| VA: - The Ramones Heard Them Here First There’s no mistaking a Ramones song. The funny thing is, throughout their career, the band paid tribute to their roots and influences by peppering their albums with versions of their favourites by other artists, making them sound like Ramones songs too. To see what I mean, try listening to this CD without lurching into ‘Blitzkrieg Bop’, ‘Carbona Not Glue’ or ‘I Wanna Be Your Boyfriend’. Sequenced in the order in which the Ramones cut the songs, this collection kicks off with Chris Montez’s original of ‘Let’s Dance’, which the band revived on their debut album “Ramones” in 1976. In some instances, rather than be pedantic about original versions, some songs are included in the renditions first heard by the Ramones. Hence ‘California Sun’, featured on their second album “Leave Home”, is heard here by the Rivieras (not Joe Jones); ‘Surfin’ Bird’ and ‘Do You Wanna Dance’, from 1977’s “Rocket To Russia”, are by the Trashmen and the Beach Boys (as opposed to the Rivingtons and Bobby Freeman); and ‘Needles And Pins”, from their fourth LP “Road To Ruin”, is by the Searchers (rather than Jackie DeShannon). In 1978 the guys teamed up with the Paley Brothers for an update of Ritchie Valens’ ‘Come On, Let’s Go’, a childhood favourite of Joey Ramone; the band’s 1980 album “End Of The Century”, produced by Joey’s hero Phil Spector, contained a revival the Ronettes’ ‘Baby I Love You’; and in 1982 Joey got together with Holly (of Holly & the Italians) to cut a version of Sonny & Cher’s ‘I Got You Babe’. ‘Little Bit O’ Soul’, here by the Music Explosion, and ‘Time Has Come Today’ by the Chambers Brothers were both revamped by the band on 1983’s “Subterranean Jungle”. The sessions also yielded a version of the 1910 Fruitgum Co’s ‘Indian Giver’, which sneaked out on the B-side of a 12-inch single in 1987. In 1993 the Ramones released “Acid Eaters”, an entire album of cover versions, represented on this CD by Jan & Dean’s ‘Surf City’, the Troggs’ ‘I Can’t Control Myself’, the Byrds’ ‘My Back Pages’, the Seeds’ ‘Can’t Seem To Make You Mine’, Max Frost & the Troopers’ ‘Shape Of Things To Come’, the Amboy Dukes’ ‘Journey To The Center Of The Mind’, Jefferson Airplane’s ‘Somebody To Love’ and Love’s ‘7 And 7 Is’. TheJapanandBrazileditions of the album also contained the band’s version of the Beach Boys’ ‘Surfin’ Safari’. “Adios Amigos”, the Ramones’ farewell album of 1995, included their version of Tom Waits’ ‘I Don’t Wanna Grow Up’. Waits repaid the compliment by contributing a cover of the band’s ‘The Return Of Jackie And Judy’ for the Ramones tribute album “We’re A Happy Family”. It’s not every day that one band records a tribute to another, but Motorhead did just that with ‘R.A.M.O.N.E.S.’ on their 1991 album “1916”. In return, the Ramones’ own version of the song was included on theJapanedition of “Adios Amigos”. The set concludes with the Stooges’ ‘1969’ and, poignantly, Louis Armstrong’s ‘What A Wonderful World’, as covered on Joey’s solo album “Don’t Worry About Me”, released in 2002, by which time he, Johnny and Dee Dee were dead. The Ramones were no more. See, poignant. By Mick Patrick (Ace Records) |
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Ace Records 2012 | CD | 18.00 € |
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| Willy DeVille - Live In Paris And New York With his mariachi-flavoured take on ‘Hey! Joe’ high in European charts across late 1992 and early 1993 and his “Backstreets Of Desire” album (now available on Ace) shifting over 300,000 copies, Willy DeVille found himself, after many years of struggle, a genuine star across the Continent. Success brought larger audiences and more extensive tours, something DeVille had long strived for. A tall, striking-looking man who dressed like a 19th Century riverboat gambler with a pencil moustache, long, swept back black hair and extravagantly tailored suits, shirts, shoes and ties, Deville commanded the stage, singing with a rare candour and expressiveness. As he was now playing to new audiences who were largely unaware of his Mink DeVille recordings, his French label FNAC decided to service the new fans with a live hits album. Philippe Rault, the French producer who had overseen “Backstreets” (and produced ‘Hey! Joe’), took control. He decided on the Bottom Line in New York, so to pay tribute to the city in which DeVille had honed his craft, and the Olympia in Paris, the city that made him a star. With the success