Doo wop / Vocal groups
Result of your query: 1254 products
| Puppini Sisters - Betcha Bottom Dollar |
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Universal Music 2006 | CD | 20.00 € |
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| Puppini Sisters - The Rise & Fall Of Ruby Woo |
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Universal Music 2007 | CD | 20.00 € |
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| Pyramids - And I Need You / Deep In My Heart For You re-issue on green vinyl |
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Federal | Single/EP | 5.00 € |
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| Quintones - South Sea Island / More Than A Notion re-issue |
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Park Records | Single/EP | 5.00 € |
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| Quotations - Imagination / Ala-Men-Sy |
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Popular Request | Single/EP | 5.00 € |
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| Rainbows - Mary Lee |
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Pilgrim Records | LP | 13.00 € |
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| Rainbows - Minnie / They Say re-issue |
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Rama | Single/EP | 5.00 € |
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| Randy & The Rainbows - It's Christmas Once Again / A Brighter Day |
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Crystal Ball Records 1993 | Single/EP | 5.00 € |
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| Randy & The Rainbows / Four Pennies - Denise / My Block double gold series |
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Laurie 1978 | Single/EP | 5.00 € |
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| Ravens - There's Nothing Like A Woman In Love / Careless Love re-issue |
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National Records | Single/EP | 5.00 € |
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| Rays - Daddy Cool / Silhouettes |
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Abkco | Single/EP | 5.00 € |
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| Re-Vels Quartette - My Lost Love / Love My Baby re-issue |
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Angle Tone Records | Single/EP | 5.00 € |
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| Reality - Endlessly / The ABC's Of Love |
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UGHA | Single/EP | 5.00 € |
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| Red Hook Echoes - Waiting For The Ultimate Tan EP four track EP. Picture sleeve |
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Crystal Ball 1985 | Single/EP | 5.00 € |
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| Reflections - Maybe Tomorrow / I Really Must Know re-issue on red vinyl |
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Crossroads | Single/EP | 5.00 € |
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| Reflections - Rocket To The Moon / Because Of You re-issue on red vinyl |
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Crossroads Records | Single/EP | 5.00 € |
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| Regents aka Runarounds - The Regents aka The Runarounds 32 biisiä |
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Deejay 1996 | CD | 17.00 € |
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| Reparata & The Delrons - Magical Musical History Tour 29 tracks |
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Mo-Banana 2001 | CD | 18.00 € |
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| Reparata & The Delrons - The Best Of 30 tracks |
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Ace Records 2005 | CD | 17.00 € |
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| Ribitones - Canadian Sunset / United In Group Harmony UGHA 25th Anniversary Show 45 |
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UGHA 1980 | Single/EP | 5.00 € |
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| Richard Berry - Louie Louie 19 tracks |
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Earth Angel | LP | 17.00 € |
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| Rick And The Masters - Masters Of Music 30 biisiä |
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Tear Drop | CD | 17.00 € |
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| Rivieras - Best Of The Rivieras |
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Relic Records | LP | 13.00 € |
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| Rivieras - Moonlight Cocktails 18 tracks |
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Relic Records 1992 | CD | 17.00 € |
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| Rivieras - Together Forever / A Night To Rembmer yellow clear vinyl |
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Algonquin Records | Single/EP | 5.00 € |
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| Rivingtons - Little Sally Walker / Cherry re-issue |
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Liberty | Single/EP | 5.00 € |
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| Rivingtons - Papa Oom Mow Mow This CD brings together all of the group's recordings for Liberty in the early 1960's, combining novelty rock'n'roll with wailing deep soul ballads, the title track being a much-played oldie on global radio and the ballads having been in-demand collectors' items since their previous reissue in 1991. |
