Doo wop / Vocal groups
Result of your query: 1249 products
| Crystals - Da Doo Ron Ron / Git It original UK pressing from 1963. VG+ condition. |
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London 1963 | CD | 10.00 € Käytetty |
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| Crystals - He's A Rebel 20 tracks |
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PH | LP | 15.00 € |
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| Cubans - Tell Me (Will You Ever Be Mine) / You've Been Gone So Long re-issue |
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Flash | Single/EP | 5.00 € |
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| Cues - Why 28 tracks |
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Bear Family 1991 | CD | 17.00 € |
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| Danleers - One Summer Night 25 biisiä |
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Bear Family 1991 | CD | 18.00 € |
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| Danny and The Juniors - Back To The Hop 27 tracks The Swan Recordings 1960-1962 The best of Danny & the Juniors output for the Philadelphia Swan label -including a few unissued tracks that were kept secret for too long. All from the original master tapes. Compiled and annotated by Greg Milewski |
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Rollercoaster Records 1992 | CD | 19.00 € |
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| Danny And The Memories / Four Jacks - Can't Help Loving That Girl Of Mine / Last Of The Good Rocki |
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Delta | Single/EP | 5.00 € |
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| Darlene Love - The Very Best Of 15 original phil spctor hits |
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Emi 2011 | CD | 17.00 € |
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| Darnell And The Dreams - The Day Before Yesterday / I Had A Love |
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West Side | Single/EP | 5.00 € |
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| Debonaires - Darling / Whispering Blues repro |
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Herald | Single/EP | 6.00 € |
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| Decoys - Tomorrow / I Want Only You repro |
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Times Sq | Single/EP | 6.00 € |
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| Deep River Boys - Sing EP six track 7" EP. No PS. repro |
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Monogram Records | Single/EP | 8.00 € |
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| Del Moroccos - Blue Black Hair Produced by Jimmy Sutton, The Del Moroccos' debut CD, Blue Black Hair blends R'n'R, R'n'B, 50's garage, and Latin Rocanrol! . Fronted by 3 sexy singers the Del Moroccos also feature Jimmy Sutton on electric guitar and Beau Sample, Cave Catt Sammy, on bass. |
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Hi-Style Records 2008 | CD | 15.00 € |
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| Del Moroccos - Blue Black Hair VINYL VERSION - 180 GRAM LP WILL BE OUT IN FEBRUARY 2011 !! Produced by Jimmy Sutton, The Del Moroccos' debut CD, Blue Black Hair blends R'n'R, R'n'B, 50's garage, and Latin Rocanrol! . Fronted by 3 sexy singers the Del Moroccos also feature Jimmy Sutton on electric guitar and Beau Sample, Cave Catt Sammy, on bass. |
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Goofin Records 2011 | LP | 15.00 € |
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| Del Vikings - 1956 Audition Tapes |
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Collectables 1993 | CD | 15.00 € |
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| Del Vikings - Cool Shake - The Very Best Of The story of the Del Vikings (or Dell Vikings, or Del-Vikings) is one of the most glorious and complicated of any successful doo-wop group in music history. From being one of the first racially integrated groups to the ever changing line up and eventually becoming two groups under the same name certainly makes for an interesting story! Producing songs of lasting quality, the Del Vikings helped to bridge the gap between rhythm and blues and soul with great hits like: 'Come Go With Me' and 'Whispering Bells'. This is without a doubt a fine collection of songs showcasing the class and style that made the Del Vikings one of the finest doo-wop groups of the 1950s. |
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Jasmine Records 2009 | CD | 12.00 € |
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| Dell Vikings Meet The Duprees - Dell Vikings Meet The Duprees priceless collection sarjaa. |
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Collectables 2009 | CD | 10.00 € |