of DeVille’s New Orleans recordings (see Ace’s “Willy DeVille In New Orleans” CD), Eddie Bo and three of the Wild Magnolias (Chief “Bo” Dollis, Chief “Monk” Boudreaux and Norwood “Gitchie” Johnson) were invited to join proceedings. The songs performed range across DeVille’s recording career with only ‘Hey! Joe’ and ‘Bamboo Road’ being from “Backstreets”. His interpretations of ‘Spanish Stroll’ and ‘Mixed Up, Shook Up Girl’ match (and possibly even better) those cut with Jack Nitzsche on Mink DeVille’s debut album “Cabretta”. Freddy Koella, the gifted French guitarist who joined DeVille in New Orleans in 1990 and would stay with him until 2002 (upon which he joined Bob Dylan’s band), led a large ensemble with the Valentines providing backing vocals and the Brass Attack Horns adding a suitably greasy top. “Live” – subtitled “Greatest Hits ’76-’93” – was released on CD and double vinyl late-1993 to strong sales, especially in France, Spain (where ‘Demasiado Corazon’ was a hit and “Live” topped the album chart), Switzerland, Germany and Holland. In France “Live” received the prestigious Prix de l’Académie Charles-Cros. “Live” was not released in any Anglo-territories – this reissue on Big Beat rescues the album from oblivion (FNAC collapsed in 1994) and finally makes it available to DeVille fans in the English-speaking world. DeVille dedicated “Live” to Steve Douglas, the majestic saxophonist who played on and produced Mink DeVille’s “Return To Magenta” and “Le Chat Bleu” and died in 1993. Ace’s reissue of “Live” comes with extensive notes featuring interviews with all the surviving principals involved, illustrated with previously unseen photos and memorabilia. The album presents an artist at the height of his powers. Any fan of late-20th Century American music will find much to enjoy here. By Garth Cartwright (Ace Records) |
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Ace Records 2012 | CD | 17.00 € |
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| All About Eve - Touched By Jesus gothic rock album originally released 1991 |
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Talking Elephant Records 2011 | CD | 17.00 € |
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| VA: - Before The Fall - 24 Prelapsarian Cuts f evidence were needed that all music is connected, this collection could well be it. You might think Australian punk, proto-Krautrock and Sister Sledge could only co-exist on a compilation called “Now That’s What I Call Utterly Unrelated”, but actually, beyond “Before The Fall”’s basic conceit, a few fragile connections start to present themselves. Henry Cow acted as support on a Captain Beefheart tour. Beefheart’s style was significantly influenced by bluesmen such as Leadbelly. Leadbelly and Pete Seeger hung out in 40s New York. What else? ‘There’s A Ghost in My House’ and ‘Jungle Rock’ were both hits years after their original release. Fall fans wouldn’t automatically associate ‘The Mummy’ and ‘Transfusion’, yet listening to the originals reveals both as satire at the expense of the beatniks. ‘Transfusion’, like ‘Kimble’, owes much of its uniqueness to the innovative use of sound effects. ‘Kimble’ and ‘People Grudgeful’ are connected thanks to the fractious relationship between the artists concerned. ‘Grudgeful’ and ‘$ F--oldin’ Money $’ both play parts in stories of apparently unscrupulous label bosses. ‘$ F--oldin’ Money $’, ‘Rollin’ Danny’, ‘Transfusion’ and ‘Pinball Machine’ were all the work of artists who died before their time, some a little more before their time than others. It’s fun to spot these connections but, as a Fall fan, I wouldn’t pin too much significance on them. Mark E Smith covered Monks’ tracks without even knowing their titles. He’s covered others without, by his own admission, being able to track down the publishing rights, knowing all the lyrics, or in the case of ‘War’, even remembering the tune. So while in some cases these originals will seem very familiar to Fall fans – the relative commercial success of ‘There’s a Ghost In My House’ and ‘Victoria’ is probably attributable to the fact the Fall didn’t muck about with the originals too much, while Smith’s vocal on ‘Mr Pharmacist’ is remarkably similar to Jeff Nowlen’s original – others are interesting as starting points for very different Fall readings. These originals also demonstrate a lack of Smith snobbery towards music to which other contemporary bands would rapidly turn up their noses. Pop, blues, prog