harvey Williams (Ace Records) |
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Ace Records 2012 | CD | 17.00 € |
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| VA: - Songs To Howl At The Moon By Original Children's Music. Performed by Jon Dee Graham Bob Schneider Steve Poltz Matt the Electrician Scrappy Jud Newcomb Billy Harvey |
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Freedom Records 2006 | CD | 15.00 € |
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| VA: - Spanish Eyes / Moon Over Naples 24 biisiä |
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Bear Family 2003 | CD | 17.00 € |
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| VA: - Spisar Party 1957-1964 |
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Star Club Records 2009 | CD | 15.00 € |
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| VA: - Stora Schlagerboxen Vol. 2 4CD Denna lyxiga 4 CD-box är uppföljaren till vår populära, slutsålda, första volym av Stora Schlagerboxen! Även denna gång har vi valt 100 av de schlagersångerskor och grupper som presenteras i Stora Schlagerboken. Bland dessa finns även några vassa från DK, N och SF! 4 tidigare outgivna låtar kryddar boxen som bonusspår! Varje artist, oavsett popularitet, presenteras med endast en låt vardera. På så vis får vi äntligen höra många artister som aldrig annars spelas i vare sig radio eller funnits utgivna på CD. En påkostad 48-sidig booklet i färg medföljer - med massor av memorabilia och tidigare ej visade fotografier. Stora Schlagerbokens författare Hans Olofsson har skrivit låtkommentarer till samtliga spår. Boxinfo: På svenska 48 sidor booklet Illustrerad i färg Hardcover, 125x280 mm |
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Prenium Publishing 2008 | CD-Box | 45.00 € |
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| VA: - Straight To Hell Returns: Original Soundtrack 28 biisiä - cult offbeat spagetti western leffan soundtrack vuodelta 1987 |
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Ace Records 2004 | CD | 18.00 € |
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| VA: - Svenska Klassiker 1970-1979 22 tracks |
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Diesel Music 1991 | CD | 10.00 € |
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| VA: - Svenska Schlagervinnarna 1958-2002 2CD 42 tracks |
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Bmg 2003 | CD | 15.00 € |
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| VA: - Sweet Inspiration - The Songs Of Dan Penn & Spooner Oldham We have received many requests to add Dan Penn and Spooner Oldham to our songwriter series. It’s never really been about if we would, so much as when. With 2011 being something of a “Year Of Southern Soul” for Ace and Kent, what better way to kick it off than with a genius gathering of 24 of the best songs ever to bear their names below the title. “Sweet Inspiration” does a bang-up job of assembling the key songs Dan and Spooner wrote together during the 1960s and early 1970s. A quick look at the track listing will show prospective buyers that my co-compiler Bob Dunham and I have tried hard to make sure that there’s a version of every major Penn and Oldham composition included. We haven’t always chosen the obvious versions, so there will be some nice surprises here for even the most avid collectors. It was difficult to bring what started out as a massive wish list down to just 24 selections, but we think our choices do justice to the performers of the songs and, most importantly, the writers. Everyone will have their own highlights. Mine would include Arthur Conley’s Fame recording of ‘In The Same Old Way’ (which was originally written as a straight ahead country song) and country thrush Jeanne Newman’s riveting, previously unissued Goldwax recording of ‘It Tears Me Up’, one of the earliest songs Penn and Oldham wrote together. I’m also very partial to the Southern sincerity of the Box Tops’ ‘Everything I Am’ (a UK Top 3 hit for Plastic Penny in late 1967) and Tommy Roe’s little-known 1966 take on ‘Wish You Didn’t Have To Go’, a number made more famous a year later by James and Bobby Purify. But greatness abounds from beginning to end of this set, and it’s unlikely that any prospective purchaser will not be totally impressed by everything it contains. A companion volume – which will also include songs co-written by Dan and/or Spooner with collaborators such as Donnie Fritts, Rick Hall, Marlin Greene and Chips Moman – will hopefully see the light of day next year. In the meantime, here’s over an hour of the sweetly inspired songwriting of Wallace Daniel Pennington and Lindon Dewey Oldham. Oh, what a power! By Tony Rounce (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| VA: - Tabu Vol. 3 - Exotic Music To Strip By ! |
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Paris Hollywood Records 2011 | LP | 18.00 € |
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| VA: - Tabu! Vol. 2 - Exotic Music To Strip By ! |
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Paris Hollywood Records 2011 | LP | 18.00 € |
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| VA: - Tanze Mit Mir In Den Morgen Ausgewählt von den Hörern von Radio. 88.8 Berlin |
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Bear Family 1993 | CD | 17.00 € |
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| VA: - Tee-Vee Tops Die Songs und Originale aus der TV-Werbung. 18 tracks |
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Gee Dee Music 1996 | CD | 12.00 € |
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| VA: - Teen Beat Vol. 4 30 tracks from 1956-67 |
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Ace Records 1997 | CD | 17.00 € |
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| VA: - Teen Idols Of The 50's 3 CDs = 41 tracks |
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Pegasus 2005 | CD-Box | 10.00 € |
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| VA: - Teen-Age Dreams Vol. 13 33 biisiä "rare highschool rarities from the late 50s and 60s" |
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Teenie Weenie Records 2003 | CD | 17.00 € |
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| VA: - Teen-Age Dreams Vol. 19 31 fantastic High School Rarites from the late fifties and sixties |
