Uusimmat julkaisut - 1960-luku
Result of your query: 666 products
| Arthur Big Boy Crudup - Sunny Road recorded 1969 |
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Delmark Records 2013 | CD | 18.00 € |
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| Arto Vilkko: Emmaa Etsimässä - Suomalaisen Rautalangan Lyhyt Historia Rautalanka – suomirockin alkusoitto Emmaa etsimässä -kirja on elävä kuvaus 1960-luvun alun Suomesta ja siitä, miten rautalankamusiikki syntyi. Teinipoikaporukat kipuavat kellareista lavoille. Nuoriso twistaa uuden ajan merkiksi. Tangokansa paheksuu. Emma nousee listaykköseksi. Suomirockin alkusoitto on totta. Kirja kertoo perusteellisesti ja inhimillisesti suomalaisen rautalangan historiasta ja sen pääosassa ovat ensimmäisissä sähkökitarakokoonpanoissa soittaneiden muusikoiden haastattelut. Sujuvasti kirjoitettu tarina on värikäs aikamatka 60-luvulle. Emmaa etsimässä on jokaisen rautalankafanin käsikirja. Mutta se sopii myös sinulle, joka haluat ymmärtää, kuinka suomalainen nuorisomusiikki oikeasti syntyi. |
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Back To The Sixties Ry 2013 | Kirjat | 25.00 € |
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| Beach Boys - Surfin' Safari |
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Rumble Records 2013 | LP | 18.00 € |
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| Beach Boys - Surfin' Safari LP + CD |
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Doxy Music 2013 | LP | 22.00 € |
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| Big Mama Thornton - The Complete 1950-1961 2CD |
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Le Chant Du Monde 2013 | CD | 18.00 € |
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| Bob Dylan - Folk Singer-Humdinger - Just About As Good As It Gets 2CD |
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Smith & Co 2013 | CD | 15.00 € |
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| Bobby Darin - Sings Ray Charles |
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Hallmark Music 2013 | CD | 5.90 € |
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| Bobby Vinton - Roses Are Red |
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Hallmark Music 2013 | CD | 6.00 € |
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| Booker T. & The MG's - The Memphis Soul Sound Of |
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Vinyl Passion 2013 | LP | 13.00 € |
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| Brian Hyland - Sealed With A Kiss |
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Hallmark Music 2013 | CD | 6.00 € |
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| Brothers Four - Greenfields 2CD Greenfields and Other Folk Greats - First Five Albums Featured here, as the title suggests, are a plethora of Folk greats including the groups hit singles 'Greenfields' and 'The Green Leaves of Summer' and many standards and popular songs all given The Brothers Four's stylish touch. In fact across this 2CD set we have crammed no less than five complete albums! Original founding member, Bob Flick still leads a Brothers Four group today and this is your chance to grab yourself the best overview you could find of their first couple of years at the top. |
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Jasmine Records 2013 | CD | 15.00 € |
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| Champs - Tequila 2CD The Champs were propelled to stardom when they topped the US Pop, R&B and UK charts in the summer of 1958 with their debut single, the Latin-flavoured instrumental 'Tequila'. Spawning a plethora of covers, the song earned a Grammy Award in 1959 while the band - whose varying line-up reads like a who's who of early Californian rock music - went on to enjoy further hits into the early 1960s. This 2CD set comprises their first studio albums along with hard-to-find 45rpm A and B-sides including 'Everybody's Rockin'' which is presented in a rare stereo format. Hot 100 hits of course include the title track, 'Tequila' plus 'El Rancho Rock', 'Chariot Rock' and the perennially popular 'Midnighter'. Disc 2 includes all the US singles up to 1961 including the hits 'Too Much Tequila' and dance craze fave 'Limbo Rock' plus 'Tequila Twist'. |
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Jasmine Records 2013 | CD | 15.00 € |
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| Cliff Richard - 32 Minutes And 17 Seconds |
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Hallmark Music 2013 | CD | 6.00 € |
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| Coleman Hawkins - Desafinado Coleman plays Bossa Nova & Jazz Samba |
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Waxtime Records 2013 | LP | 18.00 € |
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| Del Shannon - The Complete UK Singles (and more) 1961-1966 2CD Del Shannon’s formidable hit list qualifies him as one of the truly great artists of the 1960s. Del made #1 on both sides of the Atlantic with his first 45, ‘Runaway’, and for the next few years he delivered the chart goods again and again with some of the best singles ever made – most of which he wrote or co-wrote. This new Ace set is, we believe, the first to present Del’s UK 45s, as released between 1960 and 1966, in the order they appeared here and in the same couplings used on the original London and Stateside pressings (which often differed from their US counterparts). Listening to them in sequence, it’s easy to build a mental picture of an artist who was always looking to stretch his creativity and to find new sounds to keep him in the charts long after many of his peers had waved goodbye to the Hot 100. It would be easy to