60s / Beat / Folk etc
Result of your query: 1079 products
| VA: - Destroy That Boy ! More Girls With Guitars “Destroy That Boy!”, the sequel to 2004’s “Girls With Guitars”, delves into the world of garage femmes and all-girl bands in a quest to prove that females of the species do indeed rock, roll and even snarl. In the post-Beatles beat boom, many an impressionable lass was inspired to take guitar in hand and toe the line with their male counterparts, with at least 160 touring female bands in the USA alone. A select few hit the recording studio to leave their aural mark on the decade, from which Ace has melded the cream of crop with some solo sisters to create another healthy 24-track dose of girl garage goodness. This time old Blighty has its share of representatives, including fully-fledged female groups She Trinity and the Liverbirds. She Trinity – whose original members hailed from the UK, Canada and the USA, hence their somewhat confusing moniker – appear with their first and last (and most acclaimed) singles. The Liverbirds’ success was limited to their adoptive home of Germany, where they recorded two albums of R&B and rock’n’roll covers, three of which are showcased here. Schoolgirl duo the Termites get their pincers into a Stones classic, while South African ex-pat Sharon Tandy and Coventry’s Beverley Jones give out some gutsy performances too. From across the Atlantic, alluring society girls the What Four open proceedings. The cover shows the Debutantes from Detroit, whose talents and glamorous image scored them a far-eastern tour and gigs alongside Motown’s finest. Another pivotal group was the Feminine Complex, formed by lead guitarist and songwriter Mindy Dalton, who achieved the rare feat of releasing an LP, but here we’re treated to two demos, including their wonderfully lo-fi version of the Monkees’ ‘(I’m Not Your) Stepping Stone’, cut in their first incarnation as the Pivots. Elsewhere come the Starlets with an attitude-soaked take on ‘You Don’t Love Me’, Swedish bombshell Ann-Margret with both decks of her single for Lee Hazlewood’s LHI label and Raylene Loos and her cohorts the Blue Angels, who contribute a rollicking rendition of ‘Shakin’ All Over’. The Girls (nope, not the same gang as on “Girls With Guitars”) debut with an unreleased cut produced by Sly Stone, while woe betides the man on the receiving end of Aussie Toni McCann, who let’s rip with ‘No’. Jack Nitzsche protégée Karen Verros kicks off the mid-section with, a fuzz-laden mind-blowing gem written by Donovan. Project X (whose line-up included Scott McKenzie) delights with a jangly folk-garage affair and Cheryll & Pam wax lyrical in ‘That’s My Guy’. British Invasion off-shoots the Lady Bugs’ ode to the American fraternity is a hilarious romp and the wiggy Fondettes pay tribute to the mop-headed boys who started it all. Much more info on these artists is to be found in the glossy feature-packed booklet, which includes interviews with Jan McClellan of the Debutantes and Beverley Jones. So let the girls blow the dust of their guitars yet again and take a trip down to the tougher side of girl-groupsville. By MATT MEEK (Ace Records) |
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Ace Records 2009 | CD | 17.00 € |
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| VA: - Die Munchen Szene - Smash Boonm Bang - The 60s Anthology 29 tracks |
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Bear Family 2002 | CD | 20.00 € |
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| VA: - Discovered Vol. 5 25 tracks from Billboard Top 100 lists 1955-1969 |
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Recollect Music | CD | 18.00 € |
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| VA: - DJ Andy Smith's Jam Up Twist Wind your way down the stairs at The Book Club in Hoxton and the first thing you see is a pool table and the queue to the cloakroom. Beyond that a crowd has formed and the party is off and going. You have entered the world of Andy Smith’s Jam Up Twist. Instead of the area’s blend of the latest dance music trends, Andy is expertly weaving a mix of great music from the distant past. A blend of rockabilly, jump blues, 60s soul and ska is pulling a crowd, and from the moment I heard it I knew that Andy was once more creating a club night that we at BGP would like to celebrate on CD. Andy came to prominence working as a DJ with Portishead when they hit the big time in the mid-90s. His inquisitive style of DJing has seen him pull music from all sorts of genres, creating an eclectic fusion that was celebrated in his seminal mix CD “The Document”. Since then he has hooked up with the BGP team for two compilations, including “Andy Smith’s Northern Soul”, which was based around his club night that attempted to introduce great 60s soul to a whole new crowd, and succeeded. We hope to repeat this