60s / Beat / Folk etc - 1990-luku
Result of your query: 30 products
| 5.6.7.8's - Pin Heel Stomp - The End Of Summer Dance Party six tracks MCD |
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Time Bomb Records 1997 | CD | 13.00 € |
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| Colin Pryce-Jones - Guitar Heaven Rapiers kitaristin soololevy |
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Fury Records 1999 | CD | 9.90 € |
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| Death Dealers - Fab Five beat / instrubändi japanista |
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Majestic Sound 1996 | Single/EP | 5.00 € |
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| Gerry & The Pacemakers - The Non-Stop Party Album The Non-Stop Party Album |
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Emporio 1996 | CD | 9.00 € |
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| GOOFIN' RECORDSIN LAHJAKORTTI - HELPPO JA VAIVATON LAHJA ! lahjakortin saat haluamallesi summalle. minimi 10;- maksimi summaa ei ole. Lisätietoja ? Soita 09-7733113 tai meilaa info@goofinrecords.fi Lahjakortti on voimassa vuoden ostopäivästä eteenpäin. |
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lahjakortti 2008 | CD | 30.00 € |
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| Kaisers - Liquorice Twitch / That's My Girl |
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Spinout | Single/EP | 5.00 € |
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| Kaisers - Squarehead Stomp great beat group from Scotland ! |
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Get Hip Recordings 1997 | CD | 17.00 € |
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| Kaisers - Squarehead Stomp Fans of wild British Invasion era rock ‘n’ roll take note! The Kaisers, more than any other modern band, have taken the mid-’60s Mersey style to heart and have come up with one of the most primal, enjoyable, realistic albums in a long time. Their choice of covers and original material are about as authentic sounding as you can get and yet there is still a freshness that is so often lacking from other “retro-garage” outfits. From the vocal harmonies, to the production, to the energy, everything is perfect. It’ll make you want to listen to the Beatles and the Zombies all over again. Promise! |
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Get Hip Recordings 1997 | LP | 15.00 € |
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| King Normals - Big Beat In Panicsville |
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Hillsdale | Single/EP | 5.00 € |
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| Mike Berry and The Outlaws - Rock 'N' Roll Daze This release was intended to be available only to fans attending Mike’s gigs, but reaction from radio and press was so good that we have added it to our catalogue. Anyone who has enjoyed Mike Berry live on stage with the Outlaws in their current configuration will want this CD, and long-term fans will not be disappointed |
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Rollercoaster Records 1998 | CD | 19.00 € |
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| Neatbeats - Far And Near Featuring former members of the Death Dealers, Tokyo’s Neatbeats are Japan’s number one Beat band. This, their debut album, is the perfect companion to Squarehead Stomp by England’s Kaisers, and is sure to please fans of that combo as well! Here, the Neatbeats have cleverly combined great ‘60s covers along with several originals in the style of early Beatles, Searchers and Hollies. If you’re a fan of the early ‘60s beat sound or the Kaisers, you love the Neatbeats! |
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Get Hip Recordings 1998 | CD | 17.00 € |
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| Neatbeats - Far And Near Featuring former members of the Death Dealers, Tokyo’s Neatbeats are Japan’s number one Beat band. This, their debut album, is the perfect companion to Squarehead Stomp by England’s Kaisers, and is sure to please fans of that combo as well! Here, the Neatbeats have cleverly combined great ‘60s covers along with several originals in the style of early Beatles, Searchers and Hollies. If you’re a fan of the early ‘60s beat sound or the Kaisers, you love the Neatbeats! |
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Get Hip 1998 | LP | 15.00 € |
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| Neatbeats - Mercurial... Here’s the exciting second album from one of the best beat groups ever, The Neatbeats! The Neatbeats are four young men who have helped bring back the “Liverpool Sound” as one of the most talked about things in the independent music world. Though they live in Japan, they get their authentic sound by playing old British and German instruments with the energy of today!They are particularly keen on these twelve tracks, five of which were composed by Mr. Pan (Death Dealers). “Looks So Nice” delivers a driving beat, you can really twist to “Do The Global Twist", and “Before It’s Too Late” is a melodic tune with a Rock n Roll flavor. The last two are original instrumentals of which “Turning Up", featuring a Vox Continental Organ, is especially groovy. You’ll recognize the rest as a hot handful of beat standards! A must for Kaisers fans! |