say that Del never released a better record than ‘Runaway’, but that’s not to disparage other early classics such as ‘Hats Off To Larry’ and ‘So Long Baby’, which would be high-water marks of any discography, or later gems such as ‘Keep Searchin’ (We’ll Follow The Sun)’ and the ferocious ‘Move It On Over’, as good a record as anything to come out of Detroit’s garage scene at the time. Whether these are your favourites or you prefer the more soulful slant of ‘Little Town Flirt’ and ‘Two Kinds Of Teardrops’ or well-remembered flipsides such as ‘Kelly’ and ‘Don’t Gild The Lily, Lily’, there were no bad Del Shannon singles; having them all in one collection merely reinforces that statement. As well as the UK singles we’ve included Del’s original version of ‘His Latest Flame’ and his cover of ‘From Me To You’, recorded while the Beatles where still in the UK Top 40 with it – both of which came out on UK EPs. To make sure that every UK single is represented accurately, we’ve also added Del’s pal Max Crook’s ‘The Snake’, which was mispressed as ‘Jody’ on the flip of early copies of ‘Runaway’. The EP covers and the labels of each and every A and B-side are featured in the booklet, along with songsheets, period ads and photos taken during Del’s many UK tours. By Tony Rounce (Ace Records) |
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Ace Records 2013 | CD | 29.00 € |
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| Dick Dale - King Of The Surf Guitar |
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Rock Beat Records 2013 | LP | 20.00 € |
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| Dick Dale - Surf Beat 2CD |
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Not Now Music 2013 | CD | 6.00 € |
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| Duane Eddy - Shazam! The Essential Collection 2CD The undisputed king of twang, Duane Eddy was a huge star on the early rock’n’rollscene with a string of raunchy instrumental hits. His echo-drenched guitar reverberations were a key influence on the likes of the Ventures, the Shadows, and a whole generation of budding rock guitarists. In later years he worked with celebrity fans Paul McCartney, George Harrison, and John Fogerty, and has recently been back in the limelight with a Richard Hawley produced comeback album. This comprehensive sixty track collection includes all his single A and B sides from 1957 –1962 presented chronologically, alongside some rare early sessions backing up vocal artists. |
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Demon Music 2013 | CD | 10.00 € |
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| Eino Grön - Samettisilmäinen Tyttöni - levytyksiä 1958-1961 Porin Reposaaressa vuonna 1939 syntynyt EINO GRÖN voitti alkuvuodesta 1958 Turussa järjestetyn iskelmälaulun kykyjenetsintäkilpailun. Voitto toi tullessaan hänen ensimmäisen levytyksensä saman vuoden huhtikuun 24:s päivä. Silloin hän levytti kappaleen ”Venäläinen tango”. Levyjulkaisu oli EP – levy, jonka nimi oli ”Uusia poikia – tuttuja iskelmiä”. Levyllä esiintyi neljä uutta laulajaa, joista ainoastaan Einon ura sai voimakkaan lähdön eteenpäin tulevalla pitkällä laulajan tiellä! SALIX julkaisee nyt EINO GRÖNIN CD – levyn, jonka ensimmäinen kappale on juuri mainittu ”Venäläinen tango”. Se on kansansävel ja sovittajana toimi TOIVO KÄRKI ja sanoitus tietenkin REINO HELISMAAN. Tämän Einon levyn kaikki 28 kappaletta ovat nyt ensi kertaa uudelleen masteroituina CD – levyllä! Elokuvakappaleitakin on peräti seitsemän. Aloitusvuoden 1958 syksyn levytystilaisuudesta on mukana tunnettu italialainen foxtrot ”Maliziusella” ja TOIVO KÄRJEN sävellys ”Muistatko minua milloin”. Tämän julkaisun kappaleet ajoittuvat vuosille 1958 – 1961. Mukana on hyvin tunnettuja kappaleita ja monelle tuntemattomiakin – lähinnä sen vuoksi, kun vinyylilevyjä ei juuri enää julkisesti soiteta. Tunnetuista voi mainita: ” Pieni kukkanen, Aron kuu, Tammerkoski, Kenties, Marusja, Tulipunaruusut, Sininen kuu ja Kastelholman luutnantti.” Tämän julkaisun nimikappale ”SAMETTISILMÄINEN TYTTÖNI” on TOIVO KÄRJEN komea sävellys elokuvaan ”Vatsa sisään, rinta ulos” Tämän kappaleen levytyksessä EINO GRÖNIÄ säestää TAPIO YRJÄN TANGOYHTYE. – TAPIO YRJÄ (1927 – 2011) oli monipuolinen musiikkimies, jonka soittimet olivat piano ja harmonikka. Syntyjään hän oli Salon Perttelistä. Nuorta EINO GRÖNIÄ säestää tällä julkaisulla usea tunnettu kokoonpano mm. Ronnie Kranckin orkesteri, Ossi Malisen yhtye, Taito Vainion tangoyhtye ja Matti Viljasen orkesteri. Tämä levy ajoittuu Einon neljään ensimmäiseen levytysvuoteen. Kun olen kuunnellut tämän projektin kappaleita tarkoin, niin on todettava, että jo nuoresta EINO GRÖNISTÄ huokuu suuri musikaalisuus ja tällä levyllä toimii kaikki – laulu, sekä orkesterisoitto! Julkaisu on kaikkiaan komea ja tekstin kansijulkaisuun on tehnyt itse MAARIT NIINILUOTO! |
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Salix 2013 | CD | 15.00 € |
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| Elvis - The Man And His Music - # 100 - June 2013 Elvis The Man And His Music No. 100 In the jam-packed 100th Issue: Elvis And The Racquetball Racket - The Story of Presley Center Courts Let's Go Back And Touch The Past - Essential releases from the past 25 years Carol Montgomery Interview - The former backing singer recalls working with The King All Because Of Deke Rivers... - The impact of blue denim! Elvis On Super 8 - The golden age of home cinema David English Interview - The author of 'Welcome Home Elvis', 'From Memphis To Hollywood' and 'Summer Of '61' The Dirty Dozen - 12 of the worst Elvis covers ...plus a whole lot more in this bumper, 60-page anniversary issue!!! |
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Now Dig This 2013 | Lehdet | 6.50 € |