success with “Andy Smith’s Jam Up Twist”. Once again Andy creates a seamless mix of tracks from the 50s through to the 70s, but it is his skill as a selector that really catches the ear. In each of the genres covered by the compilation he pulls out gems that are not only great tracks but relevant to a modern dancefloor. The rockabilly and the jump blues are just the sort of sounds that provide the influence for modern acts such as Imelda May and Kitty, Daisy & Lewis, and in cuts such as ‘Let’s Go Bopping Tonight’ by Al Ferrier, Jimmy Carroll’s ‘Big Green Car’, Mickey Champion’s ‘Bam-A-Lam’ or the Sonny Bono-penned ‘Touch And Go’ from Wynona Carr, Andy has chosen the very best. He is equally at home in the worlds of ska and Northern Soul. From the Northern pile he’s picked longstanding classics from Mel Williams and Toni & the Showmen and joined them up with some more recent finds such as the San Francisco TKOs and Luther Ingram, whose version of ‘Oh Baby Don’t You Weep’ has been one of the great discoveries of the past few years. To hear the Skatalites on a BGP comp is a real pleasure (and apt, as on ‘Malcolm X’ they are in fact covering Lee Morgan’s jazz dance classic ‘Sidewinder’), as it is to hear the voice of the great Alton Ellis. So let’s hope Andy is as successful in pushing the boundaries here as he has been in the past, because this is as great a blend as we could hope to hear. By Dean Rudland (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| VA: - Don't Press Your Luck 60s Connecticut sounds. Garage and psych howlers from the vaults of Trod Nossel Studios 1966-1968. |
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Sundazed Music 2008 | CD | 18.00 € |
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| VA: - Don't Stop The Music - Pop from The Åland 1965-1971 2CD Ahvenanmaalaista Pop / Beat ja rock-musiikkia vuosilta 1965-1971 Åländska tonåringar var som alla andra när rocken svepte över världen på 50-talet. De hade hört Rock Around The Clock i filmen Vänd Dem Inte Ryggen, tjejerna höll på Elvis eller Tommy Steele och de som gick till sjöss kom hem med de senaste hitsen på vinyl från England och Amerika.Att spela dansmusik lönade sig. Den första generationen åländska popmusiker lärde sig hantverket på Solbacka och andra ungdomslokaler när dragspelet var ett viktigare instrument än elgitarren. På repertoaren stod schlager, vals och kanske någon litet snabbare jazzlåt då och då. |
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Riverside Records 2008 | CD | 20.00 € |
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| VA: - Downey Story - Landlocked 24 of the best Downey records, including some unissued treasures, that present a snapshot of this important Californian independent label’s catalogue. Which record label brought us one of the two biggest surf instrumental hits of the early 60s? The same label that issued a couple of future Northern Soul collector’s items. Not to mention a clutch of the best garage rockers, and some New Orleans R&B by the cream of the Crescent City’s ex-pat musicians living in Southern California in the mid-60s. Together with, of course, a plethora of instrumental rock and a fair smattering of Sunshine Pop. All this before I even mention the early work of Barry White and one of his first solo efforts. The huge surf hit was ‘Pipeline’ by the Chantays. The label, Downey. Previous compilations in the five year-old Downey series have concentrated on instrumentals, early 60s pop, R&B, garage rockers and surf. This time out I have gathered tracks that proved hard to pin down to any of those genres, together with some previously unreleased gems and alternate takes, while revisiting a few important sides essential for a label overview such as this. Following ‘Pipeline’ comes that great garage rocker ‘I Don’t Need You No More’, the flipside of ‘Boss’, the first Downey single by the Rumblers. Other, later, garage goodies include Bud & Kathy’s ‘Hang It Out To Dry’ (once the title of a collector’s LP), ‘Edge Of Nowhere’ by the Sunday Group and our old friends the Last Word, of ‘Sleepy Hollow’ fame, with ‘Freeway’, an unreleased 1966 recording. A smattering of doo wop comes in the shape of the Invictas and the Debonaires, while the Invictas’ original lead singer, Sonny Patterson, delivers a bluesy ‘Troubles’ in an alternate take from his single. The great Little Johnny Taylor makes a welcome return, as does New Orleans veteran Jessie Hill with an alternate take of ‘TV Guide’. The Sunshine Pop element is present in Craig & Michael (another Chantays-related side), the Slipped Discs and the enigmatic E.S.P Limited. The Northern Soul sides are ‘Do It’ by Pat Powdrill and ‘Jerk Baby Jerk’ by Carl Burnett. A future contender in that area might be Margaret Williams, whose ‘My Love’ makes its Ace CD debut here. The song was arranged by Barry White, who also appears as Lee Barry with ‘I Don’t Need It’, a solo 45 issued on Downey in 1966. Rockin’ instrumentals are represented by the Rivaires doing ‘The Bug’, a previously unissued version of surf hit ‘Penetration’ by Ed Burkey and the great Revels’ ‘Comanche’. Interestingly, this compilation coincides with the issue on DVD of The Exiles, the Los Angeles cult film of 1961 for which ‘Comanche’ was written. By Brian Nevill (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| VA: - Dream Babes Vol. 2 - Reflections 22 Brit Girls Classics From the 60s |
