| Alien Sex Fiend - Acid Bath |
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Cherry Red | CD | 17.00 € |
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| Alien Sex Fiend - Curse "ASF were always as mad as monkeys in their approach to this Goth lark. And happily the passing years have done nothing to diminish their quirkiness. A treat." Record Collector We have an Alien Sex Fiend double whammy for you this month. First up we have the Fiend’s 1990 LP now has the bonus of six additional tracks to give 15 cuts of the group at their most eccentric best. The superb “Now I’m Feeling Zombified” 45 is included alongside the four part epic “Katch 22” on what is generally regarded as one of the band’s strongest studio outings. Second up we have the band’s second album, Curse. The album includes the indie top 10 single “E.S.T. (Trip To The Moon)” and also added to the LP are three bonus tracks, “Boneshaker Baby”, “I Am A Product (Live)” and “30 Second Coma”. |
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Cherry Red Records 1990 | CD | 17.00 € |
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| Bad Karma Beckons - Mutate And Survive sleeve vg+ vinyl ex |
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Media Burn Records 1986 | LP | 12.00 € Käytetty |
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| BBQ - Genie |
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Collector's Choice Music 2008 | CD | 13.00 € |
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| Cramps - Bad Music For Bad People tracks from 1979-1984 |
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A&M Records | CD | 13.00 € |
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| Cramps - Fetischism Vol. 1 Larry's Hideaway, Toronto, Canada 14.6.82 |
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Ghoul-Ash Records | LP | 15.00 € Käytetty |
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| Cramps - Fetischism Vol. 2 Live in France 1980 |
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Ghoul-Ash | LP | 15.00 € Käytetty |
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| Cramps - File Under Sacred Music: Early Singles 1978-1981 10 x 7" Vinyl Singles + a stamped envelope with memorabilia. Very well done compilations of The Cramps early singles. Plus some tracks from the same period that were never issued on the single format. The vinyl box-set contains six repro sleeves and four new sleeves designed for this box-set. The Cramps were record collectors before they were a band. When Erick Purkhiser and Kristy Wallace met in 1972, they discovered they were both into the same kind of thing: the music of 15 years or so earlier that had been all about kitsch and shock and sleaze, with shitty sonics and snarling, hiccuping singers, and hilarious over-the-top bravado. In the early 1970s, being into "50s rock'n'roll" meant American Graffiti and Sha Na Na and "Happy Days". Wallace and Purkhiser preferred the nasty also-rans-- the records that actually tried to be the threat to society that people sometimes pretended pop music could be. It wasn't much of a leap to starting their own band in the same mode. Purkhiser reinvented himself as Lux Interior, the slavering, writhing, nearly naked, ectomorphic frontman of the Cramps, and Wallace was Poison Ivy Rorschach, a "bad girl" in leather and wigs and velvet who tore off one ichor-dripping 12-bar guitar riff after another. They didn't have a whole lot in common with their early punk scenemates other than big guitar noise, but punk rock gave them license to do sleazy, shocking, sopping wet rock'n'roll without having to bother with the usual thin veneer of respectability. The Cramps were an institution for over 30 years, until Lux's death in 2009. They were one of the few punk-era bands who were well served by aging, since they were trying to come off like creepy, depraved old people in the first place. But they were always a better singles band than an album band, and a way better live act than a singles band. Most of the songs that made their reputation are collected on this suitably trashy set. The vinyl version of File Under Sacred Music is, appropriately, a "collectible" box of the band's first 10 singles in replica sleeves--or rather, it would be except that four of them were never actually issued as singles at the time. (The Cramps always did snicker at anything that claimed to be authentic.) That's probably the ideal way to hear this material: Lux, Ivy, and their ever-rotating associates made the kind of strong, silly records that are best in hot-sauce doses of between three and six minutes. They occasionally came up with fabulously personal-space-invading originals like "Human Fly" and "New Kind of Kick", the latter of which features two lines that explain their raison d'être: "Life is short/ Filled with stuff" and "I learned all I know by the age of nine." The better part of File Under Sacred Music, though, is the crate-digging covers that were their calling card. Their first single (produced, like a lot of their early material, by Alex Chilton) was a cover of one of the most familiar trash-rock staples, "Surfin' Bird", extended to five minutes with a sloppy gnarl of guitar and drum noise. They subsequently shied away from anything that familiar. Instead, they turned their attention to obscurities whose quirks they exaggerated to the point of perversion. Jack Scott's "The Way I Walk" was slowed down to a psychotic limp, with Lux hyperventilating every line and Ivy screaming bloody murder in the background; Ronnie Cook & the Gaylads' nutty novelty "Goo Goo Muck" turned into a hilariously lascivious threat on which Lux shrieked, trilled, gurgled, and enunciated the title like it referred to whatever bodily fluids your parents feared most. The title of File Under Sacred Music is a joke about the dusty record stores the Cramps loved, as well as about their own discography: Songs the Lord Taught Us was the title of their first album, Songs the Cramps Taught Us the name of one of the many series of bootlegs of the original songs they covered. But the amazing, out-of-control music they saved from oblivion could show them up, at least on record. To hear the Novas' feral pro-wrestling novelty "The Crusher" ("Do the hammerlock, ya turkeynecks!") next to the Cramps' cover is to understand the difference between lunatics who've somehow ended up with a mic in front of them and record collectors doing a solid, deliberate impression of lunatics. |
