| Alligators - Ca Decoiffe ! |
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Big Beat Records 2011 | CD | 18.00 € |
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| Anneli Saaristo - Elän Hetkessä / Näin Jäätiin Henkiin 2 albumia vuosilta 1984 ja 1985 yhdellä CD:llä |
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Warner Music 2011 | CD | 8.00 € |
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| Asleep At The Wheel - 10 & Western Standard Time two albums (originally released 1987 + 1988) on one CD |
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SPV Country 2012 | CD | 17.00 € |
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| Barrence Whitfield And The Savages - Plus 10 More For The Pot n the spring of 1985, my old friend Dave Woodhead, who had turned me on to many musical treasures, including Jim Ford’s “Harlan County”, lent to me an album he’d picked up on a trip to the States. When Dave recommended something I took notice. The LP was the debut release of an R&B band then unknown outside of the Boston area. It was one of those moments in which I had to disagree with Bo Diddley: more often than not you can judge a book by the cover. Likewise an album. This one displayed an amateurish illustration of a cauldron in a jungle which itself carried with it a no-nonsense implication. The name of the band also advertised a record that was going to be uncompromising. Barrence Whitfield and the Savages sounds, on its own, like a declaration of rock’n’roll authenticity. Uncompromising would have been a description of Barrence and the Savages that the Del Fuegos would rather not have had confirmed only a few days after Dave had lent me the LP. I was standing next to them, on the side of the stage in a huge quayside club in Boston. The Del Fuegos were the headliners that night. And the man opening for them was, at that moment, being borne around the room on the hands of a frenzied crowd, a little black ball of energy in a turban and dark glasses – honking, wailing, testifying and twisting – as his band, the Savages, some distance away on stage, ripped through the swagger of ‘Walking With Barrence’. The Del Fuegos looked like they wanted to go home. What positioned Barrence and the band way beyond any other rock’n’roll of the era was a unique marriage of Barrence’s personality and R&B shouter elan to the bounce and insolence of Peter Greenberg’s essentially rockabilly guitar style. With the addition of much ill-mannered saxophone, we have here a band which embodied the heart and soul of rock’n’roll. I hadn’t got to the end of Side 1 of Dave’s loaned copy before I called the number in the States on the back. It was that of Barrence’s manager, Andy Doherty. “They’re playing this Friday and Saturday,” he said. That did it. I just hopped on a plane and went to Boston for the weekend. Andy, a nice man and professional fan, put me up. Barrence and I became instant pals and soul brothers. The source of his R&B credentials was clear on a walk with him around Boston. Barrence could not pass a collectors’ record shop and actually worked part-time in one. He knew his stuff and, unusually for a young black guy at the time, he was a real enthusiast for old R&B, soul, blues and country. Around the city, Barrence’s popularity was astonishing. Everyone seemed to recognise and adore the little bugger. If he’d run for mayor, I’m convinced he’d have walked it. I came home to evangelise on Radio 1 about the live experience of the band whose debut LP tracks on my programme were already sending listeners daft. And I did what I could to help set up the first British dates for Barrence and the band. Now, at last released on CD, is that astonishing album. If you were with us in 1985, you’ll welcome a replacement for your elderly Savages vinyl. If you are about to meet Barrence for the first time, be prepared to be shaken to your soul by the LP which made me hop immediately on a plane to the States and compelled one listener, another R&B screamer called Robert Plant, to track me down and phone me at home to reserve his ticket for Barrence’s first British gig. Be prepared, in fact, to be Savaged. By Andy Kershaw (ACE RECORDS) |
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Ace Records 2010 | CD | 17.00 € |
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| Blasters - American Music / Trouble Bound 2CD A 2 cd set released at MID PRICE from the catalogue of HIGHTONE RECORDS,one of the great American roots labels THE BLASTERS are the ultimate all American Roots band fronted by the brothers Dave and Phil Alvin AMERICAN MUSIC was the debut studio album featureing the future classic MARIE MARIE TROUBLE BOUND 13 years later the original line up reformed and this storming set was recorded live at Hollywoods House Of Blues |
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Floating World Records 2012 | CD | 13.00 € |
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| Blue Cats - The Tunnel G-Men Maxi-EP tracks as bonus tracks |
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Bluelight Records 2012 | CD | 13.00 € |
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| Bo Diddley & Ron Wood - LIve At The Ritz recorded live at the Ritz, November 1987, New York City running time approx 59 min |
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IMC Music 2013 | DVD | 15.00 € |