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RPM 2001 | CD | 17.00 € |
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| VA: - Dream Babies Vol. 2 Reflec Cilla Black, Helen Shapiro, Linda Laine, Elkie Brooks.. |
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RPM 2001 | CD | 18.00 € |
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| VA: - Drink Beer Yell Dance |
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LP | 13.00 € |
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| VA: - Drumbeat / Saturday Club 2CD his excellent new 2CD set focuses on the popular TV show Drumbeat and the Saturday Club radio show. Featuring popular artists of the era including: Ricky Valance, Adam Faith and Cliff Richard. Many of the tracks available here are new to CD and features a plethora of hits from the time. This incredible 2CD set really captures the fun and excitement of the early Rock & Roll era and the two hit shows that millions tuned in to every week! |
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Jasmine Records 2010 | CD | 13.00 € |
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| VA: - Dutch Rock And Roll - Collector Items 1 |
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Rarity Records 1992 | CD | 11.90 € |
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| VA: - Early Girls Vol. 5 Girl Group Heaven with 28 hard-to-find US chart hits from the golden age of american rock and roll |
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Ace Records 2008 | CD | 17.00 € |
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| VA: - Eastern PA Rock - Part One (1961-1966) Eastern Pennsylvania Rock & Roll 1961-1966. 32 tracks |
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Arf Arf 1998 | CD | 18.00 € |
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| VA: - Echoes Of Buddy Holly |
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Classics Records | CD | 15.00 € |
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| VA: - Ed Sullivan's Rock'n'Roll Classics - Legends Of Rock 19 tracks - 65 min |
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Eagle Vision 2004 | DVD | 10.00 € |
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| VA: - Ed Sullivan's Rock'n'Roll Classics - Rockin' The 60s 16 tracks- apprx 69 min Beatles / Jefferson Airplane / Doors / Santana / Beach Boys / Janis Joplin / Mamas & The Papas / Steppenwolf etc |
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Rajon 2004 | DVD | 9.00 € |
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| VA: - Ed Sullivan's Rock'n'Roll Classics Gone Too Soon Groovy Soun 43 min |
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Eagle Vision 2006 | DVD | 9.00 € |
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| VA: - Embassy Records Story - Rock And Roll Vol. 1 30 tracks british R&R from the Embassy Records |
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Pink N Black Records 2008 | CD | 15.00 € |
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| VA: - Eye for The Ladies 29 transitional girl group sounds by The Rosettes, Jan Bradley, Jo-An Baker, The Irresistables, Marie & The Deccors, Clydie King and many more |
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Titanic Records | CD | 18.00 € |
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| VA: - Fairytales Can Come True UK Popsike from the late 60s. Pressed on 180g vinyl. |
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Psychic Circle | LP | 15.00 € |
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| VA: - Feeling High - the Psychedelic Sound Of Memphis Memphis is well known as the birthplace of the blues, the fount of southern soul and the locale that begat rock’n’roll. My colleagues and I have been digging deep in various Memphian vaults over the past decade, but the focus up until now has largely been soul and R&B. Lest we forget, the city boasted a healthy rock scene well into the 1960s and 1970s, but few retrospectives have documented Memphis music in the psychedelic era when, as a major recording centre, it was the nexus not just for local freaks, but those from neighbouring Arkansas, Mississippi and beyond. Big Beat’s “Feeling High – The Psychedelic Sound Of Memphis” shines a welcome light on this long-neglected area, focusing on the years 