| Otis Redding & Carla Thomas - King and Queen Nobody burrowed more deeply into a song than Otis Redding--hands down, the most emotive, soulful singer the '60s ever produced. Redding's impassioned, sweat-soaked delivery kept him straddling both pop and soul charts until his untimely death in 1967. Here is a High-Definition Vinyl exact reproduction of King & Queen, a 1967 duet album with Carla Thomas. Everything is taken from the absolute master tapes in knockout stereo. Fa-Fa-Fa-Fa-Fa-Fabulous! |
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Sundazed 2001 | LP | 20.00 € |
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| Rudy Ray Moore - This Ain't No White Christmas! xxx rated |
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Norton Records 2001 | CD | 17.00 € |
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| Rudy Ray Moore - This Ain't No White Christmas! Rudy Ray Moore a/k/a Dolemite puts the XXX in Xmas and burns the proverbial yule log with Norton's deluxe 30th anniversary edition of this legendary artist's classic 1971 holiday party platter complete with bonus material and unpublished photos! One of the greatest adult comedy albums of all time! Rudy with your @#$% so bright/ Deliver some Christmas Dolemite! Coincides with new film DOLEMITE 2002! Raunchy, racy and ribald-- the three R's! Perfect holiday offering for one and all! |
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Norton Records 2001 | LP | 13.00 € |
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| The Mighty Hannibal - Hannibalism! Get in the groove with the first ever collection of workouts by turban headed soul sensation The Mighty Hannibal! This massive set brings together Hannibal's best sides from his 1958 R&B debut Big Chief Hug-Um An' Kiss-Um to 1972's monstrous The Truth Shall Make You Free and is highlighted by the hits Jerkin' The Dog, Fishin' Pole and Hymn No. 5 plus four unissued titles! The Mighty One pulls no punches in the extensive notes, telling his life story as a soul singer, pimp, heroin addict and elephant thief |
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Norton Records 2001 | LP | 13.00 € |
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| VA: - Birth Of Soul Vol. 3 This series of CDs is always a pleasure to compile as it covers an era I was not around for, in a record collecting, or even listening, capacity. Much of it is therefore new to me at the 'getting the titles together' stage. There are always plenty of pleasant surprises and the occasional revelation. This was an age where the level of song craftsmanship was truly exceptional. Take Garnet Mimms' A Quiet Place-.-it starts with an unaccompanied (in more senses than one) woman hollering out of the window for one 'Johnny Dollar', which elicits a most tuneful response from Garnet, bemoaning the row while backed by the solitary bass singer from the Enchanters. That's the first ten seconds of the song and already we have a picture of a Harlem tenement, a lovelorn occupant with a straying, good-for-nothing boyfriend, neon lighting and clotheslines strewn across the alleyway. And don't get me started on what happens when the strings, drums and the rest of those enchanting Enchanters come in. New York was definitely the pioneering city for soul music. Undoubtedly Detroit had the biggest individual label but that had already been influenced by Jackie Wilson and other earlier productions. Over half the tracks on this bountiful CD came from NYC and if you want a testament to its quality, look no further than Brooks O'Dell's Watch Your Step. The writers who created this masterpiece were Luther Dixon, Tommy Bell and Kenny Gamble - the aural equivalent of getting Rembrandt, Van Dyck and Canaletto to knock up a picture together. Then you've got Reggie Obrecht putting the ace Big Apple musicians through their paces, to create an eerie, swirling sea of emotion complementing the highs, lows, building tensions and breaks that the song provides. Brooks himself was a fabulous singer and he responds with a vocal that conveys every last emotion of a troubled lover. This recording reminds me of the early 6Ts days, when Randy Cozens was compulsively making tapes to counteract some of Wigan's later playlists and to teach anyone who would listen what real 60s soul could aspire to. He also made the point that music needn't be 100 mph to dance to-.