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| Dells - Dells Sing Dionne Warwicke's Greatest Hits 11 tracks from 1972 |
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Dusty Groove 2007 | CD | 15.00 € |
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| Dells - Time Makes You Change 1954-1961 2CD 1954-1961 Recordings. The Dells are one of the finest R&B vocal groups and the only one to survive with pretty much the same line up to this day and were a viable act until the '90s! Features every A & B side of all their singles through to 1961 including, 'Dreams of Contentment' and the Doo Wop classic, 'Oh What a Night'. Also included on this superb set is the CD debut of their 1961 recordings with the legendary Dinah Washington. The Dells were inducted into the Vocal Group Hall of Fame and the Rock & Roll Hall of Fame in 2004 and one listen to this collection will confirm why! |
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Jasmine Records 2012 | CD | 13.00 € |
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| Dells / Count Morris - Tell The World / Blues At Three |
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Collectables | Single/EP | 5.00 € |
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| Delta Rhythm Boys - Just A Rockin' & A-Jivin' Anthology Vol. 1 27 tracks from 1941-1947 |
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Deejay 2001 | CD | 17.00 € |
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| Delta Rhythm Boys - Tall Tan And Tender 18 tracks |
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Dr. Horse | LP | 15.00 € |
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| DeMarco Sisters - It's Bee A Long, Long Time 29 tracks |
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Jasmine Records 2006 | CD | 18.00 € |
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| Demensions - Over The Rainbow 16 biisiä |
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Relic Records 1992 | CD | 17.00 € |
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| Denny And The Dreamairs - Stars (In The Sky) / Dreamland blue vinyl |
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Mo-Donna | Single/EP | 5.00 € |
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| Diamonds - Little Darlin' 25 tracks |
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Remember 1999 | CD | 10.00 € |
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| Diamonds - The Best Of - The Mercury Years 22 tracks |
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Polygram 1997 | CD | 10.00 € |
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| Diamonds - The Stroll 2CD 4 Original LPs Plus 17 Bonus Tracks on 2CD ! The Diamonds were the most commercially successful white vocal group of the R&R era. This compilation features fifteen US hits, including their million selling international hit 'Little Darlin'' as well as 'Silhouettes', 'Daddy Cool' and 'The Stroll'. Also included in their entirety are their albums 'America's No. 1 Singing Stylists', 'The Diamonds Meet Pete Rugolo' and 'Songs From The Old West', which have never previously appeared on CD. This is a unique set, wholly unlike any other Diamonds collection. 4 Original LPs Plus 17 Bonus Tracks The Diamonds were the most commercially successful white vocal group of the R&R era. This compilation features fifteen US hits, including their million selling international hit 'Little Darlin'' as well as 'Silhouettes', 'Daddy Cool' and 'The Stroll'. Also included in their entirety are their albums 'America's No. 1 Singing Stylists', 'The Diamonds Meet Pete Rugolo' and 'Songs From The Old West', which have never previously appeared on CD. This is a unique set, wholly unlike any other Diamonds collection. |
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Jasmine Records 2011 | CD | 12.00 € |
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| Die Robbins - Dear Parents / A Girl Like You re-issue |
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Tip Top Records | Single/EP | 5.00 € |
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| Dimensions - My Foolish Heart / Just One More Chance re-issue on yellow vinyl |
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Coral Records | Single/EP | 5.00 € |
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| Dion - Born To Be With You / Streetheart The much sought-after Phil Spector-produced Dion album coupled with his final Warner Bros album. LPs from 1975 and 1976 on 1 CD. 20 tracks. |
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Ace Records 2001 | CD | 17.00 € |
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| Dion - Bronx In Blue Dionin uusi - vuonna 2006 tehty levy. 15 biisiä. upea digikansi |
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The Orchard 2006 | CD | 15.00 € |