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| Elvis Presley - Gold Records Vol. 2 - 50 000 000 Elvis Fans Can't Be Wrong the platinum collection series |
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Sony Music 2013 | CD | 6.90 € |
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| Elvis Presley - Setlist - Very Best Of Elvis Presley Live |
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Sony Music 2013 | CD | 10.00 € |
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| Francoise Hardy - Midnight Blues - Paris London 1968-1972 The events of May 1968 across France signalled the end of the yé-yé era and a new seriousness in French pop. Unlike perky domestic stars such as Sheila or France Gall, Françoise Hardy had always had a moody image – in reality she was chronically shy. A keen astrologer, this is something she has always been quick to blame on her star sign, Capricorn: “You have the longest nights, the longest absence. When the sun is in Capricorn, you are not there. You are below the horizon. You are invisible.” 1968 was also the year she retired from public performance after a rare tour of Britain. Françoise had set up her own independent Asparagus Productions in late 1967. Initially, her old label Vogue continued to distribute her records, but in 1969 Françoise signed a deal with the small Sonopresse imprint, where she would stay until 1972. For many of her fans this is the most intriguing and exciting part of her career. From the beginning of her career and into the early 70s, Françoise recorded quite extensively in English, German, Italian and Spanish, but that material is not easy to find these days. This collection, recorded variously in Paris and London between 1968 and 1972, comprises tracks drawn from her albums “En Anglais”, “One-Nine-Seven-Zero” and “Françoise Hardy” (aka “If You Listen”) and offers a very welcome opportunity to hear her perform in English. 1965’s ‘All Over The World’ had given Françoise her only UK Top 20 hit. Although she couldn’t follow it up in Britain, France remained loyal and she was still a huge star there when she made her first full, specially recorded English language album “En Anglais” in 1968. “One-Nine-Seven-Zero” – released worldwide in 1969, but never in France– was recorded at several different sessions in London and Paris, and with a number of disparate collaborators. Though its variety of studios and arrangers could have made it a patchwork, the album is held together by a clutch of songs written and produced by Tommy Brown and Micky Jones. The opening trio – ‘Song Of Winter’, ‘Magic Horse’, ‘Strange Shadows’ – are especially strong, with warm, full arrangements by Jean-Pierre Sabar. Jones and Brown also contributed ‘Bown Bown Bown’ to 1972’s “Françoise Hardy”, recorded at Sound Techniques in Chelsea with folk rock producer Tony Cox. Sound Techniques was a bit like a social club for folk musos from Joe Boyd’s Witchseason stable. The Trees album had been recorded there, as had albums by Fairport Convention and Fotheringay. The latter’s Gerry Conway and Pat Donaldson played on the sessions for Françoise’s album, along with Richard Thompson and Fairport drummer Dave Mattacks. There are precious few enough albums from this golden period of folk rock as it is; this release gives long overdue exposure to a unique coming together of the British folk underground and a French musical legend. By Bob Stanley (Ace Records) |
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Ace Records 2013 | CD | 18.00 € |
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| George Jackson - The Fame Sessions Ah, the joy of vinyl – especially the new Ace Records high quality releases. The 180 gram test pressing landed on my desk with a thump and, once placed on the deck, the needle was placed on the first groove with a satisfying thrum. So you can only imagine how much better the experience got as the sound of Fame’s classic house band of David Hood, Jimmy Johnson, Barry Beckett and Roger Hawkins emerged from the speakers. They were behind George Jackson as he demonstrated the power of a new song he had written. Any fan of Southern Soul will know that ‘I’m Just A Prisoner’ became a classic for Candi Staton but, as we have proved time and again over the last few years, George Jackson was more than capable of delivering his own songs. Mississippi-born, George had his first break in music working alongside Dan Greer at Goldwax Records in Memphis, writing songs and releasing a single in a duet with Dan. In 1967 he auditioned at Fame Studios in Muscle Shoals, where proprietor Rick Hall was looking to replace his top writer Dan Penn, who had moved to Memphis the previous year. In George, Rick found someone who not only wrote prolifically but could sing as well. As an artist, George released two singles on the Fame label and one more Fame-recorded side on Verve. However, it is quite likely that no-one wanted him to be too successful in that role, because his songs were far too important for Fame’s star artists and others who passed through the studio looking for some Muscle Shoals magic. In short order, he wrote hits for Candi Staton, Wilson Pickett, Clarence Carter and then turned out a #1 for the Osmonds. However, George wrote more songs than he could place with other artists and he also recorded non-stop. Over two CD volumes we have showcased his Fame recordings and we are now proud to present you with his first ever vinyl album from these sessions. In the style of a classic late 60s or early 70s soul album, it features 12 stunning tracks, two of which are (for now) exclusive to this release. It’s difficult to pick out favourites but I have a lot of time for ‘I Bit Off More Than I Can Chew’ (which we’ve discovered was written with James Govan in mind) and ‘Get It When I Want It’, another track written for Candi Staton. Of the new tracks, ‘Add A Little Sunshine’ and ‘That From The Heart’ are more than worthy additions to the George Jackson canon. By Dean Rudland (Ace Records) |
