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Result of your query: 1675 products
| Belmont Playboys - Complicated Life jenkki neobilly bändin uusin |
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Jungle Records 2012 | CD | 15.00 € |
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| Bettie And The Handsome Trio - Taste Of Blue hyvä kotimainen R&B levy |
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Handsome Sounds 2013 | CD | 15.00 € |
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| Beverly Kenney - Complete Decca Recordings 2CD Complete Decca Recordings (3 Lps On 2 Cds) + Bonus Tracks Featuring: Beverly Kenney (vcl), accompanied by Ralph Burns, Hal Mooney & Eddie Safranski Orchestras, feat. Charlie Shavers (tp), Eddie Bert (tb), Al Klink (ts), Ellis Larkins (p), Chuck Wayne, Stan Freeman (g), Joe Benjamin, Bill Pemberton (b), Ed Shaughnessy (d) This definitive double-CD edition includes the complete DECCA albums: - SINGS FOR PLAYBOYS + 4 Bonus Tracks (*) - …BORN TO BE BLUE… + 1 Bonus Track (+) - LIKE YESTERDAY And many more from his SESAC recordings and TV broadcasts Over fifty years after her death, singer Beverly Kenney (1932-1960) remains a cult figure for her fans around the world. Her career was tragically brief—she took her own life when she was 28. She possessed a sweet, child-like vocal quality and a nuanced, pleasant jazz-styled phrasing that won her favour with both pop and jazz audiences. On these outstanding Decca sides, recorded few years before her death, she displays the smooth, smart and bittersweet touch that defined her personal style. In addition to the fine small group performances with front-rank jazzmen and orchestral settings with Ralph Burns and Hal Mooney, this set also includes all the sides she recorded with the Eddie Safranski orchestra for the Sesac publishing and record label. All the critical hosannahs they earned her, however, never quite translated into widespread public acceptance, due, at least in part, to the burgeoning rock & roll movement, which she loathed, even composing a song called “I Hate Rock and Roll”, which she performed on the Steve Allen TV show on May 18, 1958—making the perfect addition to this collection. The closer of the set is a highly valuable document, taped from a Playboy Penthouse TV show, where she is interviewed by Hugh Hefner and sings with her distinctive sophisticated phrasing and cool jazz sensibility. —Jordi Pujol (Fresh Sound Records) |
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Fresh Sound Records 2012 | CD | 25.00 € |
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| Big Bad Voodoo Daddy - Rattle Them Bones |
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Savoy Jazz 2012 | CD | 20.00 € |
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| Big Bill Broonzy - An Everning With recorded in club montmartre, copenhagen 1956 |
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Doxy Music 2012 | LP | 18.00 € |
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| Big Bill Broonzy, Sonny Terry, Brownie McGhee - Blues With Big Bill Broonzy, Sonny Terry, Brownie McGhee |
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Doxy Music 2012 | LP | 18.00 € |
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| Big Boy Bloater And The Limits - Big Boy Bloater And The Limits their latest |
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Azan Records 2011 | CD | 15.00 € |
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| Big Jay McNeely - Country Boy All tracks were recorded live, direct-to-disc at Blue Heaven Studios, Salina, Kansas 2011. |
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Apo Records 2012 | LP | 15.00 € |
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| Big Jay McNeely with Ray Collins' Hot-Club & Friends - Life Story |
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Brisk Records 2012 | CD | 15.00 € |
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| Big Joe Turner - Rocks 1-CD DigiPac (4-plated) with comprehensive booklet, 28 tracks, playing time: 70:35. -- Contains 'Roll 'Em Pete' with Pete Johnson, a record that propelled bobby-soxers into a boogie-woogie frenzy. 'Shake, Rattle And Roll' helped jump-start the rock 'n' roll revolution. It's here along with a truck-load of R&B hits including 'Honey Hush', 'Flip, Flop And Fly', 'Hide And Seek', 'Corrine Corrina', 'Lipstick, Powder And Paint' and many more. These immortal rock-till-it-hurts classics inspired an uncountable number of rockabilly covers from Elvis Presley to Jerry Lee Lewis to Shakin' Stevens. 'The quintessential American singer' said Doc Pomus. 