60s / Beat / Folk etc - 1960-luku
Result of your query: 956 products
| Jackie DeShannon - For You 1967 album now on CD with bonus tracks. |
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RPM 2006 | CD | 17.00 € |
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| Jackie DeShannon - Jackie DeShannon Known to her fans as “The Folk Album,” this 1963 release (with a gorgeous cover) is also famous for being her debut album, but it's never been on CD! Arranged by the great Jack Nitzsche, it reveals a singer whose still nascent songwriting instincts are illustrated by her unerring choice of material (some great Dylan tunes here): |
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Collectors Choice Music 2009 | CD | 17.00 € |
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| Jackie DeShannon - You Won't Forget Me - The Complete Liberty Singles Vol. 1 Nothing about Jackie DeShannon is predictable. Who could have foretold that the rockin’, stompin’ gal who toured with the Beatles in 1964 would have her first Top 10 hit with a silky Bacharach and David waltz? And who, in the 1990s, when Jackie was best known as the writer of occasional quality chart blockbusters for other artists, would have guessed that she would come back into the twenty-first century as a performer, not in the style of a seen-it-all, elder-stateswoman, but as a frenetic, bouncing, stomping rocker, with twice the energy of performers half her age? Accompanied by a four-piece rock band on her last London appearance, she even injected ‘What The World Needs Now’ with a dose of big beat. This is the first in a series of three CDs that will make available every one of Jackie’s US Liberty and Imperial singles, exactly as they were originally released. That’s to say, if the single was issued in mono, you will hear it in mono. If it came out in stereo, you’ll get stereo. Most of Jackie’s albums are now available on CD, as are a number of very good anthologies, but many of these single mixes and EQs have never been available in digital format before. I can claim to be a fan of Jackie DeShannon since 1963 when I was first overwhelmed by her recording of ‘When You Walk In The Room’. This was covered here in the UK by the Searchers, and I made it my business to find her original of that group’s earlier hit, ‘Needles And Pins’. It blasted me out of my seat. Then I found Jackie’s first album, expecting more of the same – but it was a collection of well-chosen and impeccably-performed folk songs. How predictable was that? I was aware that Jackie had written and co-written some tremendous songs for the likes of Brenda Lee, the Fleetwoods and many others, but I didn’t know that her own recording career stretched back to 1956, and before ‘Needles And Pins’ she had released more than 20 singles and had hit the US charts with a country ballad, ‘Faded Love’. This collection concentrates on her early years at Liberty Records of Hollywood, innocent times when young artists, young arrangers and young producers put together exciting recordings of great songs by great young writers. The work of Jack Nitzsche, Carole King, Dick Glasser, Sharon Sheeley, Ray Charles and many others can be found on this album. This was a time of experimentation. If gospel style doesn’t storm the charts, try rock’n’roll; if that doesn’t work, go for a beat ballad with strings; if that fails to make it, go country. And although Jackie’s early Liberty singles didn’t storm the charts, they are without exception fun and of great quality, full of that energy that we can still see in bucket-loads today. And even this collection has its own element of unpredictability. As an unashamed DeShannon completist, I (of course) own all of the singles collected on this album, except the unreleased ‘That’s What Boys Are Made Of’. But I had been lucky enough to have in my possession a tape of the song. To tell the truth, I thought it was a bit rough and ready, a little chaotic and unfocussed, and I could empathise with Liberty’s decision to leave it in the can. But then, blow me down, the version that Ace has found to put on this album is completely different – nicely-produced and determinedly catchy. I might have guessed – anything with the name Jackie DeShannon on it is predictably first class. by PETER LERNER (ACE RECORDS) |
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Ace Records 2009 | CD | 17.00 € |
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| James Darren - Gidget Goes Hawaiian / Sings For All Sizes 2 LP:tä = 1 CD. Yhteensä 24 biisiä |
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Collectors Choice Music 2004 | CD | 17.00 € |
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| James Darren - Teenage Tears 33 biisiä |
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Teen Sound Records 1994 | CD | 17.00 € |
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| James Darren - The Best Of 18 biisiä |
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Rhino Records 1994 | CD | 15.00 € |
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| Jan & Dean - Popsicle originally released in 1966 on Liberty Records. |
