60s / Beat / Folk etc
Result of your query: 1082 products
| VA: - Good Morning Vietnam original motion picture soundtrack |
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A&M Records | CD | 12.00 € |
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| VA: - Got The Go!!! Vol. 2 60s soul, garage, rock and roll |
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La Classe Internationale | LP | 18.00 € |
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| VA: - Great British Skiffle Vol. 2 2CD |
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Smith & Co 2008 | CD | 12.00 € |
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| VA: - Great British Skiffle Vol. 3 2CD |
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Smith & Co 2009 | CD | 12.00 € |
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| VA: - Great British Skiffle Vol. 4 2CD |
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Smith & Co 2010 | CD | 12.00 € |
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| VA: - GS I Love You: Japanese Garage Bands Proof that the Japanese have always excelled at anything they put their hand to, including interpreting Western rock, comes with this new Big Beat collection GS I Love You, packed with some of the most impressive beat and garage sounds you'll hear from any country. GS refers to Group Sounds, the name the Japanese media gave to the local explosion of bands circa 1967. Japanese rock really got going with the instrumental eleki boom of 1964-1965, but obviously the Beatles and other British groups were as popular in the Far East as they were anywhere else in the world, and many of them, including the Fabs, helped inspire the Group Sounds boom by visiting Japan. Amongst the tunes covered (phonetically!) on GS I Love You are frantic versions of the Mojo's Everything's Alright, Arthur Brown's Fire, and an unintentionally hilarious mangling of Long Tall Sally by the Out Cast, which has to be heard to be believed.The casual listener will also be impressed by the high standard of production and performance in many of the original tunes included. While Japanese-language vocals can occasionally take a little getting used to, the instrumental backing tracks are consistently energetic and exciting, and fans of instrumental rock are in for a treat, as the guitar playing on many cuts is amongst the wildest and most manic of the era. for an example look no further than top GS combo the Spiders' rocking treatment of Cliff's Dynamite, which puts the Shads to shame, or their refreshing take on that old warhorse Wipeout.Elsewhere, the guitar work features plenty of fast 'n' furious fuzz and whammy bar, the legend being that, used to cheap home-manufactured instruments with a high-neck action, the skill of the average Japanese guitarist was doubled or tripled in mind-boggling fashion when slinkier Western equivalents were imported. As a bonus, most solos, even on the ballads, come with bloodcurdling screams, enthusiastic yells and shouts of such stock GS phrases as "Let's Go!!" and "Awwright Boys!!"The cynics out there may regard GS I Love You as a compilation of limited appeal, but in fact quite the opposite is true. It will bring a tap to the foot and a smile to the face of any open-minded student of 1960s pop. In researching this project, I even visited Japan (actually I was there on tour as a member of the Sneetches, but still managed to blow a small fortune on GS records). Original pressings of GS singles and albums by such heavyweights of the scene as the Golden Cups, Mops, Out Cast and Spiders can sell for hundreds of pounds on the collectors' circuit, but here's a chance to hear the 'A' selection of the best Group Sounds, at just a fraction of that cost.Trivia note: whilst there have been several GS compilations over recent years, this is the first legally-licensed one outside of Japan. Ace Records |
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Ace Records 1996 | CD | 17.00 € |
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| VA: - Guitar & Beat Vol. 2 24 tracks beat & instrumentals |
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Triola Records 1991 | CD | 15.00 € |
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| VA: - Guitar & Beat Vol. 3 21 tracks |
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Triola Records 1993 | CD | 15.00 € |
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| VA: - Guitar & Beat Vol. 4 20 tracks |
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Triola Records 1994 | CD | 15.00 € |
