60s / Beat / Folk etc
Result of your query: 1102 products
| VA: - Friday At The Hideout - Boss Detroit Garage 1964-67 Four Of Us, Underdogs, Pleasure Seekers, Fugitives.. |
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Norton Records 2001 | CD | 17.00 € |
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| VA: - Frolic Diner Part 1 31 tracks |
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Romulan Records | CD | 18.00 € |
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| VA: - Garage Beat ' 66 Vol. 1 Like What, Me Worry ? Check out the artists and song titles on this disc. They'll serve as a once 'n' final warning for anyone thinkin' they've just scored some nostalgic good vibrations from the feelin' groovy sixties (Congratulations, you're about to buy the wrong collection, bub). No, what we have here is the untold, bad-attitude underbelly of that decade's rock 'n' revolution; a teenage nation that churned out thousands of raging garage records that rarely escaped Hometown U.S.A. obscurity. These are the 45 rpm singles too extreme for their time… |
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Sundazed Music 2004 | CD | 19.00 € |
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| VA: - Garage Punk Unknowns Part 1 31 tracks |
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Crypt Records | CD | 18.00 € |
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| VA: - Garage Punk Unknowns Vol. 8 18 rockin' mid-60s punk thumpers! |
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Crypt Records 1995 | LP | 17.00 € |
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| VA: - Garage, Beat and Punk Rock 20 tracks |
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Ace Records 2005 | CD | 10.00 € |
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| VA: - Garagemental Cuca Records Story Vol. 2. 26 tracks sixties garage punk rockers |
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Ace Records 2006 | CD | 17.00 € |
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| VA: - Get A Board - 16 Surf And Hot Rod Ho-Downs! 29 tracks |
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Satan Records | CD | 18.00 € |
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| VA: - Get Off My Back ! - Unissued Sixties Garage Acetates Vol. 1 these originally unreleased recordings present a treasure trove of garage killers! All selections were recorded 1964-67 but none were released at the time. |
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Norton Records 2009 | LP | 13.00 € |
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| VA: - Get Ready To Fly 26 mindbending late 60s tracks produced by Norman Petty You’d better fasten your seat belts because once this flight takes off, you’ll never come down! So you’re wondering why Norman Petty, producer extraordinaire and champion of rockabilly music in the 1950s has his name on a “psychedelic” compilation? The simple answer is that although Petty's main interest and focus was on music that may have been a little tamer, he still had a hand in just about every genre possible. If you were lucky enough to take the trek to Petty’s Clovis, New Mexico studio, Norman would make you sound… GREAT! He took his incredible production, arranging and editing skills and transferred them with amazing precision into the psychedelic realm. With bands like the Frantics, Hooterville Trolley, Group Axis, Butter Rebellion, Intricate Blend, Apple-Glass Cyndrom and The Cords, how can you go wrong? Get Ready To Fly isn’t just a cameo collection of psychedelic tunes with Petty’s production as the common thread. And although the term “pop-psych” spans a pretty wide realm, this particular collection features a mind-boggling selection of 26 phenomenally-crafted songs with a bit of a hard-edged fuzz appeal. Get Ready To Fly truly doesn’t have a bad cut on it, and the overall quality of the selections is well… unbelievable! Alec Palao has done it again, culling master tapes from another darkened vault and turning them into a highly polished audio eargasm, equipped with the requisite fuzz guitars, sitars, backwards tracking and haunting vocals required for a 73 minute flight like this. With full access to Petty's archives, the candidate list for this volume was immense, the net result being that about two thirds of the entire collection has never appeared on any compilation before. And about half of those were NEVER even released, just collecting dust in the Petty vaults for almost 40 years. Get Ready To Fly has something for every lover of late 1960s psychedelic music, whether you're a grizzled collector or a novice, so don’t hesitate for a second to pick this one up. It’s been a long time since a collection this solid has been released. By Ben Chaput (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| VA: - Ghouls Night Out Vol. 2 14 tracks |
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Simpletone Records | CD | 17.00 € |
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| VA: - Girls In The Garage Part 3 23 tracks |
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Romulan Records | CD | 18.00 € |
