Rautalanka / Surf / Instrumental - 1970-luku (CD)
Result of your query: 42 products
| Beach Boys - Christmas Harmonies |
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Capitol Records 2009 | CD | 18.00 € |
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| Bert Weedon - Mr. Guitar - A Tribute 15 biisiä |
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Blitz 2003 | CD | 7.00 € |
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| Bookert T & The MGs - Play The Hip Hits "I'm shocked that some of these things didn't get released...Man I could have used these things...we could have just put this out...That would have been the perfect album!" Steve Cropper in an interview with Rob Bowman, 1994, when he heard these tracks again We were one of the few bands that were popular covering other people's songs says Booker T. He's right. With the exception of their second LP Soul Dressing, Booker T & The MGs albums were (indeed, are) predominantly composed of cover material. During their years at Stax, the group acted as session house band for innumerable stars, including everyone from southern soul giant Otis Redding to blues legend Albert King. They played almost continuously, often tacking short sessions of their own on to star sessions that had either finished early or started late. Some of the material found its way on to their own many albums, but much of it was put on the shelf and forgotten about in their hectic recording schedules. When MGs guitarist Steve Cropper heard a tape of this collection of 25 previously unissued tracks he said: I'm shocked that some of these didn't get released. I think we just forgot them. I think they were just back on the shelf and nobody took the time (to ever listen to them again). Man I could have used these things, I guarantee you. There was a time when we needed a record and Booker wouldn't record, we could have put this out. We had the rights to the stuff. That would have been a perfect album!Cropper's assessment is spot on and Stax, instrumental, and just plain Booker T & The MGs fans are in for a real treat. Thanks to the Stax Sessions series and the diligent tape research by Ace's Roger Armstrong, a beautiful slice of 1960s soul history is finally brought back to life. |
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Ace Records 1995 | CD | 17.00 € |
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| Chet Atkins & Jerry Reed - Me And Jerry / Me And Chet two original 1971 / 1972 LPs on 1 CD. Effortless guitar playing by two guitar legends, Chet Atkins & Jerry Reed. Me & Jerry is the title of the first duet recording by Chet Atkins and Jerry Reed and won the 1970 Grammy Award for Best Country Instrumental Performance. Me & Chet the duo’s follow-up was nominated for the 1972 Grammy Award for Best Country Instrumental Performance. Me & Jerry won the 1970 Grammy Award for Best Country Instrumental Performance Me & Chet the duo’s follow-up was nominated for the 1972 Grammy Award for Best Country Instrumental Performance. New sleeve notes New T-Bird Americana Label release Independent press and radio promotion. |
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T-Bird Ameicana 2011 | CD | 17.00 € |
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| Duane Eddy And The Rebelettes - Rest Of The Best 26 rare tracks |
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Gold Picks Records 1994 | CD | 18.00 € |
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| GOOFIN' RECORDSIN LAHJAKORTTI - HELPPO JA VAIVATON LAHJA ! lahjakortin saat haluamallesi summalle. minimi 10;- maksimi summaa ei ole. Lisätietoja ? Soita 09-7733113 tai meilaa info@goofinrecords.fi Lahjakortti on voimassa vuoden ostopäivästä eteenpäin. |
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lahjakortti 2008 | CD | 30.00 € |
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| Hank Marvin - Hank Plays Cliff 16 biisiä - neljällä biisillä mukana Sir Cliff.. |
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Unionsquare 2003 | CD | 10.00 € |
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| Link Wray - Rawhide priceless collection sarjaa |
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Collectables 2003 | CD | 9.90 € |
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| Link Wray - Walkin' With Link |
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Sony Music 1992 | CD | 12.00 € |
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| Marvin Welch & Farrar - Marvin, Welch & Farrar / Second Opinion 2 LPs from 1971 on one CD. Bonustracks from 1972-1975. total 30 tracks. |
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BGO 2006 | CD | 18.00 € |
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| Pipeline # 81 - Autumn 2009 The Ventures & The Wailers, The Eagles and more. |
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Pipeline 2009 | CD | 6.00 € |