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| VA: - Guitar & Beat Vol. 5 great compilation of swedish beat & instrumentals |
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Triola Records 2003 | CD | 15.00 € |
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| VA: - Hammond Heroes - 60s R&B Heroes |
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Bear Family 2005 | CD | 17.00 € |
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| VA: - Have You Seen My Baby ? - Ember Sixties Pop Vol. 4 The celebration of the Sixties Pop side of Ember Records continues with the years 1964 to 1966. Have You Seen My Baby? is the fourth instalment of the series following on from Hello My Angel: Ember Sixties Pop Volume 3 (FVCD042). As well as singles, the label started releasing pop albums in this period and we have concentrated on selections from three fine LPs. The WASHINGTON DC’S gained their only album appearance by supplementing the two sides that the Dave Clark Five had cut for Ember. The LP was titled Dave Clark Five And The Washington DC’s, issued in August 1965. Although Dave Clark has since wisely scooped up his own back catalogue, six excellent performances by the Washington DC’s are reissued here for the first time. RAY SINGER’s January 1966 long-player For Those In Love gathered up five sides from his first three 45s. The third single I’m The Richest Man Alive / Pretty Little Ramblin’ Rose is included here together with four album-only tracks and Over The Weekend from a 1964 EP. A notable bonus is Ray’s previously unreleased version of The Girl Can’t Help It. The very next Ember album issued after Ray Singer was MARCUS TRO’s Introducing Marcus Tro. Six LP-only tracks, two of which showcase Marcus’s songwriting talents, get their first digital release on this compilation. CHAD & JEREMY continued their hit run in America and two of their biggest Willow Weep For Me and If I Loved You are represented in their mono single format. GRANT TRACY had recorded the Mark Wirtz written and produced numbers on this CD for Ember in 1965 but they were not issued at the time. The original albums are highly collectable (mint copies of Washington DC’s are valued at £30, and both Ray Singer and Marcus Tro at £40 each). Subsequent volumes will carry the story through to the end of the sixties, with further sought-after tracks included. The series is complemented by compilations devoted to beat and rock from the Ember vaults. Recordings are mastered from tape, where available, and booklets illustrated with sleeve and label shots. |
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Fantastic Voyage 2010 | CD | 9.00 € |
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| VA: - Hei Vain My Only One - Westerlund & Emi Years Part One 2CD 2CD = 44 tracks |
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Emi Finland 2007 | CD | 12.00 € |
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| VA: - Hey, Beach Girls ! Female Surf'n' Drag 1961-1966 To bridge the gap between volumes of “Where The Girls Are”, my oppo Malcolm Baumgart and I have taken Stephen J McParland’s recent book Bikinis, Black Denim & Bitchen Sounds* as our inspiration to concoct this fun new diversion to tide girl group buffs over. It’ll plug a few gaps in the collections of aficionados of surf, drag and hot rod music too, no doubt. The influence of California’s Beach Boys permeates “Hey, Beach Girls!” as it did the world of music in 1963. Brian Wilson and his cohorts had not long vacated the Top 3 with ‘Surfin’ USA’ when an opportunist East Coast record company exec with his eye on the latest pop fads dreamed up a plan to grab a piece of the action. Foisting the Surfer Girls moniker on a new teenage duo, he ushered them into the studio to parlay ‘Draggin’ Wagon’ to the very same tune. Meanwhile, over in Paris, France’s top girl group Les Gam’s flipped over the same Beach Boys platter to give ‘Shut Down’ their distinctive yé-yé treatment. Those who are familiar with the Big Beat comp “Board Boogie: Surf ‘n’ Twang From Down Under” (CDWIKD 211) will be aware that the craze for surf music spread as far as Australia, where Little Pattie & the Statesmen stormed the charts with ‘He’s My Blonde-Headed, Stompie Wompie, Real Gone Surfer Guy’ and ‘Drag Race Johnny’. Not much surfing went on in Detroit, but the landlocked Supremes dipped their toes in the water with ‘Surfer Boy’, one of a brace of numbers they got to chirp in the movie Beach Ball. Likewise in Philadelphia, epicentre of dance craze culture, where