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Get Hip 1999 | LP | 15.00 € |
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| Neatbeats - Spoilt Girl Great Beat group from Japan. |
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Majestic Sound 1997 | Single/EP | 5.00 € |
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| Rapiers - Back To The Point 22 tracks |
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Fury Records 1994 | CD | 15.00 € |
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| Rapiers - The Return Of The.. |
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Fury Records 1991 | CD | 9.90 € |
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| Ringo Starr And His All Star Band - Most Famous Hits 21 biisiä ja 111 min |
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Planet Song 2003 | DVD | 9.00 € |
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| Riviera Playboys - Greatest Hits |
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Gee Dee Music 1997 | CD | 15.00 € |
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| Saturn V featuring Orbit - Give Her Lovin' / (Do The) Syracuse Johnny Bartlett (ex-Phantom Surfer) with ex-Crawdaddy & Gravedigger V members. Pure R 'n' B stomp, dressed up real nice! |
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Dionysus Records 1997 | Single/EP | 5.00 € |
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| Shanes - På Begäran - 60 tals Party 18 tracks from 1993 |
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Scranta 1993 | CD | 12.00 € |
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| Swinging Blue Jeans - Legendary Icons - Hippy Hippy Shake |
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Black Label | CD | 7.00 € |
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| Thee Headcoates - Bo In Thee Garage |
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Get Hip Recordings 1993 | CD | 17.00 € |
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| Thee Headcoates - Headcoatitude |
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Get hip Recordings 1993 | CD | 17.00 € |
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| VA: - Before The Fall - 24 Prelapsarian Cuts f evidence were needed that all music is connected, this collection could well be it. You might think Australian punk, proto-Krautrock and Sister Sledge could only co-exist on a compilation called “Now That’s What I Call Utterly Unrelated”, but actually, beyond “Before The Fall”’s basic conceit, a few fragile connections start to present themselves. Henry Cow acted as support on a Captain Beefheart tour. Beefheart’s style was significantly influenced by bluesmen such as Leadbelly. Leadbelly and Pete Seeger hung out in 40s New York. What else? ‘There’s A Ghost in My House’ and ‘Jungle Rock’ were both hits years after their original release. Fall fans wouldn’t automatically associate ‘The Mummy’ and ‘Transfusion’, yet listening to the originals reveals both as satire at the expense of the beatniks. ‘Transfusion’, like ‘Kimble’, owes much of its uniqueness to the innovative use of sound effects. ‘Kimble’ and ‘People Grudgeful’ are connected thanks to the fractious relationship between the artists concerned. ‘Grudgeful’ and ‘$ F--oldin’ Money $’ both play parts in stories of apparently unscrupulous label bosses. ‘$ F--oldin’ Money $’, ‘Rollin’ Danny’, ‘Transfusion’ and ‘Pinball Machine’ were all the work of artists who died before their time, some a little more before their time than others. It’s fun to spot these connections but, as a Fall fan, I wouldn’t pin too much significance on them. Mark E Smith covered Monks’ tracks without even knowing their titles. He’s covered others without, by his own admission, being able to track down the publishing rights, knowing all the lyrics, or in the case of ‘War’, even remembering the tune. So while in some cases these originals will seem very familiar to Fall fans – the relative commercial success of ‘There’s a Ghost In My House’ and ‘Victoria’ is probably attributable to the fact the Fall didn’t muck about with the originals too much, while Smith’s vocal on ‘Mr Pharmacist’ is remarkably similar to Jeff Nowlen’s original – others are interesting as starting points for very different Fall readings. These originals also demonstrate a lack of Smith snobbery towards music to which other contemporary bands would rapidly turn up their noses. Pop, blues, prog and daft novelties are all accorded the same respect, or lack of it. As a fan of 60s garage, the Monks, Other Half and Sonics cuts on this collection