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| Bopcats - Original Live Tämä "Original Live" on jatkumoa vuonna 2007 ilmestyneelle "Original"-paketille, joka oli kooste kissojen ennenjulkaisemattomia studio- ja treenikämppänauhoituksia vuosilta 1980-1991. Tällä kädessäsi olevalla "Original Live"-paketilla (LP+CD) kuullaan ennenjulkaisemattomia keikka-äänityksiä samoilta vuosilta höystettynä parilla bonus-raidalla treenikämpiltä, sekä LP:llä muutamat julkaisemattomat studioäänitykset vuodelta 1982. Aikaisemman Original-julkaisun tapaan formaateilla on osittain eri biisit. The BopCats on vuodesta 1979 soitellut yhtye, joka pysyy elävänä ja kuosissa, sekä pöyhii tuuheaa turkkiaan alinomaa, eikä vähiten erityisesti Suomessa elinvoimaisesti toimivan Rockabilly-kulttuurin ansiosta. Alkuperäisestä kokoonpanosta, Make Lemola, Hara Pöyhiä, Taape Pöntinen, Utsi Uusitalo ja Mico Jansson, on miehistöt jonkun verran matkan varrella muuttuneet ja vaihdoksia on ollut eniten basisti-osastolla. Tämän päivän kokoonpanossa on alkuperäisistä mukana enää Utsi, mutta Mico häärii edelleen taustalla lähinnä taiteellista silmää vaativissa projekteissa, kuten esimerkiksi tämän levyn kansitaiteilijana. Rumpali Ari Eerola aloitti yhtyeessä vuonna 1982, ja soittaa edelleen tänäpäivänäkin bändissä, joten voidaan puhua jo (lähes) alkuperäisjäsenestä. Basistina Haran jälkeen oli jonkin aikaa Timo Pohjalainen ja vuodet 2001-2010 läskibassoa kuritti Don Carlos. Syyskuussa 2010 liittyi bändiin bassonsa kanssa monissa liemissä lillunut Aki Savolainen. Ja, matka jatkuu |
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Jungle Records 2011 | LP | 15.00 € |
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| Bopcats - Original Live Tämä "Original Live" on jatkumoa vuonna 2007 ilmestyneelle "Original"-paketille, joka oli kooste kissojen ennenjulkaisemattomia studio- ja treenikämppänauhoituksia vuosilta 1980-1991. Tällä kädessäsi olevalla "Original Live"-paketilla (LP+CD) kuullaan ennenjulkaisemattomia keikka-äänityksiä samoilta vuosilta höystettynä parilla bonus-raidalla treenikämpiltä, sekä LP:llä muutamat julkaisemattomat studioäänitykset vuodelta 1982. Aikaisemman Original-julkaisun tapaan formaateilla on osittain eri biisit. The BopCats on vuodesta 1979 soitellut yhtye, joka pysyy elävänä ja kuosissa, sekä pöyhii tuuheaa turkkiaan alinomaa, eikä vähiten erityisesti Suomessa elinvoimaisesti toimivan Rockabilly-kulttuurin ansiosta. Alkuperäisestä kokoonpanosta, Make Lemola, Hara Pöyhiä, Taape Pöntinen, Utsi Uusitalo ja Mico Jansson, on miehistöt jonkun verran matkan varrella muuttuneet ja vaihdoksia on ollut eniten basisti-osastolla. Tämän päivän kokoonpanossa on alkuperäisistä mukana enää Utsi, mutta Mico häärii edelleen taustalla lähinnä taiteellista silmää vaativissa projekteissa, kuten esimerkiksi tämän levyn kansitaiteilijana. Rumpali Ari Eerola aloitti yhtyeessä vuonna 1982, ja soittaa edelleen tänäpäivänäkin bändissä, joten voidaan puhua jo (lähes) alkuperäisjäsenestä. Basistina Haran jälkeen oli jonkin aikaa Timo Pohjalainen ja vuodet 2001-2010 läskibassoa kuritti Don Carlos. Syyskuussa 2010 liittyi bändiin bassonsa kanssa monissa liemissä lillunut Aki Savolainen. Ja, matka jatkuu |
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Jungle Records 2011 | CD | 15.00 € |
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| Cramps - File Under Sacred Music: Early Singles 1978-1981 10 x 7" Vinyl Singles + a stamped envelope with memorabilia. Very well done compilations of The Cramps early singles. Plus some tracks from the same period that were never issued on the single format. The vinyl box-set contains six repro sleeves and four new sleeves designed for this box-set. The Cramps were record collectors before they were a band. When Erick Purkhiser and Kristy Wallace met in 1972, they discovered they were both into the same kind of thing: the music of 15 years or so earlier that had been all about kitsch and shock and sleaze, with shitty sonics and snarling, hiccuping singers, and hilarious over-the-top bravado. In the early 1970s, being into "50s rock'n'roll" meant American Graffiti and Sha Na Na and "Happy Days". Wallace and Purkhiser preferred the nasty also-rans-- the records that actually tried to be the threat to society that people sometimes pretended pop music could be. It wasn't much of a leap to starting their own band in the same mode. Purkhiser reinvented himself as Lux Interior, the slavering, writhing, nearly naked, ectomorphic frontman of the Cramps, and Wallace was Poison Ivy Rorschach, a "bad girl" in leather and wigs and velvet who tore off one ichor-dripping 12-bar guitar riff after another. They didn't have a whole lot in common with their early punk scenemates other than big guitar noise, but punk rock gave them license to do sleazy, shocking, sopping wet rock'n'roll without having to bother with the usual thin veneer of respectability. The Cramps were an institution for over 30 years, until Lux's death in 2009. They were one of the few punk-era bands who were well served by aging, since they were trying to come off like creepy, depraved old people in the first place. But they were always a better singles band than an album band, and a way better live act than a singles band. Most of the songs that made their reputation are collected on this suitably trashy set. The vinyl version of File Under Sacred Music is, appropriately, a "collectible" box of the band's first 10 singles in replica sleeves--or rather, it would be except that four of them were never actually issued as singles at the time. (The Cramps always did snicker at anything that claimed to be authentic.) That's probably the ideal way to hear this material: Lux, Ivy, and their ever-rotating associates made the kind of strong, silly records that are best in hot-sauce