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| VA: - Girls In The Garage Vol. 12 14 charming french swinging ladies |
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Saperlipotte Records | LP | 18.00 € |
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| VA: - Girls With Guitars 24 tracks 60s girlgroups |
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Ace Records 2004 | CD | 17.00 € |
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| VA: - Glitter And Gold -Words And Music by Barry Mann And Cynthia a hand-picked collection of the very best work by Barry Mann and Cynthia Weil, one of the most revered and succesful songwriting partnerships of the modern era |
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Ace Records 2009 | CD | 18.00 € |
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| VA: - GO !! GOING !! GONE !! 31 tracks various australian rock / beat / rock and roll from the 60s |
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Canetoad Records | CD | 18.00 € |
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| VA: - Go Girls with the Girls From Red Bird 30 tracks original Red Bird, Blue Cat, Tiger and Daisy Recordings |
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Snapper 2001 | CD | 12.00 € |
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| VA: - God Less America counrty & western for all you sinners & surfers 1955-1966 |
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Crypt Records | LP | 15.00 € |
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| VA: - Goffin & King - A Gerry Goffin & Carole King Song Collection 26 tracks |
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Ace Records 2007 | CD | 17.00 € |
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| VA: - Golden Age Of American Popular Music - The Folk Hits 28 tracks |
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Ace Records 2008 | CD | 17.00 € |
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| VA: - Good Morning Vietnam original motion picture soundtrack |
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A&M Records | CD | 12.00 € |
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| VA: - Got The Go!!! Vol. 2 60s soul, garage, rock and roll |
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La Classe Internationale | LP | 18.00 € |
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| VA: - Great British Skiffle Vol. 2 2CD |
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Smith & Co 2008 | CD | 12.00 € |
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| VA: - Great British Skiffle Vol. 3 2CD |
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Smith & Co 2009 | CD | 12.00 € |
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| VA: - Great British Skiffle Vol. 4 2CD |
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Smith & Co 2010 | CD | 12.00 € |
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| VA: - GS I Love You: Japanese Garage Bands Proof that the Japanese have always excelled at anything they put their hand to, including interpreting Western rock, comes with this new Big Beat collection GS I Love You, packed with some of the most impressive beat and garage sounds you'll hear from any country. GS refers to Group Sounds, the name the Japanese media gave to the local explosion of bands circa 1967. Japanese rock really got going with the instrumental eleki boom of 1964-1965, but obviously the Beatles and other British groups were as popular in the Far East as they were anywhere else in the world, and many of them, including the Fabs, helped inspire the Group Sounds boom by visiting Japan. Amongst the tunes covered (phonetically!) on GS I Love You are frantic versions of the Mojo's Everything's Alright, Arthur Brown's Fire, and an unintentionally hilarious mangling of Long Tall Sally by the Out Cast, which has to be heard to be believed.The casual listener will also be impressed by the high standard of production and performance in many of the original tunes included. While Japanese-language vocals can occasionally take a little getting used to, the instrumental backing tracks are consistently energetic and exciting, and fans of instrumental rock are in for a treat, as the guitar playing on many cuts is amongst the wildest and most manic of the era. for an example look no further than top GS combo the Spiders' rocking treatment of Cliff's Dynamite, which puts the Shads to shame, or their refreshing take on that old warhorse Wipeout.Elsewhere, the guitar work features plenty of fast 'n' furious fuzz and whammy bar, the legend being that, used to cheap home-manufactured instruments with a high-neck action, the skill of the average Japanese guitarist was doubled or tripled in mind-boggling fashion when slinkier Western equivalents were imported. As a bonus, most solos, even on the ballads, come with bloodcurdling screams, enthusiastic yells and shouts of such stock GS phrases as "Let's Go!!" and "Awwright Boys!!"The cynics out there may regard GS I Love You as a compilation of limited appeal, but in fact quite the opposite is true. It will bring a tap to the foot and a smile to the face of any open-minded student of 1960s pop. In researching this project, I even visited Japan (actually I was there on tour as a member of the Sneetches, but still managed to blow a small fortune on GS records). Original pressings of GS singles and albums by such heavyweights of the scene as the Golden Cups, Mops, Out Cast and Spiders can sell for hundreds of pounds on the collectors' circuit, but here's a chance to hear the 'A' selection of the best Group Sounds, at just a fraction of that cost.Trivia note: whilst there have been several GS compilations over recent years, this is the first legally-licensed one outside of Japan. Ace Records |