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Munster Records 2012 | Single/EP | 75.00 € |
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| Cramps - Look Mom No Head 14 tracks |
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Venegeance Records 2001 | CD | 17.00 € |
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| Cramps - Off The Bone |
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Emi 1998 | CD | 9.00 € |
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| Cramps - Psychedelic Jungle albumi vuodelta 1981 |
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Zonophone Records 1998 | CD | 9.00 € |
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| Cramps - Psychedelic Jungle 180 gram re-pressing. originally released 1981. |
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vinilisssimo 2011 | LP | 22.00 € |
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| Cramps - Psychedelic Jungle / Gravest Hits 2 LPs = 1 CD. 19 tracks |
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IRS | CD | 15.00 € |
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| Cramps - Smell Of Female |
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Ace Records 1990 | CD | 13.00 € |
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| Cramps - Smell Of Female The first post-IRS Records outing from the Cramps is seriously live from the Legendary Peppermint Lounge and shows the band to be in fine fettle, full flight and fantastic. |
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Ace Records 1983 | LP | 15.00 € |
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| Cramps - Songs the Lord Taught Us 18 tracks |
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Emi 1998 | CD | 8.00 € |
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| Cramps - Stay Sick! |
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Ace Records 1993 | CD | 18.00 € |
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| Cynics - Rock'n'Roll originally released 1989 |
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Get Hip 2007 | CD | 17.00 € |
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| Damned - Not the Captains Birthday Party ? |
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Frontier Records 1997 | CD | 18.00 € |
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| Dino Lee - The King Of White Trash |
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New Rose 1985 | LP | 11.00 € Käytetty |
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| Escalators - Live At Le Havre 1983 16 tracks |
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Anagram Records 2007 | CD | 17.00 € |
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| Escalators - Moving Staircases legendaarinen britti psycho/punk / garage bändi |
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Ace Records 2006 | CD | 12.00 € |
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| Eyes - My Degeneration |
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Emarcy Records | LP | 15.00 € Käytetty |
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| GOOFIN' RECORDSIN LAHJAKORTTI - HELPPO JA VAIVATON LAHJA ! lahjakortin saat haluamallesi summalle. minimi 10;- maksimi summaa ei ole. Lisätietoja ? Soita 09-7733113 tai meilaa info@goofinrecords.fi Lahjakortti on voimassa vuoden ostopäivästä eteenpäin. |
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lahjakortti 2008 | CD | 30.00 € |
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| Johnny Thunders - Diary Of A Gypsy Lover all tracks previously unreleased. incl alternate studio takes, tracks from rare japanese 7", radio and live recordings |
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Sonic Records 1996 | CD | 18.00 € |
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| Legionaires Disease - Catch the Disease texas punk from the 1980s |
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Lunar Lab | CD | 13.00 € |
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| Mad Sin - Young, Dumb & Snotty The Psychotic Years 1988-1993. 24 tracks of pure psychobilly / Punk & Roll chaos. |
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People Like You 2010 | CD | 12.00 € |
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| Milkshakes - 19th Nervous Shake Down 30 tracks |
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Ace Records 1990 | CD | 17.00 € |
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| Milkshakes - 20 Rock And Roll Hits From The 50s And 60s |
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Ace Records 1984 | LP | 17.00 € |
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| Milkshakes - 20 Rock And Roll Hits Of The 50s And 60s 20 tracks |
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Ace Records 1991 | CD | 15.00 € |
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| Miracle Workers - Moxies Revenge This album contains the classic August 1983 recording session that produced some of the Miracle Workers’ earliest releases. Three songs wound up on their debut 45 on Moxie while another two wound up on their Sounds Interesting EP. The remainder are unreleased garage masterpieces! |
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Get Hip 1994 | LP | 15.00 € |