were very familiar to me, but the journey into other genres has been a bit of a revelation. The habit of lifting rocksteady/reggae melody lines for retooling on other tracks led to a diverting trip which started with ‘People Grudgeful’ and took in related tracks such as ‘Longshot’, ‘Jackpot’ and ‘People Funny Boy’. Comparing versions of ‘Bourgeois Blues’, dipping a toe into the ocean of trucking music – all of this I would never have found myself doing had it not been for the cross-genre nature of Mark E Smith’s eclectic tastes. By Dan Maier (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| VA: - Bo Diddley Is A Songwriter In his long and illustrious career, the late Ellas McDaniel portrayed his alter ego Bo Diddley as many things – a lover, a gunslinger, crazy, even a lumberjack would you believe (and as this is Bo we’re talking about, you would…) One thing that Bo seldom if ever proclaimed himself to be is ‘A Songwriter”. But over a period of 10 years, Bo crafted some of the most memorable songs of the rock ‘n’ roll and R & B era, including numerous Hall Of Fame perennials which many will be unaware are his songs. For instance, there can be few on this planet who’ve never heard at least one version of “Love Is Strange” – it was featured in ‘Dirty Dancing’, one of the most popular and biggest grossing films of all time, for goodness sake! How many of the thousands of young people who own that soundtrack album also know that the same man who wrote it also wrote “Mona” a 1990s UK chart topper for Craig McLachlan, and “No No No”, a Top 10 hit in 1993 for reggae artist Dawn Penn (both songs appear here, in other versions, under their real titles ‘I Need You Baby’ and ‘She’s Fine, She’s Mine’ respectively…). Not many, I’ll wager. Bo is so well known and loved as an R & B legend that his songwriting skills tend to get overlooked in comparison with his fabulous recordings. He may be seen by some as a left field entry in Ace’s ongoing ‘Songwriter Series’, but once the CD popped into the player, it won’t take but a few minutes (as his Chess colleague Chuck Berry once wrote) to realise that he’s here on merit, and not just because everyone at Ace loves Bo Diddley. Of course, anyone who lived through the R&B and British Beat boom will be familiar with any number of E. McDaniel copyrights – both those Bo wrote, and those that were written for him by others. And there’s considerably more variety to Bo’s songwriting than some might initially think. OK, so he did put together more numerous variations on the ‘shave-and-a-haircut, six-bits’ rhythm. But Bo’s catalogue of compositions also embraces doo-wop (‘I’m Sorry’), teen pop (‘Love Is Strange’, ‘Mama Can I Go Out’) proto-surf (‘Bo’s Bounce’), humour (‘Pills’) 12 bar blues (‘Before You Accuse Me’) straight ahead R&B (‘I Can Tell’, ‘Diddy Wah Diddy’) and so much more besides. As well as recording his songs, many of our stellar cast of artists were major league Bo fans and, indeed, most of those who are still around continue to be. The fact that the recordings on our CD span a period of 50 years gives a strong indication of the timelessness of his work as a writer – hardly surprising when his own early recordings still sound like they were recorded yesterday. If there’s still any shadow of doubt in your mind that Bo Diddley IS a songwriter, buy this CD immediately and let its contents rid you henceforth of such foolish supposition! By Tony Rounce (Ace Records) |
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Ace Records 2010 | CD | 17.00 € |
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| VA: - Guitar & Beat Vol. 4 20 tracks |
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Triola Records 1994 | CD | 15.00 € |
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| VA: - Next Stop Is Vietnam - The War On Record 1961-2008 (13-CD set, LP-sized slipcase with 304page hardcover book. 334 tracks, playing time: more than 16h:49min). The most comprehensive anthology of music inspired by the Vietnam War ever released. Over 330 titles covering all facets of the war and its aftermath featuring The Doors, Bob Dylan, Joan Baez, Bruce Springsteen, Johnny Cash, Merle Haggard, John Lennon, Yoko Ono, Country Joe McDonald and dozens of other artists. Rarely heard documentary material including patriotic Public Service Announcements, field news reports and intercepted North Vietnamese radio transmissions of Jane Fonda and Hanoi Hannah. A heavily illustrated, full-colour 304-page book containing extensive artist/song notes, Vietnam War history and recollections by vets on their favourite songs. Two discs of music exclusively by Vietnam veterans. Never-before-released tracks recorded during the war by in-country soldiers. Mister, Where Is Vietnam ...NEXT STOP IS VIETNAM: The War On Record, 1961-2008 is a stunning, years-in-the-making anthology of the Vietnam War's musical legacy. Presented on 13 CDs with a 304-page book illustrated with numerous archival