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Ace Records 1996 | CD | 17.00 € |
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| VA: - Guitar & Beat Vol. 2 24 tracks beat & instrumentals |
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Triola Records 1991 | CD | 15.00 € |
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| VA: - Guitar & Beat Vol. 3 21 tracks |
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Triola Records 1993 | CD | 15.00 € |
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| VA: - Guitar & Beat Vol. 4 20 tracks |
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Triola Records 1994 | CD | 15.00 € |
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| VA: - Guitar & Beat Vol. 5 great compilation of swedish beat & instrumentals |
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Triola Records 2003 | CD | 15.00 € |
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| VA: - Hammond Heroes - 60s R&B Heroes |
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Bear Family 2005 | CD | 17.00 € |
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| VA: - Have You Seen My Baby ? - Ember Sixties Pop Vol. 4 The celebration of the Sixties Pop side of Ember Records continues with the years 1964 to 1966. Have You Seen My Baby? is the fourth instalment of the series following on from Hello My Angel: Ember Sixties Pop Volume 3 (FVCD042). As well as singles, the label started releasing pop albums in this period and we have concentrated on selections from three fine LPs. The WASHINGTON DC’S gained their only album appearance by supplementing the two sides that the Dave Clark Five had cut for Ember. The LP was titled Dave Clark Five And The Washington DC’s, issued in August 1965. Although Dave Clark has since wisely scooped up his own back catalogue, six excellent performances by the Washington DC’s are reissued here for the first time. RAY SINGER’s January 1966 long-player For Those In Love gathered up five sides from his first three 45s. The third single I’m The Richest Man Alive / Pretty Little Ramblin’ Rose is included here together with four album-only tracks and Over The Weekend from a 1964 EP. A notable bonus is Ray’s previously unreleased version of The Girl Can’t Help It. The very next Ember album issued after Ray Singer was MARCUS TRO’s Introducing Marcus Tro. Six LP-only tracks, two of which showcase Marcus’s songwriting talents, get their first digital release on this compilation. CHAD & JEREMY continued their hit run in America and two of their biggest Willow Weep For Me and If I Loved You are represented in their mono single format. GRANT TRACY had recorded the Mark Wirtz written and produced numbers on this CD for Ember in 1965 but they were not issued at the time. The original albums are highly collectable (mint copies of Washington DC’s are valued at £30, and both Ray Singer and Marcus Tro at £40 each). Subsequent volumes will carry the story through to the end of the sixties, with further sought-after tracks included. The series is complemented by compilations devoted to beat and rock from the Ember vaults. Recordings are mastered from tape, where available, and booklets illustrated with sleeve and label shots. |
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Fantastic Voyage 2010 | CD | 9.00 € |
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| VA: - Hei Vain My Only One - Westerlund & Emi Years Part One 2CD 2CD = 44 tracks |
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Emi Finland 2007 | CD | 12.00 € |
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| VA: - Hey, Beach Girls ! Female Surf'n' Drag 1961-1966 To bridge the gap between volumes of “Where The Girls Are”, my oppo Malcolm Baumgart and I have taken Stephen J McParland’s recent book Bikinis, Black Denim & Bitchen Sounds* as our inspiration to concoct this fun new diversion to tide girl group buffs over. It’ll plug a few gaps in the collections of aficionados of surf, drag and hot rod music too, no doubt. The influence of California’s Beach Boys permeates “Hey, Beach Girls!” as it did the world of music in 1963. Brian Wilson and his cohorts had not long vacated the Top 3 with ‘Surfin’ USA’ when an opportunist East Coast record company exec with his eye on the latest pop fads dreamed up a plan to grab a piece of the action. Foisting the Surfer Girls moniker on a new teenage duo, he ushered them into the studio to parlay ‘Draggin’ Wagon’ to the very same tune. Meanwhile, over in Paris, France’s top girl