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| Monomen - Bent Pages |
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Estrus Records 1993 | CD | 18.00 € |
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| New York Dolls - A Hard Night's Day |
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Norton Records 2000 | CD | 17.00 € |
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| New York Dolls - Endless Party 180-Gram vinyl release featuring original artwork! Pre-Mercury demos licensed from Red Star music. New York Cityâs legendary Dolls recorded the tracks contained on this album prior to their debut album on Mercury Records and it captures these punk-rock pioneers at their finest!!!Ê They are raw and alive (it even includes some studio chat among members between songs).Ê The brand new sleeve artwork includes rare color photos by renowned photographer Bob Gruen. |
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Red Star Music 2000 | LP | 20.00 € |
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| Olympic Sideburns - The Olympic Sideburns rare lp. second hand copy. vinyl ex sleeve: writing on both sides. sticker, cut out otherwise excellent condition rare aussie punk-rockabilly |
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Epitaph Records 1985 | LP | 15.00 € Käytetty |
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| Pretty Things - All Light Up / Vivian Prince |
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Norton Records | Single/EP | 6.00 € |
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| Raymen - Biblebelt Freakout ! - rare and unreleased 1984-1998 27 tracks |
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Raucous Records | CD | 15.00 € |
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| Real Kids - Senseless |
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Norton Records 2001 | LP | 13.00 € |
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| Real Kids - She's Got Everything + 2 EP recorded live 1982 |
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Norton Records | Single/EP | 6.00 € |
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| Roky Erickson & The Aliens - Roky Erickson & The Aliens The HORROR-STRUCK ROCK ‘N’ ROLL MADNESS OF ROKY ERICKSON. The 1980 album from former 13th Floor Elevators’ main man hailed in MOJO magazine as a buried treasure kicks of the label’s Buried Treasure series. Featuring the original ten tracks plus two additional Erickson originals from the period. An insight into the ‘scrambled brain’ of this rock genius’ bizarre and often brilliant solo career. Obsessed with sci fi and horror images, this gritty gem covers Satan, Lucifer, Alligators, Vampires, Demons and Zombies along the way. With extensive sleevenotes and an introduction by MOJO editor Phil Alexander. |
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Cherry Red Records 2012 | CD | 17.00 € |
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| Roky Erickson And The Explosives - Casting The Runes |
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Re Records | CD | 11.00 € |
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| Sex Pistols - Pirates Of Destiny recording quality is suspect |
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Ball X | CD | 18.00 € |
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| Sex Pistols - Revolution In the Classroom / Schools Are Prisons clear vinyl |
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S.T.P. | Single/EP | 7.00 € |
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| Social Distortion - Mainliner 10 tracks from 1981 |
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Time Bomb Records 1995 | CD | 15.00 € |
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| Social Distortion - Prison Bound |
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Kung Fu Records 1988 | CD | 10.00 € |
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| Tall Boys - Funtime 28 tracks. All vinyl recordings on the same CD. |
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Ace Records 1998 | CD | 17.00 € |
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| Tenpole Tudor - Eddie, Old Bob, Dick & Gary/ Let The Four Winds Blow Digitally remastered 2007 - this compilation puts together their two first albums and handful of singles. All recordings from 1980-1982 |
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Stiff Records 2007 | CD | 17.00 € |
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| The D.I.s - Rare Cuts Out of the ashes of The Gears (legendary L.A. punk band) in 1982, vocalist Axxel G. Reese and lifelong friend drummer Dave Drive started a new band called The D.I.s (Drill Instructors). Keeping the Punkabilly influence they forged on but soon they were to embark on a Roots sound as well. With numerous line-up changes that included Jimmy Reed (Levi Dexter and the Ripchords), Matt Lee (Ray Campi's Rockabilly Rebels), Mike “Shakey Wilcox (The Rockats), Thadius T. Baker, Patrick ‘Frenchie” French (The Joneses), “Venice George” Chavlez , Ron Emory (TSOL) & Jonny Ray Bartel (The Red Devils & The Knitters) they forged on to 1992. Only one released recording ever came out, a five song 12” (Lock & Load) produced by Billy Zoom, but now a complete 22 track studio recording collection has been assembled. Some of it is absolutely brilliant and you will wonder why they were never signed or had hit records. This is a must have collection for any fan of L.A. Punk, Roots or Rock n' Roll. |
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Hepcat Records 2009 | CD | 15.00 € |