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Ace Records 2013 | LP | 23.00 € |
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| George Jones - The Complete United Artists Solo Singles 32 A&B sides of Hardcore 60s Honky Tonk. “Country music is like a religion to me!” George Jones once told liner notes author Holly George-Warren, and listening to this collection of the great singer’s United Artists singles from 1962-1966 will make a believer out of you. The diversity of material is astounding. You hear Jones master all the flavors of vintage country: lovelorn ballads, inspirational gospel, uptempo honky-tonk, humorous novelty numbers, old-timey murder ballads—even holiday and Western songs. United Artists was the third home for George Jones’ output since his 1954 debut on the Starday label in his native Texas. His manager and producer Harold “Pappy” Daily signed him to United Artists (UA) following a stint at Mercury, where he scored his first #1 hit, “White Lightning,” in 1959, followed by 1961’s “Tender Years.” Most of the UA recordings transpired in Nashville, with Jones backed by Music City’s A-team: guitarist Grady Martin, bassist Bob Moore, drummer Buddy Harman, pianist Pig Robbins, and Hal Rugg on steel guitar, Tommy Jackson on fiddle, and Kelso Herston on electric 6-string bass. The Jordanaires provided the background choruses, part of the Nashville Sound that Jones adopted for his hardcore country. Right out of the box at UA, Jones hit the jackpot again with his third chart-topper, “She Thinks I Still Care” backed with the gorgeous ballad, “Sometimes You Just Can’t Win,” also a hit. Both sides of the plaintive single pointed the way to the kind of material that in Jones’ hands would become his signature style, leading to such landmark recordings as 1980’s “He Stopped Loving Her Today.” “She Thinks I Still Care” almost didn’t get cut, however. It was penned by Dickey Lee, the Texas songwriter whose “Patches” would be a smash for Clarence Carter in 1970. Songwriter and producer Jack Clement, who’d left Memphis’ Sun Records behind to operate Gulf Coast Recording Studio in Beaumont, Texas, pitched it to Jones. But it wasn’t an easy sale for Clement, whose publishing company handled the song. George told him, “I don’t think I like it too much. It’s got too damn many ‘just becauses’ in it. Clement tweaked it, making it a bit more country, according to Bob Allen, who recounts the story in his 1984 Jones biography. “After [Clement] agreed to relinquish half the publishing royalties to George and the hard-bargaining Pappy Daily, George finally relented and recorded it,” writes Allen. Soon after its release, “She Thinks I Still Care” lodged at the top of Billboard’s C&W chart for six weeks. By year’s end, the smash had been chosen 1962’s “Favorite Country Music Single” by the nation’s DJs in Billboard’s annual poll. |
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Omnivore Recordings 2013 | CD | 19.00 € |
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| Helen Shapiro - Tops With Me And More |
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Hallmark Music 2013 | CD | 6.00 € |
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| Highwaymen - March On 2CD In the late 1950s it seemed as though every college in the US was spawning a folk group, and true to Jasmine's recent releases of this period which include, The Limeliters and The Brothers Four we now bring you, The Highwaymen who hail from Connecticut's Wesleyan University. This set showcases the songs: 'Big Rock Candy Mountain'; 'Michael'; 'Black Eyed Suzie'; 'The Calton Weaver'; 'Whiskey in the Jar' and many more. It's easy enough to dismiss the Highwaymen as representatives of a brand of folk music that has gone out of fashion Their kind of harmony singing, coupled to traditional songs and ballads, has seldom been written of in the decades since their heyday. However they can easily stand alongside other folk luminaries such as The Kingston Trio and The Brothers Four and had without a doubt had a major impact on the folk scene of the early 1960s. |
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Jasmine Records 2013 | CD | 15.00 € |
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| Ike & Tina Turner - It's Gonna Work Out Fine |
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Jasmine Records 2013 | CD | 12.00 € |
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| Jerry Lee Lewis - Return Of Rock / Soul My Way two albums from 1965 and 1967 on the same CD. 23 tracks |
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BGO Records 2013 | CD | 17.00 € |
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| Jimmy Reed - Ain't That Loving You Baby 2CD With his simple, recognisable and accessible sound, Jimmy Reed was perhaps one of the most commercially successful blues artists in the USA in the '50s and '60s, if not of all time. This is the most comprehensive collection of his earliest recordings ever released and is the first time ever on CD that all his A and B sides have been compiled chronologically in one collection. Features all the Jimmy Reed classics that you would expect: 'Baby What You Want Me to Do'; 'Bright Lights Big City'; 'Honest I Do'; 'You Don't Have to Go'; 'Going to New York'; 'Ain't That Lovin' You Baby' and 'Big Boss Man'. Fully Detailed liner notes with biography and career achievements. |