'Rock 'n' roll would never have happened without him'. -- Big Joe Turner first shouted timeless blues couplets in the Kansas City of the '30s, partnering stomping pianist, Pete Johnson, for almost two decades. Together they ignited the boogie-woogie craze that led to the post-war emergence of R&B and ultimately, the revolution that was rock 'n' roll. This set, compiled by Trevor Cajiao, Editor of 'Now Dig This,' embraces all phases of Joe's career but concentrates, inevitably, on the hard-rocking records which made Joe a rock 'n' roll star and unlikely teen idol at the age of 43. Discs like 'Honey Hush', 'Shake, Rattle And Roll' (bowdlerised by Bill Haley), 'Flip, Flop And Fly', 'Boogie Woogie Country Girl', 'Teen Age Letter' and 'Lipstick, Powder And Paint' were among the most exciting records of the '50s and led to literally hundreds of covers by legions of rockabilly singers. -- Jump blues veteran turned rock 'n' roll patriarch, Big Joe Turner out-rocked them all! |
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Bear Family 2011 | CD | 20.00 € |
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| Big Mama Thornton - The Complete 1950-1961 2CD |
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Le Chant Du Monde 2013 | CD | 18.00 € |
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| Big Sandy & His Fly-Rite Boys - Swingin' West & Night Tide BIG SANDY AND THE FLY-RITE BOYS are members of the Rockabilly Hall Of Fame, although they also encompass folk, bluegrass, Western swing, Cajun and even mariachi influences. BSAHFRB was the bands 4th album and they continued to ply their unique brand of small group rockabilly and western swing. SWINGING WEST finds the band venturing back in time into the 30’s and 40’s, to tap the influences for legends such as ELVIS and GENE VINCENT. The 5 piece band is fully empowered to explore Western swing, jump blues and hillbilly boogie. |
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Floating World Records 2012 | CD | 15.00 € |
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| Big Sandy & His Fly-Rite Boys with Glen Glenn - My Eyes Are Open / Girl At The Bar GREAT new 7" vinyl single ! limited pressing |
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Buckshot Records 2012 | Single/EP | 8.00 € |
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| Big Sandy And His Fly-Rite Boys - Jumping From 6 to 6 / Dedicated To You 2CD BIG SANDY and his FLY RITE BOYS present a sound that takes their rockabilly roots and encompasses folk, bluegrass, Western swing, and Cajun. ‘Jumping From 6 to 6’ was originally released in 1994, produced by the main man from THE BLASTERS DAVE ALVIN, this album was described as a recording that opened the flood gates for others seeking to bring Western Swing back to prominence. ‘Dedicated to You’ was BIG SANDY’S solo debut which heralds a major shift away from the retro Western Swing work with the FLY RITE BOYS. The album celebrates the classic L.A low rider sound featuring 15 Doo Wop and RnB covers that were originally recorded between 1954 and 1961. Recorded with legendary pianist DEWEY TERRY, one half of the 50’s Rock n’ Roll duo DON and DEWEY. |
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Floating World Records 2012 | CD | 13.00 € |
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| Big Sandy And His Fly-Rite Boys - The Best Of |
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Rock Beat Records 2011 | CD | 15.00 € |
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| Bill Black's Combo - Smokin' 2CD Bill Black was famously the bass player in Elvis Presley's early backing trio, and he played on all of Presley's 1950s hit records. In 1959 he got together with Ace Cannon (sax). Carl McVoy (piano/organ) and Reggie Young (guitar) to form Bill Black's Combo. The late '50s/early '60s were the 'Golden Era' for Rock & Roll Instrumentalists and Bill Black's Combo had a wholly unique, instantly identifiable sound and style. This compilation comprises their first three LPs in their entirety plus their first nine singles, all of which were major US hits including four million-sellers, 'Smokie (Part 2)', 'White Silver Sands', 'Josephine' and 'Don't Be Cruel'. This body of work is almost impossible to find elsewhere on CD. |
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Jasmine Records 2012 | CD | 15.00 € |
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| Bill Curtis & Friends with The Fatback Band - Bill Curtis & Friends with The Fatback Band Ace are proud to announce another addition to the occasional series of releases curated by Fatback’s Bill Curtis. “Bill Curtis & Friends with The Fatback Band” reworks tapes from the Fatback vaults with the assistance of some choice friends including Robert Damper, Warren Daniels, Willie Bridges, David “Bubba” Brooks and Gerry Thomas. |
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Ace Records 2010 | CD | 17.00 € |