the Orlons and Dee Dee Sharp took a break from demonstrating the watusi and the mashed potato to cut ‘Surfin’’ and ‘Riding The Waves’ for the rare “Everybody’s Goin’ Surfin’” LP, both of which make their CD debut here. Further rarities include hideously obscure and collectable decks from the Westwoods, the Fleetwoods, the Beach Girls, Ellie Gee (short for Greenwich, natch) & the Jets, the Surfettes and Andrea Carroll, all of which are also new to CD. Among the other artists featured are Donna Loren with two cuts from her “Beach Blanket Bingo” album, Susan Lynne and Carol Connors – not forgetting, of course, Ginger, Diane and Brian Wilson’s wife Marilyn, otherwise known as the Honeys, without whom no surfing girls compilation would be complete. *For more gen on the book, email the author at cmusic@hotkey.net.au or visit: www.garyusher.com/cmusic By Mick Patrick (ACE Records) |
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Ace Records 2010 | CD | 18.00 € |
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| VA: - Hipsville 29 B.C. |
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Kramden Records | LP | 13.00 € |
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| VA: - Hipsville Vol. 2 16 more delicious mystery appetizers |
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Kramden Records | LP | 13.00 € |
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| VA: - Hits Of The 60's 3CD 3CDs = 54 tracks |
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Pegasus 2001 | CD-Box | 9.00 € |
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| VA: - Ho-Dad Hootenanny! beer blast blowout '65 |
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Crypt Records | LP | 15.00 € |
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| VA: - Honey & Wine - Another Gerry Goffin & Carole King song colle As a kid Goffin developed a taste for Broadway musicals and began creating songs in his head. With a vague ambition to one day write a musical of his own, he enrolled at college to study chemistry. It was there that he met 17-year-old Carole, a keen amateur rock’n’roll songwriter in search of a lyricist. They hit it off right away, penned a few songs together and dropped out of college to get married. In 1960 they joined Carole’s pal Neil Sedaka as staff songwriters at Aldon Music, a fledgling publishing house headed by Al Nevins and Don Kirshner. Within a couple of years they were the most successful songwriters in the country. We like our original versions at Ace and a few are included here. Bobby Vee recorded ‘Go Away Little Girl’ before Steve Lawrence got his mitts on the song for example, while the Rising Sons (Ry Cooder’s early band) cut ‘Take A Giant Step’ before the Monkees did and stylish jazz diva Nancy Wilson’s reading of ‘No Easy Way Down’ was taped before Carole’s own version was released. If you’ve ever wondered how many Goffin and King compositions the Monkees recorded, the short answer is 18, the most successful of which was ‘Pleasant Valley Sunday’, the couple’s restless ode to life in suburbia, included here. (The long answer is contained in the booklet.) While not all of Goffin’s lyrics are autobiographical, it is tempting to assume that ‘So Goes Love’, heard here by the Turtles, documents the breakdown of his and Carole’s personal relationship. Thankfully, they continued writing together after their divorce. As with our earlier volume, this set includes familiar hits (the Monkees, Maxine Brown’s ‘Oh No Not My Baby’, the Drifters’ ‘Up On The Roof’, Gene McDaniels’ ‘Point Of No Return’, etc), overlooked gems (Chuck Jackson’s ‘I Need You’, Jan & Dean’s ‘The Best Friend I Ever Had’, Freddie Scott’s ‘Brand New World’, ‘I Happen To Love You’ by the Myddle Class, to name just four) and some new to CD rarities (‘Stage Door’ by Peter James, ‘They’re Jealous Of Me’ by Connie Stevens, ‘The Boy I Used To Know’ by Andrea Carroll, Jody Miller’s very non-PC ‘He Hit Me (And It Felt Like A Kiss)’ and Carolyn Daye’s ‘A Long Way To Be Happy’). BY MICK PATRICK (Ace Records) |
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Ace Records 2009 | CD | 17.00 € |
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| VA: - Hydraulic Raisins - Wailin' In West Covina !! Smokin' regional rock comp. chock full of garage and surf/instro tracks from The Spectrums, The Hydraulic Raisins, and The Rhythm Surfers. |
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Bacchus Archives 1998 | LP | 15.00 € |