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Jasmine Records 2013 | CD | 15.00 € |
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| Johnny Burnette - Roses Are Red |
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Hallmark Music 2013 | CD | 6.00 € |
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| Johnny Copeland - It's Me - Classic Texas Soul 1965-72 2CD At the time of his death 15 years ago, Johnny Copeland was regarded as one of the world’s premier blues artists, a Grammy-winner with a strong body of work behind him. Success had come late, preceded by almost 30 years of working hard to make a living. In those years he recorded extensively, building a catalogue of 45s that did little to advance his career, despite their unbridled excellence. Many of those 45s fell into the hands of appreciative soul and blues collectors around the world, establishing Johnny as a cult hero whose work was always worth a listen. Johnny had been working for a decade when he entered into a professional relationship with producer Huey Meaux in 1964, but it wasn’t until he came under Huey’s wing that his records found their way beyond Texas and onto bigger labels. Huey recognised Johnny’s talent and recorded him extensively. The records they made together form the basis of this important new 2CD set. “It’s Me” is the most comprehensive collection of Johnny’s mid-60s to early 70s recordings ever assembled. Here you’ll find Huey Meaux-produced Wand, Suave, Jet Stream, Boogaloo and Wet Soul singles, material Johnny either sold to or cut directly for Kent-Modern in the early 1970s, two rare duets he recorded with South Texas R&B heroine Miss La Vell White as Johnny & Lilly, sides submitted to Wand for a proposed album that never happened, previously undocumented songs, and some fabulous vocal/guitar demos, some of which have never been issued before. None have ever sounded better than they do here, thanks to extensive vault research undertaken by me and my colleague Alec Palao in 2012. (Due to the disappearance or deterioration of a few tapes, fresh dubs were made and remastered from scratch.) I first heard Johnny Copeland when my old pal Tony Cummings sat me down and played me ‘Dedicated To The Greatest’ almost 45 years ago. The power and soul in his voice made me an immediate fan. It’s been a true honour to work on a project that at last puts this classic material into the context it’s always deserved. By Tony Rounce (Ace Records) |
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Ace Records 2013 | CD | 25.00 € |
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| Johnny Rivers - This Could Be The One Although it wasn't until 1964 when Johnny Rivers finally became a star with his hit 'Memphis' he had a career going back to 1958. Here we have the earliest recordings of the 60s superstar getting their most comprehensive reissue yet! He recorded rockabilly and beat ballads and examples of all of his early attempts at a hit are featured on this full length CD. Anyone entranced with the roots of 60s pop can't help but be hooked on this collection. Fully Detailed liner notes with biography and career achievements. |
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Jasmine Records 2013 | CD | 13.00 € |
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| Kustom Kings - Kustom City U.S.A. Prior to becoming a full-time Beach Boy and well before he wrote the song that made the whole world sing, Bruce Johnston was a key member of the West Coast music scene. In 1959, while still in high school, Johnston played piano on friend Sandy Nelson's hit single, "Teenbeat." This opportunity kicked off an incredibly prolific period for the young musician. Johnston recorded under his own name as well as many group names, playing with the cream of the California session personnel, The Wrecking Crew. He also made records with his friend Terry Melcher until Melcher moved on to pursue record producing full time. Johnston was producing as well but saw no reason to stop his musical pursuits. Songwriter, vocalist, producer, session musician—if the surf and hot rod scene had a renaissance man, surely it was Bruce Johnston. By 1964, Johnston was already a proven veteran. Following up the success of The Rip Chords collaboration with Melcher and its hit single "Hey Little Cobra," Johnston revved up The Kustom Kings. With a mission statement "to present the most authentic hot rod album on the market," the Kustom City U.S.A. album brought together an all-star team. Bruce Johnston wrote and co-wrote much of the LP's material, as did producer/arranger/saxophonist Steve Douglas. Rounding out the band were guitarists Tommy Tedesco and Glen Campbell, Ray Pohlmann on bass, Jay Migliori on second sax and Hal Blaine on drums—WOW! For added authenticity, car designer George Barris, "THE KING OF THE KUSTOMIZERS," jumped on board as a special adviser. He, along with several of his rolling works of art, is pictured on the album's artwork. Looking at the full-color front cover slick, you can practically smell the burning rubber and fresh coats of paint! The too-cool visuals are just a bonus, however, because the REAL story is the music! A hi-octane mix of vocal tracks and charging instrumentals, there is not a second of filler to be found among the twelve tracks. Tedesco and Campbell lock in gripping guitar duels while Douglas and Migliori wail over the timing belt beat of Blaine and Pohlmann. Johnston contributes superb vocal and piano work and together, the Kustom Kings jam the accelerator down to floorboard! An album this magnificent should have ruled the charts, but things were moving quickly in 1964 and the public's attention soon turned elsewhere. Through the ensuing years, word of Kustom City U.S.A. and its brilliance spread through the collector scene, with copies of the LP changing hands for considerable sums. And now, just when you thought the tank was on E, Sundazed roars in with a maniacally marvelous reissue! Sourced from the original stereo masters, Kustom City, U.S.A. has been tuned up and restored to showroom condition. |