-deeper sounds could be moved to out on the floor, particularly if a partner could be found. We've already mentioned the highly influential city Detroit and this CD is notable for the first Motown licenses on Kent. The reason why it's taken us so long are down to major record company policies, politics and the cost. With Kent's 20th anniversary coming up next year, it's about time we said "Sod, the expense!" The three tracks we've chosen include a rare Jimmy Ruffin offering on one of the smaller subsidiary labels, an in-demand, but neglected, early Miracles' number and a beautiful Carolyn Crawford collector's item, for those who knew what the real 'Sound Of Motown' was. Even further back in the 60s came Richard Berry's Have Love Will Travel, an R&B classic that's been massively popular on the post 1990, UK mod scene. It has even crossed over to Northern Soul fans in the last couple of years. Manic and magical, it sounds better than ever since Ace acquired the master tape. When I booked Ray Pollard to sing at the 100 Club I was surprised to get a call from Bill Fredericks, one of the later Drifters, who was worried it was some sort of a hoax designed to break his heart. "It can't be THE Ray Pollard from New York, the guy who used to sing lead with the Wanderers. He's my greatest singing hero of all time!" When I told him it was indeed the same person, he immediately booked a table for eight and insisted on paying for everyone. He wouldn't dream of having any sort of guest list, that would have cheapened the magic of the event. Ray did indeed sing like a bird, as he does on You Can't Run Away From Me, his last group release before a musically stunning solo career. Another early soul group sound comes from Chicago outfit the Blenders. Their biggest record Daughter was cut in 1963 on Witch and at the session they also recorded the excellent Big Lover that inexplicably remained in the can until now. It really is top notch and a big bonus for any lover of the black vocal group sound. As far as revelations go, just listen to the original take of I Need Your Loving by Don Gardner & Dee Dee Ford. You may think you've got the wrong track, but hang on in there and be amazed. For the esoterically inclined we have the male soul duo sound of the Taylor Brothers' People In Love-.-one of those legendary early soul records that we knew so little of at the time and not much more now. The CD has its fair share of R&B hits and obscurities, plus excellent, copious notes from Dave Godin in a lavish booklet. Just seeing the names that produced, arranged and conducted these tracks: Van McCoy, Bobby Robinson, Bert Keyes, Jeff Barry, Garry Sherman, Jerry Ragovoy, Don Costa, Bert Berns, Richard Barrett, Teacho Wiltshire, Ed Townsend, Robert Banks and Berry Gordy remind us why we collected obscure pieces of vinyl in the first place. By Ady Croasdell (Ace Records) |
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Ace Records 2001 | CD | 17.00 € |
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| VA: - Chinese Checkers A Tribute To Memphis Soul Instrumentals |
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Wildebeest Records 2001 | CD | 15.00 € |
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| VA: - King Northern Soul Vol. 2 24 biisiä |
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Ace Records 2001 | CD | 17.00 € |
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| VA: - Soulful Sounds From Soulville 25 tracks. The Soulville Jaywalking Story. What’s new from Soulville? Is Soulville back? What ever happened to Soulville? These are questions that have been asked. Thee Reverend Bobby Fulton, the original founder of Soulville says that Soulville never went away and soul music is still alive at Soulville. This CD/Vinyl album compilation features a Soulville Allstars revue. With an office now in Pittsburgh, Soulville is being manufactured, marketed and distributed by Get Hip Archive Series. Started in September 1967 by Bobby Fulton, Toby Young, Jimmy Walker and Hulie Diggs, Soulville Records was conceived to fill the void for a Gospel/Soul record label in the Harrisburg and central Pennsylvania area. The label’s first release was “Nobody To Blame”/“Nothing Matters” by the Soulville All Stars, a young racially mixed Harrisburg eight-piece band. Though this 45 didn’t garner much attention, their second did: “Be My Girl”/“I’m Gonna Get You” was very well-received. Jay-Walking was started as another attempt to get more radio airplay. Like many labels, Soulville found that DJ’s wouldn’t play every release by a specific label. It was named to honor Jimmy Walker who ironically would dissolve his partnership soon after. Toby Young also faded in the background afterwards leaving Bobby Fulton as the main man. The departure was amicable and they all remained friends. Fulton kept the rights to Soulville and Rob-Cole Music. In fact, Fulton would serve as road manager/organist for labels biggest success, the Continental Four. Bobby Fulton was also one a vocalist for the soul group The Emperors, who cut a one hit dance number called “Karate,” still popular o soul dance and DJ circles! Although none of the other acts had national success, each and every cut reveals outstanding quality, ranging from soulful ballads to tuff funk to Motown styled Pop. In 1972 Bobby Fulton moved to Pittsburgh to become director of operaions for Black Circle Records. Although Soulville will not release another recording, for Bobby Fulton the label has always been alive. He still listens to the Soulville/Jaywalking recordings all the time and he is really pleased to finally share his exciting story and have the chance to revive the label. Soulville and the dream is still alive! *This retrospective release includes a huge full color booklet with extensive liner notes and cool photos etc. |