and daft novelties are all accorded the same respect, or lack of it. As a fan of 60s garage, the Monks, Other Half and Sonics cuts on this collection were very familiar to me, but the journey into other genres has been a bit of a revelation. The habit of lifting rocksteady/reggae melody lines for retooling on other tracks led to a diverting trip which started with ‘People Grudgeful’ and took in related tracks such as ‘Longshot’, ‘Jackpot’ and ‘People Funny Boy’. Comparing versions of ‘Bourgeois Blues’, dipping a toe into the ocean of trucking music – all of this I would never have found myself doing had it not been for the cross-genre nature of Mark E Smith’s eclectic tastes. By Dan Maier (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| Francine - The Story Of Francine - Trouble Edition Lahtelaisen rokkibändin Francinen vauhti ei ole parinkymmenen vuoden aikana hyytynyt! Tällä hetkellä Francinen uusi Trouble-ep soi kolmella radiokanavalla, kuuma keikkabussi kiitää ympäri Suomea ja kesän festarit odottavat! Fanikansan kasvettua räjähdysmäisesti bändi päätti palkita porukkaa julkaisemalla päivitetyn version loppuunmyydystä kokoelmasta The Story Of Francine, joka julkaistiin muutama vuosi sitten. Nyt kokoelmaa on päivitetty viidellä uudella biisillä: mm. radiohitti "Trouble" sekä edellisen One Step Further -pitkäsoiton hitit "I Don't Give a Damn" ja "Never Grow Up". Vastaavasti levyltä on poistettu viisi vanhaa biisiä. Aiemmassa versiossa mukana oli myös dvd, jota päivitetystä versiosta ei löydy. |
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Fanfaari / Sound Of Finland 2010 | CD | 18.00 € |
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| Rave-Ups - The Book Of Your Regrets / Chance American Beat imprint has been on a crusade to resurrect under-appreciated American roots-rock and power pop bands from out-of-print limbo, and this time we're bringing you both varieties rolled up into one band, The Rave-Ups! Led by frontman/lyricist Jimmer Podrasky, this Pittsburgh quartet fused the big ringing chords of power pop with the working-class concerns of roots-rock, and put enough classic rock references (Dylan, Hollies, Beatles, Turtles) into their songs to keep college radio record geeks happy. Despite periodic reunions, these 1988 and 1990 albums remain the last we've heard from the Rave-Ups; they ‘re some of the best recordings of their kind and era, timeless, classic rock ‘n' roll. |
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American Beat Records 2010 | CD | 15.00 € |
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| VA: - Bo Diddley Is A Songwriter In his long and illustrious career, the late Ellas McDaniel portrayed his alter ego Bo Diddley as many things – a lover, a gunslinger, crazy, even a lumberjack would you believe (and as this is Bo we’re talking about, you would…) One thing that Bo seldom if ever proclaimed himself to be is ‘A Songwriter”. But over a period of 10 years, Bo crafted some of the most memorable songs of the rock ‘n’ roll and R & B era, including numerous Hall Of Fame perennials which many will be unaware are his songs. For instance, there can be few on this planet who’ve never heard at least one version of “Love Is Strange” – it was featured in ‘Dirty Dancing’, one of the most popular and biggest grossing films of all time, for goodness sake! How many of the thousands of young people who own that soundtrack album also know that the same man who wrote it also wrote “Mona” a 1990s UK chart topper for Craig McLachlan, and “No No No”, a Top 10 hit in 1993 for reggae artist Dawn Penn (both songs appear here, in other versions, under their real titles ‘I Need You Baby’ and ‘She’s Fine, She’s Mine’ respectively…). Not many, I’ll wager. Bo is so well known and loved as an R & B legend that his songwriting skills tend to get overlooked in comparison with his fabulous recordings. He may be seen by some as a left field entry in Ace’s ongoing ‘Songwriter Series’, but once the CD popped into the player, it won’t take but a few minutes (as his Chess colleague Chuck Berry once wrote) to realise that he’s here on merit, and not just because everyone at Ace loves Bo Diddley. Of course, anyone who lived through the R&B and British Beat boom will be familiar with any number of E. McDaniel copyrights – both those Bo wrote, and those that were written for him by others. And there’s considerably more variety to Bo’s songwriting than some might initially think. OK, so