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| Bill Doggett - Honky Tonk Popcorn James Brown has never really been portrayed as a sympathetic man, but for a short period in the late 60s he was suddenly taken by a sense of duty to artists who had been fixtures at King Records when he was first signed there over a decade earlier. First up was his tribute album “Thinking About Little Willie John And A Few Nice Things”, which mixed originals with versions of songs John had first sung. Next he began working with Hank Ballard, who had been signed to King since 1953; the collaboration produced the LP “You Can’t Keep A Good Man Down”. He then produced a couple of sides with organist Bill Doggett, who’d reached #1 R&B/#2 Pop with his 1956 instrumental ‘Honky Tonk’. A hit of that size meant that Doggett was never short of gigs, and in its aftermath he reached the R&B Top 20 five more times. In 1960 he left King, signing to Warner Brothers, then with Columbia in 1962 and Sue Records in 1964. In the meantime, King kept up a steady release schedule of Doggett records and he re-signed with them in 1965, staying for two years. 1969 saw him back again at King for another couple of years. Doggett’s recordings from this period took two distinct paths: some were almost cheesy easy listening sides, while others suggested he was keeping up with modern trends. The most obvious manifestation of this was his collaboration with James Brown and his JBs, who were incredibly tight on the top-side of the super-rhythmic ‘Honky Tonk Popcorn’. The popcorn was Brown’s dance rhythm of the year: he had made #1 R&B with ‘Mother Popcorn’, #2 with ‘Let A Man Come In And Do The Popcorn’. The B-side of the single was Doggett’s funk update of ‘Honky Tonk’, which worked even better than Brown’s own 1972 remake. King then gathered up a bunch of recent Doggett recordings to make the “Honky Tonk Popcorn” album. It was marketed as a James Brown production but, other than the two single sides, it contained no cuts produced by Brown. Instead it featured a fascinating mix of grooves that evoke smoky clubs and juke joints. ‘Mad’ and a scorching version of Edwin Starr’s ‘Twenty Five Miles’ were released as singles. For this reissue we’ve turned up five bonus tracks. Of these, ‘Before Lunch’, ‘Short Stack’ and ‘Some Kind Of Head’ were lined up for inclusion on an album to be called “Take Your Shot”, but we’re pretty sure this did not make it past the planning stage and was replaced by “Honky Tonk Popcorn”, with these three dropped to make room for the two James Brown-produced cuts and ‘Twenty Five Miles’. ‘Before Lunch’ sounds like the finest record Booker T & the MGs forgot to make, while ‘Short Stack’ ups the pace to frantic. Best of all is the brilliant ‘Some Kind Of Head’, which takes the feel of a Stax instrumental. The other bonus tracks, ‘Sassy B’ and ‘Wet And Satisfied’, offer a fascinating insight into the history of Funkadelic. In the time between recording Funkadelic’s first two albums guitarist Eddie Hazel and bass-player Billy Nelson left the group. Nelson joined Doggett’s band for a short time. Until now Eddie Hazel’s participation on a Doggett session was unknown. However, the songwriting credits and the guitar style suggest that he too was working alongside Nelson and Doggett. The ‘Honky Tonk Popcorn’ single and album did not return Doggett to the charts, but he remained active. He kept recording and toured until the year he died. He tended to revert to the style which made him famous: the 50s boogie shuffle that had been the basis of his defining hit. When he died on 13 November 1996 his short sojourn into funk was largely forgotten except by a few clubbers around the world who coveted this in-demand LP. By Dean Rudland (Ace Records) |
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Ace Records 2012 | CD | 17.00 € |
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| Bill Fadden And The Rhythmbusters - Be Mine / Lonely Side Of Town |
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Migraine Records 2011 | Single/EP | 7.00 € |
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| Bill Mack - Play My Boogie Bill Mack, is a larger than life character, a Country singer, successful songwriter, respected radio personality, much loved Country music DJ. On this compilation the spotlight is on his early material, the recordings on this compilation range from Hillbilly Boogie, Hillbilly Bopper's and Hank Williams, flavoured Honky Tonk ballads and the odd neo Rockabilly offering. For over sixty years he has worked with the greats of Country music and during that time he recorded and penned numerous hits that have gone on to bring success to many other artists. This is a fantastic compilation for all fans of Country music. |
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Jasmine Records 2010 | CD | 10.00 € |