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Sundazed Music 2006 | CD | 17.00 € |
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| Jan & Dean - Surf City / Dead Man's Curve - The New Girl In School 2 LP:tä vuosilta 1963 ja 1964 samalla CD:llä. |
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BGO Records 2004 | CD | 17.00 € |
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| Jan & Dean - Ride The Wild Surf / Folk N Roll 2 LP:tä vuosilta 1964 ja 1965. Yhteensä 24 biisiä |
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BGO Records 2004 | CD | 15.00 € |
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| Janis Joplin - Greatest Hits |
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Sony Music 1999 | CD | 10.00 € |
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| Janis Joplin - Pearl 2CD 6 bonus tracks + live from the festival express tour, canada 1970 |
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Sony BMG Music 2005 | CD | 12.00 € |
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| Javalins - Javalins' Beat |
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Bear Family 1994 | CD | 18.00 € |
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| Jay And The Americans - Jay And The Americans / Sunday And Me 24 tracks. Two LPs on 1 CD |
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BGO Records 2001 | CD | 17.00 € |
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| Jay And The Americans - Live From The Cafe Wha ? / Blocbusters two original LPs from 1962 and 1965 on one CD. 27 tracks |
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BGO Records 2008 | CD | 15.00 € |
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| Jay Bee & The Kats - Tension / When School Is Through Jay Bee & The Kats hailed from Huron, South Dakota from 1962-’64. They recorded these two songs in MN and the resulting 45 on Bangar received airplay as far away s West Virginia and Colorado. “Tension” is an instro in the Dick Dale/Ventures vein with maximum guitar twang, while the flip is an Everly Brothers inspired vocal number. |
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Get Hip Records 1997 | Single/EP | 6.00 € |
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| Jeanne And The Darlings / The Charmels - We're The Soul Girls ! - The Complete Volt Recordings This Stax distaff double-header anthologises two underrated teams of ladies whose voices were utilised behind the scenes at McLemore Avenue as well as in their own right. Both were with the company for a number of years and neither ever had a long-playing vinyl release, which makes this new CD extremely welcome. “We’re The Soul Girls” features everything released on Volt by Jeanne and the Darlings and the Charmels, as well as eleven tracks that were not issued at the time. Their original 45s are admired by girl group fans, and both the Darlings’ ‘Soul Girl’ and the Charmels’ ‘As Long As I Have You’ are also cherished by collectors of original breakbeats. The Charmels were at Stax throughout the Atlantic-distributed years. As the Tonettes, theirs were the first voices to be heard on the Volt label when ‘No Tears’ became Volt 101 in early 1962 (#100 was an instrumental by the Triumphs). The Tonettes had a second single a few months later, and recorded enough material to fill four more 45s, but they caught an unexpected break when Nashville label Sound Stage 7 needed a black female group to go out as the Dixiebelles to promote a studio-created Hot 100 hit called ‘Down At Papa Joe’s’. The Tonettes masqueraded as the Dixiebelles until that concept had run its course, and returned to the Volt roster in late 1966 as the Charmels (and, on their final Volt 45, the Charmells). Working with Isaac Hayes and David Porter they rolled out four exemplary 45s over an 18 month period that extended into the early days of the post-Atlantic era. They also backed up a number of Stax’ solo artists during part of that period, a role they shared with a trio of equally estimable ladies led by Arkansan Jeanne Dolphus – or Jeanne Darling as she was known professionally. Jeanne and her fellow Darlings would quickly become Stax’ equivalent of Motown’s Andantes, lending their vocal backups to an increasing number of sessions featuring solo Stax acts. Unlike the Andantes, who managed just one single in their own name during the years they were with Motown, Jeanne and the Darlings saw six singles issued over a three-year period with Volt. They too started their own career under the supervision of Hayes and Porter, before moving on to work with other great Stax writer-producers, including Don Davis and the celebrated ‘We Three’ trio of Bettye Crutcher, Homer Banks and Raymond Jackson. None of the unissued tracks by either group is inferior, and just about all of them could have been considered for singles. You might think that there can’t be much left to do with Stax, given how many great CDs have preceded these two on the Ace catalogue. That’s not the case and, even as these two are finding their way into your collections, I’m mining the tape vaults for yet more exciting projects by both familiar and fairly obscure Stax acts. The ‘clicks’ just keep on coming…. By Tony Rounce (Ace Records) |