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Get Hip Recordings 2001 | CD | 17.00 € |
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| VA: - Soulful Sounds From Soulville 2LP Bobby Fulton and DJ Toby Young started Soulville 1967 in an attempt to document Pennsylvanian R&B. located on North Sixth Street in Harrisburg, the fledgling company's first release was the 45 "Nobody To Blame/Nothing Matters" from the Soulville All-Stars. Other artists and groups were soon released on the Soulville label and the company soon built up a catalog of R&B, Soul, Funk and gospel titles which included artists from across the country. The Get Hip's Archive series compilation includes the best of Soulville/Jay-Walking records: twenty-five dancers, groovers and sweet PA Soul gems sure to please collectors and newcomers alike. knockout sounds by the likes of Ray Gant and The Arabian Nights, Donald Lee and The Executives, The Continental Four, Mastermen, Hank Sample and plenty of others. excellent package and liners by the Get Hip team. |
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Get Hip 2001 | LP | 25.00 € |
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| Velvelettes - The Best Of 19 biisiä |
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Spectrum Music 2001 | CD | 10.00 € |
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| Bobby Freeman - C'mon And S-W-I-M 25 biisiä vuodelta 1964 |
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Ace Records 2000 | CD | 17.00 € |
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| Booker T. & The MG's - And Now ! And Now!, Booker T. & the MG’s third album, marked a major change in the band’s lineup with Donald “Duck” Dunn replacing Lewie Steinberg on bass. The addition of Dunn’s funkier style is in full evidence on tracks like “In the Midnight Hour” and “Think,” the latter song also featuring blistering Telecaster licks from six-string stalwart Steve Cropper. The balance of the album includes original songs , like Top Twenty R&B single “My Sweet Potato,” and current chart hits, done in that inimitable MG style. With Booker T.’s evocative keyboard lines and Al Jackson’s propulsive percussion, this was a band of individual virtuosos that became an even greater whole. And now…get ready for the soul jam! This magnificent, made-in-Memphis LP is sourced from the original analog Stax Records master tapes, pressed High-Definition vinyl and outfitted in original artwork so sharp and clean that you would swear it just came off the rack at Lansky Brothers Department Store! |
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Sundazed Music 2000 | LP | 20.00 € |
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| Booker T. And The MG's - Soul Dressing BOOKER T. & THE MG’s are back on vinyl and sounding better than ever! Each album is an exact repro–with original artwork and track-listing intact–on High-Definition Vinyl. Hear why Booker T. & The MG’s are still the first name in groovology. |
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Sundazed Music 2000 | LP | 20.00 € |
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| Ike & Tina Turner - Kent Years 26 biisiä |
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Ace Records 2000 | CD | 18.00 € |
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| Ike & Tina Turner - Rock Me Baby 20 biisiä |
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Planet Media 2000 | CD | 10.00 € |
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| Jackie Wilson - At The Copa live vuodelta 1962. 16 biisiä |
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Brunswick Records 2000 | CD | 15.00 € |
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| James Brown - The Original Funk Soul Brother 2CD |
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Recall 2000 | CD | 10.00 € |
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| Jerry McCain - Somebody's Been Talking 15 biisiä |
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Westside Records 2000 | CD | 17.00 € |
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| Maxine Brown - Spotlight On / Greatest Hits All Maxine's songs from her Spotlight On..and Greatest Hits albums together with 8 bonus tracks |
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Ace Records 2000 | CD | 17.00 € |
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| Ray Charles - Blues Is My Middle Name |
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Kingjazz 2000 | CD | 10.00 € |
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| Rudy Ray Moore - Hully Gully Fever 2LP |
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Norton Records 2000 | LP | 25.00 € |
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| T. Valentine - Hello Lucille... Are You A Lesbian? Finally, the complete long lost works of elusive cult hero T. Valentine, whose playful rant "Hello Lucille Are You A Lesbian" on his own Val label catapulted him into infamy overnight! But long before his hit, T. Valentine was recording his own renegade brand of off-kilter Chicago R&B/soul bag raunch ranging from his flame hot 1960 stunner "Teenage Jump" to the social commentary of "Massius Ray" and the big town upset of "Black Power". Enter the uniquely sensational world of this enigmatic legend, who continues to entertain and astound. T. Valentine tells is like it is, from the hip and with a beat. Superb packaging, massive killer notes by top writer/Valentine enthusiast Nick Tosches! |