1967-1969 and principally on the work of two renowned Memphis mavericks. With a decades-long career as an iconoclastic musical polymath, Jim Dickinson needs little introduction. However, his rarely-discussed apprenticeship as a producer-engineer at Ardent Studios in the late 1960s made Dickinson responsible for many of the wildest and wackiest sessions ever held in Memphis. Some excerpts slipped out at the time on obscure singles on Stax and elsewhere, such as the absurd version of ‘For Your Love’ by Honey Jug. “Whenever anybody came into Ardent, it was obvious who was going to do the crazy stuff, ”Dickinson recounted to me several years ago. The bands he produced there include the pyjama-wearing Kinks-ish Wallabys of Jackson, Mississippi and psychedelic hillbillies Knowbody Else, later to become famous as Black Oak Arkansas. In contrast, James Parks was a young wet-behind-the-ears punk who took over the control room at uncle Stan Kesler’s Sounds Of Memphis studio in 1968, bringing in his freak friends from counterculture hotspots such as the Bitter Lemon. Parks’ production work included Changin’ Tymes, Mother Roses and Triple X, featuring future country star Gus Hardin, as well as crazoid studio-only experiments such as ‘Rubber Rapper’ and ‘Shoo Shoo Shoo Fly’. There is a palpable air of chaos about much of what Parks produced, which explains why he was unable to place a lot of it at the time – but in hindsight it’s a remarkable cache of work. Dickinson and Parks represent the outer edge of the Memphis music scene in those years. While the vast majority of tracks on “Feeling High” have not been issued before, their inspired lunacy and a shared willingness to push the envelope make the recorded evidence very special indeed. Local notables such as the Poor Little Rich Kids, 1st Century and Goatdancers share the tracklisting, the sound quality is excellent, and the detailed liner notes spill the beans on this fascinating tributary of the city’s musical legacy. File alongside our “Thank You Friends – The Ardent Records Story” (CDWIK2 273) as another instalment of delicious Memphis madness. By Alec Palao (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| VA: - Fender - The Golden Age 1950-1970 Leo Fender’s contribution to the sound of modern music is immeasurable. The pop music explosion of the 1950s and 60s would not have happened without the electric guitar and, perhaps more importantly, the electric bass.” So begins Martin Kelly’s notes for the CD of his book about Fender guitars. A book about music of course lacks the medium that it describes, so Martin came to Ace with a proposal to produce an accompanying CD that would make his pages even more vibrant. We were more than happy to celebrate the great sounds that Leo Fender helped conceive through his inspirational instruments. As overseer of this CD, I was out of my depth in guitar minutiae, but was able to assist on the technical end and enjoyed a sharp learning curve in great guitar sounds. I thoroughly dug those ringing twangs of Bob Wills and Tennessee Ernie Ford. With Ike Turner and Otis Rush I was in more familiar music territory. The more poppy Crickets’ track ‘I’m Looking For Someone To Love’ was an inspired choice by Martin. It was the flip to the original ‘That’ll Be The Day’ which I’d managed to miss hearing for 55 years. ‘Suzie Q’ and the original ‘Folsom Prison Blues’ are better known numbers; listening to them in this guitar-based context gives them new relevance. Guitar-led instrumentals were a must for the compilation and it is wonderful to relive the splendour of the Ventures’ signature tune and to hear the mighty Shadows at their most melodic. Breakaway Shadow Jet Harris then moves the spotlight to the renowned Fender bass on ‘Besame Mucho’. Booker T’s ‘Green Onions’ and Dick Dale’s ‘Miserlou’ are at the pinnacle of their genres and Jack Nitzche’s ‘Lonely Surfer’ shows how an inspired producer can use the guitar within a bigger production. It is then back to basics with the Kingsmen’s ‘Louie Louie’, followed by Ronnie Hawkins’ ice-cold take on ‘Who Do You Love’. The Beach Boys and Bobby Fuller Four then demonstrate how to play straight down the middle pop: no frills but pure class. Then representing the awakening of British youth to the American dream, we have the Yardbirds’ take on Billy Boy Arnold’s ‘I Ain’t Got You’, a song that failed to score for its creator but became a belated blues classic once Eric Clapton had stamped his seal of approval on it. Speaking of the blues, ‘Rock Me Baby’ by Otis Redding reminds us all that the world lost a brilliant blues singer, as well as the ultimate soul man, when his plane crashed in December 1967. By the time of this recording, Lewis Steinberg had been replaced by Duck Dunn on Fender Precision Bass duties. As reflected by the Nashville-recorded Fender jingles, country music was