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Ace Records 2012 | CD | 23.00 € |
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| Jefferson Airplane - After Bathing At Baxter's How do you follow up a smash hit? If you're Jefferson Airplane, you record the most experimental, non-commercial album of your career! After Bathing at Baxter's is the Airplane let loose in the studio in 1967, creating without restraint. Taken from the original RCA Victor mono masters, this is the true sound of San Francisco. |
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Sundazed Music 2005 | LP | 20.00 € |
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| Jefferson Airplane - Live At The Fillmore Auditorium 2CD Unreleased Live. Two CDs featuring two November 1966 dates where the band really takes off ! |
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Collectors Choice Music 2010 | CD | 10.00 € |
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| Jefferson Airplane - Surrealistic Pillow |
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Music On Vinyl 2009 | LP | 20.00 € |
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| Jerry Cole - Psychedelic Guitars “Psychedelic Guitars” is Ace’s third collection of Jerry Cole’s 1960s recordings for the Crown and Custom labels. “Hot Rod Twangin’”, the first in this series, showcased some of Jerry’s early R&B work as Billy Boyd and tracks from his hot rod-themed LPs of the mid-60s. The second, “Guitars A Go Go”, found him playing some fierce disco-fuelled guitar wizardry. And when everybody started tuning in and dropping out, Crown turned to Jerry Cole to save the day. It was at this time that Crown launched Custom Records, the label on which his six psychedelic albums were released. Custom’s first psychedelic LPs weren’t psychedelic at all. Released as “Psychedelic Guitars” and “More Psychedelic Guitars”, they were merely Jerry’s “Guitars A Go Go” and “A Go Go Guitars” albums repackaged in new, splashy covers. But with the release of the Projection Company’s “Give Me Some Lovin’” LP things started to get a bit more interesting. In 1966, avant-garde violinist and composer Paul Arnold hired Jerry and his main recording mates – Don Dexter, Norm Cass and Glenn Cass – to record a psychedelic concept album, “The Inner Sounds Of The Id” for RCA. At the same time, LA-based Alshire Records released the psychedelia-exploitation LP “The Animated Egg”, another album prized by collectors of the genre. It’s not entirely clear which came first, “The Id” or “The Egg”, tracks and outtakes from both of which also appeared on Jerry’s Custom albums. The Projection Company’s “Give Me Some Lovin’” LP contained three alternate takes from “The Id”: ‘Wild Times’, ‘Boil The Kettle’ (with its Freudian psychobabble removed) and ‘I Love You, I Do’. A down-in-the groove take on ‘That’s The Way It Is’ from “The Egg” resurfaced as ‘Tune Out Of Place’ and the instrumental ‘‘T Morrow’ had vocals added to become a pretty good version of Spencer Davis’ ‘Gimme Some Lovin’’. New tracks included ‘What Else’, ‘Uh, Uh, Uh’ and the standout ‘Our Man Hendrix’. With the release of T Swift & The Electric Bag’s “Are You Experienced” album Jerry and crew must have really started to come on to the Orange Sunshine. On tracks such as ‘Expo In Sound’ and ‘Free Form In 6’ Jerry waved his freak flag higher than most. ‘Kimeaa’ is a classic in its own right, as is Jerry’s 12-string workout on ‘What’s Your Bag?’, and even the cover version of ‘Are You Experienced’ is fun to listen to. While the title track is a rather dreadful affair, the Generation Gap’s “Up, Up And Away” album is actually quite good. ‘Fool’s Luck’, ‘Hard Times’ and ‘Strange Shadows’ are excellent instrumentals and ‘High On Love’ and ‘Lisa’ are good examples of Jerry’s writing skills and vocal ability. The Stone Canyon Rock Group’s “MacArthur Park” album duplicates the same “Id” material as the Projection Company LP. It also contains a repeat of ‘Strange Shadows’ (re-titled ‘Light Show’), the rockin’ ‘I Can’t Stand It’ and a couple of MOR vocal tunes. Jerry Cole was a space age, soul-surfin’, hot roddin’, go-goin’, blues-pickin’ psychedelic ranger if there ever was one. Not many know these hard-to-find LPs even exist. I hope this compilation and the others in the series give listeners an opportunity to discover, re-evaluate and enjoy his unique and fun recordings for Crown and Custom. By Mike Vernon (Ace Records) |
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Ace Records 2012 | CD | 17.00 € |
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| Jerry Jaye - My Girl Josephine 1967-76 28 tracks |
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Connie-Hi 1994 | CD | 17.00 € |