group Les Gam’s flipped over the same Beach Boys platter to give ‘Shut Down’ their distinctive yé-yé treatment. Those who are familiar with the Big Beat comp “Board Boogie: Surf ‘n’ Twang From Down Under” (CDWIKD 211) will be aware that the craze for surf music spread as far as Australia, where Little Pattie & the Statesmen stormed the charts with ‘He’s My Blonde-Headed, Stompie Wompie, Real Gone Surfer Guy’ and ‘Drag Race Johnny’. Not much surfing went on in Detroit, but the landlocked Supremes dipped their toes in the water with ‘Surfer Boy’, one of a brace of numbers they got to chirp in the movie Beach Ball. Likewise in Philadelphia, epicentre of dance craze culture, where the Orlons and Dee Dee Sharp took a break from demonstrating the watusi and the mashed potato to cut ‘Surfin’’ and ‘Riding The Waves’ for the rare “Everybody’s Goin’ Surfin’” LP, both of which make their CD debut here. Further rarities include hideously obscure and collectable decks from the Westwoods, the Fleetwoods, the Beach Girls, Ellie Gee (short for Greenwich, natch) & the Jets, the Surfettes and Andrea Carroll, all of which are also new to CD. Among the other artists featured are Donna Loren with two cuts from her “Beach Blanket Bingo” album, Susan Lynne and Carol Connors – not forgetting, of course, Ginger, Diane and Brian Wilson’s wife Marilyn, otherwise known as the Honeys, without whom no surfing girls compilation would be complete. *For more gen on the book, email the author at cmusic@hotkey.net.au or visit: www.garyusher.com/cmusic By Mick Patrick (ACE Records) |
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Ace Records 2010 | CD | 18.00 € |
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| VA: - Hipsville 29 B.C. |
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Kramden Records | LP | 13.00 € |
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| VA: - Hipsville Vol. 2 16 more delicious mystery appetizers |
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Kramden Records | LP | 13.00 € |
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| VA: - Hits Of The 60's 3CD 3CDs = 54 tracks |
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Pegasus 2001 | CD-Box | 9.00 € |
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| VA: - Ho-Dad Hootenanny! beer blast blowout '65 |
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Crypt Records | LP | 15.00 € |
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| VA: - Honey & Wine - Another Gerry Goffin & Carole King song colle As a kid Goffin developed a taste for Broadway musicals and began creating songs in his head. With a vague ambition to one day write a musical of his own, he enrolled at college to study chemistry. It was there that he met 17-year-old Carole, a keen amateur rock’n’roll songwriter in search of a lyricist. They hit it off right away, penned a few songs together and dropped out of college to get married. In 1960 they joined Carole’s pal Neil Sedaka as staff songwriters at Aldon Music, a fledgling publishing house headed by Al Nevins and Don Kirshner. Within a couple of years they were the most successful songwriters in the country. We like our original versions at Ace and a few are included here. Bobby Vee recorded ‘Go Away Little Girl’ before Steve Lawrence got his mitts on the song for example, while the Rising Sons (Ry Cooder’s early band) cut ‘Take A Giant Step’ before the Monkees did and stylish jazz diva Nancy Wilson’s reading of ‘No Easy Way Down’ was taped before Carole’s own version was released. If you’ve ever wondered how many Goffin and King compositions the Monkees recorded, the short answer is 18, the most successful of which was ‘Pleasant Valley Sunday’, the couple’s restless ode to life in suburbia, included here. (The long answer is contained in the booklet.) While not all of Goffin’s lyrics are autobiographical, it is tempting to assume that ‘So Goes Love’, heard here by the Turtles, documents the breakdown of his and Carole’s personal relationship. Thankfully, they continued writing together after their divorce. As with our earlier volume, this set includes familiar hits (the Monkees, Maxine Brown’s ‘Oh No Not My Baby’, the Drifters’ ‘Up On The Roof’, Gene McDaniels’ ‘Point Of No Return’, etc), overlooked gems (Chuck Jackson’s ‘I Need You’, Jan & Dean’s ‘The Best Friend I Ever Had’, Freddie Scott’s ‘Brand New World’, ‘I Happen To Love You’ by the Myddle Class, to name just four) and some new to CD rarities (‘Stage Door’ by Peter James, ‘They’re Jealous Of Me’ by Connie Stevens, ‘The Boy I Used To Know’ by Andrea Carroll, Jody Miller’s very non-PC ‘He Hit Me (And It Felt Like A Kiss)’ and Carolyn Daye’s ‘A Long Way To Be Happy’). BY MICK PATRICK (Ace Records) |
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Ace Records 2009 | CD | 17.00 € |
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| VA: - Hydraulic Raisins - Wailin' In West Covina !! Smokin' regional rock comp. chock full of garage and surf/instro tracks from The Spectrums, The Hydraulic Raisins, and The Rhythm Surfers. |
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Bacchus Archives 1998 | LP | 15.00 € |