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| Dion - Dion tracks from 1968 Laurie album |
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Ace Records 2007 | CD | 18.00 € |
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| Dion - Driop Drop - is Greatest Hits On Columbia Records Columbia Recordings from 1962-1963 |
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Collectables 2000 | CD | 10.00 € |
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| Dion - Lovers Who Wander / Where Or When double gold series |
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Laurie 1988 | Single/EP | 5.00 € |
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| Dion - Return Of The Wanderer / Fire In The Night Between 1978 and theYo Frankie album, Dion Di Mucci abandoned secular music completely and cut nothing but gospel material for 10 years. His swansong in '78 was the album Return Of The Wanderer - this features his band the Streethearts and they play mainly Dion songs but with covers from Tom Waits, Bob Dylan and John Sebastian. However, just before he bailed out for God, one last album was cut in 1979 using much the same band and Cashman & West, the same production team. Up until now this has remained in the can, so it is with great pleasure that Ace Records announce the debut 21 years later of Fire In The Night - the long lost Dion album. The CD combines the two albums and these are the only ways in whichFire In The Night is available anywhere in its entirety. The record had obviously come very close to release in '79 since the cover was already designed and it is this original artwork that we feature here. Great value. |
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Ace Records 1990 | CD | 18.00 € |
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| Dion - Sit Down Old Friend / You're Not Alone Given the constrictions that bind most artists to their public persona, Dion's reinvention of himself in the early years of the 70s in both his music and his message, is a remarkable achievement. Over the course of four albums, Sit Down Old Friend, You're Not Alone, Sanctuary and Suite For Late Summer, released between 1970 and 1972, the singer and songwriter completely redefined the expressive potential of his own music. Sit Down Old Friend and You're Not Alone receive their first-ever compact disc reissue here. As with the virtuosity of his early doo wop persona, Dion's new musical identity was the result of an extensive period of experimentation and assimilation. In 1965, during his last year with Columbia, he recorded a wealth of material that mirrored his new-found enthusiasm for the blues. Always an artist of wide-ranging tastes - from the Italian lullabies of his Bronx neighbourhood to the country laments of Hank Williams - Dion's discovery of Willie Dixon, Muddy Waters and the other towering legends of the idiom, was nothing less than a revelation. He would go on to record an entire album of classic blues material that year, an album that Columbia, frustrated in its attempts to polish and package the young singer, refused to release. Undeterred, Dion continued to listen and learn, haunting the Greenwich Village clubs where bluesmen mingled freely with folk-rock's troubadours and any number of the era's more assiduous innovators. The result of this crash course in Sixties eclecticism was a developing style that melded his rich tenor tones with spare arrangements accentuating the intent and intonation of each note. It was a style personified in the 1968 hit Abraham, Martin And John, a song that not only clinched Dion's comeback status after a four year absence from the charts but, more importantly, signalled a clean break with the past and was a clear indicator of what was to follow. Over the course of the next twelve months, he would go on to cut versions of Purple Haze and Both Sides Now, as well as release Dion, a new album whose title seemed to sum up the singer's reassertion of his own creative identity. In June of 1970, he would sign with Warner Bros. Records, a company whose reputation for artistic leeway proved an irresistible draw to a performer whose appreciation for liberation had, by then, extended far beyond his music. On the credits of Sit Down Old Friend, Dion's Warner Bros. Records debut album, an enigmatic thanks for "spiritual guidance" is given to one "Jack Butterfield". The story behind that acknowledgement is as significant to Dion's transformation as any musical influence reflected on the album's eleven solo acoustic guitar and vocal tracks. The artist's addiction to heroin, which began in the back alleys and pool halls of his Bronx neighbourhood, had become a life-long struggle to reclaim his self-esteem and spiritual integrity. During his heyday at Columbia he would often park cars in the company lot so that the attendant, who doubled as his