60s / Beat / Folk etc - 1960-luku
Result of your query: 971 products
| VA: - Teenage Dreams - Teenage Angst - Just About.. 2CD 60 tracks |
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Smith & Co 2012 | CD | 13.00 € |
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| VA: - Teenage Shutdown ! Frantic Frat-Stomp Fracas ! |
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Teenage Shutdown 1995 | CD | 18.00 € |
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| VA: - Teenage Shutdown ! Jump, Jive & Harmonize |
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Crypt Records | LP | 15.00 € |
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| VA: - Teenage Shutdown ! Teen Jangler Blowout |
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Teenage Shutdown 1995 | CD | 18.00 € |
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| VA: - Teenage Shutdown ! She's A Pest 18 Revved-Up Teen Swingers ! |
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Crypt Records | LP | 15.00 € |
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| VA: - Teenage Shutdown - No Tease 18 inept, outta-tune teen romp from the (w)rec(k) room |
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Crypt Records | LP | 15.00 € |
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| VA: - Teenage Time Vol. 10 newest volume with 30 tracks |
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Classics Records 2012 | CD | 17.00 € |
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| VA: - Teenage Time Vol. 6 |
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Classics Records | CD | 17.00 € |
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| VA: - Teeny Bop 29 tracks |
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TeeBee Records 2008 | CD | 17.00 € |
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| VA: - Tell Me - Ember Beat Vol. 1 (1962-1964) In 1960 Ember joined the small number of indies trying to compete in a market dominated by the four major record companies. That it survived until 1979 is testament to the acumen of founder Jeffrey Kruger, who had made waves in the fifties music scene with his London jazz club, The Flamingo, and his interests in publishing. Hit records proved hard to come by, but by spotting opportunities ahead of the pack and catering for specialist audiences, Kruger was able to run a flourishing record label. By 1962 the first evidence of what became known as beat music was emerging, most famously with The Beatles’ “Love Me Do”, charting that October. A couple of the acts featured on this, the first of three compilations devoted to Ember beat 1962-1967, were no strangers to the label. In an arrangement similar to that enjoyed by The Shadows with Cliff Richard, The Sunsets (who included guitarist Pete Dello, later of Honeybus of “I Can’t Let Maggie Go” fame) had released instrumental records in their own right and also backed vocalist Grant Tracy. Their two muscular contributions to Ember Beat Vol. 1 first surfaced on the label in 1963, but are redolent of the pre-Beatles rock’n’roll instrumental group scene. Carter, Lewis and The Southerners had one Ember single under their belt before issuing “Tell Me” in 1962. Engineered by the legendary Joe Meek and written by his regular collaborator Geoffrey Goddard, “Tell Me” was backed with a Carter/Lewis original. Individually and collectively, Carter and Lewis were to go on to considerable success, ultimately dropping their performing roles and concentrating on songwriting and management. With the advent of producer/composer/arranger John Barry, Ember definitely moved up a gear. Barry came to Ember with an impressive CV: in-house arranger for EMI, leader of hit instrumental combo The John Barry Seven, and composer, arranger and conductor on the first UK soundtrack album (to the Adam Faith vehicle Beat Girl). Ember released several Barry soundtracks, including Zulu, which had one side of soundtrack recordings, and a second side which we have plundered for classy beat instrumentals by the stellar John Barry Seven. Barry also introduced pop duo Chad and Jeremy to Ember. The pair had just one domestic hit with debut Yesterday’s Gone, but were massive in the US as part of the British Invasion. Initially produced by Barry, and then by Shel Talmy and ultimately Jimmy Haskell, the duo recorded diverse repertoire, ranging from folk to show tunes. For the Ember Beat series we concentrate on their beat-ier, pop material. Kruger leased several of Chad and Jeremy’s singles to United Artists. Likewise the John Barry-produced group A Band Of Angels was signed to UA, for a pair of singles, which were the earliest commercial recordings of Mike D’Abo, who later succeeded Paul Jones as singer with Manfred Mann, as well as penning Handbags And Gladrags and many other hits. Marcus Tro’s solitary A-side was a cover version of early Jagger/Richard composition Tell Me, produced by emerging talent Mark Wirtz. The Washington DC’s released one single on Ember. Further material by the group surfaced on an album released to gain more mileage from a pre-fame Dave Clark Five single (the rights to which, alas, have subsequently reverted to Dave Clark). We also round up a B-side by Brighton group Count Downe and The Zeros, and both sides of a single by singer/guitarist Ray Singer (later, briefly a member of psych-pop group Nirvana). This is the first coherent survey of Ember’s releases from the beat era. Many of the original singles are highly collectable (mint copies of Carter, Lewis and Count Downe going for £50 and £35 respectively). Subsequent volumes will carry the story through to 1967, with collectables by The Couriers, The Brothers Grimm, The Clockwork Oranges and The Fadin’ Colours. The series will be complemented by compilations devoted to pre- and post-Beat pop and rock from the Ember vaults. Recordings will be mastered from tape, where available, and booklets illustrated with sleeve and label shots. |
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Fantastic Voyage 2009 | CD | 13.00 € |