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| VA: - I've Had Enough ! - Unissued Sixties Garage Acetates Vol. 4 these originally unreleased recordings present a treasure trove of garage killers! All selections were recorded 1964-67 but none were released at the time. SPECIAL ALL NEW YORK EDITION! |
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Norton Records 2009 | LP | 13.00 € |
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| VA: - IG Roof Garden - Dance Jamboree '66 2CD 55 studio tracks by 30 midwest 60s groups |
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Arf Arf Records 1994 | CD | 23.00 € |
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| VA: - Ikon Records Story 2LP america's # 1 unsung garage label 1964-1966. 2LP. 31 Tracks |
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Crypt Records 2005 | LP | 28.00 € |
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| VA: - Immediate Hit Story Vol. 1 15 biisiä |
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Charly Records 1993 | CD | 10.00 € |
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| VA: - Immediate Hit Story Vol. 2 16 biisiä |
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Charly Records 1993 | CD | 10.00 € |
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| VA: - Immediate Mod Box Set 3CD 3CDs = 50 tracks |
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Castle Music 2005 | CD-Box | 25.00 € |
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| VA: - Inferno Party 25 tracks |
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Inferno Records | CD | 15.00 € |
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| VA: - It Came From The Suburbs - Rare teen Rock from Kennedy Era 27 tracks |
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Ace Records 2006 | CD | 18.00 € |
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| VA: - Jack Nitzsche Story 1963-78 - Hearing Is Believing 26 biisiä mm Jack Nitzsche, Frankie Laine, Round Robin, Paris Sisters.. |
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Ace Records 2005 | CD | 17.00 € |
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| VA: - James Burton - The Early Years 1956-1969 The story of James Burton’s early years told in this fine new compilation revolves around fast recognition of his talents by key US musicians who witnessed the teenager’s playing enhancing records with distinctive and memorable licks. A similar recognition occurred in far off North London in 1967 when I began to track down albums on which Burton featured for another precociously talented guitarist, Richard Thompson, who during the early days of Fairport Convention was soaking up so may diverse musical influences. Richard had heard Burton’s playing on some Rick Nelson tracks and enthusiastically asked if I could find as many of Rick’s albums on the Brunswick label as possible. Amongst the ones located were “Spotlight On Rick”, “For You”, “The Very Thought Of You” and possibly the cream of the crop, 1966’s “Bright Lights And Country Music”. It was on the latter that Burton was the only musician name-checked by Rick, a most unusual accolade at that time. Having listened to the album with Richard, a swift return to the shop quickly secured a second copy for my own collection. James Burton’s story really kicked off with his distinctive playing on Dale Hawkins’ ‘Suzie-Q’ in 1957, though earlier work is included here. Soon after he worked with producer Jimmie Haskell on enhancing key tracks from Bob Luman and Bobby Lee Trammel, but the next step up came when Haskell introduced him to Rick Nelson. Burton was still only 17 in 1958, but immediately became the cornerstone for Rick’s road and recording band as he entered his halcyon hit days. Having such a strong back-up guitarist must have given the shy singer a great deal of added confidence. James Burton was to Rick Nelson as Scotty Moore was to Elvis, and Hank Marvin to Cliff Richard. With his work with Rick Nelson came credibility within the recording industry, allowing Burton to fully develop a session career that was every bit as important. The 60s saw him working with Lee Hazlewood, the Everly Brothers, Merle Haggard and even Buffalo Springfield on Richie Furay’s ‘A Child’s Claim To Fame’. Along the way he found time to be part of the Shindogs, the house band for the Shindig TV show, and a brace of their released tracks are also included. As Burton acknowledges, it can be quite easy for fans to miss much of his prolific work, including as it did playing with artists such as Nat King Cole, Ray Charles, Sinatra and Elvis. This comp not only begins to tell the story, but also illuminates the darker corners via rare recordings that are so beloved of collectors. A second volume is planned that will take in Emmylou Harris, Gram Parsons and Elvis, but for now let’s marvel at Burton’s journey from Shreveport’s Louisiana Hayride house band in 1957 to the later 60s when he was fully established as the guitarist that everybody wanted in their corner. By Kingsley Abbott (Ace Records) |