doses of between three and six minutes. They occasionally came up with fabulously personal-space-invading originals like "Human Fly" and "New Kind of Kick", the latter of which features two lines that explain their raison d'être: "Life is short/ Filled with stuff" and "I learned all I know by the age of nine." The better part of File Under Sacred Music, though, is the crate-digging covers that were their calling card. Their first single (produced, like a lot of their early material, by Alex Chilton) was a cover of one of the most familiar trash-rock staples, "Surfin' Bird", extended to five minutes with a sloppy gnarl of guitar and drum noise. They subsequently shied away from anything that familiar. Instead, they turned their attention to obscurities whose quirks they exaggerated to the point of perversion. Jack Scott's "The Way I Walk" was slowed down to a psychotic limp, with Lux hyperventilating every line and Ivy screaming bloody murder in the background; Ronnie Cook & the Gaylads' nutty novelty "Goo Goo Muck" turned into a hilariously lascivious threat on which Lux shrieked, trilled, gurgled, and enunciated the title like it referred to whatever bodily fluids your parents feared most. The title of File Under Sacred Music is a joke about the dusty record stores the Cramps loved, as well as about their own discography: Songs the Lord Taught Us was the title of their first album, Songs the Cramps Taught Us the name of one of the many series of bootlegs of the original songs they covered. But the amazing, out-of-control music they saved from oblivion could show them up, at least on record. To hear the Novas' feral pro-wrestling novelty "The Crusher" ("Do the hammerlock, ya turkeynecks!") next to the Cramps' cover is to understand the difference between lunatics who've somehow ended up with a mic in front of them and record collectors doing a solid, deliberate impression of lunatics. |
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Munster Records 2012 | Single/EP | 75.00 € |
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| Cramps - Psychedelic Jungle 180 gram re-pressing. originally released 1981. |
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vinilisssimo 2011 | LP | 22.00 € |
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| Del Shannon - The Essential Collection 1961-1991 2CD includes all his hits alongside hard-to-find rarities, album tracks and b-sides that chronologically span his thirty year recording legacy. |
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Demon Music Group 2012 | CD | 10.00 € |
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| Dion - Yo Frankie If ever there was a couplet to re-establish the early stance of Dion records, it can be found in ‘King Of The New York Streets’: “I didn’t need no bodyguard. I just ruled from my backyard”. This opening track on “Yo Frankie”, Dion’s 1989 album that has long been on Ace’s re-release wish list, sets the scene firmly amid the pavements and haunts of the Big Apple, recapturing in one song all the imagery and associations we have from the man’s classic 50s and early 60s hits. “Yo Frankie” came about after Clive Davis and Roy Lott, the president and vice-president of Arista Records, had watched Dion perform at Radio City in 1987 and immediately offered him the chance to cut an album for them. Dave Edmunds, whose work Dion admired, was chosen to produce the record. Edmunds enlisted key players – including bassist Phil Chen, drummer Terry Williams and keyboard player Chuck Leavell – to form a tight rocking unit to drive the album. Dion prepared a wonderful set of songs, many written with his good friend Bill Tuohy, with others by Diane Warren, Bryan Adams and Tom Waits. Alongside the quality of the material and Dion’s vocal performance, one of the most successful elements of the album is the cohesiveness of the production. Edmunds achieves a strong contemporary rock feel strongly rooted in his Rockpile work that effortlessly offers a bridge back to the feel of Dion’s earlier recordings. There are just enough echoes of the past to make everything seem familiar while still feeling fresh and new. Dion’s vocal inflections extract the maximum from the lyrical imagery, notably on the castanet-filled ‘Always In The Rain’, his favourite track on the album. The sessions for the album attracted many big names to the studio, including Bryan Adams, who wrote, produced and played on ‘Drive All Night’. Paul Simon takes the lead and layered harmonies on the affectionately inserted ‘Little Star’ section of ‘Written On The Subway Wall’. As Lou Reed, another guest background vocalist, said in Dion’s Rock And Roll Hall Of Fame induction speech (reproduced in full in the booklet), “Dion could do all the turns. He had the chops and practically invented the attitude. After all, who could be hipper than Dion.” The “Yo Frankie” album stands as one of the real high points in Dion’s canon. We at Ace are totally delighted to add it to our extensive catalogue of his work. By Kingsley Abbott (Ace Records) |
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Ace Records 2012 | CD | 13.00 € |
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| Dr. Feelgood - Live In London recorded on the 21st June 1989. Originally released 1990. |
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Grand Records 2013 | CD | 17.00 € |
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| Duane Eddy - Duane Eddy originally releaed 1987 |
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BGO Records 2012 | CD | 15.00 € |