he did put together more numerous variations on the ‘shave-and-a-haircut, six-bits’ rhythm. But Bo’s catalogue of compositions also embraces doo-wop (‘I’m Sorry’), teen pop (‘Love Is Strange’, ‘Mama Can I Go Out’) proto-surf (‘Bo’s Bounce’), humour (‘Pills’) 12 bar blues (‘Before You Accuse Me’) straight ahead R&B (‘I Can Tell’, ‘Diddy Wah Diddy’) and so much more besides. As well as recording his songs, many of our stellar cast of artists were major league Bo fans and, indeed, most of those who are still around continue to be. The fact that the recordings on our CD span a period of 50 years gives a strong indication of the timelessness of his work as a writer – hardly surprising when his own early recordings still sound like they were recorded yesterday. If there’s still any shadow of doubt in your mind that Bo Diddley IS a songwriter, buy this CD immediately and let its contents rid you henceforth of such foolish supposition! By Tony Rounce (Ace Records) |
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Ace Records 2010 | CD | 17.00 € |
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| VA: - Elvis Suomessa 2 Rock'n'rollin Kuninkaan Elvis Presleyn tuotantoa on levytetty Suomessa sekä englanniksi että suomeksi 1960-luvun alusta aina näihin päiviin. Elviksen monipuolinen tuotanto sekä eri tyylilajien suvereeni hallinta on osaltaan madaltanut rimaa monien suomalaisartistienkin kohdalla levyttää oma versio tietystä rock-, gospel- tai kantripalasta. Elvis Suomessa 2 -kokoelma sisältää luonnollisesti kaikkia näitä ja tarjoaa kuulijalle niin rajua rokkia kuin koskettavia balladitulkintoja. Levyn avaa itse oikeutetusti suurena Elvis-fanina tunnettu Rauli Somerjoki, jonka tuotannosta mukaan on valittu Elviksen ensimmäinen kaupallinen menestyssingle Kaikki hyvin mama, joka on "Baddingin" viimeisestä levytyssessiosta. Ehkä kaikkien tunnetuimmat Elvis-versioinnit, Timo Jämsenin Kohtalon tähti ja Eino Grönin Seinillä on korvat, ovat luonnollisesti mukana levyllä. Muita tunnettuja Elvis-tulkkeja levyllä ovat vanhemman rock-sukupolven edustajat Jussi Raittinen, Rock Jerry ja Pekka Loukiala omilla valikoiduilla esityksillään. Mutta kuka esimerkiksi tietää, että 70-luvulla suurta suosiota nauttineet Arto Sotavalta ja Salomon ovat hekin levyttäneet Elvistä? Tai että nuoren Pave Maijasen yksi ensimmäisiä soololevytyksiä on Elviksen Don't Be Cruel? Lähemmäksi tätä päivää tultaessa Elvis-biisien versiointi kenties harvenee, mutta laatuosumia löytyy silti; siitä levyllä todisteena mm. Elviksen viimeiseltä LP:ltä oleva Moody Blue Juhamatin hienona tulkintana, Veeti & The Velvet'sin loistokas a cappella King Creolesta ja Tapio Heinosen herkkä Kaunein aamuisin. |
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AXR Music 2010 | CD | 18.00 € |
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| VA: - More Miles Than Money 2CD More Miles Than Money: Journeys Through American Music is a book I researched and wrote between 2006-2008. In many ways I’d been waiting my entire life to write More Miles. Growing up in Mt Roskill – a working class suburb of Auckland, New Zealand, where there were no music venues, cinemas, pubs, nothing but churches and rugby fields – I took refuge in Mark Twain and Jack Kerouac’s adventures while AM radio (modelled on US radio) spun hits by Freddy Fender, the Amazing Rhythm Aces, Little Feat et al. I dreamed of escaping Auckland’s suburbs to ride Route 66 and Highway 61, ears and eyes open. Eventually I got to live my dream and More Miles is the story of those travels. I didn’t know it back then but Kiwi radio was often playing music akin to that which Charlie Gillett played on his Honky Tonk radio show in London. Discovering Charlie’s book The Sound Of The City sent me scouring through secondhand bookstores in search of old copies of Cream, Creem and Let It Rock, where the writings of Charlie and other likeminded journalists appeared. I’d go so far as to say that a feature Charlie wrote on the great New Orleans producer-arranger Harold Battiste (Cream #5, Sept 1971) was what initially inspired me to want to search out the largely unsung heroes of American music. At the same time as reading Charlie Gillett I was buying US imports on a variety of labels, with Arhoolie being my favourite. Mexican culture fascinated me, especially that which arose from the borderlands, the Tex-Mex/Tejano music. (Blame this on my dad taking me to see Sam Peckinpah’s westerns.) Discovering a bin full of Arhoolie