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| Santo & Johnny - I Grandi Successi Originali 2CD 2CD = 24 biisiä |
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BMG 2000 | CD | 18.00 € |
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| Shadows - Another String Of Hot Hits And More 20 tracks |
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Emi 1987 | CD | 10.00 € |
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| Shadows - Essential Collection 2CD 2CD = 36 tracks |
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Emi 2004 | CD | 12.00 € |
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| Shadows - Gold Collection 20 tracks |
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Emi 1997 | CD | 7.00 € |
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| Spotnicks - 40 Vocals 2CD 2CD = 40 tracks Spotnicks tracks with vocals |
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Solna Records 2007 | CD | 20.00 € |
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| Spotnicks - Recital des Spotnicks a Berlin 19 biisiä |
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Magic 2004 | CD | 18.00 € |
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| Spotnicks - The Spotnicks 20 tracks |
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Warner Music 2006 | CD | 10.00 € |
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| Tangent - Beyond A Shadow Of A Doubt / Chasing Shadows Live + Bonus 2 albumia yhdellä CD:llä. |
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BGO Records 2011 | CD | 18.00 € |
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| VA: - Califia - The Songs Of Lee Hazlewood This is the latest addition to our high profile Songwriter series. Comprising familiar Lee Hazlewood fan favourites and scarcer titles in equal measure, the set spans Sanford Clark’s Top 10 hit of 1956 ‘The Fool’ (built on a memorable contribution from guitar wizard Al Casey) to 1970’s German language interpretation of ‘And I Loved You Then’ by transcontinental pop princess Peggy March (a song familiar to buffs via Lee's recording on his “13” LP). No such compilation would be complete without Nancy Sinatra and axe-meisters Duane Eddy and Al Casey, with each of whom Lee was inextricably linked. They’re all here. Hazlewood mavens should lap up the titles by the Darlenes, the Hondas, Rose & the Heavenly Tones (produced by Sly Stone, no less) and Lee’s frequent collaborator Suzi Jane Hokom (who gets two collectable cuts, including a duet with him), each of which is new to CD. One of pop’s genuine originals, Hazlewood is lionised by luminaries such as Primal Scream, Beck, the Jesus & Mary Chain, Pulp, Lydia Lunch and Sonic Youth. In 1999 he performed at the Nick Cave-curated Meltdown Festival on London’s South Bank backed by members of the High Llamas and Stereolab, while the “Total Lee!” tribute album of 2002 had the indie cognoscenti tripping over each other to record his compositions. Hazlewood was a uniquely versatile songwriter, equally capable of turning his hand to pop, country, psychedelia, R&B, folk, easy listening, burlesque, blues or twangin’ rock’n’roll – dig Don Cole’s wild ‘Snake Eyed Mama’ and Al Casey & the Bats’ reverb-drenched ‘(Got The) Teenage Blues’. His songs are truly beyond categorisation. He was also a pioneer in the mysterious art of record production and taught a thing or two to the teenaged Phil Spector, who hung around paying close attention while Hazlewood crafted magnificently cavernous guitar instrumentals for Duane Eddy. Of the 25 tracks on “Califia”, Lee wrote each one and produced all but four. As a performer, Hazlewood possessed an instantly recognisable bass drawl perfectly suited to his lyrical tales of low-rent heartache, self-deprecating comedy, picturesque nostalgia and mystical cowboy psychedelia. He sings on four cuts on this collection, including the folksy Shacklefords’ recording of ‘The City Never Sleeps At Night’, a song written specifically for Nancy Sinatra. As Dionne Warwick was to Burt Bacharach and Petula Clark to Tony Hatch, Nancy was Lee’s perfect muse. Theirs was a partnership created one velvet morning in pop heaven. The expansively orchestrated opening duet ‘Lady Bird’ – just one of the many masterpieces they made together – was personally selected for this compilation by the lady herself. A companion volume of Lee Hazlewood-penned instrumentals is also in the Ace pipeline, so watch this space. Meanwhile, check out the others in our Songwriter series, which include compilations based on the works of Randy Newman, Jackie DeShannon, Neil Diamond, Goffin & King, Bo Diddley, Burt Bacharach and many more. By Mick Patrick (Ace Records) |
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Ace Records 2010 | CD | 17.00 € |
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| VA: - Chairman of the Board - Surf soundtracks 1964 to 1974 18 surf biisiä eri leffoista. Enjoy the Ride !! |