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Sundazed Music 2013 | LP | 20.00 € |
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| Marvelettes - Playboy By the time Playboy was released in July 1962, it was the third Marvelettes album in just eight months, althoughboth of the predecessors had struggled for acceptance.Playboy is a much more consistent album than Please Mr Postman, despite lacking that number one smash,and unlike Smash Hits of 62 features an abundance of material written with the group in mind, such as Playboy,Beechwood 4-5789 and Someday Someway.Whilst the achievements of The Marvelettes would eventually be surpassed by The Supremes, this album showsthey were worthy of their lofty mantle in 1962 - Motowns first breakthrough act. |
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Hallmark Music 2013 | CD | 6.00 € |
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| Mary Wells - Bye Bye Baby Jasmine is proud to present the first lady of Motown, Mary Wells with this wonderful compilation of sublime early Motown hits and recordings. Features 1961's 'Bye, Bye Baby/I Don't Want to Take a Chance' and 1962's 'The One Who Really Loves You' and four bonus singles which include the R&B No. 1 'Two Lovers'. Other hits include: 'Bye Bye Baby'; 'The One Who Really Knows' and 'You Beat Me to the Punch'. These recordings led The Beatles to invite her onto their first US tour and a few years later inspired the early beat groups that led to the British invasion. |
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Jasmine Records 2013 | CD | 12.00 € |
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| Mary Wells - Bye Bye Baby - I Don't want to take a Chance originally released 1963 |
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Rumble Records 2013 | LP | 18.00 € |
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| Merle Haggard - The Complete '60s Capitol Singles Merle Haggard is a household name, one of the best-known country music singers of all time. He is a member of the Country Music Hall of Fame, and the awards, honors, and accolades in his long career are too numerous to list. Haggard is simply one of the greatest country music stars in the history of the genre. From “Swinging Doors” in 1965 until the end of the decade, Haggard had an incredible string of hit records. “The Fugitive” (b/w “Someone Told My Story”) was his first #1 single, and was a composition by Liz Anderson, Lynn Anderson’s mother. “I Threw Away The Rose” b/w “Loneliness Is Eating Me Alive” went to #2 on the charts in late 1966. “Branded Man” went to #1, and was backed by a remake of an earlier Tally number (co-written by Joe “Red” Simpson), “You Don’t Have Very Far To Go.” “Sing Me Back Home” b/w “Good Times” was another #1 smash, in the fall of 1967. “The Legend Of Bonnie And Clyde” b/w “I Started Loving You Again” was yet another chart topper. As told in an interview with the collection’s liner notes author, Haggard wrote “Workin’ Man Blues” because he “needed my own ‘Folsom Prison Blues,’ I needed a song that would express my way of life—I wanted it to be a blues song, and I wanted it to be in the key of A.” Astute musicians will note that the song was originally recorded in the key of A flat, but regardless, “Workin’ Man Blues” became a blue-collar anthem, and is still one of his most popular songs. When the song was released in June 1969, backed with “Silver Wings,” it again topped the chart at #1. This collection closes with Merle Haggard’s final single of the 1960s: “Okie From Muskogee.” The song drew strong reactions as Haggard and The Strangers were testing it out on audiences before recording it, and according to pedal steel guitarist Norm Hamlet (Strangers 1967-present), “The first time we played it, the audience just went crazy. We knew it was going to be huge.” The single was indeed another #1 smash, but it was also something else entirely. It was the song that would change Merle Haggard’s career. |
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Omnivore Recordings 2013 | CD | 19.00 € |
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| Miles Davis - Sketches Of Spain originally released 1960 by Columbia Records |
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Music On Vinyl Records 2013 | LP | 20.00 € |
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| Mouse And The Traps - Fraternity Years Mouse & the Traps are known principally for their “Nuggets” classic ‘A Public Execution’, a Dylan cop so brazenly authentic it even had the hallowed bard’s promo men fooled. Based in the city of Tyler, Texas and evolving from a group of pickers who populated Robin Hood Brians’ recording studio, Mouse (Ronnie Weiss) and his band ruled the region in the latter half of the 60s. The Traps made a name for themselves not only with some incendiary performances but several regional hits, with ‘Execution’ making the national charts in 1966. Signed to the venerable Cincinnati indie Fraternity, for whom they were to cut a dozen singles, for years there were rumours amongst collectors that a Mouse & the Traps LP existed on the label. There never was, but now Big Beat has decided to condense the contents of their well-received Mouse & the Traps CD anthology “The Fraternity Years” into one all-killer vinyl edition. It’s the kind of power-packed set fans would have hoped for back in the