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| Esa Pakarinen - Meiltähän Tämä Käy! - 48 Ikimuistoista Kappaletta 2CD ESA PAKARINEN (9.2.1911 - 28. 4.1989) oli suomalaisen viihteen historian merkittävimpiä ja monipuolisimpia tekijöitä. Suuri yleisö oppi tuntemaan hänet mm. näyttelijänä, laulajana, muusikkona sekä esiintymislavojen koomisena ja tunteisiin vetoavana viihdyttäjänä. Esa Pakarinen kuului sotien jälkeisen rillumarei-viihteen keulakuviin, ja esiintyi yli 20 elokuvassa. Pakarisen monipuolinen musiikillinen tuotanto sisältää yli 200 levytettyä kappaletta, joista suuri osa hänen omia sävellyksiä ja sanoituksiaan. julkaisu on Esan syntymäpäivänä 9.2.2011. |
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Hytinä 2011 | CD | 25.00 € |
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| Harri Marstio - Marstio / A Date With Mr. Marstio 2 vanhaa LP:tä vuosilta 1982 ja 1984 yhdellä CD:llä. |
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Warner Music 2011 | CD | 7.00 € |
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| Hurriganes - 10/80 vinyyli uusintapainos vanhasta ganes-klassikosta |
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Warner Music Finland 2011 | LP | 22.00 € |
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| Johnny Cash - Live From Austin, Tx 14 biisin live Texasista 1987. 180 gram vinyyli |
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New West Records 2012 | LP | 25.00 € |
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| Johnny Cash - The Complete Columbia Album Collection 63CD Box JOHNNY CASH: THE COMPLETE COLUMBIA ALBUM COLLECTION. 63 CD:tä + kirja. Sisältää Cashin koko Columbia tuotannon vuodesta 1958 vuoteen 1990. Mukana Rich Kienzlen tekemä kirjanen. Johnny Cash: The Complete Columbia Album Collection is a 63-CD treasure trove that will appeal equally to longtime Cash followers, as well as newcomers to his timeless body of work. Featuring 59 original album titles Cash recorded for Columbia, from 1958's "The Fabulous Johnny Cash" through the tow Highwayman albums of 1984 and 1990 (with Waylon Jennings, Willie Nelson and Kris Kristofferson). In addition to the seminal 59 albums are two new compilations: singles plus - a 2CD collection of single sides that did not originally appear on albums, plus guest performances on other artists' albums among them Bob Dylan, The Carter Family, Mother Maybelle Carter, June Carter Cash, The Earl Scruggs Revue, Marty Robbins, Willie Nelson and Shel Silverstein (spanning 1958-1985). Johnny Cash With His Hot And Blue Guitar is a 28-song collection of single and non-single classics during his Sun Records years, 1958-48. “When one thinks of Johnny Cash’s recordings, one thing is certain. The Columbia years loom larger than any other phase. A star when he arrived in 1958, when he departed, he was an American icon.” (from the liner notes written by Rich Kienzle) Representing the entirety of the musical performances released by the Man in Black on Columbia Records during his lifetime, JOHNNY CASH: THE COMPLETE COLUMBIA ALBUM COLLECTION is a 63-CD treasure trove that will appeal equally to longtime Cash followers, as well as new¬comers to his timeless body of music. • 59 Columbia albums plus two new supplemental compilations make this the all-time, hands-down granddaddy of all Johnny Cash collections, period. • 35 titles released for the first time on CD by Columbia/Legacy in the U.S.; • The first 19 chronological titles released in monaural (mono) sound for the first time on CD by Columbia/Legacy in the U.S. JOHNNY CASH: THE COMPLETE COLUMBIA ALBUM COLLECTION contains album rarities galore: • The Gospel Road (double-album New Testament chronicle in song and story, 1972) • Koncert V Praze – In Prague Live (1978 Czech recording, licensed to Supraphon, 1983) • I Walk The Line and Little Fauss and Big Halsey original 1970 movie soundtracks • The Christmas Spirit (1963) and Christmas – The Johnny Cash Family (1972) holiday celebrations • and many more! Checking in with his 59 original album titles for Columbia, from 1958’s The Fabulous Johnny Cash through the two Highwayman albums of 1985 and 1990 (with Waylon Jennings, Willie Nelson and Kris Kristofferson), this impressive box set is living history. It shows Cash in command of his country & western and gospel roots, blues, straight-ahead rock and roll, the traditional balladry and folk music he loved so dearly, and much more. Adding to those seminal 59 albums are two new compilations: • The Singles, Plus – a 2-CD, 55-song collection of single sides that did not originally appear on albums, plus guest performances on other artists’ albums, among them Bob Dylan, the Carter Family, mother Maybelle Carter, June Carter Cash, the Earl Scruggs Revue, Marty Robbins, Willie Nelson, and Shel Silverstein (spanning 1958-85). • Johnny Cash With His Hot & Blue Guitar – a 28-song collection of single and non-single tracks released during his Sun Records years, 1954-58, including “Hey Porter,” “Folsom Prison Blues,” “I Walk The Line,” “Cry! Cry! Cry!,” “Ballad Of A Teenage Queen,” “Big River,” and more. This massive work was painstakingly compiled by award-winning producers Gregg Geller and Steve Berkowitz, who have supervised Legacy’s historic Johnny Cash reissue program for over a decade. The prestigious box set takes its place alongside similar attention-getting Columbia career retrospectives by Miles Davis, Tony Bennett, Dave Brubeck, and Billie Holiday. • The physical box resembles the lift-off-lid design of The Complete Miles Davis Columbia Album Collection 70-CD box set issued in 2009. • Each title is