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Norton Records 2000 | CD | 17.00 € |
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| VA: - Backdrop - The Very Essence Of Northern Soul ca. 1974 20 tracks |
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Vinyl Only Records 2000 | LP | 18.00 € |
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| VA: - Boy Meets Girl The Memphis-based Stax label featured male/female duos from the very start, indeed two of their first releases were by the father and daughter duo of Rufus and Carla Thomas. It was not until 1969 though, that the duo idea developed into a full concept. At that time, Al Bell, the Stax executive, was trying to turn the Stax stable from a singles-based label into an all-round record company with strong album material. As part of that thrust, the company commissioned a special project to showcase the best female and male talent in a series of duets and this led to the release of Boy Meets Girl. In the US this was one of Stax's few double albums, but when released later in the UK, only a single-album subset saw the light of day. Given her previous experience, it was not surprising that Carla Thomas was featured amongst the female artists on Boy Meets Girl. Carla has vocal pairings with Johnnie Taylor, William Bell and Eddie Floyd and also with Pervis Staples of the renowned gospel and secular group the Staple Singers. As the Staple Singers were a mixed female/male line-up that sang easily and well together, it made a lot of sense to use the Staples family as the other main source of artists for the concept. Consequently the strong-voiced Mavis Staples also appears singing with William Bell, Eddie Floyd and Johnnie Taylor and her sister Cleotha shares a song with Eddie. All the singers appear on the opening track Soul-A-Lujah. The tracks for Boy Meets Girl were recorded principally at Ardent studios in Memphis and at the Fame Recording Studios in Muscle Shoals, Alabama with the backing musicians which later became known as the Muscle Shoals Rhythm Section. Additionally, some tracks were worked on at United Sound and at Terra Shirma studios in Detroit. As well as being the architect behind the concept, Al Bell was also the principal producer of the sessions, with help on many tracks from the likes of Isaac Hayes, Don Davis and Steve Cropper of Booker T & The MGs. Drawing on a mixture of specially commissioned songs and some pop/R&B classics such as That's The Way Love Is, Piece Of My Heart and All I Have To Do Is Dream, the double album became a clear artistic success. However, its sales recognition probably suffered from the project being in the midst of a welter of both Stax singles and album releases, not all of which could attract Stax's buying public at the same time. Here it is for the first time re-issued on CD by Peter Gibbon (Ace Records) |
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Ace Records 2000 | CD | 15.00 € |
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| VA: - Full Time Groovers: Hotlanta Soul Vol. 2 This CD is the natural successor to the widely acclaimed , GOOD GUYS DON'T ALWAYS WIN (CDKEND 163). The tracks are primarily 70s recordings from the mid-southern cities of Atlanta, Birmingham and Nashville. Ten of the twenty three songs are previously unissued and as is often the case, the absence of vinyl on those recordings was not reflective of their quality. Atlanta was a happening city in the 70s and Michael Thevis' musical enterprises were financially comfortable enough from his other businesses to allow for a bit of musical experimentation to be written off on the balance sheet. The labels also produced plenty of their own revenue with hits from Loleatta Holloway, Jimmy Lewis, John Edwards and Dorothy Norwood. The publishing arm of the business was equally blessed, with writers of the calibre of Sam Dees, Frederick Knight and Floyd Smith. Sam Dees' name is all over this CD, starting the whole thing off with another tender sparsely-recorded ballad Anything Is Fair In Love And War. Though originally intended as a demo, Sam sang it too well for his own good-.-the notion of improving on this version must have been quite daunting. Sam was also heavily involved in the Alpaca Phase III recording that follows it, in fact he was probably a member of the mainly studio group though not the lead singer. Sam's trademark intimate song style goes right through to track 3 where Bill Brandon gives us Let's Get It Back Together Again a more mid-paced Dees offering. All of these songs were found in the studios, as were the two Frederick Knight contributions. Fred was also a fine singer/songwriter and, like Sam Dees, had his songs covered by many artists. You Need A Friend Like Mine was cut on Annette Thomas and Rance Allen for Stax subsidiary labels Truth and Gospel Truth, this original demo is another fine take on an inspiring song. Fred's other recording featured here is Time, co-written with Dees-.