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| VA: - That British Sound Vol. 10 |
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Blakey Records 2010 | CD | 17.00 € |
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| VA: - That British Sound Vol. 11 |
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Blakey Records 2011 | CD | 17.00 € |
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| VA: - That British Sound Vol. 12 |
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Blakey Records 2012 | CD | 17.00 € |
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| VA: - That British Sound Vol. 3 30 tracks rare british Rock & Roll |
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Blakey Records 2005 | CD | 17.00 € |
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| VA: - That British Sound Vol. 4 30 tracks brit Rock & Roll |
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Blakey Records 2005 | CD | 17.00 € |
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| VA: - That British Sound Vol. 5 |
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Blakey Records 2006 | CD | 17.00 € |
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| VA: - That British Sound Vol. 6 27 tracks rare british rockers |
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Blakey Records 2007 | CD | 17.00 € |
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| VA: - That British Sound Vol. 7 |
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Blakey Records 2007 | CD | 17.00 € |
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| VA: - The Best Of IGL - Diamond Label - Folk Rock Vinyl only compilation containing the best Folk-Rock material from the IGL vaults. Includes tracks by the Scavengers, Dark Knights, Epicureans, Torres, Second Half, Berries, Mad Lads, Pawnborkers and more... |
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Get Hip Recordings 1994 | LP | 15.00 € |
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| VA: - The Best Of Justice Records |
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Norton Records | LP | 13.00 € |
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| VA: - The Best Of The Barclay Rock Story This compilation collects on one LP the very best garage/rock cuts from Arf! Arf!’s Barclay Story series. From the early ‘60s sounds of Chuck Barr and the Ramrods, to the later ‘60s psych-tinged singles by the Flowerz and Starlites, this comp gives you a wide panoramic view of what really was going on in a small area of Eastern PA during the mid-’60s. A must for the garage collector! |
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Get Hip 1998 | LP | 15.00 € |
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| VA: - The Best Of The Electras / Scotsmen / Victors |
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Get Hip Recordings 1993 | LP | 17.00 € |
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| VA: - The Dogs Bollocks EP |
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Aidy Records 1996 | Single/EP | 5.00 € |
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| VA: - The Elvis Sound 30 Elvis-sound-a-likes |
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Classics Records 2011 | CD | 15.00 € |
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| VA: - The Freakbeat Scene 25 tracks |
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Decca Records 1998 | CD | 9.90 € |
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| VA: - The IGL Rock Story Part One (1965-1967) 31 tracks from Iowa's Premier Teen Label |
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Arf Arf | CD | 17.00 € |
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| VA: - The Little Red Box Of Protest Songs 4CD 3 CDs + 1 DVD: 60 tracks on 3CDs and a short film on DVD: "To Hear Your Banjo Play" & Interviews: "Talkin' Protest: Pete & Woody" |
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Proper 2009 | CD | 20.00 € |
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| VA: - The Ramones Heard Them Here First There’s no mistaking a Ramones song. The funny thing is, throughout their career, the band paid tribute to their roots and influences by peppering their albums with versions of their favourites by other artists, making them sound like Ramones songs too. To see what I mean, try listening to this CD without lurching into ‘Blitzkrieg Bop’, ‘Carbona Not Glue’ or ‘I Wanna Be Your Boyfriend’. Sequenced in the order in which the Ramones cut the songs, this collection kicks off with Chris Montez’s original of ‘Let’s Dance’, which the band revived on their debut album “Ramones” in 1976. In some instances, rather than be pedantic about original versions, some songs are included in the renditions first heard by the Ramones. Hence ‘California Sun’, featured on their second album “Leave Home”, is heard here by the Rivieras (not Joe Jones); ‘Surfin’ Bird’ and ‘Do You Wanna Dance’, from 1977’s “Rocket To Russia”, are by the Trashmen and the Beach Boys (as opposed to the Rivingtons and Bobby Freeman); and ‘Needles And Pins”, from their fourth LP “Road To Ruin”, is by the Searchers (rather than Jackie DeShannon). In 1978 the guys teamed up with the Paley Brothers for an update of Ritchie Valens’ ‘Come On, Let’s Go’, a childhood favourite of Joey Ramone; the band’s 1980 album “End Of The Century”, produced by Joey’s hero Phil Spector, contained a revival the Ronettes’ ‘Baby I Love You’; and in 1982 Joey got together with Holly (of Holly & the Italians) to cut a version of Sonny & Cher’s ‘I Got You Babe’. ‘Little Bit O’ Soul’, here by the Music Explosion, and ‘Time Has Come Today’ by the Chambers Brothers were both revamped by the band on 1983’s “Subterranean Jungle”. The sessions also yielded a version of the 1910 Fruitgum Co’s ‘Indian Giver’, which sneaked out on the B-side of a 12-inch single in 1987. In 1993 the Ramones released “Acid Eaters”, an entire album of cover versions, represented on this CD by Jan & Dean’s ‘Surf City’, the Troggs’ ‘I Can’t Control Myself’, the