Records in a downtown record shop introduced me to a treasure trove of magical Mexican American music and reading about Arhoolie founder Chris Strachwitz’s efforts to record the finest American vernacular music provided even more inspiration. Later on, Canyon Records would open my ears to how Native American culture celebrated its survival. Around the same time an uncle who loved jazz gave me Curtis Mayfield’s “Superfly” album – he found it too funky for his tastes. Talk about life-changing records: to this day Curtis remains my favourite US soul singer. I dedicated More Miles Than Money to Charlie, Chris and the indomitable spirit of Curtis Mayfield. Tragically, Charlie died earlier this year. He, like Curtis, lives on as an indomitable spirit and continues to inspire me. This compilation is, again, dedicated to Charlie, Chris and Curtis: the three Cs who helped me hear America. More Miles Than Money reflects on an America that made the mightiest music of the 20th Century. This compilation aims then to salute those who inspired me to ride US highways and document those I encountered as I wandered through honky-tonks, juke joints and barrios. Enjoy! By Garth Cartwright (Ace Records) |
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Ace Records 2010 | CD | 20.00 € |
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| VA: - Next Stop Is Vietnam - The War On Record 1961-2008 (13-CD set, LP-sized slipcase with 304page hardcover book. 334 tracks, playing time: more than 16h:49min). The most comprehensive anthology of music inspired by the Vietnam War ever released. Over 330 titles covering all facets of the war and its aftermath featuring The Doors, Bob Dylan, Joan Baez, Bruce Springsteen, Johnny Cash, Merle Haggard, John Lennon, Yoko Ono, Country Joe McDonald and dozens of other artists. Rarely heard documentary material including patriotic Public Service Announcements, field news reports and intercepted North Vietnamese radio transmissions of Jane Fonda and Hanoi Hannah. A heavily illustrated, full-colour 304-page book containing extensive artist/song notes, Vietnam War history and recollections by vets on their favourite songs. Two discs of music exclusively by Vietnam veterans. Never-before-released tracks recorded during the war by in-country soldiers. Mister, Where Is Vietnam ...NEXT STOP IS VIETNAM: The War On Record, 1961-2008 is a stunning, years-in-the-making anthology of the Vietnam War's musical legacy. Presented on 13 CDs with a 304-page book illustrated with numerous archival photographs, this collection examines the war in a powerful and unprecedented way. Over 330 music and spoken word tracks take the listener through a guided tour of this epochal period of modern history. From America's first, na‹ve impressions of a country called Vietnam through the spirited musical debate over the morality of the war to the healing meditations on the conflict's lengthy aftermath, this set captures it all and more. Bob Dylan, Joan Baez,Merle Haggard, Pete Seeger, Bruce Springsteen, Phil Ochs, Johnny Cash, Yoko Ono, John Lennon, The Doors, Country Joe McDonald and dozens of other artists including many Vietnam veterans are the tour guides through this enlightening and entertaining journey. - The full-color book that accompanies the music is packed with information on the songs and the artists who recorded them by music scholar Hugo A. Keesing; a history of the war by Vietnam historian Lois T. Vietri; and an oral history of the tunes that 'incountry' vets loved best by authors Doug Bradley and Craig Werner. The introduction to this remarkable tome is written by the legendary Country Joe McDonald. Strap in for a long and fascinating ride ...NEXT STOP IS VIETNAM. |
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Bear Family 2010 | CD-Box | 200.00 € |
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| George Thorogood - 10 Great Songs |
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Emi Records 2009 | CD | 8.00 € |
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| GOOFIN' RECORDSIN LAHJAKORTTI - HELPPO JA VAIVATON LAHJA ! lahjakortin saat haluamallesi summalle. minimi 10;- maksimi summaa ei ole. Lisätietoja ? Soita 09-7733113 tai meilaa info@goofinrecords.fi Lahjakortti on voimassa vuoden ostopäivästä eteenpäin. |
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lahjakortti 2008 | CD | 30.00 € |
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| Jason And The Scorchers - Emi Years 2CD 2CD = 31 tracks |