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| Billy Fury - The Rocker 22 tracks |
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Delta Leisure Group 2011 | CD | 7.00 € |
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| Billy Fury - The Sound Of Billy Fury |
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Hallmark Music 2011 | CD | 7.00 € |
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| Billy Fury - Turn My Back On You 23 tracks |
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Snapper Music 2011 | CD | 8.00 € |
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| Billy Lee And The Rugbeaters - Early Rockin' - The Real Stuff |
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Collector Records 2011 | CD | 15.00 € |
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| Billy Lee Riley - The Outtakes 2CD (2-CD Cap-Box, CD-size with 68-page Booklet, 79 tracks. Playing time: 148:59). -- Billy Riley is a classic figure from Sun's golden age. The set contains outtakes of every one of Riley's Sun singles. 78 tracks with studio chatter and previously unreleased recordings. It includes a lavishly illustrated booklet with previously unpublished photos, revised & expanded Sun discography and track-by-track commentaries, a fascinating behind-the-scenes look at recording in the Sun studio during the 1950s. The most complete and detailed look at Billy Riley's Sun career is now available only on Bear Family. -- Billy Riley is one of the unsung heroes of rockabilly. To many collectors, Riley's six Sun singles, issued between 1956 and 1959, guarantee him charter membership in rockabilly heaven. Forget the fact that Riley never had a national hit record. Songs like 'Red Hot' and 'Flying Saucer Rock And Roll' enshrine Riley as one of the founding fathers of rock 'n' roll. That assessment is shared by record collectors, historians and Bob Dylan, who paid public tribute to Billy Riley and performed with him in 1992. - This unprecedented boxed set brings together virtually every Billy Riley outtake of the 12 sides originally released by the Sun label in the 1950s. It offers the deepest look yet at Billy Riley's recording activity in the historic Memphis studio. Taken together, this set and Bear Family's 2-CD release of 'Classic Billy Riley' offer the most complete look at Billy Riley at Sun Records ever to be released. - This boxed set also includes a lavishly illustrated booklet featuring never-before seen photos of Riley at work in the studio and on tour with his backup group, the Little Green Men. It also includes a revised and expanded Sun discography, detailed track-by-track commentaries, and new interview material by Sun historian Hank Davis. Its 78 tracks include revealing studio chatter and offer a deep, behind-the- scenes look at life in the Sun studio. This is a set that no fan of Billy Riley or vintage Sun Records can be without. |
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Bear Family 2010 | 2-CD | 35.00 € |
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| Bing Crosby - Essential Early Recordings 2CD |
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Primo Collection 2011 | CD | 10.00 € |
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| Bird Doggin' Daddies - Bird Doggin' Daddies german group playing authentic rockabilly |
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Rhythm Bomb Records 2011 | CD | 15.00 € |
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| Blasters - American Music / Trouble Bound 2CD A 2 cd set released at MID PRICE from the catalogue of HIGHTONE RECORDS,one of the great American roots labels THE BLASTERS are the ultimate all American Roots band fronted by the brothers Dave and Phil Alvin AMERICAN MUSIC was the debut studio album featureing the future classic MARIE MARIE TROUBLE BOUND 13 years later the original line up reformed and this storming set was recorded live at Hollywoods House Of Blues |
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Floating World Records 2012 | CD | 13.00 € |
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| Blasters - Fun On Saturday Night The first new Blasters Release since 2005! This release has all the original members except Keith Wyatt replacing Dave Alvin on guitar. The Blaster have included more blues on this release than any of their other previous releases, and still get some Rockabilly, Country, Bluegrass and even Mariachi songs in the mix. Phil Alvin sings a duet with Exene Cervenka on the Johnny can June Cash classic “Jackson.” |
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Ripcat Records 2012 | CD | 19.00 € |
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| Blind Willie McTell - Volume 1 Blind Willie McTell's Volume 1 from our highly-anticipated Document Records reissue series on black, 180-gram vinyl. |