-a more broody, haunting song than the gospel-influenced Friend. Nashville music alumnus Moses Dillard teamed up with someone by the name of Johnson to record Here We Go Loving Again on the Piedmont label. The song can only be described as joyous ( you can picture the musicians having a ball) and is inspiring enough that my Lee Marvin type voice often joins in on the chorus clearing the garden of birds. It's the type of song that made disco worthwhile and makes up for all that hi-hat excess and reflective clothing. Also, don't forget that if we hadn't had disco, black dance music in the 70s would have been non-stop funk, paaarty and blowing bleeding whistles. The real bonus with this CD and the 'Good Guys' compilation is the inclusion of Moonsong and Clintone recordings. Rozetta Johnson and Bill Brandon were at the pinnacle of their careers when they cut these great ballads and it's an honour to be allowed to include them here. These are varied soul styles from various related sources but all right there in the pocket. By Ady Croasdell (Ace Records) |
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Ace Records 2000 | CD | 17.00 € |
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| Van Dykes - Tellin' It Like It Is - The Mala Sessions Bell LP vuodelta 1966 + 4 bonusbiisiä. Yhteensä 15 biisiä |
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Sundazed Music 2000 | CD | 17.00 € |
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| Gino Washington - Out Of This World Direct from the Norton hopper comes one insane & fabulous soul stomp monster! That of course is the first-evah long play collection on the Out of This World man hisself, Mr. G-I-N-O W-A-S-H-I-N-G-T-O-N!! Get ready to romp with the stirrin' sixties workouts of this Detroit soul legend! Our collection gathers all of Gino's amazing early singles plus unissued masters including killers Out Of This World / Gino Is A Coward / Romeo / Come Monkey With Me / Do The Frog / I'm A Coward and plenty mo'! Fans of Nathaniel Mayer are gonna have their gourds split by the almighty Gino! TRULY OUT OF THIS WORLD! Tonsa notes, photos, interviews! Get it on CD or foot long vinyl LP! Both feature Nortophonic Loud Sound abundance! Dig why soul stompers worldwide gather round the GINO sound! |
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Norton Records 1999 | LP | 13.00 € |
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| Gino Washington - Out Of This World 15 biisiä vuosilta 1962-64 sekä 1967-68 |
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Norton Records 1999 | CD | 17.00 € |
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| Marvin Gaye - Greatest Hits - Live in '76 22 tracks. Live show filmed in Holland 1976. 60 min |
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Eagle Rock 1999 | DVD | 9.00 € |
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| Mary Wells - Best Of Mary Wells - 20th Century Masters The Millenium Coll |
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Universal 1999 | CD | 11.00 € |
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| VA: - Even Mo' Mod Jazz |
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Ace Records 1999 | CD | 18.00 € |
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| VA: - Evolution Of Soul Temptations, Sammy Davis Jr, Little Milton, James Brown, Marvin Gaye... |
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Collectables 1999 | CD | 13.00 € |
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| VA: - Forgotten Duo's of Rock & Roll Vol. 1 32 tracks incl Gino & Gina, Billie & Lillie, Don & Juan, Joan & Joy, Dee & Patty, Dash & Dot etc |
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Holycow Records 1999 | CD | 19.00 € |
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| VA: - Land Of 1000 Dances 30 biisiä |
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Ace Records 1999 | CD | 17.00 € |
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| VA: - Let's Crossover Again |
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Ace Records 1999 | CD | 17.00 € |
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| VA: - Midnight Brew - 22 Instrumental Northern Soul Gems |
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Vinyl Only Records 1999 | LP | 18.00 € |
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| VA: - Soul Classics Vol. 4 |
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Collectables 1999 | CD | 10.00 € |
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| Ben E. King - The Very Best Of 16 biisiä |
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Warner Music 1998 | CD | 10.00 € |
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| Skelltones - Soulution |
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Transmission Records 1998 | CD | 18.00 € |
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| VA: - Black Gold Vol. 1 27 biisiä |