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Teenie Weenie 2004 | CD | 17.00 € |
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| VA: - Teenage - Teenagers & Youth In Music 1951-1960 1-CD DigiPac (4-plated) with 68-page booklet, 34 tracks. Playing time approx. 83 mns. - Compiled by writer, journalist & film-maker Jon Savage. An aural (and visual) close study on the teenager phenomenon of the 50s. The teenager's role & position in 50s pop culture presented like never before. Endless classics (Chuck Berry's 'Sweet Little Sixteen', Dion & The Belmonts' 'Teenager In Love') mixed with more obscure masterpieces like Al Casey's raw 'Teenage Blues' and Portuguese Joe's wild and uncontrollable 'Teenage Riot'. Combined together they paint the full picture. - If anyone is suited to compile a CD themed about teenagers and their role in 50s rock 'n' roll and pop culture, it's UK music-historian, writer, journalist and film-maker Jon Savage. In 2007 Savage published a book about the teenage phenomenon ('Teenage: The Creation Of Youth 1875-1945') and Jon is currently working on a cinema release documentary based on this book. But first up is 'Teenage' on Bear Family Records. - 'Teenage' is a full length CD anthology that shines its spotlight on the teenagers of the 1950s, when the word 'Teenage' became the marketing hook of the new youth music: rock 'n' roll, ballads, doo wop, rockabilly, instrumentals and updated blues. - 'Teenage' covers the years 1951 to 1960. The thick booklet is lavishly illustrated with photos of rare 'teenage related' artifacts and memorabilia. Savage's in depth liner notes provide a fascinating read about the 'teenage' cultural phenomenon of the 50s as well as a detailed and personal track by track presentation of the songs. - It follows the Trikont release, 'Teenage: The Creation Of Youth 1911-1946'. |
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Bear Family 2011 | CD | 17.00 € |
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| VA: - Teenage Crush Vol. 1 28 tracks |
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Ace Records | CD | 17.00 € |
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| VA: - Teenage Dreams - Teenage Angst - Just About.. 2CD 60 tracks |
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Smith & Co 2012 | CD | 13.00 € |
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| VA: - Teenage Souvenirs 30 biisiä |
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Teen Hint 2005 | CD | 18.00 € |
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| VA: - The 10th Victim / Marquis De Sade's Philosophy In The Boudoi two original soundtracks on one CD |
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Sonic Italie | CD | 18.00 € |
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| VA: - The Clothes, The Cars & The Music great documentary about the rockabilly scene. Filmed 2006 at the Rockabilly Rave and at the Hot Rod Hayride. |
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Jerrychatabox 2007 | DVD | 20.00 € |
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| VA: - The Complete Goldwax Singles Vol. 1 2CD Memphis is one of the great music cities. So many great artists and so many great labels have emerged from there down the years that the history of rock’n’roll and soul and R&B would be very different without them. Sun, Stax and Hi are the labels that define Memphis, but not far behind is our very own Goldwax, who in James Carr, Spencer Wiggins and the Ovations had their own trio of great artists. Since Ace bought Goldwax nearly a decade ago the major artists have all been treated well, with at least a CD of their recordings each, and in the case of James Carr, four CDs rounding up every single bit of his recording career. There has also been two label overviews that have helped to throw light on some of the lesser acts, as well as the stars and the sought after rarities. However labels are complex affairs and their stories are sometimes difficult to cover fully in the short-form. With this in mind we have taken on the herculean task of compiling ‘The Complete Goldwax Singles’ which allows us to present to you the A and B sides of every single 45 on the label or produced by the label or its principles. This takes us into areas that you wouldn’t meet ordinarily and allows us to provide you with some excrutiatingly rare records. Goldwax was started in late 1963 by Doc Russell and Quinton Claunch, although our compilation lets us take a step back and include three earlier Quinton produced 45s on his own Bingo and Beale Street labels that form the true genesis of the label. These are just the first of many titles that are seeing their first ever legal reissue across these volumes including one side of our cover star Philip and The Faithfuls one single on the label – and the one that has proved itself to be the rarest of them all. Amongst the obscurities and the rarities we are sure that you will find yourself an especial favourite that you have never heard before, be it a storming instrumental such as the Playboy Five’s ‘Spoonful’, the Arthur Alexander take-off of Oboe’s first single ‘Mother-In-Law Trouble’ or even one of the pop or country records that sporadically appeared on the label. However it is not just about what you have heard before. The chronolgical nature of this compilation allows you not just to watch the careers of, say, James Carr or Spencer Wiggins unfold, but more acurately Memphis music, as R&B slowly moves into soul which then develops a distinctly southern nature as time passes. It is perhaps easier to see this progress with a mid-size label like Goldwax than with a behemoth like Stax where weight of numbers obscured the changes. It has to be remembered of course that Volume 1, however great, is just the first stirrings, the roots, as it were. The golden age is still to come, but this is still a pretty great start. By Dean Rudland (Ace Records) |
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Ace Records 2009 | CD | 23.00 € |
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| VA: - The Complete Sound Effects Library Vol. 1 lions, elephants, birds, pinball machine, freight trains, steam locomotive, timpani, thunderstorms, shotguns and pistols, jets, fireworks, race track, church bells, bagpipes, bowling alley |
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Sony Music 1992 | CD | 12.00 € |