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Third Man Records 2012 | LP | 18.00 € |
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| Bloodshot Bill - Homicide |
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Hog Maw Records 2010 | 10" LP | 15.00 € |
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| Bloodshot Bill - Thunder And Ligtning He's made scads of solid senders all over the globe, but here's the one man racket squad's first full length Norton platter and we think it's his best offering to date! THUNDER AND LIGHTNING features brand new Bloodshot Bill-penned rockers like Crazy 'Bout The Girl and The Hunt plus killer remakes of Tooter Botman's title thumper and Eddie Cochran's brooding Dark Lonely Street – GET THIS ALBUM! |
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Norton Records 2011 | LP | 13.00 € |
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| Bloodshot Eyes - Night Walk Boogie |
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BSE Music 2011 | CD | 15.00 € |
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| Bloodsucking Zombies From Outer Space - Decade Of Decay - Gravest Hits |
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Schlitzer-Pepi Records 2012 | CD | 19.00 € |
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| Bloodsucking Zombies From Outer Space - Decade Of Decay - Gravest Hits Of limited edition of 300 copies including bzfos stencil blood red colored vinyl |
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Schlitzer-Pepi Records 2012 | LP | 23.00 € |
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| Bloodsucking Zombies From Outer Space / Thee Flanders - Clash Of the Monsters 2CD |
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Halb 7 Records 2010 | CD | 20.00 € |
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| Bloodsucking Zombies From Outerspace - Return Of The Bloodsucking Zombies |
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Halb 7 Records 2010 | LP | 22.00 € |
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| Blue Cats - Best Dawn Yet Blue Catsien uusin studiolevy BEST DAWN YET, the first new album in 20 years by the legendary neo-rockabilly band THE BLUE CATS will be released on October 26th. Formed in 1980, THE BLUE CATS released their seminal FIGHT BACK album and single WILD NIGHT in 1981. Their fusion of rockabilly and new wave was, and still is the prime example of what became known as neo‐rockabilly. In the mid 1980’s they started working on the G-MEN project and songs that would form the basis of the next stage on their journey, BELTANE FIRE. After a hugely successful year on the alternative London club Circuit, they signed to Sony Music in late 1984 and in 1985 recorded album DIFFERENT BREED. In 1992 they recorded again as THE BLUE CATS, and the result was the critically acclaimed album THE TUNNEL. After spending another year on the road together they decided to go their separate ways to pursue individual projects. Early in 2011 Steve Whitehouse was recruited on double bass and the band hit the road again for an extremely successful run of European dates. The huge success of THE BLUE CATS 3rd period is now to be celebrated with a new album BEST DAWN YET on Bluelight Records. Over the last two years or so, the band has been writing together again and now believes they have together a superb collection of the best songs they have ever worked on, as the first single BILLY RUFFIANS pulled from the new album clearly demonstrates. Simultaneously with the new album Bluelight Records will re-release the classic status album THE TUNNEL from 1992. The new release is expanded with four bonus tracks taken from the G-MEN E.P. and all recordings on the CD are remastered. |
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Bluelight Records 2012 | CD | 17.00 € |
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| Blue Cats - Best Dawn Yet 2x10" double 10" LP |
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Bluelight Records 2012 | 10" LP | 25.00 € |
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| Blue Cats - Billy Ruffians / Gotta Go "Billy Ruffians" - taken from the forthcoming new Blue Cats album. Ltd 7" pressing. Fantastic 4-colour sleeve with picture inner sleeve. Advance orders welcome. Formed in 1980, THE BLUE CATS released their seminal FIGHT BACK album and single WILD NIGHT in 1981. Their fusion of rockabilly and new wave was, and still is the prime example of what became known as neo‐rockabilly. In the mid 1980’s they started working on the G-MEN project and songs that would form the basis of the next stage on their journey, BELTANE FIRE. After a hugely successful year on the alternative London club Circuit, they signed to Sony Music in late 1984 and in 1985 recorded album DIFFERENT BREED. In 1992 they recorded again as THE BLUE CATS, and the result was the critically acclaimed album THE TUNNEL. They then spent another year on the road together but in 1993 decided to go their separate ways to pursue individual projects. Early in 2011 Steve Whitehouse was recruited on double bass and the band hit the road again for an extremely successful run of European dates. The huge success of THE BLUE CATS 3rd period is now to be celebrated with a new release on Bluelight Records. Over the last two years or so, the band has been writing together again and now believes they have a collection of the best songs they have ever worked on together. The first single BILLY RUFFIANS pulled from the forthcoming album will be released on September 7th. |