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| VA: - Before The Fall - 24 Prelapsarian Cuts f evidence were needed that all music is connected, this collection could well be it. You might think Australian punk, proto-Krautrock and Sister Sledge could only co-exist on a compilation called “Now That’s What I Call Utterly Unrelated”, but actually, beyond “Before The Fall”’s basic conceit, a few fragile connections start to present themselves. Henry Cow acted as support on a Captain Beefheart tour. Beefheart’s style was significantly influenced by bluesmen such as Leadbelly. Leadbelly and Pete Seeger hung out in 40s New York. What else? ‘There’s A Ghost in My House’ and ‘Jungle Rock’ were both hits years after their original release. Fall fans wouldn’t automatically associate ‘The Mummy’ and ‘Transfusion’, yet listening to the originals reveals both as satire at the expense of the beatniks. ‘Transfusion’, like ‘Kimble’, owes much of its uniqueness to the innovative use of sound effects. ‘Kimble’ and ‘People Grudgeful’ are connected thanks to the fractious relationship between the artists concerned. ‘Grudgeful’ and ‘$ F--oldin’ Money $’ both play parts in stories of apparently unscrupulous label bosses. ‘$ F--oldin’ Money $’, ‘Rollin’ Danny’, ‘Transfusion’ and ‘Pinball Machine’ were all the work of artists who died before their time, some a little more before their time than others. It’s fun to spot these connections but, as a Fall fan, I wouldn’t pin too much significance on them. Mark E Smith covered Monks’ tracks without even knowing their titles. He’s covered others without, by his own admission, being able to track down the publishing rights, knowing all the lyrics, or in the case of ‘War’, even remembering the tune. So while in some cases these originals will seem very familiar to Fall fans – the relative commercial success of ‘There’s a Ghost In My House’ and ‘Victoria’ is probably attributable to the fact the Fall didn’t muck about with the originals too much, while Smith’s vocal on ‘Mr Pharmacist’ is remarkably similar to Jeff Nowlen’s original – others are interesting as starting points for very different Fall readings. These originals also demonstrate a lack of Smith snobbery towards music to which other contemporary bands would rapidly turn up their noses. Pop, blues, prog and daft novelties are all accorded the same respect, or lack of it. As a fan of 60s garage, the Monks, Other Half and Sonics cuts on this collection were very familiar to me, but the journey into other genres has been a bit of a revelation. The habit of lifting rocksteady/reggae melody lines for retooling on other tracks led to a diverting trip which started with ‘People Grudgeful’ and took in related tracks such as ‘Longshot’, ‘Jackpot’ and ‘People Funny Boy’. Comparing versions of ‘Bourgeois Blues’, dipping a toe into the ocean of trucking music – all of this I would never have found myself doing had it not been for the cross-genre nature of Mark E Smith’s eclectic tastes. By Dan Maier (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| VA: - Bo Diddley Is A Songwriter In his long and illustrious career, the late Ellas McDaniel portrayed his alter ego Bo Diddley as many things – a lover, a gunslinger, crazy, even a lumberjack would you believe (and as this is Bo we’re talking about, you would…) One thing that Bo seldom if ever proclaimed himself to be is ‘A Songwriter”. But over a period of 10 years, Bo crafted some of the most memorable songs of the rock ‘n’ roll and R & B era, including numerous Hall Of Fame perennials which many will be unaware are his songs. For instance, there can be few on this planet who’ve never heard at least one version of “Love Is Strange” – it was featured in ‘Dirty Dancing’, one of the most popular and biggest grossing films of all time, for goodness sake! How many of the thousands of young people who own that soundtrack album also know that the same man who wrote it also wrote “Mona” a 1990s UK chart topper for Craig McLachlan, and “No No No”, a Top 10 hit in 1993 for reggae artist Dawn Penn (both songs appear here, in other versions, under their real titles ‘I Need You Baby’ and ‘She’s Fine, She’s Mine’ respectively…). Not many, I’ll wager. Bo is so well known and loved as an R & B legend that his songwriting skills tend to get overlooked in comparison with his fabulous recordings. He may be seen by some as a left field entry in Ace’s ongoing ‘Songwriter Series’, but once the CD popped into the player, it won’t take but a few minutes (as his Chess colleague Chuck Berry once wrote) to realise that he’s here on merit, and not just because everyone at Ace loves Bo Diddley. Of course, anyone who lived through the R&B and British Beat boom will be familiar with any number of E. McDaniel copyrights – both those Bo wrote, and those that were written for him by others. And there’s considerably more variety to Bo’s songwriting than some might initially think. OK, so he did put together more numerous variations on the ‘shave-and-a-haircut, six-bits’ rhythm. But Bo’s catalogue of compositions also embraces doo-wop (‘I’m Sorry’), teen pop (‘Love Is Strange’, ‘Mama Can I Go Out’) proto-surf (‘Bo’s Bounce’), humour (‘Pills’) 12 bar blues (‘Before You Accuse Me’) straight ahead R&B (‘I Can Tell’, ‘Diddy Wah Diddy’) and so much more besides. As well as recording his songs, many of our stellar cast of artists were major league Bo fans and, indeed, most of those who are still around continue to be. The fact that the recordings on our CD span a period of 50 years gives a strong indication of the timelessness of his work as a writer – hardly surprising when his own early recordings still sound like they were recorded yesterday. If there’s still any shadow of doubt in your mind that Bo Diddley IS a songwriter, buy this CD immediately and let its contents rid you henceforth of such foolish supposition! By Tony Rounce (Ace Records) |
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Ace Records 2010 | CD | 17.00 € |
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