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| Jerry Lordan - All My Own Work A key figure in British Pop during the pre-Beatles era. He had a parallel career as a late 50’s early 60’s pop performer and songwriter. Dale Hawkins scored with Lordan’ s A House, A Car,A Weddding Ring and I’ve Waited So Long was a top 5 for Anthony Newley. Lordan himself scored three hits in 1960, with Who Could Be Bluer going top 20. Also in 1960 Lordan wrote Apache . A number 1 in the UK for The Shadows and no.2 in the US for Jordan Ingmann. Lordan wrote two more no.1’s Wonderful Land for The Shadows and Diamonds for Jet Harris & Tony Meehan. His songs were also covered by Cliff Richard, Shane Fenton and he had another huge hit with Louise Cordet and I’m Just A Baby Included here are all Lordans recordings for Parlophone , which in turn represents the majority of his recording career. They include his one LP , all his singles and his authors version of Apache. Reissued officially here for the first time, this is also the first time the recordings have appeared on CD. |
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RPM 2012 | CD | 17.00 € |
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| Jesters - Cadillac Men - The Sun Masters The Jesters' crazed mid-60s recordings are the ultimate in deranged genius. Dig them all here, alongside 1966 cuts from related Memphis garage band the Escapades ! |
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Ace Records 2008 | CD | 17.00 € |
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| Jet Harris and Tony Meehan - Diamonds And Other Gems - The Complete Decca Singles the former Shadows bassist and drummer rivalled their previous bandmates for a twangin and thumpin 18 month spell from 1962 through to 1964 with two solo hits and three top five as a duo. Those cuts and all their other recordings for Decca are here, in a package with great memorabilia pics and archive photos. |
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RPM Retrodisc 2008 | CD | 17.00 € |
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| Jimi Hendrix - Band Of Gypsys recorded live new year's eve 1969-70 at Fillmore East In New York |
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Music On Vinyl Records 2010 | LP | 25.00 € |
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| Jimi Hendrix - Blues Originally released in 1994, the Jimi Hendrix Blues album features 11 blues performances recorded by Jimi between 1966 and 1970 showcasing the guitarist's mastery of the 12-bar form. This double-LP audiophile edition of Blues is arguably the best packaged, richest sounding, most coherent post-mortem release from the Hendrix archives. Framed by his 1967 acoustic 12-string rendition of "Hear My Train 'A Comin'" and a 1970 Trio performance of the same song, these 11 rough and ready tracks illustrate Hendrix's deep spiritual connections to his blues roots and his daring experimental take on the shape of future blues to come. And they've never sounded so vital, necessary or dynamic! This 2LP version will forever stand as the definitive-sounding, high-performance edition of this historic collection. 180 gram audiophile vinyl 2010 Remastered Edition 8 page full colour booklet Gatefold sleeve |
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Music On Vinyl Records 2000 | LP | 32.00 € |
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| Jimi Hendrix Experience - Axis Bold As Love |
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Music On Vinyl 2010 | LP | 20.00 € |
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| Jimmie Rodgers - 21 Greatest Hits |
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IMC Music 2012 | CD | 10.00 € |
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| Jimmy Curtis And The Regents / Peter Jarrett And The Fifth C - Let's Dance Close |
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MGM | Single/EP | 5.00 € |
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| Jimmy Gilmer - Buddy's Buddy. Buddy Holly Songs By Jimmy Gilmer 12 tracks from 1964 |
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South Bay 1994 | CD | 22.00 € |
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| Jimmy Gilmer & The Fireballs - Sugar Shack / Buddy's Buddy 2 DOT LP:tä (1963 ja 1965) samalla CD:llä. Yhteensä 24 biisiä |
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Ace Records 1997 | CD | 18.00 € |
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| Joe Brown - A Picture Of Joe Brown - At Decca original 1962 LP + bonus tracks |
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Vocalion 2005 | CD | 13.00 € |
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| Joe Brown - Crazy Mixed Up Kid 3CD the complete pye / piccadilly recordings |
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Castle Music 2007 | 2-CD | 20.00 € |
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| Joe Brown - The Joe Brown Story 2CD 2CD = 50 tracks |
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Castle 2001 | 2-CD | 20.00 € |
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| Joey Dee And The Starliters - In Hollywood two original LPs on one CD "Hey Let's Twist" & "Two Tickets To Paris". 24 tracks |
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Soundies 1999 | CD | 15.00 € |