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Ace Records 2011 | CD | 18.00 € |
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| VA: - Japanese Groupsound Liverpool 1962? No, Tokyo 2002! This compilation features seven of today's most exciting Japanese rock-n-roll combos: from the beat music of The Neatbeats to the guitar rave-ups of Jackie & The Cedrics to frat rock queens the 5,6,7,8's. |
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Spinout Records 2003 | CD | 17.00 € |
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| VA: - Jerk Boom Bam Vol. 1 |
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Jerk Boom Bam Records | LP | 17.00 € |
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| VA: - Jerk Boom Bam Vol. 2 |
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Jerk Boom Bam Records | LP | 17.00 € |
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| VA: - Joe Meek - Twangy Guitars, Reverb And Heavenly Choirs 2CD Long before he'd evolved into a fully-fledged cult figure, Joe Meek was the UK's first fully independent record producer. This unique 2CD set traces his career from his earliest sessions, as a sound balance engineer in the mid-'50s, to his emergence as a major songwriter and hit maker in the early '60s. It includes many of Meek's biggest records, including five UK # 1s by, Anne Shelton, Lonnie Donegan, Frankie Vaughan, Emile Ford and John Leyton, plus several other major million selling hits! Indeed, more than half of the sixty sides included herein were significant UK hits. This set also includes several collectors' rarities, previously unavailable on CD, most notably Gary Miller's unfeasibly-rare 'Moby Dick'. John Fraser's 'Golden Cage' and Geoff Goddard's 'Girl Bride'. If you are looking for what is by far the most interesting Joe Meek-related compilation for years then this is it! |
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Jasmine Records 2013 | CD | 15.00 € |
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| VA: - Joe Meek Shall Inherit The Earth Vol. 2 Another tribute to legendary cult British producer Joe Meek. Featuring John Leyton, Clem Cattini and many Western Star artists |
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Western Star Records | CD | 15.00 € |
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| VA: - Joe Meek's Groups A follow on compilation to RPMs highly successful Joe Meeks Girls comes this round up of several important group acts on Meeks books. The most notable are the Syndicats whose single Crawdaddy Simone, their last in 1966, is stupidly rare and valued at £300 !!!! Happily RPM can report that the recording on this compilation is taken from the original master tape. The track has its rarity value as an uncommon 'piece of Meek' but also in itself has a reputation for being just about the toughest freakbeat single ever Ray Fenwick's guitar burst in the middle seals it. RPM’s series of Joe Meek collections is the way to make sense of the residual Meek archive, and this package is enhanced by comprehensive notes and pictures courtesy of long time Meek archivist Roger Dopson. |
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RPM 2001 | CD | 17.00 € |
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| VA: - Just Around Bakersfield- Rock Bop Country |
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Classics Records 2010 | CD | 15.00 € |
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| VA: - Kun Rock'n' Roll tuli Suomeen 2 - Maailma ilman rakkautta 20 Suosikkia: the Esquires, Timo Jämsen, Ronny & The Loaferis, Eero Jussi & The Boys, Eddy & The Lighning, The Hounds, Topmost... |
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Warner Music | CD | 10.00 € |
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| VA: - Land Of 1000 Dances 30 tracks |
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Ace Records 1999 | CD | 17.00 € |