day, as the record showcases the band’s two very different but nevertheless compatible sides. On stage they were known for a tight and rocking showmanship, yet in the studio they expertly crafted folk-rock and pop gems with a deft production touch from Brians that oozed commercial appeal. Each single release coupled speaker-shredders such as ‘Maid Of Sugar’ and ‘Lie, Beg, Borrow And Steal’, with radio-friendly items such as ‘Like I Know You Do’, ‘Cryin’ Inside’ and an almost-but-not-quite smash in ‘Sometimes You Just Can’t Win’ (as a bonus, it is featured here in a rare and previously unissued incarnation from late 1966, before being sweetened for eventual release). Now, the best of the band’s recorded output has been newly remastered for wax. With such a precise distillation of their recorded legacy, the world can once again marvel at the quality and consistency that seemed to come naturally to Mouse & the Traps. “The Fraternity Years” LP is a fitting tribute to these fine musicians. By Alec Palao (Ace Records) |
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Ace Records 2013 | LP | 25.00 € |
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| Nathan Abshire - Master Of The Cajun Accordion After some 20 years, Ace Records’ Nathan Abshire 2 LPs-on-1 CD has been totally revamped by John Broven. With stunning new mastering, the track sequencing better reflects the recording chronology in the distinct periods with the Pine Grove Boys and then the Balfa Brothers, with the addition of ‘French Blues’ to complete the Swallow output. The now-sumptuous booklet features an essay by Lyle Ferbrache based on his original research with members and families of Abshire’s Pine Grove Boys; a comprehensive song analysis with sterling contributions from Ann Savoy and Neal Pomea; a first-ever attempt at a discography with personnel; many vintage photographs; and LP and label scans. The end result is one of the most listenable and enjoyable Cajun CD releases ever, by one of the music’s most revered musicians. Lyle Ferbrache on his landmark research on Nathan Abshire’s Pine Grove Boys: During my first visit to Louisiana in 1987, the Tower record store in New Orleans had just opened and I bought a handful of Swallow 45s. The one that stood out was Nathan Abshire and his Pine Grove Boys performing ‘Offshore Blues’ with Thomas Langley vocalising. I liked the record so much I bought 10 copies from Floyd’s record shop in Ville Platte and gave them to friends. Who was this band? In the period that followed I bought various artists Cajun LPs and was always frustrated by the lack of comprehensive liner notes – this was in the pre-Internet days. By this time Cajun music had really gotten a hold on me. I was so fascinated by the sound of the music I sold my near-complete collection of Excello records and went on a Cajun buying spree. I started going to Louisiana more often and soon tracked down the only surviving member of the original band, Ernest Thibodeaux, along with Bernella Frugé, wife of the band’s first steel guitarist, Atlas Frugé. With their help I was able to piece together the early history of the band … but there was nothing on Thomas Langley. The more musicians I met, the more convinced I was that I had made the right decision to concentrate on Cajun music. My quest to research the poorly documented recording information on Nathan Abshire and his Pine Grove Boys led me to publish the magazine Louisiana Music with Andrew Brown in 2010. For the first time, accurate recording and personnel information had been accounted for. But the story only took in the band’s early years at O.T., Hot Rod and Khoury’s from 1949 through 1958. My next mission was to do the same research for the Kajun and Swallow recordings of the 1960s and 70s. My big break came when I obtained the phone number of Helen Langley, Thomas’ wife. I was saddened to learn that I was a little too late; Thomas had died a few months before. Fortunately, Helen was a big fan of the Pine Grove Boys and had most of the important information I needed to complete the band’s history. Over the years of doing interviews with her I was able to understand the band and its members, from their time recording for J.D. Miller’s Kajun label in Crowley to their final recordings at Swallow Records with Floyd Soileau in Ville Platte. I am very proud of Ace for taking on this historically important project and giving it the respect it deserves. |
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Ace Records 2013 | CD | 18.00 € |
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| Paul Anka - Dinacally Yours |
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Bear Family 2013 | CD | 17.00 € |
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| Paul Evans - Folks Songs Of Many Lands / 21 Years In A Tennessee Jail First time on CD for these rare albums recorded during the US folk boom of the early 1960s. I grew up listening to popular music with my family, singing folk songs at hootenannies and learning to love country music by listening with my buddies to Barkin With Larkin, an AM country radio show. For my high school variety shows, I chose two Caribbean folk songs made popular by Harry Belafonte. But those loves of my life were only the beginning for me. It was the southern rockabilly artists that had me running to the Brill Building, the pop music Mecca in the heart of New York City. That musical trichotomy – folk, country and pop – has haunted me my whole recording career long. My professional musical life began when I was a student at Columbia University, where I hosted a folk song show on the campus radio station. My first hits were on the Guaranteed label. Unfortunately its parent company, Carlton