Byrds’ ‘My Back Pages’, the Seeds’ ‘Can’t Seem To Make You Mine’, Max Frost & the Troopers’ ‘Shape Of Things To Come’, the Amboy Dukes’ ‘Journey To The Center Of The Mind’, Jefferson Airplane’s ‘Somebody To Love’ and Love’s ‘7 And 7 Is’. TheJapanandBrazileditions of the album also contained the band’s version of the Beach Boys’ ‘Surfin’ Safari’. “Adios Amigos”, the Ramones’ farewell album of 1995, included their version of Tom Waits’ ‘I Don’t Wanna Grow Up’. Waits repaid the compliment by contributing a cover of the band’s ‘The Return Of Jackie And Judy’ for the Ramones tribute album “We’re A Happy Family”. It’s not every day that one band records a tribute to another, but Motorhead did just that with ‘R.A.M.O.N.E.S.’ on their 1991 album “1916”. In return, the Ramones’ own version of the song was included on theJapanedition of “Adios Amigos”. The set concludes with the Stooges’ ‘1969’ and, poignantly, Louis Armstrong’s ‘What A Wonderful World’, as covered on Joey’s solo album “Don’t Worry About Me”, released in 2002, by which time he, Johnny and Dee Dee were dead. The Ramones were no more. See, poignant. By Mick Patrick (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| VA: - The Sound Of The Sixties |
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Eva / FGL Productions 2008 | CD | 20.00 € |
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| VA: - Those British Instrumentals Vol. 10 |
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Sling Back Records 2012 | CD | 17.00 € |
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| VA: - Those British Instrumentals Vol. 4 Rare UK Instrumentals |
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Sling Back Records 2008 | CD | 17.00 € |
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| VA: - Those British Instrumentals Vol. 5 Rare UK instrumentals |
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Sling Back Records 2008 | CD | 17.00 € |
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| VA: - Those British Instrumentals Vol. 7 rare 50s & 60s guitar instrumentals from the U.K. |
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Sling Back Records 2012 | CD | 17.00 € |
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| VA: - Those British Instrumentals Vol. 8 rare 50s & 60s guitar instrumentals from the U.K. |
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Sling Back Records 2012 | CD | 17.00 € |
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| VA: - Those British Instrumentals Vol. 9 rare 50s & 60s guitar instrumentals from the U.K. |
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Sling Back Records 2012 | CD | 17.00 € |
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| VA: - Time Won't Change My Mind 14 moody & fuzzy US sixties punkers |
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Lance Records | LP | 17.00 € |
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| VA: - Too Much Monkey Business - 23 Beat'n'Garage Raves From 64-67 |
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Ape Records | CD | 19.00 € |
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| VA: - Too Much Monkey Business Vol. 2 16 demented cover classics 1964-1966 |
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Ape Records | LP | 18.00 € |
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| VA: - Too Much Monkey Business Vol. 5 1964-1965 14 track Beat & Garage Journey |
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Ape Records | LP | 18.00 € |
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| VA: - Top Teen Bands Vol. 1 |
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Bud-Jet Records | CD | 18.00 € |
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| VA: - Topp-Pop-Beat 25 biisiä skandinaavista 60s beat musaa mm Black bumbles, Blue Beats, Ragges, Lunatics, VAT 66, Daimlers, Celest, Bates, Five Teddys, Fox Hunters jne |
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Classics Records 1997 | CD | 15.00 € |
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| VA: - Total Raunch 100% boss garage from the sixties. 29 tracks |
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Manic Mustang Records | CD | 18.00 € |
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| VA: - Train To Nowhere -Unissued Sixties Garage Acetates Vol. 3 these originally unreleased recordings present a treasure trove of garage killers! All selections were recorded 1964-67 but none were released at the time. |
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Norton Records 2009 | LP | 13.00 € |
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| VA: - Trip In Tyme Vol. 1 25 time travelling US 60s garage tracks |
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Manic Mustang Records | CD | 18.00 € |
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| VA: - Trip In Tyme Vol. 2 Another 25 time travelling US 60s garage tracks |
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Manic Mustang Records | CD | 18.00 € |
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| VA: - Trip In Tyme Vol. 3 23 more time travelling US 60s garage tracks |
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Manic Mustang Records | CD | 18.00 € |
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| VA: - Trip In Tyme Vol. 4 23 time travelling moody US 60s garage sounds |
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Manic Mustang Records | CD | 18.00 € |
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| VA: - Trip In Tyme Vol. 5 22 time travelling us 60s garage jewels |
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Manic Mustang Records | CD | 18.00 € |
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| VA: - Twist And Shout |
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Weton-Wesgram BV 2003 | CD | 7.00 € |
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| VA: - Twist In Der DDR twistin hurmaa 60-luvun itä-saksasta ! |
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Bear Family 2003 | CD | 17.00 € |