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Harmless Records 2007 | CD | 19.00 € |
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| VA: - Destroy That Boy ! More Girls With Guitars “Destroy That Boy!”, the sequel to 2004’s “Girls With Guitars”, delves into the world of garage femmes and all-girl bands in a quest to prove that females of the species do indeed rock, roll and even snarl. In the post-Beatles beat boom, many an impressionable lass was inspired to take guitar in hand and toe the line with their male counterparts, with at least 160 touring female bands in the USA alone. A select few hit the recording studio to leave their aural mark on the decade, from which Ace has melded the cream of crop with some solo sisters to create another healthy 24-track dose of girl garage goodness. This time old Blighty has its share of representatives, including fully-fledged female groups She Trinity and the Liverbirds. She Trinity – whose original members hailed from the UK, Canada and the USA, hence their somewhat confusing moniker – appear with their first and last (and most acclaimed) singles. The Liverbirds’ success was limited to their adoptive home of Germany, where they recorded two albums of R&B and rock’n’roll covers, three of which are showcased here. Schoolgirl duo the Termites get their pincers into a Stones classic, while South African ex-pat Sharon Tandy and Coventry’s Beverley Jones give out some gutsy performances too. From across the Atlantic, alluring society girls the What Four open proceedings. The cover shows the Debutantes from Detroit, whose talents and glamorous image scored them a far-eastern tour and gigs alongside Motown’s finest. Another pivotal group was the Feminine Complex, formed by lead guitarist and songwriter Mindy Dalton, who achieved the rare feat of releasing an LP, but here we’re treated to two demos, including their wonderfully lo-fi version of the Monkees’ ‘(I’m Not Your) Stepping Stone’, cut in their first incarnation as the Pivots. Elsewhere come the Starlets with an attitude-soaked take on ‘You Don’t Love Me’, Swedish bombshell Ann-Margret with both decks of her single for Lee Hazlewood’s LHI label and Raylene Loos and her cohorts the Blue Angels, who contribute a rollicking rendition of ‘Shakin’ All Over’. The Girls (nope, not the same gang as on “Girls With Guitars”) debut with an unreleased cut produced by Sly Stone, while woe betides the man on the receiving end of Aussie Toni McCann, who let’s rip with ‘No’. Jack Nitzsche protégée Karen Verros kicks off the mid-section with, a fuzz-laden mind-blowing gem written by Donovan. Project X (whose line-up included Scott McKenzie) delights with a jangly folk-garage affair and Cheryll & Pam wax lyrical in ‘That’s My Guy’. British Invasion off-shoots the Lady Bugs’ ode to the American fraternity is a hilarious romp and the wiggy Fondettes pay tribute to the mop-headed boys who started it all. Much more info on these artists is to be found in the glossy feature-packed booklet, which includes interviews with Jan McClellan of the Debutantes and Beverley Jones. So let the girls blow the dust of their guitars yet again and take a trip down to the tougher side of girl-groupsville. By MATT MEEK (Ace Records) |
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Ace Records 2009 | CD | 17.00 € |
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| VA: - Fender - The Golden Age 1950-1970 Leo Fender’s contribution to the sound of modern music is immeasurable. The pop music explosion of the 1950s and 60s would not have happened without the electric guitar and, perhaps more importantly, the electric bass.” So begins Martin Kelly’s notes for the CD of his book about Fender guitars. A book about music of course lacks the medium that it describes, so Martin came to Ace with a proposal to produce an accompanying CD that would make his pages even more vibrant. We were more than happy to celebrate the great sounds that Leo Fender helped conceive through his inspirational instruments. As overseer of this CD, I was out of my depth in guitar minutiae, but was able to assist on the technical end and enjoyed a sharp learning curve in great guitar sounds. I thoroughly dug those ringing twangs of Bob Wills and Tennessee Ernie Ford. With Ike Turner and Otis Rush I was in more familiar music territory. The more poppy Crickets’ track ‘I’m Looking For Someone To Love’ was an inspired choice by Martin. It was the flip to the original ‘That’ll Be The Day’ which I’d managed to miss hearing for 55 years. ‘Suzie Q’ and the original ‘Folsom Prison Blues’ are better known numbers; listening to them in this guitar-based context gives them new relevance. Guitar-led instrumentals were a must for the compilation and it is wonderful to relive the splendour of the Ventures’ signature tune and to hear the mighty Shadows at their most melodic. Breakaway Shadow Jet Harris then moves the spotlight