packaged as a mini-LP CD with its original artwork, including the five original gatefold albums in Cash’s Columbia discography. • The accompanying will include a definitive 5,000-word liner notes essay by veteran annotator Rich Kienzle. • Also included in the booklet is complete discographic information (songwriters, recording dates and cities, musicians, guest performers, producers, release dates, original catalog numbers and Billboard chart numbers for albums and single tracks, and more). “Cash staked his claim and established himself at Sun; at Columbia, he defined himself for all time.” (Rich Kienzle) JOHNNY CASH: THE COMPLETE COLUMBIA ALBUM COLLECTION # Title Rec. Rel. Catalog 1. The Fabulous Johnny Cash 1958 1958 CL 1253 2. Hymns By Johnny Cash 1958-59 1959 CL 1284 3. Songs Of Our Soil 1958-59 1959 CL 1339 4. Now There Was A Song 1960 1960 CL 1463 5. Ride This Train 1959-60 1960 CL 1464 6. Hymns From The Heart 1961 1961 CL 1722 7. The Sound Of Johnny Cash 1961-62 1962 CL 1802 8. Blood, Sweat And Tears 1962 1962 CL 1930 9. Ring Of Fire: The Best Of Johnny Cash 1958-63 1963 CL 2053 10. The Christmas Spirit 1959-63 1963 CL 2117 11. Keep On The Sunny Side by the Carter Family 1963 1963 CL 2152 with special guest Johnny Cash 12. I Walk The Line 1963-64 1964 CL 2190 13. Bitter Tears: Johnny Cash Sings Ballads Of 1964 1964 CL 2248 The American Indian 14. * Orange Blossom Special 1964 1965 CL 2309 15. *# Johnny Cash Sings The Ballads Of The True West 1959-65 1965 C2L 38 16. * Everybody Loves A Nut 1965-66 1966 CL 2492 17. * Happiness Is You 1962-65 1966 CL 2537 18. * Carryin’ On With Johnny Cash and June Carter 1964-67 1967 CL 2728 19. * From Sea To Shining Sea 1967 1967 CL 2647 20. Johnny Cash At Folsom Prison (live) 1968 1968 CS 9639 21. The Holy Land 1968 1968 KCS 9726 22. Johnny Cash At San Quentin (live) 1969 1969 CS 9827 23. # Hello, I’m Johnny Cash 1969 1970 KCS 9943 24. The Johnny Cash Show 1970 1970 KC 30100 25. I Walk The Line original soundtrack 1970 1970 S 30397 26. Little Fauss and Big Halsey original soundtrack 1970 1970 S 30385 27. Man In Black 1971 1971 C 30550 28. A Thing Called Love 1971-72 1972 KC 31332 29. # America – A 200-Year Salute In Story and Song 1970-72 1972 KC 31645 30. # Christmas – The Johnny Cash Family 1972 1972 KC 31754 31. Any Old Wind That Blows 1972 1972 C 32091 32. # The Gospel Road [2-CD] 1971-72 1973 KG 32253 33. Johnny Cash and His Woman 1973 1973 C 32443 34. Johnny Cash pa Osteraker 1972 1973 CBS 65308 35. Ragged Old Flag 1974 1974 KC 32917 36. The Junkie And The Juicehead Minus Me 1973-74 1974 KC 33086 37. The Johnny Cash Children’s Album 1971-73 1975 C 32898 38. Johnny Cash Sings Precious Memories 1974 1975 C 33087 39. John R. Cash 1974 1975 KC 33370 40. Look At Them Beans 1975 1975 KC 33814 41. Strawberry Cake (live) 1975 1976 KC 34088 42. One Piece At A Time 1975-76 1976 KC 34193 43. The Last Gunfighter Ballad 1975-76 1977 KC 34314 44. The Rambler 1977 1977 KC 34833 45. I Would Like To See You Again 1976-77 1978 KC 35313 46. Gone Girl 1977-78 1978 KC 35646 47. Silver 1979 1979 JC 36086 48. Rockabilly Blues 1979-80 1980 JC 36779 49. Classic Christmas 1980 1980 JC 36886 50. The Baron 1980-81 1981 FC 37179 51. The Survivors Johnny Cash + Jerry Lee Lewis + 1981 1982 FC 37961 Carl Perkins (live) 52. The Adventures Of Johnny Cash 1981-82 1982 FC 38094 53. Johnny 99 1983 1983 FC 38696 54. Koncert V Praze – In Prague Live 1978 1983 Supraphon 1113-3278 55. Rainbow 1984-85 1985 FC 39951 56. Highwayman - Waylon Jennings + Willie Nelson + 1984-85 1985 FC 40056 Johnny Cash + Kris Kristofferson 57. Heroes with Waylon Jennings 1984-85 1986 FC 40347 58. Highwayman 2 - Waylon Jennings + Willie Nelson + 1989 1990 C 45240 Kris Kristofferson + Johnny Cash 59. At Madison Square Garden (live) 1969 2002 CK 86808 Bonus Discs: 60. Johnny Cash With His Hot & Blue Guitar 1955-58 (2012) - 61. # The Singles, Plus (2-CD) 1958-85 (2012) - * indicates original monaural (mono) recording # indicates gatefold cover package # # # |
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Sony Music 2012 | CD-Box | 225.00 € |
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| Jon And The Nightriders - Stampede ! legendaarinen surf albumi jälleen saatavana |
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Crossfire Publications | CD | 20.00 € |
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| Jorma Kääriäinen - Kajaanista Memphisiin - Sooloura 1978 - 2010 2CD Koko kansan suursuosikin mittavan soolouran kattava tupla-CD "Kajaanista Memphisiin - sooloura 1978 - 2010" julkaistaan 3. marraskuuta. Mukana on uusi versio kappaleesta "Mä elän vieläkin", -sekä ennenjulkaisematonta materiaalia. Ammatikseen yli 30 vuotta laulaneen megatähden Jorma Kääriäinen mittava sooloura niputetaan juhlavasti yhteen marraskuun 3. päivä julkaistavalla kokoelmalevyllä "Memphisistä Kajaaniin - Sooloura 1978 - 2010". Jorma Kääriäinen esiintyy syksyn mittaan lukuisissa konserteissa Riku Niemi Orchestran kanssa. Hedelmällisen yhteistyön antia nähtiin äskettäin myös Ylen TV2:lla televisioidussa Valkea ruusu -konsertissa. Kokoelmalevyn ensimmäinen single on uusi versio Jimmy Webbin säveltämästä ja aikaisemmin Pate Mustajärven, Topi Sorsakosken, Harri Marstion ja Jorman esittämästä kappaleesta "Mä elän vieläkin". Kappaleen englanninkielisen "The Highwayman" -version esitti Johnny Cashin, Waylon Jenningsin, Willie Nelsonin ja Kris Kristoffersonin muodostama superkokoonpano The Highwaymen. Uusi versio on taltioitu Jorman ja RNO:n yllämainitusta konsertista. Jorma Kääriäinen on laulanut jo yli 40 vuotta ja siitä ammatikseen yli 30 vuotta. Pitkän ja hienon uran salaisuudet ovat olleet aito innostus, vahva tahto ja jäljittelemätön tyyli. Jorma Kääriäisestä on pitkän uransa aikana tullut yksi rakastetuimpia ja tunnetuimpia suomalaisen rock-iskelmän tulkitsijoita, jonka valtava suosio on vain jatkanut nousuaan vuodesta toiseen. Tiiviisti keikkaileva ja tuottelias muusikko on hurmannut suomalaisia niin tanssilavoilla kuin Helsingin legendaarisella Tavastia-klubilla |