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Evangeline Records 2008 | CD | 18.00 € |
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| Cliff Richard - Love... The Album Cliffin albumi vuodelta 2007 |
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Emi Records 2007 | CD | 15.00 € |
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| George Thorogood And The Destroyers - Taking Care Of The Business 2CD |
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Recall 2007 | CD | 9.90 € |
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| The Dictators - Every Day Is Saturday 2LP |
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Norton Records 2007 | LP | 25.00 € |
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| Cliff Richard - Platinum Collection 3CD 3CD = 73 biisiä |
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Emi Records 2005 | CD-Box | 20.00 € |
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| Shakin' Stevens - Merry Christmas Everyone |
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Sony Epic 2005 | CD | 10.00 € |
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| Albert Järvinen - Let It Roll - Rocks & Rarities 2CD 29 biisiä |
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Emi Music Finland 2004 | CD | 13.00 € |
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| Pretty Things - Resurrection 13 tracks. Unique internet Broadcast was perofmred and recorded at Abbey Road Studios on 6th Sept 1998. |
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Snapper 2004 | CD | 10.00 € |
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| Dave Edmunds - C'mon Everybody live concert performance |
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Disky 2002 | CD | 9.00 € |
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| Roy Orbison - The Love Album |
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Virgin Records 2002 | CD | 10.00 € |
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| Cramps - Big Beat From Badsville 18 biisiä |
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Ace Records 2001 | CD | 17.00 € |
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| Dion 'n' Little Kings - Live In New York Dion & Little Kings captured live in New York City at the Mercury Lounge on 26th April 1996 |
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Ace Records 2001 | CD | 17.00 € |
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| Link Wray - Barbed Wire |
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Ace Records 2000 | CD | 17.00 € |
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| VA: - Bärenstark - Bear Essentials 27 stars salute Bear Family's 25th Anniversary. Great digipack sleeve with 80 page booklet |
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Bear Family 2000 | CD | 9.90 € |
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| Charlie Mars Band - The End Of Romance |
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Rockingham Records 1999 | CD | 15.00 € |
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| Fatbullets - Fat Hits |
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Texicalli Records 1999 | CD | 10.00 € |
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| Francine - The Playmate 13 biisiä. |
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Bluelight Records 1999 | CD | 10.90 € |
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| Gov't Mule - Live with a little help from our friends with special quests: Chuck Leavell, Bernie Worrell, Marc Ford, Randall Bramblett & Yonrico Scott |
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Evangeline Records 1999 | CD | 18.00 € |
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| Inmates - The Heat Of The Night |
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Last Call Records 1998 | CD | 17.00 € |
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| Paul Kennerley - Misery With A Beat This English songwriter has written hits for The Judds and Marty Stuart, to name just two. He’s been compared to Nick Lowe. File under: country, pop |
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Spinout Records 1998 | CD | 10.00 € |
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| Phil HurdAnd The Blood Of Keith - Gimme Shoulder |
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Phil Hurd 1998 | CD | 15.00 € |
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| Pirates - Land Of The Blind 12 biisiä |