always dominated by the guitar sounds of Fender. Buck Owens & the Buckaroos’ ‘Buckaroo’ features not only Fender electric and bass but acoustic too. The switch to the soul perfection of King Curtis’ ‘Memphis Soul Stew’ is surprisingly seamless and that city’s home-grown Willie Mitchell sound on ‘Soul Serenade’ shows how long-lived top flight R&B was down there. It is then just a year’s jump, but a small world away, to 1969 and the Velvet Underground’s 12-string Fenders. That is neatly followed by ex-Yardbird Jeff Beck on his Stratocaster and Stone-to-be Ron Wood playing a Telecaster bass; all in the admirable cause of helping Donovan’s ‘Goo Goo Barabajagal’ make musical if not literal sense. I still may not be able to pick a Fender out in a crowd, but I now know how much listening pleasure I have derived from them. Ady Croasdell (Ace Records) |
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Ace Records 2012 | CD | 17.00 € |
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| VA: - Fort Worth Teen Scene 1964-67 Vol 1 24 biisiä Texas garage Rock And Rollia mm Cynics, Jades, Larry & Blue Notes, Wyld, Tracers jne |
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Norton Records 2004 | CD | 17.00 € |
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| VA: - Fort Worth Teen Scene 1964-67 Vol. 2 sarjan toinen osa… samaa meininkiä mm. Visions, Bards, Jack & The Ripeprs, Barons, Jades jne |
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Norton Records 2004 | CD | 17.00 € |
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| VA: - Fort Worth Teen Scene 1964-67 Vol. 3 kuin kaksi edellistäkin.. mm. Gentlemen, Chocolate Moose, Roots, Trycerz, Jinx jne |
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Norton Records 2004 | CD | 17.00 € |
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| VA: - Fort Worth Teen Scene! Volume One Cynics, Jades, Larry & Blue Notes, Wyld, Tracers |
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Norton Records 2004 | LP | 13.00 € |
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| VA: - Fort Worth Teen Scene! Volume Two Visions, Jades, Bards, Jack & The Rippers, Barons jne. |
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Norton Records 2004 | LP | 13.00 € |
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| VA: - Friday At The Hideout - Boss Detroit Garage 1964-67 Four Of Us, Underdogs, Pleasure Seekers, Fugitives.. |
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Norton Records 2001 | CD | 17.00 € |
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| VA: - Frolic Diner Part 1 31 tracks |
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Romulan Records | CD | 18.00 € |
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| VA: - Garage Beat ' 66 Vol. 1 Like What, Me Worry ? Check out the artists and song titles on this disc. They'll serve as a once 'n' final warning for anyone thinkin' they've just scored some nostalgic good vibrations from the feelin' groovy sixties (Congratulations, you're about to buy the wrong collection, bub). No, what we have here is the untold, bad-attitude underbelly of that decade's rock 'n' revolution; a teenage nation that churned out thousands of raging garage records that rarely escaped Hometown U.S.A. obscurity. These are the 45 rpm singles too extreme for their time… |
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Sundazed Music 2004 | CD | 19.00 € |
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| VA: - Garage Punk Unknowns Part 1 31 tracks |
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Crypt Records | CD | 18.00 € |
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| VA: - Garage Punk Unknowns Vol. 8 18 rockin' mid-60s punk thumpers! |
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Crypt Records 1995 | LP | 17.00 € |
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| VA: - Garage, Beat and Punk Rock 20 tracks |
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Ace Records 2005 | CD | 10.00 € |
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| VA: - Garagemental Cuca Records Story Vol. 2. 26 tracks sixties garage punk rockers |
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Ace Records 2006 | CD | 17.00 € |
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| VA: - Get A Board - 16 Surf And Hot Rod Ho-Downs! 29 tracks |
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Satan Records | CD | 18.00 € |
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| VA: - Get Off My Back ! - Unissued Sixties Garage Acetates Vol. 1 these originally unreleased recordings present a treasure trove of garage killers! All selections were recorded 1964-67 but none were released at the time. |
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Norton Records 2009 | LP | 13.00 € |