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Emi Finland 2010 | CD | 10.00 € |
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| Judy Collins - Home Again her last Elektra album (from 1984) |
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Collectors Choice 2010 | CD | 12.00 € |
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| Judy Collins - Running For My Life Judy's selfproduced 1980 album. Remastered. |
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Collectors Choice 2010 | CD | 12.00 € |
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| Jukka Kuoppamäki - Mies Ja Kitara 3CD |
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Emi Finland 2012 | 2-CD | 25.00 € |
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| Kari Tapio - Sinivalkoinen Ääni Vol. 1 Sinivalkoinen Ääni soi vihdoinkin myös vinyylillä, yleisön pyynnöstä. AXR julkaisee samanaikaisesti 2 albumillista kansallisaarteisiin kuuluvia levytyksiä kahdelta viimeiseltä vuosikymmeneltä upeisiin avattaviin Gatefold-kansiin pakattuina. |
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AXR Records 2013 | LP | 22.00 € |
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| Kari Tapio - Sinivalkoinen Ääni Vol. 2 Sinivalkoinen Ääni soi vihdoinkin myös vinyylillä, yleisön pyynnöstä. AXR julkaisee samanaikaisesti 2 albumillista kansallisaarteisiin kuuluvia levytyksiä kahdelta viimeiseltä vuosikymmeneltä upeisiin avattaviin Gatefold-kansiin pakattuina. |
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AXR Records 2013 | LP | 22.00 € |
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| Karvakuonot - Karvakuonot Joulutuulella Pikku Kakkosen joululauluja |
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Rocket Records 2012 | CD | 10.00 € |
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| Katri Helena - Kauneimmat Rakkauslaulut 20 biisiä |
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Warner Music Finland 2011 | CD | 10.00 € |
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| Krewmen - The Adventures Of The Krewmen The first Psychobilly album from the U.K. band, after turning their music from Rockabilly-Blues into this wonderful Psychobilly act! Originally released in 1986, they took the scene in storm! Everybody who saw them on tour with The Pharaohs in 1987 knows how fantastic they were! Take your chance and get your copy of this classic album! Even today the sound of these early recordings is outstanding! |
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Crazy Love Records 2010 | LP | 15.00 € |
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| Lazy Lester - Rides Again - Expanded Edition I have been a huge fan of Lazy Lester’s brand of Louisiana swamp blues ever since that fateful day, many years ago now, when John Broven and Mike Leadbitter, of Blues Unlimited fame, introduced me to the Excello label and the production work of J.D. Miller, the label’s owner. I was hooked on Lester’s loping vocal and harmonica styling; the former owing a certain debt to one of the most influential bluesmen of that time, Jimmy Reed, while his harmonica work often appeared to emulate the phrasing and lilt of the accordion, an instrument much maligned, but which has been an all important part of Louisiana’s Cajun and Zydeco cultures. With the use of a pared-down rhythm section, utilising two guitars and assorted percussion to support his vocal and harmonica work, Lester created a sound that was truly unique – and almost irresistible. It had always been part of the master plan for the burgeoning Blue Horizon label – if indeed there had actually been a master plan – to record Lazy Lester, Lightnin’ Slim and Slim Harpo at some future date. It was not until 1987 that I finally succeeded in getting Lazy Lester into a recording studio. Many years of working in the studio in Crowley alongside J.D. Miller made Lester very singular of mind and perceptive as to what was required to get the best results. Those attributes stood him in good stead during these sessions. Musicians to be involved on the planned four-day sessions would be members of the Junkyard Angels, Blues’n’Trouble and special guests Bob Hall, Dave Bronze and John “Big Figure” Martin. The scene was set. I had requested that we should cut no more than three titles that Lester had recorded previously for Excello – and that’s exactly what we got. The others would be chosen from new song demos that had been especially written for the occasion, although only one of those actually made it to the studio and then was never completed – at least, not at that time. Lester had other material that he was anxious to commit to tape and we made the collective decision to also try and jam a couple of items and see what would happen. Now, you will have to take it from me that some US blues musicians can be tricky to work with. Not so with our man Leslie Johnson. He would prove to be open to almost any suggestion but also full of his own ideas – most of them pretty cool too. In an attempt to be as faithful to my good memories of those days back in May 1987, I got in touch with all the musicians that had participated to see if they might have had a different point of view. Everyone was of the same mind: Tim Elliott stating that his abiding memory was of “just how relaxed the sessions were and how everything just flowed – fabulous times”. On the 13 November 1988 “Rides Again” became the recipient of the W.C. Handy 1987-88 Blues Award For Contemporary Blues Album Of The Year (Foreign) presented by the Blues Foundation of Memphis. You could say, that although we might not have expected nor needed that, it was most welcome. By Mike Vernon (Ace Records) |