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Bluelight Records 2012 | Single/EP | 6.00 € |
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| Blue Cats - Billy Ruffians CDEP Brand new CD single with three tracks. Make Your advance order now ! Formed in 1980, THE BLUE CATS released their seminal FIGHT BACK album and single WILD NIGHT in 1981. Their fusion of rockabilly and new wave was, and still is the prime example of what became known as neo‐rockabilly. In the mid 1980’s they started working on the G-MEN project and songs that would form the basis of the next stage on their journey, BELTANE FIRE. After a hugely successful year on the alternative London club Circuit, they signed to Sony Music in late 1984 and in 1985 recorded album DIFFERENT BREED. In 1992 they recorded again as THE BLUE CATS, and the result was the critically acclaimed album THE TUNNEL. They then spent another year on the road together but in 1993 decided to go their separate ways to pursue individual projects. Early in 2011 Steve Whitehouse was recruited on double bass and the band hit the road again for an extremely successful run of European dates. The huge success of THE BLUE CATS 3rd period is now to be celebrated with a new release on Bluelight Records. Over the last two years or so, the band has been writing together again and now believes they have a collection of the best songs they have ever worked on together. The first single BILLY RUFFIANS pulled from the forthcoming album will be released on September 7th. |
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Bluelight Records 2012 | CD | 3.50 € |
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| Blue Cats - The Norton Spirit bonus CD single with the 10" with the same tracks |
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Bluelight Records 2013 | 10" LP | 13.00 € |
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| Blue Cats - The Tunnel G-Men Maxi-EP tracks as bonus tracks |
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Bluelight Records 2012 | CD | 13.00 € |
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| Blues Magoos - Electric Comic Book GARAGE/PUNK/PSYCHEDELIA PIONEERS! LIMITED EDITION OF 1000 COPIES ONLY! The Blues Magoos launched their recording career with the LP Psychedelic Lollipop. The equally impressive Electric Comic Book refines the band's mix of rock ’n’ roll and day-glo psychedelia. That punchy yet playful approach animates such distinctive numbers as “Pipe Dream,” “Rush Hour,” “There’s a Chance We Can Make It” and “Albert Common Is Dead.” This ’60s garage-psych nugget is now available on Sundazed as a Limited Edition compact disc (1000 copies only!), sourced from the original Mercury-label stereo masters, with the colorful original cover art meticulously reproduced. In their '60s heyday, the Blues Magoos were one of the first garage-punk bands to achieve mainstream success, and one of the first to embrace psychedelia. Early in their existence, the Bronx-bred quintet's high-energy live sets made them a popular attraction on the Greenwich Village club scene. Once they began making records, they quickly emerged as one of one of the earliest and most inventive exponents of the psychedelic sound. The band's 1966 debut album Psychedelic Lollipop and its 1967 followup Electric Comic Book, are two of that period's most beloved and enduring albums. |
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Sundazed Music 2011 | CD | 20.00 € |