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Shout Records 2007 | CD | 17.00 € |
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| Robins - Let's Go To The Dance / How Would You Know re-issue |
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RCA Victor | Single/EP | 5.00 € |
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| Rockin' Dukes - Angel And A Rose / My Baby Left Me re-issue |
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OJ Records Inc | Single/EP | 5.00 € |
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| Rockin' Ronald & The Rebels - Kansas City / Cuttin Out Original USA pressing. EX- . Nice copy !! |
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End Records | Single/EP | 15.00 € Käytetty |
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| Rogues - Train Kept A-Rolling / You Better Look Now repro |
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Audition Recording | Single/EP | 6.00 € |
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| Romantics - Rules Of Love EP german (?) vocal group. rare 7". no ps |
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Romantics 1994 | Single/EP | 5.00 € |
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| Ronettes - Featuring Veronica biisit vuodelta 1961 |
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Emi 2005 | CD | 10.00 € |
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| Ronettes - Presenting The Fabulous Ronettes featuring Veronica |
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Phlpst-4006 | LP | 15.00 € |
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| Ronettes - Presenting the Fabulous Ronettes featuring Veronica |
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Sundazed Music 2012 | LP | 20.00 € |
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| Ronettes - Volume 2 |
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PH | LP | 18.00 € |
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| Roomates - Dawning It was around the end of 1986, when the new wave rockabilly scene had passed its peak, that four friends and I, who had all been on the scene in one way or another since the late 70s, decided to start a doo wop group. It wasn’t until we were choosing which songs to attempt that we realised we all had a love of groups such as the Passions, Elegants, Mystics, Imaginations, Jay & the Americans and, last but not least, Dion & the Belmonts. After a few name and personnel changes we find ourselves 25 years and 11 CDs later. “Dawning” includes many of the songs we used to rehearse a cappella down any subway we could find back in those early days, plus some especially written new ones. Some of the songs will be well-known to doo wop collectors. There are also some obscure titles and a couple not associated with vocal groups, including Andy Williams’ ‘Music To Watch Girls By’, my own personal choice. Some of our most complex harmonies to date can be heard on our version of the Beach Boys’ classic ‘In My Room’. As on all Roomates CDs, we have recorded some Dion tracks, both with and without the Belmonts. Some of the numbers we found by accident on cassette tapes Nick used to make for us to take home after our early rehearsal sessions. Many songs we have recorded throughout our 25 years, including some of those here, were suggested to us by our fans around the world. It seems a long time ago since those early days when we would get together for fun at Nick’s with never any intention of singing on stage, travelling to different countries, meeting fans of our music and even getting to know some of the original members of the groups who have inspired the Roomates sound, which culminated with us getting to sing with our long-time hero Dion DiMucci back in November 2007. It’s been nearly five years since the last full Roomates CD. We think “Dawning” is probably our best to date and I’m sure our fans will also. By Steve Webb (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| Roomates - Lost On Belmont Avenue 30 tracks recorded to celebrate the Roomates' 20th anniversary together |
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Ace Records 2008 | CD | 17.00 € |
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| Roomates - The Classic Sound Of great vocal group from UK. |
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Ace Records 2004 | CD | 17.00 € |
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| Roscoe Thorne & The Caverliers - Dolores / Peddler Of Dreams re-issue |
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Atlas Record Company | Single/EP | 5.00 € |
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| Rosie & The Originals - Angel Baby Revisited Angel Baby by Rosie & the Originals, a US smash in the summer of 1960, is regarded as one of the most memorable 'oldies' of all time. Released on a small LA label, Highland, it propelled Rosie Hamlin, a shy 15 year-old San Diego schoolgirl into the national spotlight, creating all sorts of problems along the way. The immediate result was a move to the larger Brunswick label which put out her follow-up, Lonely Blue Nights. This also saw some chart action and lent its name to a 12- track Brunswick LP, an extremely rare collector's item. There were a couple of further 45s released on Highland (stockpiled by that company prior to Rosie's move to Brunswick) followed by a one-off 45 on the Globe label funded by her then manager - a wrestling promoter! This single (dating from March 1962), featured members of the as yet unknown Cascades (Rhythm Of The Rain), performing backing vocals. By 1963, Rosie had married her sweetheart, Noah Tafolla (formerly of the Originals) and retired from the business to complete her education and raise a family. It wasn't until 1969, that she made a comeback, recording an album's worth of material, most of which appeared on Ace's first Rosie & the Originals compendium (Ace CHD 738). There are a lot of you out there who are a little bit in love with Rosie & the Originals and this release proved so popular that it has spawned this companion volume which mops up the remaining six Brunswick titles (the first six having appeared on the initial volume), both sides of the ultra-rare Globe 45 and a one-off single on the Wax World label from 1973. In 1987 an a cappella single coupling Angel Baby with Dedicated To The One I Love purporting to be by Rosie & the Originals appeared on the specialist Starlight label. However, Rosie Hamlin was not involved - nor was she aware of its existence until recently. Aiming to set the record straight, Rosie & the Originals recorded their own a cappella versions of these two songs which are heard here for the first time together with a pleasingly eclectic selection of originals and 60s classics. Rosie & the Originals are a working band with their own official website and a manager who has looked after them for three decades. Rosie continues to record in the old style with occasional concessions to modernity and she still doesn't sound a day over 18. The release of this beautiful new package loaded with photos from Rosie's personal album means that her entire output is now available through Ace serving to enhance the curious legend of Rosie & the Originals. By Ramon 'Big Chilli' Vasquez (Low Riders of East LA) |
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Ace Records 2001 | CD | 9.90 € |
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| Rosie And The Originals - Best Of Rosie And The Originals Angel Baby by Rosie & The Originals is one of those oldies around which an entire legend, if not a career, has been built, such is its lasting impact among a generation of a certain age. Rosie Hamlin's primordial squeak, with its pangs of earnest yearning, was a sound with which every adolescent female in America could identify because they knew instinctively that she was one of their own. As Phil Spector used to ask his flunky, Sonny Bono, when the latest Spector masterpiece was blasting back at them over the studio monitors - "Is it dumb enough?" "What he meant was, did it grab the kids at their level enough to make them go out and buy it," Bono later remarked. If ever there was a record that met this criterion, then it was Angel Baby, which propelled a group of hapless amateurs into national prominence during the early months of 1961. It wasn't just a hit, but an absolute smash, hitting the Hot 100 at #40 on 12 December 1960, a feat only groups like the Beatles were able to better in the mid-60s. In fact John Lennon frequently cited Angel Baby as one of his all-time favourites and later recorded the song himself. Rosalie (Rosie) Hamlin was born in Klamath Falls, Oregon in 1944 and grew up in Anchorage, Alaska where her parents had settled when she was about a year old. In the summer of 1956 Rosie's mother bought her an old upright piano from a thrift store and an aunt taught her a few chords and helped her with her vocal technique. The shy schoolgirl began sitting in with local country bands to gain experience and was still attending school, in San Diego, when she teamed up with a quintet of teenage instrumentalists named the Originals. During the summer school holiday of 1960 they recorded Angel Baby, a song she had scribbled on the back of her notebook as a sophomore at San Diego High School. "It started out as a poem," she says, "I had a puppy love crush on a young boy, the very first boyfriend I ever had, right before I joined the Originals. In San Diego there were no recording studios at all. We called around and we heard about a man in San Marcos, a farming area out in the country. He had an old barn-type building where he had retired to and he'd built a recording studio. I think it was two-track. So we went there and spent the whole day recording it over and over and over again. On the day of the recording, our sax player had to stay at home and rake leaves - his mother wouldn't let him go until he had cleaned the yard. We kept calling him from the recording studio telling him to hurry on over but he said, 'I can't, my mother won't let me leave'. So the bass player had to play sax on the record even though he hardly know how to hold the instrument. Because we were so inexperienced - we had never really played before - we just had very basic raw talent. All of our mistakes went into the record. But, being so simple, all the kids could relate to it." The contrast between Angel Baby and the flipside, Give Me Love was so extreme that they sounded as though they has been recorded by two different groups. A blues jam which seemingly teetered on the brink of collapse from start to finish, Give Me Love featured a vocal by a local R&B vocalist named Bluford Wade who had written the song at the last moment because the band had failed to come up with a B-side of their own. What followed next reads like the script of a bad 50s teen movie, the full story being related in the accompanying CD booklet. A record distributor in LA issued Angel Baby on his tiny Highland label only to lose the group once the record had hit the charts, even though they had several more sides in the can. A chance meeting with soul legend, Jackie Wilson, resulted in Rosie signing with the Brunswick label who issued a follow-up, Lonely Blue Nights, which also made the charts, and an LP of the same title. Compiled for the first time on CD, The Best Of Rosie & The Originals includes all the Highland recordings, the cream of her Brunswick sides and ten previously unissued titles. Ace Records |