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Ace Records 2011 | CD | 17.00 € |
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| M.A. Numminen - Helena Est Libertas M.A. Nummisen albumi Helena est libertas ilmestyi alun perin vuonna 1983. Tämä vinyylinä harvinainen levy julkaistaan nyt cd-muodossa. Levyn musiikki koostuu Nummisen taidemaalari Helena Vapaan näyttelyihin säveltämästä musiikista. Levyllä Numminen käyttää ensimmäistä kertaa toisaalta progressiivista rockia toisaalta latinankielisiä liedejä kontrastoimaan ja täydentämään toisiaan. Levyn muusikkokuntaan kuuluvat muun muassa Pedro Hietanen, Rekku Rechardt ja Juha Tikka. |
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Rocket Records 2011 | CD | 15.00 € |
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| Markus Allan - Rio De La Plata Levytyksiä vuosilta 1974-2012 |
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Artie Music 2012 | CD | 22.00 € |
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| Matchbox - Flying Colours |
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7T's Records 2012 | CD | 15.00 € |
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| Merle Haggard - Kern River / Chill Factor Two of his finest 1980s albums on 1 CD. |
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American Beat Records 2009 | CD | 15.00 € |
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| Merle Haggard - That's The Way Love Goes / It's All In The Game two LPs from 1983 and 1984 on the same CD. 20 tracks |
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T-Bird Americana Records 2011 | CD | 17.00 € |
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| Paula Koivuniemi - The Essential 2CD 40 tracks |
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Sony Music Entertainment 2011 | CD | 10.00 € |
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| Phil Alvin - Unsung Stories originally released 1986 |
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Wounded Bird Records 2012 | CD | 15.00 € |
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| Preacher Jack - Pictures From Life's Other Side 18 tracks, Boogie Woogie and Rock'n'Roll played on the piano without a back-up band, recorded 1982 & 1996! Contains a nice and very informative booklet with photos. One of today's best Boogie Woogie piano players! |
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Cow Island Music 2012 | CD | 17.00 € |
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| Rave-Ups - The Book Of Your Regrets / Chance American Beat imprint has been on a crusade to resurrect under-appreciated American roots-rock and power pop bands from out-of-print limbo, and this time we're bringing you both varieties rolled up into one band, The Rave-Ups! Led by frontman/lyricist Jimmer Podrasky, this Pittsburgh quartet fused the big ringing chords of power pop with the working-class concerns of roots-rock, and put enough classic rock references (Dylan, Hollies, Beatles, Turtles) into their songs to keep college radio record geeks happy. Despite periodic reunions, these 1988 and 1990 albums remain the last we've heard from the Rave-Ups; they ‘re some of the best recordings of their kind and era, timeless, classic rock ‘n' roll. |
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American Beat Records 2010 | CD | 15.00 € |
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| Reijo Taipale - Tähtisarja - 30 Suosikkia 2CD 2CD = 30 biisiä |
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Warner Music 2007 | CD | 13.00 € |
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| Restless - Live At The Klub Foot The Klub Foot was a legendary venue in West London. Many bands were recorded live and until now, only a fraction of this material has been released. But, thanks to Western Star's Alan Wilson, all the unreleased material is now becoming available! - stunning quality! |
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Trophy Records 2011 | CD | 15.00 € |
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| Rick Nelson - Rockin' At The Universal Recorded Aug 22nd, 1985 at the Universal Amphitheater, Los Angeles |
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Fuel Records 2011 | CD | 12.00 € |