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| VA: - I've Had Enough ! - Unissued Sixties Garage Acetates Vol. 4 these originally unreleased recordings present a treasure trove of garage killers! All selections were recorded 1964-67 but none were released at the time. SPECIAL ALL NEW YORK EDITION! |
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Norton Records 2009 | LP | 13.00 € |
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| VA: - IG Roof Garden - Dance Jamboree '66 2CD 55 studio tracks by 30 midwest 60s groups |
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Arf Arf Records 1994 | CD | 23.00 € |
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| VA: - Ikon Records Story 2LP america's # 1 unsung garage label 1964-1966. 2LP. 31 Tracks |
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Crypt Records 2005 | LP | 28.00 € |
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| VA: - Immediate Hit Story Vol. 1 15 biisiä |
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Charly Records 1993 | CD | 10.00 € |
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| VA: - Immediate Hit Story Vol. 2 16 biisiä |
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Charly Records 1993 | CD | 10.00 € |
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| VA: - Immediate Mod Box Set 3CD 3CDs = 50 tracks |
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Castle Music 2005 | CD-Box | 25.00 € |
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| VA: - Inferno Party 25 tracks |
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Inferno Records | CD | 15.00 € |
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| VA: - It Came From The Suburbs - Rare teen Rock from Kennedy Era 27 tracks |
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Ace Records 2006 | CD | 18.00 € |
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| VA: - Jack Nitzsche Story 1963-78 - Hearing Is Believing 26 biisiä mm Jack Nitzsche, Frankie Laine, Round Robin, Paris Sisters.. |
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Ace Records 2005 | CD | 17.00 € |
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| VA: - James Burton - The Early Years 1956-1969 The story of James Burton’s early years told in this fine new compilation revolves around fast recognition of his talents by key US musicians who witnessed the teenager’s playing enhancing records with distinctive and memorable licks. A similar recognition occurred in far off North London in 1967 when I began to track down albums on which Burton featured for another precociously talented guitarist, Richard Thompson, who during the early days of Fairport Convention was soaking up so may diverse musical influences. Richard had heard Burton’s playing on some Rick Nelson tracks and enthusiastically asked if I could find as many of Rick’s albums on the Brunswick label as possible. Amongst the ones located were “Spotlight On Rick”, “For You”, “The Very Thought Of You” and possibly the cream of the crop, 1966’s “Bright Lights And Country Music”. It was on the latter that Burton was the only musician name-checked by Rick, a most unusual accolade at that time. Having listened to the album with Richard, a swift return to the shop quickly secured a second copy for my own collection. James Burton’s story really kicked off with his distinctive playing on Dale Hawkins’ ‘Suzie-Q’ in 1957, though earlier work is included here. Soon after he worked with producer Jimmie Haskell on enhancing key tracks from Bob Luman and Bobby Lee Trammel, but the next step up came when Haskell introduced him to Rick Nelson. Burton was still only 17 in 1958, but immediately became the cornerstone for Rick’s road and recording band as he entered his halcyon hit days. Having such a strong back-up guitarist must have given the shy singer a great deal of added confidence. James Burton was to Rick Nelson as Scotty Moore was to Elvis, and Hank Marvin to Cliff Richard. With his work with Rick Nelson came credibility within the recording industry, allowing Burton to fully develop a session career that was every bit as important. The 60s saw him working with Lee Hazlewood, the Everly Brothers, Merle Haggard and even Buffalo Springfield on Richie Furay’s ‘A Child’s Claim To Fame’. Along the way he found time to be part of the Shindogs, the house band for the Shindig TV show, and a brace of their released tracks are also included. As Burton acknowledges, it can be quite easy for fans to miss much of his prolific work, including as it did playing with artists such as Nat King Cole, Ray Charles, Sinatra and Elvis. This comp not only begins to tell the story, but also illuminates the darker corners via rare recordings that are so beloved of collectors. A second volume is planned that will take in Emmylou Harris, Gram Parsons and Elvis, but for now let’s marvel at Burton’s journey from Shreveport’s Louisiana Hayride house band in 1957 to the later 60s when he was fully established as the guitarist that everybody wanted in their corner. By Kingsley Abbott (Ace Records) |
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Ace Records 2011 | CD | 18.00 € |