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Ace Records 1999 | CD | 17.00 € |
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| Royal Counts - Accapella Soul Vol. 1 16 Accapella biisiä vuodelta 1966 |
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Relic Records | CD | 17.00 € |
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| Royal Counts - Accapella Soul Vol. 2 17 Accapella biisiä vuodelta 1966 |
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Relic Records | CD | 17.00 € |
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| Royal Holidays - Dancin' At The Bandstand / Down In Cuba re-issue |
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Herald | Single/EP | 5.00 € |
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| Royal Jesters - Love Me / I Want To Be Loved re-issue |
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Cobra Records | Single/EP | 5.00 € |
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| Royals featuring Charles Sutton & Hank Ballard - The Federal Singles 24 tracks |
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Ace Records 2005 | CD | 17.00 € |
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| Salutations - I Find It Hard To Believe In Love / From Doo Wopp To Disco |
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Life Stream Records | Single/EP | 5.00 € |
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| Satintones - Satintones Sing ! The Complete Tamla & Motown Singles Plus Meet the Satintones, Motown doo wop at its finest. What’s that now? Motown on Ace Records? That’s right. Ace has infiltrated the Hitsville vaults for its first-ever all-Motown release, reaching back to the very creation of the legendary imprint. The Satintones didn’t just get in on the ground floor of Motown – they helped build the foundation. “The Satintones Sing!” is our chance to eavesdrop on that construction project. 26 cuts, 11 previously unreleased, demonstrate the Motown sound being born, with familiar names like Gordy, Robinson, Holland, Wylie and Bradford sprinkled among the writing credits. Chico Leverett, Robert Bateman, Sonny Sanders and James Ellis hailed from the same Detroit neighbourhood that nurtured most of the fabled Motown roster. Prior to forming the Satintones, Bateman and Sanders, as part of the Rayber Voices, provided backgrounds on Berry Gordy’s earliest, locally-released Tamla singles – including Leverett’s ‘Solid Sender’, heard here, along with its B-side, ‘I’ll Never Love Again’. If the Satintones’ only value were historical, that would still make this CD a must-have for Motown buffs. But there’s a lot to love among the group’s output. Like the title says, the Satintones sing! Ellis was a soulful, distinctive lead, and Bateman’s bass is down there with the best. The harmonies are impeccable, and several tracks sound like sure-fire hits, hampered only by Gordy’s lack of promotion and distribution clout. The first Satintones Tamla single, ‘Motor City’, now rings iconic, a veritable Hitsville theme. ‘My Beloved’ was the very first release on the Motown label. How’s that for history? The Coasters’ influence on the former and the Drifters’ on the latter are palpable, but there’s that Motown “something” in the grooves. The notorious ‘Tomorrow And Always’ (fashioned as an answer to the Shirelles’ mega-hit ‘Will You Love Me Tomorrow’) is heard in two different versions – the single seemed chart-bound, until its progress was stymied by litigation. The CD’s lynchpin is surely ‘Angel’, a sublime slice of doo wop perfection that sounds like a masterpiece today. With Vernon Williams replacing Ellis, the group released two final 1961 singles, including a rollicking ‘Zing Went The Strings Of My Heart’. Among the never-before-heard cuts, ‘You Can’t Beat My Lovin’’ will delight gospel fans as it’s a virtual rewrite of the Caravans classic ‘You Can’t Beat God Giving’. Several Gordy-penned novelties, including ‘Foot Stomping Time’, ‘Boogie Woogie Heart’ and ‘You’d Make A Fine Son-In-Law’, also see light for the first time. The Satintones disbanded before Motown’s march toward world dominance. Bateman hung around long enough to co-produce the Marvelettes’ first flurry of hits as well as their debut LP. He recycled the Satintones’ penultimate single, ‘I Know How It Feels’, for the young girl group and also had them tackle ‘Angel’ in an up-tempo style. The Satintones’ take on this version makes its debut here. It’s always thrilling to fill in another piece of the Motown puzzle. The mind reels at what other treasures Ace will soon unearth in the Hitsville vaults. The Satintones are making history again with this first Motown Ace CD. By Dennis Garvey (Ace Records) |
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Ace Records 2010 | CD | 22.00 € |
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| Satintones / The Igniters - Angel / High Flyin' Wine |
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Teen Records | Single/EP | 5.00 € |