connection, could chase down a dime bag for the label's highest paid artist. Heroin was just one face of the hydra-headed monster that had gripped the singer's life. Marijuana, alcohol, uppers and downers of every variety - Dion's was an all-too familiar tale of dizzying highs and dismal lows played out beneath the bright lights of fame. It was his wife Susan's father, Jack Butterfield, who would eventually guide Dion to the principles that would free him from his addictions, principles embodied in the programme of Alcoholics Anonymous. When the dawn of his long, dark sojourn finally broke, it brought with it an exhilarating sense of release which matched his explosive new creative energies and became palpable in the songs and performances of these extraordinary albums. With a boldness born of absolute confidence in his persuasive performing prowess, Dion stripped his music to its bare bones, working with producer Phil Gernhard to create a blues-drenched and folk-imbued collection of tracks arranged and performed solely by the artist, accompanying himself on both classical and steel string guitar. What was immediately evident from the unadorned atmospherics of Sit Down Old Friend was not only Dion's return to the basics of his singing and songwriting craft, but a determination to allow his audience access to both the joys and the sorrows that had shaped his journey. From the adaptation of a central AA aphorism in Let Go, Let God, to the affecting paean to his young daughter in Just A Little Girl, to the sense of homecoming embodied in the title track, Sit Down Old Friend is a moving testament to one man's belief in the healing power of total transparency. It was from this absolute ground zero of self-imposed simplicity that Dion would begin to reassemble his musical identity. Still working closely with Gernhard and recruiting a pair of promising young songwriters - Tony Fasce and Bill Tuohy - as collaborators, Dion returned to the studio in 1971 to cut You're Not Alone. With ten tracks that widened the perspective of its predecessor, the album simultaneously shifted the emphasis from blues to folk flavourings for an altogether more contemplative result. From the resonant steel drum interlude of Close To It All, Dion's rendering of the Melanie manifesto, to the understated interplay of Paul Griffin's keyboard and Hugh McCracken's guitar, effortlessly interwoven through much of the album, You're Not Alone is an exercise in restraint in the service of serenity. It's a mood that prevails even when the tempo sharpens and the lyrics darken as on such Dion originals as The Stuff I Got and Attraction Works Better Than Promotion - another musical manifestation of a familiar AA truth. Versions of the Lennon/McCartney staples Let It Be and Blackbird, stand as among the best of any Beatles covers, while Windows and Peaceful Place are the aural equivalent of the delicately rendered tints and hues of a watercolour portrait. From the evidence of Sit Down Old Friend and You're Not Alone, it was clear that Dion had embarked on an utterly new musical direction. From his street corner days in the Bronx, through his dizzying rise to teen stardom and his subsequent struggle against the demons of addiction, Dion had learned a valuable lesson. It's the journey that counts and finding your own way is what makes it all worthwhile. By Davin Seay (Ace Records) |
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Ace Records 2001 | CD | 18.00 € |
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| Dion & The Belmonts - The Complete 2CD 51 tracks |
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Collectors Choice Music 1998 | CD | 23.00 € |
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| Dion & The Belmonts - Presenting 12 original recordings |
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Hallmark 2010 | CD | 7.00 € |
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| Dion 'n' Little Kings - Live In New York Dion & Little Kings captured live in New York City at the Mercury Lounge on 26th April 1996 |
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Ace Records 2001 | CD | 17.00 € |
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| Dion And The Belmonts/Dion - Presenting Dion & The Belmonts / Runaround Sue 2 LPs = 1 CD. 28 tracks |
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Ace Records 2000 | CD | 17.00 € |
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| Dion/Dion And The Belmonts - Lovers Who Wander/So Why Didn't You Do That The First Time Original Laurie LP & Ace compilation LP = 1 CD. 30 tracks |
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Ace Records 1998 | CD | 17.00 € |
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| Dion/Dion And The Belmonts - Wish Upon A Star/Alone With Dion 2 original LPs = 1 CD. 28 tracks |