photographs, this collection examines the war in a powerful and unprecedented way. Over 330 music and spoken word tracks take the listener through a guided tour of this epochal period of modern history. From America's first, na‹ve impressions of a country called Vietnam through the spirited musical debate over the morality of the war to the healing meditations on the conflict's lengthy aftermath, this set captures it all and more. Bob Dylan, Joan Baez,Merle Haggard, Pete Seeger, Bruce Springsteen, Phil Ochs, Johnny Cash, Yoko Ono, John Lennon, The Doors, Country Joe McDonald and dozens of other artists including many Vietnam veterans are the tour guides through this enlightening and entertaining journey. - The full-color book that accompanies the music is packed with information on the songs and the artists who recorded them by music scholar Hugo A. Keesing; a history of the war by Vietnam historian Lois T. Vietri; and an oral history of the tunes that 'incountry' vets loved best by authors Doug Bradley and Craig Werner. The introduction to this remarkable tome is written by the legendary Country Joe McDonald. Strap in for a long and fascinating ride ...NEXT STOP IS VIETNAM. |
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Bear Family 2010 | CD-Box | 200.00 € |
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| VA: - Takin' Out The Trash ! - A Tribute To The Trashmen Hyvä kokoelma Trashmenin biisejä muiden esittämänä. |
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Kamikaze Records 2000 | LP | 15.00 € |
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| VA: - The Ramones Heard Them Here First There’s no mistaking a Ramones song. The funny thing is, throughout their career, the band paid tribute to their roots and influences by peppering their albums with versions of their favourites by other artists, making them sound like Ramones songs too. To see what I mean, try listening to this CD without lurching into ‘Blitzkrieg Bop’, ‘Carbona Not Glue’ or ‘I Wanna Be Your Boyfriend’. Sequenced in the order in which the Ramones cut the songs, this collection kicks off with Chris Montez’s original of ‘Let’s Dance’, which the band revived on their debut album “Ramones” in 1976. In some instances, rather than be pedantic about original versions, some songs are included in the renditions first heard by the Ramones. Hence ‘California Sun’, featured on their second album “Leave Home”, is heard here by the Rivieras (not Joe Jones); ‘Surfin’ Bird’ and ‘Do You Wanna Dance’, from 1977’s “Rocket To Russia”, are by the Trashmen and the Beach Boys (as opposed to the Rivingtons and Bobby Freeman); and ‘Needles And Pins”, from their fourth LP “Road To Ruin”, is by the Searchers (rather than Jackie DeShannon). In 1978 the guys teamed up with the Paley Brothers for an update of Ritchie Valens’ ‘Come On, Let’s Go’, a childhood favourite of Joey Ramone; the band’s 1980 album “End Of The Century”, produced by Joey’s hero Phil Spector, contained a revival the Ronettes’ ‘Baby I Love You’; and in 1982 Joey got together with Holly (of Holly & the Italians) to cut a version of Sonny & Cher’s ‘I Got You Babe’. ‘Little Bit O’ Soul’, here by the Music Explosion, and ‘Time Has Come Today’ by the Chambers Brothers were both revamped by the band on 1983’s “Subterranean Jungle”. The sessions also yielded a version of the 1910 Fruitgum Co’s ‘Indian Giver’, which sneaked out on the B-side of a 12-inch single in 1987. In 1993 the Ramones released “Acid Eaters”, an entire album of cover versions, represented on this CD by Jan & Dean’s ‘Surf City’, the Troggs’ ‘I Can’t Control Myself’, the Byrds’ ‘My Back Pages’, the Seeds’ ‘Can’t Seem To Make You Mine’, Max Frost & the Troopers’ ‘Shape Of Things To Come’, the Amboy Dukes’ ‘Journey To The Center Of The Mind’, Jefferson Airplane’s ‘Somebody To Love’ and Love’s ‘7 And 7 Is’. TheJapanandBrazileditions of the album also contained the band’s version of the Beach Boys’ ‘Surfin’ Safari’. “Adios Amigos”, the Ramones’ farewell album of 1995, included their version of Tom Waits’ ‘I Don’t Wanna Grow Up’. Waits repaid the compliment by contributing a cover of the band’s ‘The Return Of Jackie And Judy’ for the Ramones tribute album “We’re A Happy Family”. It’s not every day that one band records a tribute to another, but Motorhead did just that with ‘R.A.M.O.N.E.S.’ on their 1991 album “1916”. In return, the Ramones’ own version of the song was included on theJapanedition of “Adios Amigos”. The set concludes with the Stooges’ ‘1969’ and, poignantly, Louis Armstrong’s ‘What A Wonderful World’, as covered on Joey’s solo album “Don’t Worry About Me”, released in 2002, by which time he, Johnny and Dee Dee were dead. The Ramones were no more. See, poignant. By Mick Patrick (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| VA: - Turban Renewal - A Tribute To Sam The Sham & The Pharaohs 26 tracks |
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Norton Records 1994 | CD | 17.00 € |