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| John Denver - The Essential John Denver 2CD |
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Sony Music 2007 | CD | 10.00 € |
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| John Lennon And The Plastic Ono Band - Sweet Toronto 56 min - keikka vuodelta 1969. lisäksi yoko onon haastattelu vuodelta 1988. |
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Gravity | DVD | 9.00 € |
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| John Leyton - Two Sides Of John Leyton / Always Yours 2 LPs on 1 CD. 24 tracks |
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Westside 2000 | CD | 18.00 € |
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| John Mayall And The Bluesbreakers - A Hard Road EXPLOSIVE 1967 ELECTRIC BLUES SET RESTORED TO ITS ORIGINAL MONO GLORY. 1967’s A Hard Road proved to be every bit as powerful and innovative as its predecessor, thanks in large part to Mayall’s discovery of Clapton’s equally brilliant replacement, Peter Green. A one-of-a-kind player with a highly distinctive sound, Green makes his instrumental presence felt throughout A Hard Road, while delivering compelling lead vocals on “You Don’t Love Me” and “The Same Way.” With sterling support from bassist John McVie and drummer Aynsley Dunbar, the material here features such Mayall originals as “Hit the Highway,” “Leaping Christine” and the title track, along with standout interpretations of tunes by Freddie King, Elmore James and Willie Cobbs. The legendarily haunting Green-penned instrumental “The Supernatural” previews the guitarist’s groundbreaking work with the original incarnation of Fleetwood Mac, which he and fellow Bluesbreaker John McVie would form a few months later. From the pristine U.K. mono masters, with complete original artwork and photos. Vintage Guitar Magazine - December 2011 Mayall’s Guitar-Hero School John Mayall's fabled albums with Eric Clapton, Peter Green, and Mick Taylor have been reissued before, but these discs, re-mastered from the original mono masters, sound absolutely glorious (whether on CD or 180-gram vinyl). —Pete Prown Mojo Magazine ★ ★ ★ ★ Now in glorious mono, the 1967 LP which unveiled Peter Green’s precocious blues genius. |
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Sundazed Music 2011 | LP | 20.00 € |
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| John Mayall And The Bluesbreakers - A Hard Road EXPLOSIVE 1967 ELECTRIC BLUES SET RESTORED TO ITS ORIGINAL MONO GLORY. 1967’s A Hard Road proved to be every bit as powerful and innovative as its predecessor, thanks in large part to Mayall’s discovery of Clapton’s equally brilliant replacement, Peter Green. A one-of-a-kind player with a highly distinctive sound, Green makes his instrumental presence felt throughout A Hard Road, while delivering compelling lead vocals on “You Don’t Love Me” and “The Same Way.” With sterling support from bassist John McVie and drummer Aynsley Dunbar, the material here features such Mayall originals as “Hit the Highway,” “Leaping Christine” and the title track, along with standout interpretations of tunes by Freddie King, Elmore James and Willie Cobbs. The legendarily haunting Green-penned instrumental “The Supernatural” previews the guitarist’s groundbreaking work with the original incarnation of Fleetwood Mac, which he and fellow Bluesbreaker John McVie would form a few months later. From the pristine U.K. mono masters, with complete original artwork and photos. Vintage Guitar Magazine - December 2011 Mayall’s Guitar-Hero School John Mayall's fabled albums with Eric Clapton, Peter Green, and Mick Taylor have been reissued before, but these discs, re-mastered from the original mono masters, sound absolutely glorious (whether on CD or 180-gram vinyl). —Pete Prown Mojo Magazine ★ ★ ★ ★ Now in glorious mono, the 1967 LP which unveiled Peter Green’s precocious blues genius. |
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Sundazed Music 2011 | CD | 18.00 € |
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| John Mayall's Blues Breakers - Crusade THIRD BLUES BREAKERS ALBUM CEMENTS THE STATUS OF JOHN MAYALL AS BLUES-ROCK ROYALTY. 1967’s Crusade finds John Mayall welcoming another soon-to-be-famous young guitarist—18-year-old fretboard phenom Mick Taylor, who would soon become a key member of the Rolling Stones—to the Bluesbreakers fold. With John McVie on bass and Hughie Flint and Keef Hartley sharing drumming duties, Mayall tackles an adventurous 12-song set that encompasses several Mayall originals and Taylor’s instrumental showcase “Snowy Wood,” as well as numbers by such notables as Willie Dixon, Eddie Kirkland and Sonny Boy Williamson. Regarded by many fans as the final third of the influential electric-blues trilogy that began with Blues Breakers and A Hard Road, Crusade followed its predecessors into the British Top Ten, while continuing to open young American ears to the timeless power of the blues. From the pristine U.K. mono masters, with complete original artwork and photos. Vintage Guitar Magazine - December 2011 Mayall’s Guitar-Hero School John Mayall's fabled albums with Eric Clapton, Peter Green, and Mick Taylor have been reissued before, but these discs, re-mastered from the original mono masters, sound absolutely glorious (whether on CD or 180-gram vinyl). —Pete Prown |