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Ace Records 1998 | CD | 17.00 € |
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| Dixie Hummingbirds - In The Storm Too Long 16 tracks |
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Gospel Jubilee | LP | 15.00 € |
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| Diz And The Doormen - Tonky Honk Writing a piece like this gives me the space to mention the artists, entertainers and players that really inspired this session, which was cut in a lively situation in the studio, serving up a selection of R&B and rock’n’roll standards, some new stuff and a couple of de-arranged numbers, such as ‘It’s A Sin To Tell A Lie’ and ‘Miss Bombilla Brown’, which I used to knock out with my old friends Sumpen’s Swingsters from Stockholm. ‘Roll ‘Em Pete’ was one of the first boogie woogie items that left a deep impression on me. Pete Johnson was one of the pianists my father listened to, along with Albert Ammons and Meade Lux-Lewis. ‘Evolution’ was written by the Oscar Wilde of the blues, Cousin Joe Pleasant, with whom I worked on some shows in 1974. Later on I was with a band called Juice On The Loose, named after one of Joe’s original pieces. He and I both loved Professor Longhair and the song of his I’ve recorded for this CD is ‘Misery’, an offshoot from ‘Tipitina’, a number I learned from working with Dr John, along with ‘Goodnight Irene’, which has the James Booker brand all over it. Pete Thomas, my sax player with Diz and the Doormen back in 80s, introduced me to three tenor giants from the Fats Domino band: Walter Kimble, Roger Lewis and Mr Lee Allen. We recorded “Bluecoat Man” for Ace with a cast of London musicians including Don Weller, Pete Scott and the man Mac Rebennack affectionately called, Fonky Knuckle, the great Kieran O’Connor on drums. ‘One More Song’ is pure Fats. ‘I Got It’ is my favourite Little Richard tune. In 1984 I cut a session with legendary Big Jay McNeely, who topped the Billboard charts with ‘Deacon’s Hop’ and also had a hit with ‘Something On Your Mind’. I was really fortunate to track him down in Europe to play on this album. He inspired the title track, ‘Tonky Honk’, which goes out to everyone mentioned here and to all the people who helped me along this road. By Diz Watson (From ACE RECORDS website) |
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Ace Records 2009 | CD | 12.00 € |
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| Dominoes - Weeping Willow Blues / I Am With You re-issue |
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Federal | Single/EP | 5.00 € |
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| Don Covay / Rainbows - Ooh My Soul / If You See Mary Lee |
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Firefly | Single/EP | 6.00 € |
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| Don Juans - Dolores / The Girl Of My Dreams reissue |
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Onezy | Single/EP | 6.00 € |
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| Dovells - Bristol Stomp 30 tracks |
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Park Records | CD | 18.00 € |
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| Dovells - For Your Hully Gully Party / You Can't Sit Down Operating out of Philadelphia, Cameo-Parkway was among the most successful independent record companies of the early 1960s, turning out a veritable production line of teen-friendly singles by artists such as Chubby Checker, the Orlons, the Dovells, Dee Dee Sharp and Bobby Rydell. This month sees the release on Ace of the latest batch of collections from the vaults of Cameo and sister logo Parkway in the shape of twofers from Dee Dee Sharp, the Dovells and self-appointed “Cool Ghoul” John Zacherle. In blue-eyed proto-soulster Len Barry, the Dovells had themselves another great singer. The Cameo-Parkway stable ruled the airwaves in dance crazy Philly – all over the USA, in fact. Between them Chubby Checker, the Orlons and Dee Dee Sharp had the market for Twist, Limbo, Mashed Potato, Bird, Watusi, Crossfire and Shimmy records all sewn up. The Dovells grabbed a piece of the action too with their first hit ‘The Bristol Stomp’, which shot to #2 in 1961, spawning further hit 45s such as ‘Do The New Continental’, ‘Hully Gully Baby’ and ‘The Jitterbug’. By the end of 1963 the quartet had racked up eight chart 45s, following which Barry quit for a solo career. Their debut LP, issued to cash-in on that initial hit, was recorded in a bit of a rush. No worries: here we get their second and third albums, both of which were assembled with a bit less urgency, and were all the better for it. Gene Sculatti supplied the notes for this package. By Mick Patrick (ACE Records) |
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Ace Records 2010 | CD | 17.00 € |