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| Blues Magoos - Electric Comic Book The Blues Magoos launched their recording career with the LP Psychedelic Lollipop. The equally impressive Electric Comic Book refines the band's mix of rock ’n’ roll and day-glo psychedelia. That punchy yet playful approach animates such distinctive numbers as “Pipe Dream,” “Rush Hour,” “There’s a Chance We Can Make It” and “Albert Common Is Dead.” Sundazed’s new vinyl edition also features a replica of the original comic book that was packaged with the album’s original pressings. This ’60s garage-psych nugget is now available from Sundazed on High Definition Vinyl, sourced from the original Mercury-label stereo masters, with the colorful original cover art meticulously reproduced. In their '60s heyday, the Blues Magoos were one of the first garage-punk bands to achieve mainstream success, and one of the first to embrace psychedelia. Early in their existence, the Bronx-bred quintet's high-energy live sets made them a popular attraction on the Greenwich Village club scene. Once they began making records, they quickly emerged as one of one of the earliest and most inventive exponents of the psychedelic sound. The band's 1966 debut album Psychedelic Lollipop and its 1967 followup Electric Comic Book, are two of that period's most beloved and enduring albums. |
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Sundazed Music 2011 | LP | 20.00 € |
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| Blues Magoos - Psychedelic Lollipop GARAGE/PUNK/PSYCHEDELIA PIONEERS! LIMITED EDITION OF 1000 COPIES ONLY! The Blues Magoos launched their recording career with a major smash, hitting the Top Five with the brash garage-punk anthem "(We Ain't Got) Nothin' Yet." That tune is just one of the multiple pleasures of Psychedelic Lollipop, notable as one of the first albums (along with the 13th Floor Elevators' debut) to use the word "psychedelic" in its title. The band balances swaggering proto-punk attitude, a Beatlesque pop sensibility and adventurous acid-pop experimentalism on such tunes as "Gotta Get Away," "One by One" and "Love Seems Doomed." And the Magoos' high-energy workouts on James Brown's "I'll Go Crazy" and John Loudermilk's "Tobacco Road" rank with the greatest versions of those much-covered garage-band standards. This ’60s garage-psych nugget is now available on Sundazed as a Limited Edition compact disc (1000 copies only!) sourced from the original Mercury-label stereo masters, with the colorful original cover art meticulously reproduced. In their '60s heyday, the Blues Magoos were one of the first garage-punk bands to achieve mainstream success, and one of the first to embrace psychedelia. Early in their existence, the Bronx-bred quintet's high-energy live sets made them a popular attraction on the Greenwich Village club scene. Once they began making records, they quickly emerged as one of one of the earliest and most inventive exponents of the psychedelic sound. The band's 1966 debut album Psychedelic Lollipop and its 1967 followup Electric Comic Book, are two of that period's most beloved and enduring albums. |
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Sundazed Music 2011 | CD | 20.00 € |
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| Blues Magoos - Psychedelic Lollipop The Blues Magoos launched their recording career with a major smash, hitting the Top Five with the brash garage-punk anthem "(We Ain't Got) Nothin' Yet." That tune is just one of the multiple pleasures of Psychedelic Lollipop, notable as one of the first albums (along with the 13th Floor Elevators' debut) to use the word "psychedelic" in its title. The band balances swaggering proto-punk attitude, a Beatlesque pop sensibility and adventurous acid-pop experimentalism on such tunes as "Gotta Get Away," "One by One" and "Love Seems Doomed." And the Magoos' high-energy workouts on James Brown's "I'll Go Crazy" and John Loudermilk's "Tobacco Road" rank with the greatest versions of those much-covered garage-band standards. This ’60s garage-psych nugget is now available from Sundazed on High Definition Vinyl, sourced from the original Mercury-label stereo masters, with the colorful original cover art meticulously reproduced. In their '60s heyday, the Blues Magoos were one of the first garage-punk bands to achieve mainstream success, and one of the first to embrace psychedelia. Early in their existence, the Bronx-bred quintet's high-energy live sets made them a popular attraction on the Greenwich Village club scene. Once they began making records, they quickly emerged as one of one of the earliest and most inventive exponents of the psychedelic sound. The band's 1966 debut album Psychedelic Lollipop and its 1967 followup Electric Comic Book, are two of that period's most beloved and enduring albums. |
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Sundazed Music 2011 | LP | 20.00 € |
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| Bo Diddley - Bo Diddley |
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Rumble Records 2012 | LP | 17.00 € |
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| Bo Diddley - Go Bo Diddley |
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Rumble Records 2012 | LP | 17.00 € |
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| Bo Diddley - Go Bo Diddley |
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Waxtime Records 2012 | LP | 18.00 € |