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| VA: - Get Ready To Fly 26 mindbending late 60s tracks produced by Norman Petty You’d better fasten your seat belts because once this flight takes off, you’ll never come down! So you’re wondering why Norman Petty, producer extraordinaire and champion of rockabilly music in the 1950s has his name on a “psychedelic” compilation? The simple answer is that although Petty's main interest and focus was on music that may have been a little tamer, he still had a hand in just about every genre possible. If you were lucky enough to take the trek to Petty’s Clovis, New Mexico studio, Norman would make you sound… GREAT! He took his incredible production, arranging and editing skills and transferred them with amazing precision into the psychedelic realm. With bands like the Frantics, Hooterville Trolley, Group Axis, Butter Rebellion, Intricate Blend, Apple-Glass Cyndrom and The Cords, how can you go wrong? Get Ready To Fly isn’t just a cameo collection of psychedelic tunes with Petty’s production as the common thread. And although the term “pop-psych” spans a pretty wide realm, this particular collection features a mind-boggling selection of 26 phenomenally-crafted songs with a bit of a hard-edged fuzz appeal. Get Ready To Fly truly doesn’t have a bad cut on it, and the overall quality of the selections is well… unbelievable! Alec Palao has done it again, culling master tapes from another darkened vault and turning them into a highly polished audio eargasm, equipped with the requisite fuzz guitars, sitars, backwards tracking and haunting vocals required for a 73 minute flight like this. With full access to Petty's archives, the candidate list for this volume was immense, the net result being that about two thirds of the entire collection has never appeared on any compilation before. And about half of those were NEVER even released, just collecting dust in the Petty vaults for almost 40 years. Get Ready To Fly has something for every lover of late 1960s psychedelic music, whether you're a grizzled collector or a novice, so don’t hesitate for a second to pick this one up. It’s been a long time since a collection this solid has been released. By Ben Chaput (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| VA: - Ghouls Night Out Vol. 2 14 tracks |
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Simpletone Records | CD | 17.00 € |
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| VA: - Girls In The Garage Part 3 23 tracks |
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Romulan Records | CD | 18.00 € |
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| VA: - Girls In The Garage Vol. 12 14 charming french swinging ladies |
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Saperlipotte Records | LP | 18.00 € |
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| VA: - Girls With Guitars 24 tracks 60s girlgroups |
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Ace Records 2004 | CD | 17.00 € |
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| VA: - Glitter And Gold -Words And Music by Barry Mann And Cynthia a hand-picked collection of the very best work by Barry Mann and Cynthia Weil, one of the most revered and succesful songwriting partnerships of the modern era |
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Ace Records 2009 | CD | 18.00 € |
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| VA: - GO !! GOING !! GONE !! 31 tracks various australian rock / beat / rock and roll from the 60s |
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Canetoad Records | CD | 18.00 € |
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| VA: - Go Girls with the Girls From Red Bird 30 tracks original Red Bird, Blue Cat, Tiger and Daisy Recordings |
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Snapper 2001 | CD | 12.00 € |
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| VA: - God Less America counrty & western for all you sinners & surfers 1955-1966 |
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Crypt Records | LP | 15.00 € |
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| VA: - Goffin & King - A Gerry Goffin & Carole King Song Collection 26 tracks |
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Ace Records 2007 | CD | 17.00 € |
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| VA: - Golden Age Of American Popular Music - The Folk Hits 28 tracks |
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Ace Records 2008 | CD | 17.00 € |
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| VA: - Good Morning Vietnam original motion picture soundtrack |
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A&M Records | CD | 12.00 € |
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| VA: - Got The Go!!! Vol. 2 60s soul, garage, rock and roll |
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La Classe Internationale | LP | 18.00 € |