Records, couldn’t quite figure out what to do with me after those hits. They released two wildly different LPs simultaneously in 1961: “Hear Paul Evans In Your Home Tonight” (a collection of my hits and some pop covers) and “Folk Songs Of Many Lands”, my pride and joy folk album. “Folk Songs Of Many Lands” was recorded at Associated Recording Studios in New York City over the course of a month. The musicians were my studio regulars: Buddy Salzman (drums), Charlie Macy, Al Gorgoni and Everett Barksdale (guitars), Dick Romoff (bass), Frank Owens and Leroy Glover (piano). I was invited to perform my folk repertoire at St Thomas University, a Roman Catholic liberal arts university in New Brunswick,Canada. The students were predominantly Irish by their reaction. They went wild for ‘Wearing Of The Green’ and ‘Kevin Barry’, and, I think, forgave me for singing ‘British Grenadiers’. In 1962 I found a spot recording for a man who had started out his music business career selling records from the back of his car and had risen to become one of music business’ most respected figures, Dave Kapp. Like Carlton, Kapp Records was one of the bigger independent labels in New York and had enjoyed many hits by Roger Williams, Jane Morgan, Jerry Keller, Brian Hyland and Jack Jones. When I met Dave, he told me my recording career had slipped because I was too vocally versatile. We had to find one style and stick to it. So what did they do? They released six pop singles and one country/folk LP. That album was “21 Years In A Tennessee Jail” in 1963. Kapp’s executives respected my album, but thought the title and artwork were holding back sales. So they re-released it some three years later with a new title, “Another Town – Another Jail”, and new cover artwork. An album of prison songs was the label’s idea, but the song choices were mine. The Kapp album shares many things with “Folk Songs Of Many Lands”: many of the same musicians, the same studio, the same recording technique and, most importantly, the folky quality of the country material. The songs are either traditional: ‘Betty And Dupree’s Blues’, ‘Columbus Stockade Blues’, ‘John Hardy’, or written in the traditional style: ‘Another Town – Another Jail’ (penned by Jack Reardon and me), ‘I Got Stripes’, ‘Allen town Jail’. For this first-time reissue of these two LPs, as a bonus Ace has added my 1960 hit, ‘Midnite Special’. It is a Southern folk song based on aTexasjail legend that said if the light of the Midnight Special train shined into your cell at the stroke of midnight, you’d be freed. By Paul Evans (Ace Records) |
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Ace Records 2013 | CD | 20.00 € |
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| Pipeline # 91 - Spring 2013 BILL KUY LOS ROCKEROS ROGER LaVERN BIG JIM SULLIVAN DUANE EDDY NOKIE EDWARDS THE VENTURES' BEETHOVEN FIVE-OH AND THE BEST IN INSTRUMENTAL REVIEWS |
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Pipeline Magazine 2013 | Lehdet | 6.00 € |
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| Pretty Things - Introducing The Pretty Things 2CD |
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Snapper Music 2013 | CD | 12.00 € |
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| Ray Charles - Modern Sounds In Country And Western Music Vols 1 & 2 Merging the sounds of '50s R&B with the power of gospel vocals may have been conceived by some as the devils work, but as we all know, Ray forged quite the career out of it and became a pioneer and a major influence by devising a whole new form of black pop music. It is here though that we have both volumes of 'Modern Sounds in Country Music' with their wonderful, unique and groundbreaking fusion of jazz, R&B and C&W. The first volume topped the US LP charts for 14 weeks, selling an estimated two million copies, and span off two multi-million-selling singles: 'I Can't Stop Loving You'/'Born to Lose' and 'You Don't Own Me'/'Careless Love'. The second volume sold a million copies and yielded three further hits: 'You Are My Sunshine', 'Your Cheatin' Heart' and the million selling 'Take These Chains from My Heart'. Also included are two bonus tracks which include yet another million-seller in the form of 'Georgia on My Mind'. If you only ever bought one Ray Charles compilation, it would have to be this one! |
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Jasmine Records 2013 | CD | 12.00 € |
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| Ricky Nelson - Ballads Of Ricky Nelson |
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Bear Family 2013 | CD | 18.00 € |
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| Sandy Nelson - Teen Beat 1959-1961 2CD The late '50s/early '60s were the 'Golden Era' for Rock & Roll Instrumentals and Sandy Nelson was by far the biggest drum star of the era. Already a well-known session drummer by the time he was in his late teens, his first solo record, 'Teen Beat', became a million-selling worldwide hit in 1959. In 1961 he scored an even bigger international hit with 'Let There Be Drums', which in turn span off a million-selling LP of the same title. On this compilation we also feature his first seven singles plus his first three LPs. Much of this material has been unavailable on CD for many years. |
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Jasmine Records 2013 | CD | 15.00 € |
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| Santo & Johnny - Around The World With |
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Jasmine Records 2013 | CD | 12.00 € |
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| Shadows - Out Of The Shadows |
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Hallmark Music 2013 | CD | 6.00 € |