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| VA: - Land Of 1000 Dances - All Twistin' Edition In an era when we’re supposed to be running scared from warnings about the global effects of Swine Flu, Bird Flu and other pandemic ailments, it’s nice to recall a time when the only thing that was sweeping the world and causing mayhem everywhere that it went was an easy to master and perfectly innocuous dance called the Twist. Twistin’ affected the global template of dance like no other craze before or since and, at weddings, christenings, bar mitzvahs and social gatherings everywhere, people are still prone to go roundandaroundanda-upandadown whenever a Dave Doubledecks lets ‘Let’s Twist Again’ or ‘Twistin’ The Night Away’ fly – even people whose parents’ parents were not born when Chubby Checker first demonstrated how to do the dance on American Bandstand. Originated by a giant of R&B, popularised by a Pennsylvanian former chicken plucker and sung about by everyone from the Chipmunks to the Beatles to Frank Sinatra, the twist is celebrating its 50th birthday this year. Needless to say, just about everyone above a certain age at Ace has grown up with the twist, so we thought we’d offer a salute to the Grand Dame Du Danse, in the shape of a new addition to our “Land Of 1000 Dances” series. To be 100% accurate, the twist really celebrated its half-century last year, but Hank Ballard’s original 1958 recording sat in a tape vault until 1995 so we’re counting up from the original release of his and the Midnighters’ King 45 in January 1959. One or two big names of twistin’ claimed a prior engagement and couldn’t make our party, but we’ve pulled together 24 tracks that really represent the full spectrum of what the twist actually embraced. Here you’ll find high-profile rock’n’rollers (Bill Haley, Danny and the Juniors), R&B greats (Isley Brothers, Freddie King, Linda Hopkins) European Pop royalty (Petula Clark), TV and radio DJs (Clay Cole, Murray the K), hipsters (Louis Prima), doo woppers (the Zircons, the Marcels), hillbillies (the Sprouts) twist legends (Joey Dee) out and out novelties (Tyrone O’Saurus and the Cro-Magnons), the terminally obscure (Billy Huhn, Robbie Lawrence) and much more, all united in the intent to cause a mass outbreak of gyrationitis like they did last summer. Well, as many as 50 summers ago in reality, but who’s counting? For a few years, the twist was as newsworthy as any big political story of the day – and given that most of those who made the news were to be found twistin’ their nights away at clubs, lounges and parties, that’s not so surprising. In the 21st century it’s not likely to dislodge the credit crunch and MP’s expenses from the top of any news bulletin, but the next time some earnest newscaster is reporting on a new outbreak of some fever of another, it might just be Twist Fever. Shake it up baby, we got a new dance and it goes like this: come on everybody let’s twist – around the clock! “Eee-aaah, Yeah, just like this….” By Tony Rounce (Ace Records) |
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Ace Records 2009 | CD | 17.00 € |
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| VA: - Las Vegas Grind Vol. 6 |
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Crypt Records | LP | 15.00 € |
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| VA: - Leiber & Stoller Story Vol. 3 Shake 'Em Up & Let Roll 24 tracks 1963-1969 |
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Ace Records 2007 | CD | 17.00 € |
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| VA: - Let's Paint The Town Red Vol. 2 |
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Floridita Records 2008 | LP | 13.00 € |
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| VA: - London American Label Year By Year 1960 EMI didn’t have one until 1962, Philips never had one at all, Pye tried hard, but remained in division two for much of its life and the Rank Organisation had one that rang up such huge losses they pretty much gave theirs away. The label none of those companies could match was housed on the Albert Embankment, the home of the Decca Record Company – the label was London American and it, unlike Top Rank, Pye International and Stateside was the label you turned to most often when looking for the best in American pop, R&B and rock’n’roll. America was the first country in which a London label appeared. It was the flagship of British Decca’s American operations as far back as 1934. In Britain, the London logo made its debut in 1949 releasing material culled from its American namesake, but also from early US independents like Audivox, Jubilee, Derby, Cadence, Imperial, Essex and Jubilee. In 1954, a new