to the renowned Fender bass on ‘Besame Mucho’. Booker T’s ‘Green Onions’ and Dick Dale’s ‘Miserlou’ are at the pinnacle of their genres and Jack Nitzche’s ‘Lonely Surfer’ shows how an inspired producer can use the guitar within a bigger production. It is then back to basics with the Kingsmen’s ‘Louie Louie’, followed by Ronnie Hawkins’ ice-cold take on ‘Who Do You Love’. The Beach Boys and Bobby Fuller Four then demonstrate how to play straight down the middle pop: no frills but pure class. Then representing the awakening of British youth to the American dream, we have the Yardbirds’ take on Billy Boy Arnold’s ‘I Ain’t Got You’, a song that failed to score for its creator but became a belated blues classic once Eric Clapton had stamped his seal of approval on it. Speaking of the blues, ‘Rock Me Baby’ by Otis Redding reminds us all that the world lost a brilliant blues singer, as well as the ultimate soul man, when his plane crashed in December 1967. By the time of this recording, Lewis Steinberg had been replaced by Duck Dunn on Fender Precision Bass duties. As reflected by the Nashville-recorded Fender jingles, country music was always dominated by the guitar sounds of Fender. Buck Owens & the Buckaroos’ ‘Buckaroo’ features not only Fender electric and bass but acoustic too. The switch to the soul perfection of King Curtis’ ‘Memphis Soul Stew’ is surprisingly seamless and that city’s home-grown Willie Mitchell sound on ‘Soul Serenade’ shows how long-lived top flight R&B was down there. It is then just a year’s jump, but a small world away, to 1969 and the Velvet Underground’s 12-string Fenders. That is neatly followed by ex-Yardbird Jeff Beck on his Stratocaster and Stone-to-be Ron Wood playing a Telecaster bass; all in the admirable cause of helping Donovan’s ‘Goo Goo Barabajagal’ make musical if not literal sense. I still may not be able to pick a Fender out in a crowd, but I now know how much listening pleasure I have derived from them. Ady Croasdell (Ace Records) |
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Ace Records 2012 | CD | 17.00 € |
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| VA: - Guitar & Beat Vol. 2 24 tracks beat & instrumentals |
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Triola Records 1991 | CD | 15.00 € |
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| VA: - Guitar & Beat Vol. 3 21 tracks |
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Triola Records 1993 | CD | 15.00 € |
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| VA: - Jack Nitzsche Story 1963-78 - Hearing Is Believing 26 biisiä mm Jack Nitzsche, Frankie Laine, Round Robin, Paris Sisters.. |
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Ace Records 2005 | CD | 17.00 € |
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| VA: - Not Of This Earth - the Film Music of Ronald Stein 35 biisiä elokuvista: "Attack Of The 50ft. Woman", "The Terror", "Dementia 13", "Not Of This Earth", "Attack Of the Crab Monsters", "The Devil's Partner", "Spider Baby" |
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Varese Sarabande 1995 | CD | 17.00 € |
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| VA: - Pulp Fiction |
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MCA Records 1994 | CD | 10.00 € |
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| VA: - Quite A Party - 24 instrumental Bands Play The Fireballs Bill Kirchen, The Ventures, Lively Ones, Dave Wronski & Pete Curry, Wes Dakus, Belairs, Nortons, Shadows, Electras, 3 Balls Of Fire, John Blair, Vibrants, Spotnics, Scorpions... |
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Ace Records 2005 | CD | 17.00 € |
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| VA: - Sadoin Sähkökitaroin Extra Osa 1 Rautalankalevytyssarja saa jatkoa. Sadoin sähkökitaroin EXTRA (osa 1) sisältää levytyksiä vuosilta 1963 - 1989. Mukana myös monta ennen julkaisematonta, upeaa esitystä. Kansilehdessä paljon kuvia ja infoa levytyksistä. |
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Rautalanka Records 2013 | CD | 18.00 € |
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| VA: - Sleepwalk Mania 19 versiota: mm Jet Harris, Shadows (x2), Ventures, Spotnicks, Chet Atkins, Ricky King, Sonics, Clevers, Chantays, Jet Blacks... |
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Magic Records 2005 | CD | 17.00 € |
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| VA: - Tee-Vee Tops Die Songs und Originale aus der TV-Werbung. 18 tracks |
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Gee Dee Music 1996 | CD | 12.00 € |
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| VA: - The Complete Sound Effects Library Vol. 10 spaceships, robots, space missiles, bells, mine explosions, hammer blows, crackling firewood, cuckoo clock, street traffic, fire sirens, lambretta scooter, magnetic storm |
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Sony Music 1992 | CD | 12.00 € |