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Sundazed Music 2011 | LP | 20.00 € |
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| John Pearse - The Lost 1966 Waldeck Audition (1CD DigiPac - four panel - with booklet. 18 tracks. Playing time: 41:45) -- This set contains informal backstage tapes, previously thought lost, from 1966 Waldeck Festival. John Pearse has near-mythic status among guitar players, builders & designers. 'The folk guitarist who taught the protest generation how to play' - The 'Guardian' (UK). John Pearse is 'The Nation's guitar teacher.' 'stern' (Germany). Pearse recorded now-collectable albums like 'Guitar Train' (1958) and 'Blues, Rags & Raga' (1972) and hosted 1980s PBS show 'String Along.' 'Pearse provided us with the right tools to play better music.' - Chris Hillman. He designed strings used and endorsed by Doc Watson, King Crimson & Dixie Chicks. -- To many students of folk and blues guitar, John Pearse was a hero - the man who taught, performed, and helped popularize the genre. 'He left his mark on the musical world,' says Cindy Cashdollar. -- This is high praise, and it hardly stops here. Bear Family Records offers a unique glimpse of this highly esteemed musician, drawn from these informal, unguarded performances. The 18 tracks presented here - for the first time ever - showcase Pearse backstage at the Waldeck Folk Festival in 1966. Pearse appeared at this premier German festival on four consecutive years, between 1965-68. The tapes offer a rare glimpse of his casual, non-studio persona. Unless you were in the first ten rows, you wouldn't have heard him so clearly. -- Pearse taught designing, building and playing of stringed instruments to countless members of a European and American audience through his BBC, ITV and PBS shows - more than he could have ever reached through the endless touring of folk venues. -- Despite his untimely death in 2008, John Pearse continues to reach an appreciative audience. The unmarked reel-to-reel tapes that gave rise to this unexpected CD will delight his legion of fans and draw new listeners to him. |
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Bear Family 2010 | CD | 17.00 € |
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| John Zacherle - Monster Mash / Scary Tales Operating out of Philadelphia, Cameo-Parkway was among the most successful independent record companies of the early 1960s, turning out a veritable production line of teen-friendly singles by artists such as Chubby Checker, the Orlons, the Dovells, Dee Dee Sharp and Bobby Rydell. This month sees the release on Ace of the latest batch of collections from the vaults of Cameo and sister logo Parkway in the shape of twofers from Dee Dee Sharp, the Dovells and self-appointed “Cool Ghoul” John Zacherle. John Sebastian did the notes for the John Zacherle set. Yep, that John Sebastian, he of the Lovin’ Spoonful. It seems he was a bit of a Boris Karloff fan, which is how he first became aware of John Zacherle, who hosted re-runs of old horror movies on WCAU-TV out of Philadelphia in the late 1950s. The craze for scary movies spread to the record biz, which led to Zacherle reaching #6 with ‘Dinner With Drac’ in 1958. (OK, we’re a bit late for Hallowe’en with this release, but hey, there’s always next year.) By Mick Patrick (ACE Records) |
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Ace Records 2010 | CD | 17.00 € |
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| Johnny - Tähtisarja - 30 Suosikkia 2CD 30 biisiä |
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Warner Music Finland 2008 | CD | 13.00 € |
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| Johnny Burnette - Johnny Burnette Sings / The Story 2 LPs = 1 CD. 24 tracks |
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BGO Records 2003 | CD | 12.90 € |
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| Johnny Hallyday - Anthologie 1960-1963 22 tracks |
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PolyGram 1998 | CD | 17.00 € |
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| Johnny Hallyday - Anthologie 1964-66 22 tracks |
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Mercury France 1998 | CD | 17.00 € |
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| Johnny Kidd & The Pirates - Johnny Kidd Memorial Album / Your Cheating Heart 2 LPs = 1 CD. 30 tracks |
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BGO Records 2003 | CD | 10.90 € |
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| Johnny Kidd & The Pirates - Rarities 20 tracks |
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See For Miles 1989 | CD | 18.00 € |
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| Johnny Kidd & The Pirates - Shakin' All Over - The Early Singles 1959-1961 |
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Rumble Records 2012 | LP | 19.00 € |