prefix (HL) and numbering system (8001) was introduced and it’s this series that gave the London American label its legendary status. As rock’n’roll took hold in America new labels sprung up by the bucket load and Decca’s reputation for honest, straight forward dealing meant the new label entrepreneurs could trust Decca to pay its advances and deliver regular royalty statements and payments so the stature of the London American label grew rapidly. EMI’s Columbia, Parlophone and HMV labels had some US hits, others turned up on smaller British labels like Melodisc, Oriole and Starlite, but the cream was always to be found on the silver and black London label. Here you’d find material from Atlantic, Liberty (whose ability to survive and expand was partly made possible by a financial leap of faith by Sir Edward Lewis, the chairman of Decca who, when asked for a hundred thousand dollars advance for the rights to the Liberty catalogue in the mid-50s offered fifty thousand more, such was his belief in Liberty’s founder Si Waronker), Cadence, Dot, Jamie, Sun, Chess, Specialty, Warwick, Imperial and United Artists, most of which became major players whilst others like Greenwich, Sunbeam, Paris, Dore, Arwin, Judd, JDS and countless others turned out to be little more than ‘here today, gone tomorrow’ operations. Still, their recordings all found a home on London American. And so now Ace Records begins a year-by-year series celebrating the hits, misses and downright rarities that found a British outlet on the London American label, starting with 1960. Here you’ll find familiar recordings by Chuck Berry, Johnny Tillotson, Duane Eddy, Eddie Cochran, the Ventures, the Coasters and Johnny Burnette, but look more closely and you’ll find lesser-known records from the Delicates, whose members we now know more about than ever we knew in 1960, Teddy Redell with a track that’ll set you back £50 or £60 pounds now and Sonny Burgess, a wild rock‘n’roller who hadn’t noticed America’s chart was full of boy next door love songs in 1960. Here too, you’ll find Vernon Taylor’s sought-after version of Elvis’s ‘Mystery Train’, and even a good-time country sound from Wynn Stewart which London chose to only manufacture in Britain as an export item. But don’t let me keep you, grab your copy of The London American Label Year By Year and start re-living the sound of 1960. Then keep your eyes peeled for 1961, 1962, 1963. By Austin Powell (ACE RECORDS) |
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Ace Records 2009 | CD | 17.00 € |
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| VA: - London Rock rare 10". British Rock And Roll 1959-1964. |
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Velvet Touch Records | 10" LP | 18.00 € |
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| VA: - Lost Illusions Vol 2 - Ultimate German Garage Punk 1965-67 14 biisiä saksalaista 60-luvun harvinaisempaa garage punk / beat tavaraa |
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B Sharp 2005 | LP | 14.00 € |
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| VA: - Lost In The 60's - Frat Rocker And Garage Sounds From Obscur 16 tracks. Frat Rocker And Garage Sounds From Obscureville |
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SilverTown Records 2009 | LP | 14.00 € |
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| VA: - Love Songs Elvis, Jackie Wilson, Dino Desi & Billy, Tom Jones, Paul Anka, Bobby Darin, Little Anthony & The Imperials, Brooklyn Bridge,Lulu, Beatles, The Fifth Dimension, Smokey Robinson, The Carpenters, The Mamas & Papas. 63 min. 18 tracks. |
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Eagle Vision 2004 | DVD | 9.00 € |
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| VA: - Mad Mike Monsters Vol. 1 - A Tribute To Mad Mike Metrovich The wildest 45s discovered and popularized by enigmatic Pittsburgh hoo-doo DJ during his primo prime years 1964-67, compiled into three sets of instant party mashers! Massive gatefold LPs tell the story of the Mad One in his own words, complete with tons of memories from his many local fans, while the CD packs deliver the same in a pocket-size format! Absolutely staggering array of sounds from this Norton icon! All sizzle, no gristle! This is the first volume. |
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Norton Records 2009 | LP | 13.00 € |
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| VA: - Manu Records Story |
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Classics Records 2009 | CD | 17.00 € |