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Flight To Oblivion 1998 | CD | 19.00 € |
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| VA: - Eastern PA '60s Soul 29 tracks. Incl The Traditions, Vic & The Catalinas, The Catalinas, James & The Incredible Showmen, Intentions, Bobby Penn & The Penpals, Furys and Motiques |
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Arf Arf Records 1998 | CD | 18.00 € |
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| VA: - Ernie's Record Mart Continuing with its in-depth re-examination of the long-neglected Nashville R&B scene, Ace Records presents ERNIE'S RECORD MART-.-a 24-track compilation paying tribute to the famous mail order enterprise of that name and original home of Excello Records. As the sponsor of Ernie's Record Parade, a blues programme broadcast over the powerhouse Nashville station WLAC, Ernie's Record Mart rocked at the centre of an R&B broadcast firestorm begun in the late 1940s in a town better known for country music. Host of Ernie's Record Parade was the illustrious disc jockey John Richbourg (John R). Along with fellow WLAC jocks Gene Nobles, Herman Grizzard, and Bill "Hoss" Allen, Richbourg helped revolutionise American radio by broadcasting gutbucket rhythm & blues at a time when Alan Freed was still spinning longhair music. Transmitted nightly on a 50,000-watt skip channel (meaning the signal literally "skipped" along the atmosphere), WLAC blanketed half the United States and, on a good night, shook the airwaves to points overseas with post-war boogie and blues. While it would be a considerable overstatement to suggest that WLAC broke every hit that Excello Records enjoyed during the 1950s, it's likely that the better known tunes on this CD-such as the Louis Brooks/Earl Gaines collaboration It's Love Baby (24 Hours A Day) - owed some of their success to John R's attention. Among the other memorable Excello hits of the 1950s included herein are Larry Birdsong's Pleadin' for Love, Rudy Green's My Mumblin' Baby, Jerry McCain's My Next Door Neighbour, and Lillian Offitt's Miss You So. As for the many Excello non-hits and obscurities, Ernie's Record Mart had those covered, too. For with John R making the irresistible C.O.D. pitch, the store would offer six-for-a-dollar record packs (the price went up over time) that would generally include five solid hits from other labels and one item of Excello ephemera. The latter might consist of records such as Guitar Red's The Hot Potato-.-Sugar and Sweet's I'll Be Good-.-or Ralph Harris's Slim Lizzard-.-all of which appear on this CD, along with little known gems such as Eddie Williams's It's Love Pretty Baby and a trio of rare, early tracks by soul singer Lattimore Brown. As Excello turned the records out, the mail orders poured in - everyone shopping at Ernie's Record Mart, way down in the middle of Dixie, from every Southern hamlet and Northern city that John R's voice could reach. by Dan Cooper (Ace Records) |
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Ace Records 1998 | CD | 17.00 € |
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| VA: - Mo' Mod Jazz 22 tracks |
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Ace Records 1998 | CD | 18.00 € |
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| VA: - Richard Searling Presents - 100% Casino 20 Northern Soul Classics |
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Goldmine Soul Supply 1998 | CD | 18.00 € |
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| VA: - The Essential Northern Soul Collection |
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Vinyl Only Records 1998 | LP | 18.00 € |
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| Andre Williams - Poor Mr Santa / Poor Mr Santa Mr. Rhythm's Christmas night ain't so silent as he warms his chestnuts with an XXX rated Yule log offering backed with a version suitable for family hour -- provided your clan cuts up to The Greasy Chicken! The King of Bacon Fat is joined by Dick Taylor of the Pretty Things on guitar! Comes with a special holiday message from Andre and a great sleeve inked by Jackie and the Cedrics' Jelly Bean! |
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Norton Records 1997 | Single/EP | 6.00 € |
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| Ballads - Sweet Soul Sensation - The Ballads Are Coming 24 biisiä |
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Famous Groove Records 1997 | CD | 17.00 € |
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| Deon Jackson - Love Makes The World Go Round and many others 23 biisiä |
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Marginal Records 1997 | CD | 17.00 € |
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| VA: - East St. Louis - The Stevens Sessions 23 tracks |
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Sequel records 1997 | CD | 18.00 € |
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| VA: - Heart Of Southern Soul Vol. 3 - The Flame Burns On excello soul |
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Ace Records 1997 | CD | 18.00 € |