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BMA Records 1998 | CD | 13.00 € |
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| Prescott Curlywold - Funanimal World |
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Freedom Records 1998 | CD | 15.00 € |
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| Question Mark and The Mysterians - Do You Feel It Baby? |
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Norton Records 1998 | CD | 17.00 € |
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| Sleepy Sleepers - The Worst Of The Sleepy Sleepers - Pahimmat 15 biisiä |
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Emi 1998 | CD | 9.00 € |
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| VA: - Today's Top Girl Groups Pebbles, Sit N Spin, Diaboliks, Godzillas, Poontwang, Holly Golightly, Neanderdolls, Mean Geanies, Bobbyteens, 5678s, Prissteens etc |
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Spinout Records 1998 | CD | 17.00 € |
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| All The King's Men - Scotty Moore & DJ Fontana mukana mm. Keith Richards, Mavericks, Joe Ely, Steve Earle, Ron Wood, Tracy Nelson, Ronnie McDowell jne |
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Polydor 1997 | CD | 10.00 € |
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| Davie Allan And The Arrows - The Born Losers Theme / Glory Stompers Davie Allan, king of the fuzz guitar, is back with two new instrumental tracks recorded live in the studio with no overdubs! “The Born Losers Theme” combines the best of the vintage feel with an updated sound. “The Glory Stompers” leans more towards a modern sound, while retaining Allan’s trademark guitar stylings. This one features two false endings and a wild fuzz guitar solo during the outro |
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Get Hip Records 1997 | Single/EP | 5.00 € |
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| Dusty Springfield - Reputation And Rarities |
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Emi Records 1997 | CD | 10.00 € |
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| Francine - Francinest hyvä kokoelma edulliseen hintaan |
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Poko Rekords 1997 | CD | 10.00 € |
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| Link Wray - Shadowman |
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Ace Records 1997 | CD | 17.00 € |
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| Potatoes - Hot Potatoes kuuden biisin MCD |
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Texicalli Records 1997 | CD | 7.00 € |
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| Skeletons - Nothing To Lose |
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Hightone 1997 | CD | 18.00 € |
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| VA: - Revival - Brunswick Stew & Pig Pickin' 17 biisiä mm Vidalias, Two dollar Pistols, Tweaker.. |
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Yep Roc Records 1997 | CD | 15.00 € |
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| VA: - Seventeen And A Half is still Jailbait 17 biisiä mm Electrick Frankenstain, Grey Spikes, Panty Boy, Bonk, Anal Babes Brand Of Shame etc |
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Demolition Derby 1997 | CD | 9.90 € |
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| A-Bones - Crash The Party The legendary lost A-Bones album finally comes to life! NYC's crazed fivesome hung up their rock n' roll shoes a while back, but what became of their much ballyhood tribute to their idol, the rockin' Florida stomp king Benny Joy? Well, here it is! The ultimate A-Bones album featuring all Benny Joy numbers, recorded 1990-1994 in live, in the studio, and wherever the mood happened to strike! Loaded with guest stars including Dex Romweber and Rudy "Tutti" Grayzell, a surefire partycrasher! |
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Norton Records 1996 | LP | 13.00 € |
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| Electric Frankenstein - The Time Is Now |
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Demolition Derby 1995 | CD | 17.00 € |
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| George Thorogood & The Destoyers - Live - Let's Work Together 14 biisiä |
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Emi Records 1995 | CD | 10.00 € |
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