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| Rock Ola - Beautiful Rough – Best Of Olan uusi kokoelma CD missä mukana myös muutama julkaisematon biisi. Onnea Rock-Ola 50v !! Suomen rock-kuninkaita on valittu jo 50-luvun lopulta lähtien ja onpa joku saattanut julistaa itsensä kuninkaaksi ilman valintaakin. Rock-Ola ei aatelista titteliä ole tarvinnut, vaikka lukuisten ihailijoittensa mielestä kuuluukin kuninkaiden joukkoon. Rock-Ola on antanut musiikkinsa puhua puolestaan ja jättänyt kilpailut niille jotka eivät omin avuin pärjää. Olli "Ola" Pihlajanmaa sai rokkikeuhkokuumeen monien ikäistensä tavoin 70-luvun lopun teinivuosinaan. Tauti osoittautui vaaralliseksi ja pysyväksi, muttei sentään tappavaksi. Jälkiseurauksena Olalle jäi legendaarisen levyautomaatin mukaan tullut taiteilijanimi Rock-Ola ja mikä parasta, ääni joka nosti hänet rock'n'roll-laulajien maailmanluokkaan. Kuten niin monen muunkin, myös Rock-Olan ensimmäinen idoli oli rock-kuninkaitten kuningas Elvis Presley. Elviksen vaikutusta on hänen laulussaan mahdotonta olla huomaamatta, vaikkakaan mihinkään imitointiin Ola on viisaasti osannut olla sortumatta. Maailmassa on ollut vain yksi Elvis, mutta ei ole toista Rock-Olaakaan. Näin on myös Olan toisen suuren vaikuttajan, jazzlaulajatar Billie Holidayn kohdalla. Holidayn vaikutus tuo Olan tulkintoihin sellaista herkkyyttä, jota harvemmin rock'n'rollin laulajilla kuullaan. Soittajanuransa Ola aloitti rumpalina, mikä kuuluu edelleen hänen laulunsa oivaltavassa rytmityksessä. Maanlaajuiseen maineeseen Ola sai kosketusta suosikkiyhtye Johnny And The New Dodgersissa, mutta kun Suomen suosituimman rockabilly-yhtyeen Teddy And The Tigersin johtaja Teddy Guitar pyysi häntä rumpaliksi uuteen Lonestars-ryhmäänsä, alkoi Ola saada ansaitsemaansa huomiota myös solistina. Tässä rockabillyn superbändiksi ylistetyssä kokoonpanossa olivat tasavertaisina laulajina niin Teddy Guitar, Buck Jones kuin Rock-Olakin. Kuten niin usein all-stars -tyyppiset kokoonpanot, jäi Lonestarskin lyhytikäiseksi. Sama ryhmä jatkoi vielä toisen albumin verran uudella nimellä The Falcons, mutta sen tultua tiensä päähän, Ola oli valmis lähtemään omille teilleen. Rock-Olan sooloura oli saamassa kansainvälistä nostetta. Ruotsissa riitti keikkoja eri säestysryhmien kanssa lähes joka viikonlopuksi, mutta vieläkin parempaa oli luvassa. Vuonna -81 Ola äänitti englantilaisen, vankkaa suosiota rockabillypiireissä nauttineen The Blue Catsin kanssa ensimmäisen oman albuminsa. Lopputulos oli huippuluokkaa, mutta kohtalo painoi peukalonsa alaspäin. Levy-yhtiö Rebel ehti kaatua ennen levyn ilmestymistä ja maailmanvalloitus jäi haaveeksi. Vasta vuonna '96 - viitisentoista vuotta levyn äänitysten jälkeen Jungle Records julkaisi kappaleet CD:llä Slap That Bass. Vaikka Rock-Ola tunnettiin mestarillisena laulajana ja uskolliset ihailijat pysyivät yleisössä, jäi levytysten määrä yllättävän vähäiseksi. Vähäiselle määrälle toi toki positiivista vastapainoa niiden korkea laatu. Seitsemäntuumaisia vinyylilevyjä ilmestyi eri yhtiöiden kautta parin vuoden välein ja Ola jatkoi yhteistyötä mm. Bippin' Pete Trion, Lost Soulsin ja Butterfingersin kanssa. Vuonna -90 Rock-Ola teki uuden aluevaltauksen liittyessään instrumentaaliyhtyeenä tunnetun The Charadesin laulusolistiksi. Perinteisestä rock'n'rollista siirryttiin reippaasti melodisempaan rockiin, mikä jäi pysyvästi kuulumaan Olan tulkinnoissa jatkossakin. Sooloura sai uutta puhtia lopulta vuonna -96, kun Bluelight Records julkaisi albumin Yesterday Is Gone. Se toi esiin Rock-Olan entistäkin monipuolisempana tulkitsijana, mutta valitettavasti levyllä soittanut kokoonpano jäi jälleen lyhytikäiseksi. Kun Ola sai vihdoinkin kasaan uuden yhtyeensä Rock-Ola And The Freewheelers, nousi se oitis suomalaisen rock'n'rollin kärkikaartiin. Bändin nimissä julkaistu Upskirt oli uuden vuosituhannen alussa sekä kaupallinen että arvostelumenestys. Komeasti sujui bänditoiminta jatkossakin, sillä vuonna 2004 julkaistu konserttitaltiointi Live On The Rocks oli vahva näyttö ryhmän keikkakunnosta. Vaikka Rock-Ola ei ole kaupallisessa mielessä saavuttanut ansaitsemaansa menestystä, intohimoiset musiikin ystävät tiedostavat hänen arvonsa. Kun Ola esittää rakastamaansa musiikkia, hän ei pelkästään laula. Hän antaa palan sisintään, osan sielustaan ja sydämestään. Sitä kuulija ei voi olla vaistoamatta ja se nostaa Rock-Olan illasta toiseen tulkitsijoiden kuningasluokkaan. - Honey Aaltonen |
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Bluelight Records 2012 | CD | 18.00 € |
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| Rockpile - Live At Montreux 1980 All tracks previously unreleased on CD. |
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Eagle Rock Entertainment 2011 | CD | 18.00 € |
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| Roky Erickson & The Aliens - Roky Erickson & The Aliens The HORROR-STRUCK ROCK ‘N’ ROLL MADNESS OF ROKY ERICKSON. The 1980 album from former 13th Floor Elevators’ main man hailed in MOJO magazine as a buried treasure kicks of the label’s Buried Treasure series. Featuring the original ten tracks plus two additional Erickson originals from the period. An insight into the ‘scrambled brain’ of this rock genius’ bizarre and often brilliant solo career. Obsessed with sci fi and horror images, this gritty gem covers Satan, Lucifer, Alligators, Vampires, Demons and Zombies along the way. With extensive sleevenotes and an introduction by MOJO editor Phil Alexander. |
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Cherry Red Records 2012 | CD | 17.00 € |
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| Ronnie Hawkins - The Ballads Of Ronnie Hawkins |
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Bear Family 2011 | CD | 19.00 € |
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| Shakin' Stevens - Country Blues |
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Sony Music 2011 | CD | 10.00 € |
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| Shakin' Stevens - Rocking Rhythm 15 tracks |
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Sony Music 2011 | CD | 10.00 € |
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| Sir Douglas Quintet - Live From Austin Tx 17 tracks, 59 min. Recorded live in Texas 1981 |
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New West Records 2006 | DVD | 18.00 € |
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