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| VA: - The Ramones Heard Them Here First There’s no mistaking a Ramones song. The funny thing is, throughout their career, the band paid tribute to their roots and influences by peppering their albums with versions of their favourites by other artists, making them sound like Ramones songs too. To see what I mean, try listening to this CD without lurching into ‘Blitzkrieg Bop’, ‘Carbona Not Glue’ or ‘I Wanna Be Your Boyfriend’. Sequenced in the order in which the Ramones cut the songs, this collection kicks off with Chris Montez’s original of ‘Let’s Dance’, which the band revived on their debut album “Ramones” in 1976. In some instances, rather than be pedantic about original versions, some songs are included in the renditions first heard by the Ramones. Hence ‘California Sun’, featured on their second album “Leave Home”, is heard here by the Rivieras (not Joe Jones); ‘Surfin’ Bird’ and ‘Do You Wanna Dance’, from 1977’s “Rocket To Russia”, are by the Trashmen and the Beach Boys (as opposed to the Rivingtons and Bobby Freeman); and ‘Needles And Pins”, from their fourth LP “Road To Ruin”, is by the Searchers (rather than Jackie DeShannon). In 1978 the guys teamed up with the Paley Brothers for an update of Ritchie Valens’ ‘Come On, Let’s Go’, a childhood favourite of Joey Ramone; the band’s 1980 album “End Of The Century”, produced by Joey’s hero Phil Spector, contained a revival the Ronettes’ ‘Baby I Love You’; and in 1982 Joey got together with Holly (of Holly & the Italians) to cut a version of Sonny & Cher’s ‘I Got You Babe’. ‘Little Bit O’ Soul’, here by the Music Explosion, and ‘Time Has Come Today’ by the Chambers Brothers were both revamped by the band on 1983’s “Subterranean Jungle”. The sessions also yielded a version of the 1910 Fruitgum Co’s ‘Indian Giver’, which sneaked out on the B-side of a 12-inch single in 1987. In 1993 the Ramones released “Acid Eaters”, an entire album of cover versions, represented on this CD by Jan & Dean’s ‘Surf City’, the Troggs’ ‘I Can’t Control Myself’, the Byrds’ ‘My Back Pages’, the Seeds’ ‘Can’t Seem To Make You Mine’, Max Frost & the Troopers’ ‘Shape Of Things To Come’, the Amboy Dukes’ ‘Journey To The Center Of The Mind’, Jefferson Airplane’s ‘Somebody To Love’ and Love’s ‘7 And 7 Is’. TheJapanandBrazileditions of the album also contained the band’s version of the Beach Boys’ ‘Surfin’ Safari’. “Adios Amigos”, the Ramones’ farewell album of 1995, included their version of Tom Waits’ ‘I Don’t Wanna Grow Up’. Waits repaid the compliment by contributing a cover of the band’s ‘The Return Of Jackie And Judy’ for the Ramones tribute album “We’re A Happy Family”. It’s not every day that one band records a tribute to another, but Motorhead did just that with ‘R.A.M.O.N.E.S.’ on their 1991 album “1916”. In return, the Ramones’ own version of the song was included on theJapanedition of “Adios Amigos”. The set concludes with the Stooges’ ‘1969’ and, poignantly, Louis Armstrong’s ‘What A Wonderful World’, as covered on Joey’s solo album “Don’t Worry About Me”, released in 2002, by which time he, Johnny and Dee Dee were dead. The Ramones were no more. See, poignant. By Mick Patrick (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| VA: - Walk Don't Run Mania 22 version of this GREAT instrumental classic |
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Magic Records 2005 | CD | 15.00 € |
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| Ventures - In The Vaults Vol. 1 Their greatest rarities of the 60s & 70s. 26 tracks |
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Ace Records 1997 | CD | 18.00 € |
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| Ventures - In The Vaults Vol. 3 26 tracks including their first 45 "Cookies & Coke / Real McCoy" |
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Ace Records 2005 | CD | 18.00 € |
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| Ventures - Jim Croce Song Book / Ventures Play The Carpenters 26 tracks. Two LPs on one CD. |
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One Way records 1997 | CD | 17.00 € |
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| Ventures - Original |
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Disky 1995 | CD | 9.00 € |
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| Ventures - Stars On Guitars 2CD 2CD = 20 studio and 18 live tracks |
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Recall 1998 | CD | 10.00 € |
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| Ventures - The Very Best Of 2CD 2CD = 50 tracks |
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Emi Gold 2008 | CD | 15.00 € |
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| Ventures - Walk- Don't Run All-Time Greatest Hits 12 tracks |
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Emi Records 1989 | CD | 15.00 € |
